Wednesday, July 6, 2011
Dhananjoy Bhattacharya sang in the golden age like a King.
Dhanonjoy Bhattacharya sang in the golden age like a King .
Dhanonjoy Bhattacharya sang different songs in Bengali during the golden age, that is the 50s, 60s and 70s like a King. He was the one of the legendary classical singer of Bengal of the 50s and 60s, who showed his excellence in films songs, Bengali modern songs and shyamasangeet. He did not get the recognition he deserved as the major attention of the media was focused only towards Hemant Kumar, the romantic singer of Bengal, but along with Manobendra Mukherjee, Manna Dey, Akhilbondhu Ghosh, Satinath Mukherjee and others, Dhanonjoy’s classical touch inspired the composers to compose pure classical and semi-classical songs.
His film song “jibon parabarer majhi” written by Sailen Roy and composed by Robin Chatterjee is an example of a divine song having words about God. He sang “e maya proponchopmoy” devoted to Goddess Kali in the film Sare Chuattor in 1953, which was composed by Kalipada Sen. His notable basic discs during that period included “andhar ratri” composed by Robin Chatterjee, “bhalobesechinu bhulona”, “chena chena mukh sari sari” composed by Sudhin Dasputa, “mon re krishi kaj janona” composed by Ram Prashad Sen, “ e mon modhur dhoni”, “mukto karo ma muktokeshi” to name a few.
Dhanonjoy’s evergreen modern songs included “matite jonmo nilam” composed by Prabir Mojumdar, “kabir kheyale premomoy tumi samrat shahjahan” composed by himself, “jhanana jhanana baje” composed by Salil Choudhury, “ei jhir jhir jhir batashe” composed by Sudhin Dasgupta, “ruma jhuma jhum” composed by Rotu Mukherjee, “antabihin oi andharater” composed by Salil Choudhury, “shilpi moner bedona”, “tandra elo bolo jaagi kemon kore”, “chameli melona ankhi”, “bashorer deep aaj” to name a few. The song “matite jonmo nilam” was composed by Probir Mojumdar on the background of sacrifice made by Indians during the freedom movement. Dhananjoy Bhattacharya gave able expression in the song.
There were other impressive songs of Dhananjoy Bhattacharya including “hridoye mor rakto jhore”, “hai cholona” and “ogo guni bajao suni”. There were few Bengali version songs sung by Dhananjoy Bhattacharya based on the bollywood songs that were composed in films. Few of them include “shono go priyotama” which was based on Lata Mangeshkar’s epic song “ayega anewala” composed by Khemchand Prakash in the film Mahal. There were other songs like “sono sono kothati sono” based on the song “chori chori”. Dhananjoy Bhattacharya was sublime in songs based on somber mood like “bidae nite ki ele” and “kotodin dekha hoyni dujone”. His bass and classical elegance stands out in these evergreen songs.
Dhanonjoy Bhattacharya acted in Bengali films like Pasher Bari (which was remade in hindi with the title Parosan where Kishore Kumar played his role), nobo bidhan, etc. His brilliant songs in Bengali films included “jagannath swami gamanapathagami bhabatue” sung in the film Nilachole Mahaprobhu, composed by Raichand Boral, “jhir jhir jhir jhir jhir borosha” in the film Pasher Bari, composed by Salil Choudhury, “katharo aghate chinno paye rokto jhare” in Uttam Kumar’s film Sabar Upare, composed by Robin Chatterji, etc. He made major contribution in Uttam Kumar’s film Nabajanmo, Uttam Kumar’s film Shilpi, etc.
Besides, Dhanonjoy Bhattacharya had sung more than 200 shyama sangeet (devotional songs sung for Goddess Kali). Some of his legendary shyama sangeet included “e maya proponchomoy” in the Uttam Kumar’s film Share Chuattor, “gaya ganga prabashadi” in the film Rani Rashmoni, also major songs in the films Sadhok Bamakhepa and Joto Mot Tato Poth. His brother Pannalal Bhattacharya became a legend in the world of Shyama sangeet.
Dhanonjoy died in the early 1990s, after leaving a huge treasure of classical songs and still remains a king (samrat) in the minds of numerous music lovers in the country. His songs and works should be preserved and restored.