The Death of Rishi Kapoor shocked the nation.
Rishi Kapoor died on 30th April 2020 and shocked the nation. One day ago the country was devastated with death news of talented actor Irfan Khan. Rishi Kapoor suffered from cancer and died at an of 1967. He is alive in his works. The viewers of bollywood films wished happy birthday to Rishi Kapoor on 4th September 2019. He had remained one of the most romantic actors that bollywood had ever produced.
He started his career as a child artist in Raj Kapoor’s film Mera Naam Joker in 1971. He stormed bollywood films with his romantic performance in the film Bobby in 1973. The film did great business and Rishi Kapoor received the filmfare award for the best actor for his performance in Bobby. Raj Kapoor as producer and director started a new innings with a new team of Laxmikant Pyarellal as against Shankar Jaikishan after the death of Jaikishan in 1971. LP had huge contribution in the music of the films of Rishi Kapoor for the next ten years.
From that time onwards Rishi Kapoor remained one the most romantic actors in bollywood films. His films Amar Akbar Anthony in 1977, Laila Majnu in 1976 and Sargam in 1978 were the greatest musical blockbusters of the 70s. The songs composed by Laxmikant Pyarellal, Jaidev and Madanmohan in these films became everlasting hits. The notable songs of Rafi and Lata in this film included “koel boli”, “parda hai parda”, “dafliwale”, “barbad muhobbat ki dua”, “is reshmi pazeeb”, to name a few. LP received the filmfare award for the best composer for 3 Rishi Kapoor’s films namely Amar Akbar Anthony, Sargam and Karz from 1978 to 1980.
Rishi Kapoor’s extraordinary capability of giving lips in these songs separated him from other actors of that era. His films Zamane Ko Dikhana Hai, Hum Kisi Se Kum Nahi and Karz created history. He showed his dancing skills in every type of songs of Rafi and Kishore including “hai aga dushman zamana”, “bacchna aye haseeno”, “dard –e- dil”, “om shanty om”, “puchona yaar kya hua”, to name a few. RD Burman and Laxmikant Pyarellal probably gave their best music to Rishi Kapoor in the 70s and 80s.
In the 80s, Rishi Kapoor’s films Duniya, Sitamgar, Saagar, Chandni, Cooli, Naseeb, did fantastic business. He got the opportunity of acting opposite stalwarts in the industry namely Dilip Kumar in Duniya, Dharmender in Sitamgar, Kamal Hassan in Saagar, to name a few. In fact due to presence of Rishi Kapoor, producers and directors created romantic stories during an era when Big B, Vinod Khanna, Shatrughun Sinha dominated bollywood with action films. Even in the 90s, Rishi Kapoor’s films Bol Radha Bol, Damini, etc., were appreciated by the audience. He was successful opposite young actresses like Juhi Chawla, Meenakshi Sheshadri, who were one generation younger than him. He had great contribution in the films of eminent directors like Yash Chopra, Manmohan Desai, Subhash Ghai, Ramesh Sippy, David Dhawan, and others.
After the debut of his son Ranbir Kapoor in the film Sawaariya, Rishi Kapoor switched to character roles. In 2009 also Rishi Kapoor did well in films like Dilli 6, Pyar Me Twist, Luck By Chance. He received Star Screen award for the best supporting actor in 2010 for his performance in the film Love Aaj Kal. In 2010 he acted in the films Chintuji and Sadiyaan.
2012 had been an excellent year for Rishi Kapoor. At the beginning of the year he acted in a negative character for the first time in his career in the film Agneepath. The film with hero Hrithik Roshan had done business of more than 125 crores. His other film Housefull 2 with Akshay Kumar had become super hit too. It also had done business of more than 110 crores. He is experimenting with new characters in this part of his career. He received best villain award for his performance in the film Agneepath. In 2013, he had acted in the films Chasme Baddoor and Besharam. In 2015 his performance in the film All is Well was very well appreciated.
With his death the 3 generation actors Prithviraj Kapoor, Raj Kapoor and Rishi Kapoor ended. It is an irreparable loss to the industry.
Remembering Tragedy Queen Meena Kumari on her birth
The viewers of bollywood films remembered Tragedy Queen Meena Kumari both on her birth anniversary on 1st August, 2018 on her death anniversary on 31st March, 2019. Meena Kumari can be considered as the greatest actress of Bollywood during the golden age who had portrayed images and characters showing complexity of the mind of the Indian women and the social ostentations that they had faced during different periods of time. Meena Kumari, born on 1st August, 1932, known as Mahjabeen Bano, stormed into the Indian silver screen in 1952, with the sublime performance in Baiju Bawra. Although the film had been renowned for everlasting composition of Hindustani ragas by Naushad and supreme performance of Mohammad Rafi, with songs like “man tarpata”, “woh duniya ke rakhwale”, etc., Meena Kumari’s performance opposite Bharat Bhushan showed the filmlovers that she had come to conquer Bollywood with her soft style of acting.
In the 50s Meena Kumari’s performance in films like Parineeta, 1953, Footpath, 1954, Yahudi, 1958, etc. were appreciated by critics, but she had created her image of martyr in the film Sharda, 1957, where even after having an affair with Raj Kapoor, in the film she had to sarcrifice her affection to marry Raj Mehra, his father, who was much older than her. In Dil Ek Mandir, 1963, Meena Kumari after having affair with Rajender Kumar in her youth had to marry Raj Kumar, due to social pressure. But from the time she had married Raj Kumar, she fulfilled all the duties of a middle class Hindu woman, and brought her sick husband to the hospital at the mercy of Rajender Kumar. She prayed to God, for the recovery of Raj Kumar. Rajender Kumar sacrificed his life to treat her husband and died at the end of the film. The songs composed by Shankar Jaikishan and sung by Rafi and Lata, had not lost their significance even today.
In 1962, Meena Kumari, performed the role of choti bahu, in Guru Dutt’s Saheb Bibi aur Ghulam, the film showing the zamindari raj (dominance of Feudal lords) existing in the British capital in India, that is Kolkata. She was married to the youngest son in a family of zamindars who used to attend mujras in Jaan bazaar, in Kolkata, where performers from Lucknow, Benaras used to come and exhibit their skills of singing classical songs. She tried to retain her husband Rehman at home, and through her conversation, Guru Dutt, the observer came to know about the history of the family.
Meena Kumar’s performance opposite Pradeep Kumar, used to create a different dimension, as her pardanashin image had matched with royal style of acting of Pradeep Kumar. After the success of Aarti, 1962; Meena Kumari, acted in the blockbusters Bheegi Raat, 1965, and Bahu Begum, 1967, opposite Pradeep Kumar and Ashok Kumar. In Bheegi Raat, she loved Pradeep Kumar, yet due to an accident which made her legs paralysed she could not attend the engagement and worked in the house of Ashok Kumar as governess. When society boycotted Ashok Kumar, she agreed to marry her, but presence of Pradeep Kumar at the end of the film in the song “dil jo na keh saka” compelled Ashok Kumar to sacrifice his affair and go back to London. It was a film where, Rafi, Lata, Roshan and the actors all had provided their best performance possible. Meena Kumar’s other film with Pradeep Kumar titled Chitralekha was also successful.
Meena Kumari had become immortal with her classic performance in the film Pakeeza, 1971, opposite Raj Kumar, which took around 10 years to be completed. It was created on a subject related to women brought up in kotha and exhibited the class of women who could not give the recognition to their next generation as their father’s are not known. The music composed by Ghulam Mohammad, Lata and Rafi’s songs, Kamal Humrohi’s direction (the husband of Meena Kumari) all complemented each other, and the film became historical piece of document.
The greatest hallmark of Meena Kumari lied in her ability to depict the helplessness of Indian women existing specially in the 50s and 60s, when the patriarchal society dominated them and they had no independent income to live separately against the pressure of society. In her performances, beauty, aristrocracy, tragedy, personality all blended into one. Whenever we think about cine-classics like Dil Apna aur Preet Parayi, 1960, or Ghazal, 1965, Meena Kumari’s image automatically comes in our mind. She died in 1972, only at an age of 41. Meena Kumari’s films should be restored in an archive for future generations to learn the art of understanding the characters from the core of the heart the way Meena Kumari had done during the golden age of Indian cinema.
Shiboprasad Mukherjee and Anindya Chatterjee promoted film Posto in Zee Bangla Apur Sangsar.
Director Shiboprasad Mukherjee and singer Anindya Chatterjee promoted Bengali film Posto in Zee Bangla Apur Sangsar. The film had been released on 12th May, 2017.
Saswata Chatterjee took interview of Anindya Chatterjee and Shiboprasad Mukherjee. Anindya Chatterjee said that during college days they used to write songs, compose tunes and sing them. Then the idea came that they could create a band and record the songs. Upal and others came up and the band Chandrabindo came up. They already had created 9 basic albums till now. They are working on the 10th album which is a kind of achievement on their part. The songs became popular and they all got live shows in different parts of the country.
Shiboprasad Mukherjee appreciated the film made by Anindya Chatterjee called Open T Bioscope. When Saswata Chatterjee asked Shiboprasad Mukherjee about his journey as director, he said he initially wrote scripts for Television serials. From there came to develop skills and started writing script for entire films. He faced problems in finding producers for his films in the initial days. His film Ichhe for the first 2 to 3 days did not get audience. But from words of mouth once people came to know that the film had content, the later shows became houseful. His recent films Ramdhanu, Belasheshe, Pratton, all had ended up being blockbusters.
He told that Posto was the story of a small boy. The boy was nurtured by grandfather Soumitra Chatterjee and grandmother Lily Chakraborty. His father Jishu Sengupta and mother Mimi Chakravarty did not have time as they had working commitments.
All of a sudden Jishu Sengupta decided to have the child with him and take care within his custody. The decision took a rough shape and ended up as a court battle. It was up to the Court to decided who should have custody of child Posto, whether the grandmothers or the parents. So that was the substance of the film.
All the artists, Soumitra Chatterjee, Jishu Sengupta, Lily Chakravarty did well and the small child Posto did a fabulous job. Presently Shiboprasad Mukherjee and Nanditaji had created a great reputation in film making. So again it is expected that audience will flock in big numbers to see the film. Saswata Chatterjee wished best of luck for the film.
The nation remembered Satyajit Ray on 23rd April, 2019.
The nation remembered Satyajit Ray on his death anniversary on 23rd April, 2020
. Not only he was the recipient of the prestigious Oscar awards, he was the path-breaker in Indian films who taught the next-generation the art of story-telling.
In 2010, Society had celebrated the 89th birth anniversary of the legendary director by showcasing some of his notable works like ‘Agantuk’, (The Stranger), ‘Jalsaghar’, (The Music Room), ‘Charulata’, (The lonely wife). The films were shown in Cinemax, Metro Big Cinemas and NCPA. After the films were shown, the significance of such films was discussed by Bhawna Somayya, ex-editor of Screen, filmmaker Sujoy Ghosh and film academicians from all across the country. Besides, discussions were held to highlight the contribution of Ray as a writer, an illustrator, an activist of the film society movement and a filmmaker.
Internationally acclaimed directors like Shyam Bengal, Adoor Gopalakrishnan, were greatly influenced by Satyajit Ray’s films like Apu Trilogy, Jalsagar, Nayak, Mahanagar, etc., and they themselves became eminent story-tellers of the following period. The use of nature, the birds, and background, and the use of theme music in translating an unknown event to a group of individuals had enchanted the thoughtful directors all across the world. Even directors of the present period like Goutam Ghosh are influenced by the works of Satyajit Ray. He made Abar Aranye which was a sequel to Satyajit Ray’s film Aranyer Dinratri. A personality like Ray could only make a film like Kanchenjungha, where the greatness of the Himalayas overshadowed the ego of a materialistic industrialist played by Satyajit Ray.
An important part of Satyajit Ray’s creations include his literature on diverse subjects. While his Sandip Ray had taken the challenge of converting the Feluda Series into feelings, his literature relating to horror-based subject matters, his series of 12 stories are yet to be converted into films. Sandip Ray’s films Bombaier Bombete, Kailashe Kelenkari, Baksho Rahasya, based on epic literature of Ray had got good response from the viewers.
But Ray’s brilliant stories in the 12 series like Ebaro Baro, Aro Baro, Ek Dojon Goppo, Aro Ek Dojon, Eker Pite Dui, are yet to see the light of celluloid. Ray’s stories like Khagam, based on the theme of human being converted into a snake, Pterodactyler dim, based on the prehistoric era, Fritze, based on the topic of life in a doll, Asomongobabur Kukur, based on the weird mannerisms of dogs, had bewildered the readers.
If such stories are adapted and made into films, the viewers will enjoy them to the brim. The legacy of Ray whether in the form of neo-realistic films like Pather Panchali, or suspense –thriller stories relating to Feluda Series or Professor Shanku, still continues, even 18 years after his death. The stories should be translated in different languages, and films should be preserved and restored.
Happy birthday to Rajesh Roshan.
The viewers of bollywood films wish happy birthday to Rajesh Roshan on 24th May, 2018. Being the son of Roshan Lal Nagrath, Rajesh Roshan had a great task of matching the great performance of his father as a composer.
He was born in 1955. Although his compositions did not have the classical touch, he composed catchy tunes which attracted the attention for the viewers. He received the filmfare award for the best composer for his brilliant composition in the film Julie in the mid-70s. He composed excellent music in Rishi Kapoor’s film Aap Ke Diwane. Rishi Kapoor, Rakesh Roshan and Tina Munnim were the lead performers in the film. All the songs sung by Mohammad Rafi and Kishore Kumar were super hit including the songs “tumko kush dekhkar”, “aap ke diwane hai”, etc.
He gave good music in Big B’s film Yaarana. Kishore Kumar’s song “chukar meri manko” became big hit. From the 1990s, he concentrated more on composing music in his brother’s films, that is Rakesh Roshan’s film. All the songs of the film Karan Arjun became super hit including “suraj ki peheli kiran se”, “bhangra bole”, etc. The film also became super hit.
The music that he composed in Hrithik Roshan’s films became landmark hits. All the songs of Kahona Pyar Hai, were super hit including “pyar ki kashti me”, “haseeno ki mehfil”, etc. All the songs of the film Koi Mil Gaya became super hit including the title song “koi mil gaya”.
All the songs of the film Krissh became super hit including “dil na liya”, “chori chori chupke chupke”, etc. He also won the filmfare award for the best music director for the composition of music in the film Kahona Pyar Hai in 2000.
In 2010, the viewers expected good performance from Rajesh Roshan as well for the film Kites. It had been produced by Rakesh Roshan with Hrithik Roshan playing the lead role. Always when the dream combination had worked together they had created magic. Although the music was appreciated the film could not do good business due to use of Spanish which was not understandable to the common masses.
In 2013, the viewers were anxiously waiting for the combination of Rajesh Roshan, Rakesh Roshan and Hrithik Roshan to fire in the film Krissh 3. The first part was super hit. Considering the second part that was Koi Mil Gaya, the third part had huge expectations. The film did business of more than 200 crores. Rajesh Roshan’s music also did magic with the hit song “raghupati raghava raja ram”. Rajesh Roshan should carry on the legacy.
The viewers of bollywood films wish happy birthday to Moushumi Chatterji on 26th April, 2020. Moushumi Chatterji, the Bengali actress acted both in Bengali and hindi films and showed her skills in both of them. She acted in the Bengali film Balika Badhu, where the film was based on child marriage and impressed the directors and producers with her performance.
From that time she ventured in Bombay and tried her luck in bollywood industry. Her film Anurag opposite Vinod Mehra became super hit. She played the role of a blind girl and got appreciation of the crowd. The songs in the film became very successful including songs like “woh kya hai” sung by Rafi. SD Burman composed the music of the film.
She acted in action films like Goutam Govinda. The film was related to the story of Shashi Kapoor, a police officer who came to the village and trained all the rustic villagers the manner of self-defense. Shatrughun Sinha was his own brother, which was disclosed at the end of the film. Moushumi Chatterji showed her humour in the respective role. Moushumi also acted in suspense-thrillers like Benaam, opposite Big B, where there the anxiety relating to the kidnapping of her son was at issue. She expressed her feelings very well in the film.
She was brilliant in the film Manzil Manzil, opposite Big B. It was the remake of Mrinal Sen’s Bengali film Akash Kushum. Akash Kusum was based on the story relating to Soumitra Chatterji presenting a false story about himself before Aparna Sen with the help of his friend Shubendu Chatterji. In the hindi version also the story line was not changed. Moushumi Chatterji’s smile had a beauty of its own which she expressed in majority of films in style.
While acting in a number of bollywood films, she stormed Bengali films with her performance in the super hit film Ogo Bodhu Sundari, opposite Bengali superstar Uttam Kumar. The film was released in 1980. The story was based on how Uttam Kumar, an academician brought a girl from the streets and taught her literature. Moushumi expressed the difficulty of forgetting her rustic language which she adopted from the environment she came from and learning the new language. The music given in the film by Bappi Lahiri became super hit. Songs like “ami ekjon shantoshisto”, “shudhu tumi nou obolakanto”, etc., sung by Kishore Kumar became super hit. It was incidentally the last film of Mahanayak Uttam Kumar.
Her comedy conception was used by Gulzar and other directors very successfully. Her film Angoor opposite Sanjeev Kumar showed her comedy skills. The film was based on Uttam Kumar’s film Bhranti Bilas and had similarity with Shakespeare’s play Comedy of Errors. Sanjeev Kumar played the double role in Angoor that was played by Uttam Kumar in the Bengali film Bhranti Bilas, while Moushumi Chatterji played the role of his wife which was played by Sabitri Chatterji in the Bengali film. The two brothers were identical twins and Moushumi Chatterji got confused with her own husband and his brother. Deven Verma played a double role along with Sanjeev Kumar as his servant.
Her other successful films included Pati Patni Aur Woh, opposite Sanjeev Kumar, Ghayal, as the sister-in-all of Sunny Deol and many other films. Even she had acted in landmark Bengali films like Kori Diye Kinlam based on the epic novel of Bimal Mitra. In 2013, she had acted in successful Bengali film Gainar Baksho. She had acted in the role of a widow who died and the spirit of the widow tortured the other women in the family. She acted with Konkona Sen Sharma and Srabanti Chatterjee in the film. The viewers expect Moushumi to contribute in character roles in bollywood films in future.
Robin Majumdar was successful both as actor and singer.
Robin Mojumdar was a very successful singer of the 1940s and 1950s. His basic discs were very romantic and became popular.
Eminent composer Robin Chatterjee composed landmark songs for Robin Majumdar. The song “ amar adhar gharer pradip” and “mor premogan” had beautiful melody. Robin Mojumdar sang the song very well. The use of piano by Robin Chatterjee was brilliant. Also Robin Chatterjee composed song “ami rajanigandhar moto” was liked by the audience.
Eminent composer Kamal Dasgupta also gave landmark tunes to Robin Mojumdar. Some of them included “ei ki go shesh daan”, “baluka belae miche ki goris khelaghar”. Kamal Dasgupta was the composer of the film Garmil. Pranab Roy wrote the lyrics of the song. Robin Majumdar acted as hero of the film. The film became hit and the songs became super hit.
The other hit songs of Robin Mojumdar in Bengali films include “nabik amar ogo nabik amar”, “dekha holo kon logone” to name a few. He acted with many heroines of that time including Sandha Rani.
In the mid-1950s Uttam Kumar, Basanta Choudhury, Asit Boron, Bikash Roy came up as the other heroes of Bengali films. Robin Mojumdar from the role of hero switched of to character roles. But his acting performance was at par with the other actors.
He did a great job opposite Asit Boron in the film Joydeb. He also acted very well in the role of a bayul singer in Basanta Choudhury’s film Bodhu in 1962. Premendra Mitra, an eminent author of the Kollol era directed few of the films in which stories were written by him. He directed the film Chupi Chupi Ashe. In that film Robin Mojumdar played a very landmark role. He played the role of the host of the house which was used as a hotel and guest house. On a rainy day the house got flooded and the criminal went on killing guests one after the other. At the end of the film it was found that the investigating officer played by Tarun Kumar was the actual villain and the murderer. The film stood out as one of the brilliant crime thriller films of the late 1950s.
When Robin Majumdar attended old age, Oscar winning director Satyajit Ray gave him a good role in the film Hirak Rajar Deshe. He gave lips in the song “kotoi ranga dekhi duniyay, o bhai re”. His films and the songs require restoration.
The country remembers the death anniversary of legendary composer Madanmohan Kohli on 14th July, 2020
. The legendary composer left us more than 38 years ago but left the country with innumerable treasure of ghazals.
If any composer had utilised the ghazal andaz of Mohammad Rafi to the best of his potentiality it is Madanmohan whose name appears in the minds of the lovers of music across the nation. Madanmohan’s father Rai Bahadur chunnilal send his son to Dehradun to join the army. Instead he left the army and joined All India Radio in Lucknow. He came in contact with Ustad Faizz Khan, Ustad Ali Akbar Khan and carried on their legacy in the compositions he made for 30 years which can be classified as masterpieces.
As Madanmohan was not associated with the Big Banners like RK or Navketan, he was not categorised with any star of bollywood during 50s, 60s, 70s. Further he never wanted to balance the popular test of music and excellent class of classical compositions he created. But the compositions were so rich in lyrics and tunes that the musical pandits had no way but to admire them.
The golden age of bollywood music was categorised with the excellence of Mohammad Rafi and as such if any composer neglected Rafi and tried to reach the summit of popularity they have invited their own downfall. Madanmohan did not make such a mistake. He started his career with the film Ankhen in 1950. He also composed music for Raj Kapoor’s film Ashiana in 1952. His notable songs for Rafi in the film Railway Platform, 1956, include “basti basti parbat parbat”. In Gateway of India, 1957, Madanmohan used Mohammad Rafi for the song “do ghari woh jo pass aa baithe” picturised on Bharatbhushan. It was very successful and strengthened the everlasting bond of Rafi with Madanmohan. Rafi’s intoxicating appeal in the song “kabhi na khabhi kahin na kahin koi na koi toi ayega” in the film Sharabi, 1964, composed by Madanmohan can be classified one of the best songs in sombre mood.
The most majestic ghazals of Rafi composed by Madanmohan include “kisiki yaad me apnako hai bhulaye huye” and “baad muddat ke yeh ghari ayi” from the film Jahan ara, 1964, picturised on Bharat Bhushan. Talat Mehmood’s song in the same film “phir wohi sham wohi gham wohi tanhai hai” was also based on ghazal andaz. The classic lyrics were written by Rajinder Kishan. The film titled Ghazal, in 1964, was based on ghazals and Rafi was outstanding by every standard in the song “rang aur noor ki baraat kise pesh karun.” In the same year Rafi’s patriotic flavour was bolstered in the song “kar chale hum fida jan-o-tan sathiyon” in the film Haqeeqat, where Rafi’s ghazal titled “hoke majboor usne bulaya hoga” shared with Bhupinder Singh, Manna Dey and Talat Mehmood was sensational. The majestic lyrics were written by Kaifi Azmi. In the film Neela Akash, 1965, picturised on Dharmender, Rafi’s song “akhri geet muhobbat ka sunayun to chalun” showed the tragic note of Madanmohan. In the film Need Hamari Khwab Tumkhari, all the songs were sung by Rafi including “husn ne jab isq se takraya tha”.
Returning back to ghazals, Rafi’s song “aap ke pehlu me akar” in the film Mera Saya, 1966, was as outstanding as Lata’s title song “tu jahan jahan chalega mera saya saath hoga”. The lyrics were written by Raja Mehendi Ali Kahan. Raj Khosla’s crime thriller ended up becoming a musical blockbuster just like Woh Kaun Thi, in 1964, where Madanmohan’s composition “naina barse,” “lagja gale”, etc. for Lata Mangeshkar was probably the most immortal creation in the history of film music, with Sadhna giving life time performances in ghostly characters in both these films.
The landmark ghazal “tumhari zulf ke saye me sham karlunga” in the film Naunihal, in 1967, is probably one of the five best ghazals Rafi did sing in his life. Experts in music realise that ages will pass, but no second singer can provide blood and flesh in the superlative ghazal of Madanmohan the way Rafi had done in this song. Kaifi Azmi has written sensational lyrics for the abovementioned song. People started thinking that Rafi and Madanmohan were made for each other. The belief was put to action in the next film Dulhan Ek raat ki, in 1967, picturised on Dharmender in the song “ek haseen sham ko dil mera kho gaya. In the film Chirag, 1969, “teri aakhon ke siwa duniya me rakkha kya hai” Madanmohan combined ghazal with light orchestration to try to inspire the common listeners in understanding these type of songs.
In the film Heer Ranjha, 1971, picturised on Rajkumar, Rafi’s song “yeh duniya yeh mehfil” was well acclaimed by music lovers. Rafi was outstanding by every standard in the song “tum jo mil gaye ho” in the film Hanste Zakhm, 1973, where Madanmohan synchronised lightning with his own orchestration. Madanmohan also gave a tremendous break to Bhupinder Singh in the song “dil dhoonta hai, phir wohi, fursat ke raat din” written by Gulzar in Sanjeev Kumar’s Mausam in 1975. Rafi had the song “chari re chari kaise gale me pari.”
Madanmohan’s last performance with Jaidev brought out Rafi’s Himalayan range in the film Laila Majnu in 1977. Rafi’s songs “tere dar pe aya hoon,” “barbad muhobat ka duya saath liye ja”, picturised on Rishi Kapoor showed his master spirit of adapting to tunes of middle east which was the geographical location where the story was based. Madanmohan died in 1975, without even seeing the success of Laila Majnu, it appeared like out of seven sur in every octave one sur had gone, because, the majestic combination of Madanmohan with Rafi cannot be forgotten through ages. Rafi’s archive should restore Madanmohan’s combination to let the next generation know about the high esteem with which Madanmohan addressed Mohammad Rafi during the golden age of film music.
Happy birthday to Jaya Prada.
The viewers of bollywood films wish happy birthday to Jaya Prada on 3rd April, 2020. Jaya Prada was considered as one of the most gifted actresses of bollywood films of the 80s. She shook the Indian audience with her dancing skills in the film Shankaravaranam.
In the late 70s her film Sargam opposite Rishi Kapoor became superhit with a brilliant story and excellent songs. She played the role of a deaf and dumb girl who had immense dancing callibre which was unearthed by Rishi Kapoor in the film. The film created sensation in both in North India and South India.
The music composed by LP was brilliant by every musical standard and Lata and Rafi were sublime in the songs “dafliwale dafli baja”, “koel boli”, “ramjiki nikli sawari”, etc. In an age of action pact films of Big B, Vinod Khanna, Sargam being a romantic film with Rishi Kapoor and Jaya Prada did excellent business.
From that time Jaya Prada became the no. 1 bollywood actress and acted opposite all the leading stars of bollywood. Her other superhit films include Sharabi, opposite Big B, Akhree Rasta opposite Big B, Kamchor opposite Rakesh Roshan, to name a few.
She acted in a number of films opposite Jeetender as well and all of those films were successful. At that time she got stiff competition from Sri Devi, another South Indian actress who had both acting talent and dancing talent. The films where both of them acted together, the viewers were confused to choose between the two. In Akhree Rasta Jaya Prada did equally well like Sri Devi.
In the 90s, also Jay Prada’s films especially opposite Big B did good business, like Indrajeet or Aaj Ka Arjun. In those films while Big B concentrated on action sequences, Jaya Prada played the romantic part to perfection. With the emergence of new actresses in bollywood films in the 90s like Madhuri Dixit and Juhi Chawla, Jaya Prada faded away from the bollywood industry.
She joined politics and had been the parliamentarian for more than a decade. Besides she had played important roles in tamil films and other South Indian films over the years. A number of cinema halls in Mysore and Bangalore were named after her.
In 2010, she had been expelled from the Samajwadi Party by Mulayam Singh Yadav along with other primary members. That can give her some time to devote in bollywood films as well. The viewers expect her to make a comeback in bollywood films in character roles as many of them feel that she still has a lot of acting left in her.
Happy birthday to Mamta Kulkarni.
The viewers of bollywood films wish happy birthday to Mamta Kulkarni on 20th April, 2020
. She played very significant roles in the films of 90s. She was given prominent roles in successful bollywood films during that period.
Rakesh Roshan gave a significant role to Mamta Kulkarni in the film Karan Arjun. She was the wife of Salman Khan in the film. Both Salman Khan and Shahrukh Khan were shown to have two lives. In their first lives they were tortured and killed by Amrish Puri. In their second life they were born at other places but came to Rajasthan to stop the illegal activities of Amrish Puri and his men. Mamta Kulkarni and Kajol contributed with their respective roles along with Rakhee, who had the prominent part in the film. Although the film was related to superstitious beliefs, Rakesh Roshan succeeded in entertaining the audience and the film ended up being big hit. Mamta Kulkarni was cast opposite Salman Khan in the film Karan Arjun, while Kajol was cast opposite Shahrukh Khan.
Mamta Kulkarni got the role of her lifetime in Raj Kumar Santoshi’s film China Gate. She was the relative of Om Puri who called him up to rescue the villagers from the rule of dacoits in the region. Om Puri was a retired major, who left the armed forces after one of their missions failed. Om Puri called all his friends who worked in the last mission, including Amrish Puri, Naseeruddin Shah, Danny, Tinu Anand, Jagdeep , etc., and formed a team to combat the dacoits. Mamta Kulkarni kept the retired military officers in her house and provided them food and amenities during their stay. The dacoits created pressure so that Mamta Kulkarni would have asked the military officers led by Om Puri to go way. She did not do so. The police office in that jurisdiction Paresh Rawal conspired with the dacoits and betrayed the military officers. But ultimately the military officers under the leadership of Om Puri succeeded in killing the dacoits and bringing peace within the village. The film was off-beat in nature and Mamta Kulkarni showed her acting skills in the film.
Her other successful films also included Krantiveer, where she acted opposite Atul Agnihotri. Nana Patekar and Dimple Kapadia had the main roles in the action film, but Mamta Kulkarni showed her frustration after she came to know about her father being involved in the gang of lawbreakers who were responsible for riots and other destructive activities. The film was related to corruption existing in society which included the police officers, judges, the executive and politicians.
After the late-90s all of sudden Mamta Kulkarni left bollywood films. Viewer remember her both in glamourous and non-glamourous roles. Now that she had attained age, she can contribute in character roles. The viewers expect her to make a comeback in recent bollywood films and entertain the viewers once again just like the way she entertained the viewers in the films of the 90s.
Happy birthday to Pooja Bedi.
The viewers of bollywood films wish happy birthday to Pooja Bedi, the daughter of legendary actor Kabir Bedi on 11th May, 2020
. She was born in a star family with her mother Pratima Bedi being a classical dancerand father being an established actor. Although she came from an acting family as Kabir Bedi had experience of performing in Hollywood films as well, her contribution in bollywood films had not been that substantial.
Her film Vishkanya in the early part of her career was based on the story related to snakes. In Indian films fantasies based on the life of snakes had amazed the viewers in the past. The film Nagin in the mid-70s, with Reena Roy, Jeetender, Mumtaz and others, did fantastic business. So Pooja Bedi was lucky to start her career with such films. The film was well appreciated by the audience.
Later on her film with Amir Khan, Jo Jeeta Wohi Sikander, did fantastic business. The film was based on teenage romance. Amir Khan always had a special place in the minds of viewers as his romantic appeal always attracted the female audience right from the release of the film Qayamat Se Qayamat Tak. Pooja Bedi probably had given her best. Pooja Bedi’s role of a teenage girl did fit the requirement of the story and the film. All the songs in the film became successful including the song “pehla nasha, pehla khumar” sung by Udit Narayan. Viewers of different tastes appreciated the film.
Her other notable films included Aatank Hi Aatank and Lootere. She was very impressive in Mahesh Bhatt’s film Phir Teri Kahani Yaad Ayee. It was a film related to human relationship and Pooja Bedi’s performance in a supporting role was appreciated by the critics. She was as impressive as Pooja Bhatt and Rahul Roy in the film.
In the late 90s, all of a sudden she faded away from the industry. But she continued to appear in television shows. She was the anchor of the TV shows Not Just Page 3 and Just Pooja in Zoom TV. These programs became very popular in the years when they were telecast. In the following period she even participated as contestant in TV shows like Jhalak Dikhlaja in Sony TV, Heart Beat, Mum Tum or Hum, Jodi Kamaal Ki, Nach Baliye, etc., in Star TV, also Fear Factor – Khatron Ki Khiladi in Colors.
The viewers expect her make a comeback in bollywood films in the years to come.
Happy birthday to Fardeen Khan.
The viewers of bollywood films wish happy birthday to Fardeen Khan on 8th March, 2020
. He had created an identity for himself inspite of being the son of popular bollywood star Feroz Khan. Most of the sons and daughters of the celebrities of bollywood films had always struggled due to comparison of them with their parents.
In case of Fardeen Khan, he never tried to imitate Feroz Khan. Feroz Khan was famous for his stylish performance in action films including Oonche Log, Apradh, Dharmatma, Khote Sikke, Qurbani, Jaanbaaz, Yalgaar, etc. In most of these films he introduced Hollywood style of acting in Indian films. Fardeen Khan instead of imitating his father created a simple style of acting which suited different types of films.
His performance in the film No Entry in 2005, requires special mention. He played the character of a journalist in the film in the company of Anil Kapoor. He had an affair with Celina Jaitley, but just because he had to save Anil Kapoor, he told a lie to Lara Dutta that Bipasha Basu was his wife.
From that time onwards he just went on telling one lie after the other. He went to Mauritious for honeymoon. Even there he found Anil Kapoor and Lara Dutta and his relationship with Bipasha Basu was revealed. Both Lara Dutta and Celina Jaitley filed divorce suits against Anil Kapoor and Fardeen Khan respectively due to their relationship with Bipasha Basu. Salman Khan had to come all the way from abroad to save the situation. His playacting with Esha Deol had helped both Fardeen Khan and Anil Kapoor to ease out their relationship with their wives. Fardeen Khan’s lips in the song “kahan ho tum” was very impressive. The film had excellent songs and the comedy sequences appealed to the viewers. The film ended up being a blockbuster.
The other notable films of Fardeen Khan included Bhoot with Urmila Matondkar, Jungle with Urmila Matondkar, etc. In Bhoot he played a negative character but expressed the horror feelings to perfection when Urmila Matondkar’s spirits haunted him. The film Jungle was based on the story of Veerappan in the forests of Karnataka where he became a smuggling don. Fardeen Khan’s performance in the film Dev was also worth mentioning.
In 2009, Fardeen Khan’s film All The Best with Sanjay Dutt and Ajay Devgan did business worth 60 crore rupees. He played the role of the brother of Sanjay Dutt who used the pocket money to do weird acts. His friend Ajay Devgan used to give him ideas but it created more trouble for Fardeen Khan. When Sanjay Dutt came for sudden visit to his house as his flight got delayed, the chaos and confusion entertained the viewers. Fardeen Khan’s docile image in the film balanced the aggressive image of Sanjay Dutt. Bipasha Basu and Mugdha Godse complimented the stars in the film.
It is difficult for Fardeen Khan to match the popularity of Salmaan Khan or Shahrukh Khan or Hrithik Roshan in the present time. But even with his limited popularity he has created an identity with which he can be categorized. In 2016, his film No Entry Mein Entry will be completed. He will act with the same team that he acted in No Entry, including Salman Khan and Anil Kapoor. The viewers expect Fardeen Khan to explore himself further in bollywood films in future.
Happy birthday to dancing legend Aruna Irani.
The viewers of bollywood films wish happy birthday to dancing legend Aruna Irani on 3rd May, 2020
. She had made her debut as a child actress in the film Ganga Jamuna in 1961. She played the role of the smaller version of Azra in the film. She played similar roles in films like Jahanara in 60s.
But her fantastic dancing skills launched her in super hit films like Farz which was released in 1967. She danced opposite Jeetender in the film Farz in Rafi’s song “mast baharon ka mai aashiq”, and that cemented her career in bollywood films. After that she got dance-based roles one after the other in bollywood. But due to comedy pairing with Mehmood in films like Humjoli, she got roles in the range of vamps rather than frontline heroines. She was brilliant opposite Mehmood in the Jeetender starrer Waarish in 1968. The music of RD Burman was brilliant with Rafi’s hit songs like “ek bechara pyar ka maara”.
She amazed the viewers with the role of a gypsey woman in Jeetender’s film Carwan released in 1971. Her dance number in the song “dilbar” sung by Lata Mangeshkar and “chadti jawani” sung by Mohammad Rafi had shaken up bollywood in the early 70s. Her dancing skills were used to perfection by Showman Raj Kapoor in the film Bobby especially in Shailendra Singh’s song “mai shayar to nahin”.
Her successful films in 70s and 80s includes Khel Khel Me, Buddha Mil Gaya, Laila Majnu, Ek Nari Ek Brahmchari, Qurbani, Sargam, Rocky, Love Story, etc. In negative characters in films like Qurbani she had amazed the viewers. From late 80s, she switched to character roles and became one of the leading actresses in that field. She received filmfare award for the best supporting actress for her brilliant performance in Madhuri Dixit’s film Beta.
Her brilliant performance in films like Raja Babu, Ghulam-e-Mustafa, Kartavya, had created a separate place in the hearts of millions of filmlovers. Viewers got astonished to realize how an able dancer in her teenage, had transformed into a brilliant character artist who could do any type of role starting from comedy acting to serious roles to roles of negatives characters.
She should have won many more filmfare awards for epic performances in films like Bobby, Qurbani, Haseena Maan Jayegi. She also played notable role in Priyadarshan’s film Khatta Meetha released in 2010.
She also had received filmfare lifetime achievement awards. She said that she knew nothing. Dilip Kumar brought her to the beautiful world of bollywood. She learned everything and was indebted to the viewers for their love and affection. It was her humility which spoke out and made everyone enchanted. The viewers expect the veteran of more than 300 films to continue the great work that she started 40 years ago.
Sadashiv Amrapurkar will be remembered for his acting.
On 3rd November, 2014, actor Sadashiv Amrapurkar passed away at the age of 64 years. He was suffering from lung infection for more than 2 weeks. He had contributed a lot in Bollywood films.
He was born on 11th May, 2050. He was brought up in Ahmednagar. In 1981 he acted in the play Hands Up. He was a great break by director Govind Nihalini in the film Ardh Satya in 1983. He acted in the role of a Mafia Don and balanced the brilliant performances of other stalwarts like Om Puri and Amrish Puri. He also received the filmfare best supporting actor award for the performance in the film Ardh Satya.
From that time onwards his image as a villain was recognized. He played notable characters in Jackie Shroff Film Teri Meherbaniya, Amitabh Bacchan’s film Akhree Rasta, Amitabh Bacchan’s film Indrajeet, to name a few.
In 1991 his performance in Sanjay Dutt’s film Sadak in role of a eunuck Maharani, made him a big star. The negative role not only gave him the filmfare award for the best villain in the same year but created a new dimension in the world of negative roles.
He also acted in many relief roles and comedy roles. In films like Amir Khan’s Ishq, Bobby Deol’s Gupt, Akshay Kumar Sunil Shetty’s Mohra he played positive roles and comedy characters. His ease in respect of getting into the character of the different models helped me to get important character roles for more than 30 years.
The list of his successful films are very long. Right from Dil Ne Phir Yaad Kiya to Khatarnak, Insaniyat to Mohra, Janam Samjha Karo to Ankhe.
The list of heroes against whom he played the role of villains is also very long including Salman Khan, Amir Khan, Sanjay Dutt, Bobby Deol, Amitabh Bacchan, Sunny Deol, Anil Kapoor, Jackie Shroff, Mithun Chakravarty and others.
He also acted in regional films like Bengali films, Marathi films, Hariyanvi films, etc. Out of more than 300 films where he played important roles, at least 50 films stand out to show his versatility in acting. He had acted in both parallel films and commercial films. His films and works should be preserved.
Happy birthday to Mr. Perfectionist Star Amir Khan.
The viewers of bollywood films wish happy birthday to Mr. Perfectionist and Committed Star Amir Khan on 14th of March, 2020. He has proved himself as one of the most committed actors of modern bollywood films. He also carried on the legacy of Tragedy King Dilip Kumar of acting in less number of films and meaningful films. In 2016 his film Dangal broke all records and did business of more than 380 crores. These days whenever Amir Khan’s films are released they end up being blockbusters.
He started his career with the hit film Qayamat Se Qayamat Tak in 1988 opposite Juhi Chawla. His film had brought back the era of romantic films, after bollywood was loaded with action films for more than 20 years. The music of Qayamat Se Qayamat Tak composed by Anand Milind and majority of songs sung by Udit Narayan and Alka Yagnik created history. The popular songs included “aye mere humsafar”, “papa kehte hai”, etc. The film did excellent business and Amir Khan became a star at the early part of his career.
From that time onwards Amir Khan acted in many romantic films like Hum Hai Rahi Pyar Ke, opposite Juhi Chawla, Ishq opposite Juhi Chawla, Dil opposite Madhuri Dixit, Mann opposite Manisha Koirala. Being a relative of Nasir Hussain, Amir Khan showed his acting skills from the beginning of his career. He gave able lips in most of the songs of Udit Narayan and with passage of time showed his versatility in different types of films.
He did extremely well in Ashutosh Gowarikar’s film Lagaan. Lagaan was based on the story of Indian farmers entering into a challenge with the British Govt. during the colonial rule. A cricket match was held between the British team and the Indian peasants. The condition was that if the Indians won it, the farmers would be excused of the share of produce that they supposed to give the landlords and the British Govt. of such. Amir Khan gave training to the rural Indians and ultimately won the match amidst odds.
Amir Khan was sublime in his performance in patriotic film based on the life Mangal Pandey and he did an excellent job in the film Sarfarosh. Even as a director he showed innovative vision by making a film on the subject related to children. The film Taren Zameen Par showed that every child in the world is special. They have their innovative qualities. The job of the teachers and the academicians should be to unearth their skills The songs in the film composed by Shankar Ehsaan Loy were also sensational.
Even in 2008, Amir Khan’s film Ghajini was remarkable in nature. He played the role of a person who lost his memory every 20 minutes. He took revenge against the murder of his girlfriend, but he did it with his limitation in respect of the lost memory. He had played probably the role of his career. He came out with even greater hit film in 2009, The 3 idiots. The film had done more than 200 crores business till now. Even more than that the film directed by Raj Kumar Hirani, had a serious social message to give. The message is that the parents should not overburden the students with their own choices. Students should be allowed to specialize in the line they love and enjoy. Although filmfare awards had not been fare to Amir Khan, it does not matter for Amir Khan at all. He is the actor of the refined section of audience and will remain there for periods to come. In 2010, his venture Peepli Live had been ably appreciated by the critics and the audience as a whole.
In 2011, his film Dhobi Ghaat did well in most part of India. He had acted well in the film. He also requested hall owners not to give break in the film, because it takes away the concentration in the film. Talash released in 2012 showed the intensity with which Amir Khan played the role of investigating officer who lost his own son who drowned in water. Amir Khan’s Dhoom 3 released in 2013 did business of more than 280 crores. In 2014 his film PK destroyed all records and did business of more than 330 crores. Raj Kumar Hirani directed the film, and Aamir Khan did a brilliant job in the film. He is a very cultured actor and the viewers have lot of hope on the thoughtful personality for innovative ventures in the years to come.
Suchitra Sen was remembered on her death anniversary. Bengal’s Mahanayika Suchitra Sen had become immortal in her works. She had been remembered on 6th April, 2019
. Suchitra Sen died on 17th January, 2014, at an age of 83 years. The entire film fraternity and her numerous lovers had become speechless to hear her death news. She was admitted in Belview Nursing Home more than 2 weeks. Chief Minister Mamta Banerjee mourned her death.
Legendary actress Suchitra Sen had been remembered on her 84th birth anniversary on 6th April, 2014. In Star Ananda Channel veteran actress Sabitri Chatterjee had been invited to speak about Suchitra Sen. She acted with the legend in many films like Annapurnar Mondir, Grihadaha, etc.
Suchitra Sen started her career with the film Saat Number Qaidi in 1953 and ended up with the film Pranay Pasha in 1978. After that she retired from film acting. Within the span of 25 years she acted in 3 films opposite Uttam Kumar making the romantic pair immortal over the last 60 years. She also acted in bollywood films including Devdas opposite Dilip Kumar, Bombai Ka Babu opposite Dev Anand, Mamta opposite Dharmender and Ashok Kumar, Aandhi opposite Sanjeev Kumar, to name a few.
Suchitra Sen had a tremendous combination with singer Geeta Dutt and their understanding both in Bengali films and bollywood films had created history during the golden age, that is the 50s and 60s. In the film Indrani, all the songs sung by Geeta Dutt for Suchitra Sen including “jhanak jhanak madhur badan”, “nir choto khoti nei”, “ogo sundoro”, etc., all became super hit. Suchitra Sen provided hit films one after the other with Uttam Kumar, during that age and Indrani also falls in that category.
Even in films where Geeta Dutt had sung only one song for Suchitra Sen, even in those films, the songs had a great impact in the success of the films. The song in the Ajoy Kar’s epic film Harano Sur, in 1957, titled “tumi je amar” had a unique appeal for the audience. Uttam Kumar lost his memory due to meeting with an accident and Suchitra Sen sang the song a number of times in the film. It haunted the viewers and touched the souls of numerous admirers of Bengali films.
Geeta Dutt’s song for Suchitra Sen also in the film Hospital also became extremely successful. Ashok Kumar acted opposite Suchitra Sen in the film and the song was “ei shundar sharnali sondhae”.
In bollywood films, SD Burman used Geeta Dutt for Suchitra Sen in the film Bombai Ka Babu. Dev Anand acted opposite Suchitra Sen in the film and all the songs were super hits. The main songs included “dekhne me bhola hai”, “pa ma ga”, etc., out of which some of them were duet songs with Mohammad Rafi and their romantic by every musical standard.
As Suchitra Sen made memorable contribution in bollywood films for more than 30 years, a lot of legendary singers contributed for her during that period. There were hit songs sung by Sandhya Mukherjee in landmark films like Sagarika, Pathe Holo Deri, Sriti Tuku Thak, Uttar Falguni, Bipasha, etc. At the same time in bollywood films Lata had sung landmark songs for Suchitra Sen including “rahe na rahe hum” composed by Roshan in the film Mamta, “is mor se jate hai”, “tere bina zindagi me shikwa” composed by RD Burman in the film Aandhi.
Even then Geeta Dutt was probably the only singer who sang songs for Suchitra Sen both in the Bengali films as well as the bollywood films. As Suchitra Sen’s hindi films were restricted to only Devdas, Champakali, Musafir, Bombai Ka Babu, Mamta, Aandhi, etc, Geeta Dutt got a limited scope of contributing in Suchitra Sen’s hindi films. Even then, the songs are still remembered by many generations and for those reasons the films should also be preserved.
It is a pity that Suchitra Sen had gone behind the purdah. The media people cannot approach her to get interview. The films of Suchitra Sen should be preserved and restored.
The listeners of film songs wish happy birthday to legendary singer Suman Kalyanpur on 28th January, 2019. Suman Kalyanpur glorified Indian music of the 50s and 60s, with her romantic rendition of landmark songs. She had sung songs in many languages. She had sung almost 200 duet songs with immortal singer Mohammad Rafi.
Shankar Jaikishan in the 60s made immense number of experiments in bollywood film music. Right from westernized compositions to Indian classical songs to folk tunes, the compositions had a wide variety. Rafi was the automatic choice of the legendary musical duo, with his tremendous range and romantic appeal. Suman Kalyanpur sang landmark duet song with Rafi under the composition of giant composers during the 60s, including Naushad “dil-e-betaab ko sinese lagana hoga”, in Palki, Madanmohan “baad muddat ke yeh ghari aye”, Jahanara, Roshan “rahe na rahe hum”, in Mamta, Khayyam “parbaton ke pero par sham ka basera hai”, in Shagun, to name a few. Suman Kalyanpur sang many immortal duet songs with Rafi in the 60s and 70s under the composition of Shankar Jaikishan.
In Dil Ek Mandir, the title song “dil ek mandir hai” was sung by Rafi and Suman Kalyanpur with utmost elegance in 1963. The song was sung after the death of Rajender Kumar in the film and therefore the singers displayed the tragic andaz in the song. Rafi had his own solo songs in the film like “jahan koi nahi” and “yaad na jaye” which immortal over a period of time. Suman Kalyanpur’s solo song “juhi ki kali meri ladli” also had a soothing appeal. In Saanjh Aur Sawera, in 1964, the classical song “ajahuna aye balma, sawan bita jaye” was probably one the most immortal duet sung by Suman Kalyanpur with Rafi composed by SJ.
In 1964, Biswajeet’s April Fool had a number of romantic songs of SJ sung by Rafi. Rafi was unparallel in the song “aa gale lag ja”. Suman Kalyanpur accompanied Rafi very well in the songs “tujhe pyar karte karte” and “kehdo kehdo jahan se kehdo”. In Sunil Dutt’s film Beti Bete, the song “agar terii jalwa numai na hoti” showed the melodious impact of duet of Rafi and Suman Kalyanpur under the composition of Shankar Jaikishan. The duet “tumne pukara aur hum chale aye” sung by Rafi and Suman Kalyanpur composed by SJ in Shammi Kapoor’s Rajkumar again stormed box-office in 1964.
In 1966, Rafi and Suman’s duet “itna hai tujhse pyar mujhe mere raazdaar” in Rajender Kumar’s super hit film Suraj stands out as the most romantic song of the film. Rafi sang for Rajender Kumar while Suman Kalyanpur sang for Vyjayantimala.
In the late 60s, Shankar Jaikishan’s rock and roll composition for Shammi Kapoor in the film Brahmchari had probably the most entertaining duets of Rafi with Suman Kalyanpur titled “aajkal tere mere pyar ke charche har jawanpar”. The brilliant orchestration was loud but rhythm –oriented as well. The film ended up being blockbuster and the music of the film played a very important role in the success of the film. Shankar Jaikishan composed a very romantic duet in Uttam Kumar’s film Choti Si Mulakat, titled “tumhe dekha, tumhe chaha” Rafi and Suman. Rafi sang Uttam Kumar’s portion while Suman Kalyanpur had sung Vaijayantimala’s portion. The list of Rafi Suman duets under Shankar Jaikishan was too long.
In the early 70s, SJ’s composition for Suman Kalyanpur in Shammi Kapoor’s film Andaz was well received by the audience. The song “hai na bolo bolo” was sung by Rafi, Suman Kalyanpur, Sushma Shreshta and Pratibha.
After the death of Jaikishan in 1971, many producers and directors who were involved with Shankar Jaikishan shifted towards RD Burman and Laxmikant Pyarellal. So Suman Kalyanpur’s scope of singing duets with Rafi reduced down inspite of Shankar providing good tunes to both Suman Kalyanpur and Rafi. Shankar Jaikishan composed hit song of Suman in Dharmender’s film Resham Ki Dori, “behnane bhai ki kalayi se” in the mid -70s. Rafi’s duets with Suman Kalyanpur under the composition of Shankar Jaikishan require both restoration and publicity.
Happy birthday to Ajay Devgan.
The viewers of bollywood films wish happy birthday to Ajay Devgan on 2nd April, 2020. He had contributed a lot in bollywood films in the last 20 years. He started his career with the superhit film Phool Aur Kaante.
As his father Veeru Devgan had a great background of training actors for action sequences and Ajay Devgan started his career with the latent quality of an action hero. The action sequences in Phool Aur Kaante were excellent. Also the music of the film became hit with songs like “premi pagal awara”, “tumko milne ko dil karta hai”, etc., sung by Kumar Shanu and Alka Yagnik, which were picturized on Ajay Devgan and Madhu.
The other successful films of Ajay Devgan include Ishq, Dilwale, Pyar To Hona Hi Tha, etc. In Ishq, he acted with Amir Khan, Juhi Chawla and Kajol, and contributed well in the comedy sequences of the film. The film was based on the story of affairs between rich and poor people and the fathers of Juhi Chawla and Ajay Devgan never wanted to get their children married to poor people. The music of the film was very successful with songs like “ishq hua”, “humko tumse pyar hai”, etc.
Ajay Devgan also acted in very serious films like Raincoat opposite Aishwarya Rai, which was directed by Rituporno Ghosh, Zakhm, Gangaajal , etc. He had created an identity of a reserve actor and that image helped him in getting landmark roles for the last 10 years. His other successful films include Golmaal and Golmaal Returns.
In both Golmaal and Golmaal Returns Ajay Devgan acted with other comedians like Arshad Warsi and Tushaar Kapoor and maintained the rhythm of the film. Tushar Kapoor played the role of a deaf and dumb character in the film and at the end of the film got the job, the girl for marriage, as against the interests of his other friends.
Ajay Devgan married successful actress Kajol and both had acted together in a number of films like Pyar To Hona Hi Tha, Ishq, You, Me and Hum, etc., most of which were successful. Even Ajay Devgan’s role of a ghost in the film Kaal opposite Lara Dutta, John Abraham and others were well appreciated by viewers. His performance in patriotic roles like that of Shahid Bhagat Singh also requires special mention.
His film All the best did brilliant business in 2011. Although the credit for the success of the comedy film goes collectively to the effort of Sanjay Dutt, Fardeen Khan, Bipasha Basu and others, but Ajay Devgan’s anticipation of viewers accepting comedy stories require appreciation. 2010 proved extremely successful for Ajay Devgan. In 2010 also he had acted in the comedy film Atithi Tum Kab Jayoge with Konkona Sen Sharma and Paresh Rawal. The serious films in the year like Once Upon a Time In Mumbai did excellent business as compared to Aakrosh. The comedy film Golmaal 3 did excellent business and Ajay Devgan proved his effortlessness opposite actress Kareena Kapoor in style.
In 2012 onwards his film Singham did business of more than 100 crores. Also his film Son of Sardar did business of more than 100 crores. But his film Himmatwala in 2013 did not do great business. In the end of 2019 and beginning of 2020, his film Tanhaji did business of 275 crores and remains the biggest blockbuster of Ajay Devgan. The viewers expect Ajay Devgan to continue his good work both as an actor and also producer, director in 2020 and in the years to come.