Happy birthday to Helen.
The viewers of bollywood films wish happy birthday to Helen on 19th Nov., 2017. She had remained an exceptional dancer and featured in majority of bollywood fllms in the 60s and 70s. She was probably one of the most indispensable figures in bollywood during 60s and 70s. Without her films like Gumnaam, Teesri Manzil, Jewel Thief, Inteqam, Carwan, Night in London, etc. would have been incomplete. She had acted opposite leading stars of the 60s and 70s, for example, in Gumnaam she acted opposite Pran, In Teesri Manzil she acted opposite Shammi Kapoor, in Jewel Thief she acted opposite Dev Anand, in Night in London opposite Johnny Walker to name a few. She in fact filled in the empty space created by prominent dancer Cuckoo in the 50s.
One of her most memorable films included Gumnaam, which was released in 1965, where she played the role of one of the few persons who were taken to an isolated island. She was killed along with a number her friends by Tarun Bose in the film who was identified by Manoj Kumar at the end of the film. Her dance number in the songs “hum kale hai to kya hua dilwale hai” and “is duniya me jeena ho to” composed by Shankar Jaikishan were brilliant by every judging standards.
She was put to test in her dance no. in the song “muqabla hum se na karo” in the film Prince along with Shammi Kapoor and Vaijayantimala. She did the western part while Vaijayantimala did the eastern part. Whenever she got a scope of performing opposite Shammi Kapoor her performance used to get a different dimension as he was the only male star in the 60s to dominate bollywood films with rock and roll dance performances.
Both of them did well in the film Teesri Manzil. The song “o haseena zulfonwali” is remembered for the dance of both Helen and Shammi Kapoor. Helen got a villainish role in the film and trapped Shammi Kapoor in a murder case where the actual murderer was Prem Nath.
Helen even got few roles of heroines in the 60s including the role in the film Pyar Hi Pyar where she acted opposite Mehmood, where the main roles were played by Dharmender and Vaiyantimala. Her prominent roles continued in the 70s, including her cameo in the song “piya tu ab tu aja” composed by RD Burman in the film Carwan, her role in the film Sholay, where her dance number in the song “mehbooba mehbooba” amazed the viewers.
The villainish roles continued like the one in Big B’s film Don, where her song “yeh mera dil” became a runaway hit. Kareena Kapoor danced in the same item number as that of Helen when the film was remade by Farhan Akhtar, with Shahrukh Khan.
Her other notable films include Mere Jeevan Saathi, Hindustani, Half Ticket, etc. She even acted in character roles in the 90s in films like Akela and Khamoshi. Her performance in the film Khamoshi had been appreciated by all section of viewers. In one article it is not possible to cover the contribution of Helen, who had dominated bollywood films of 60s and 70s. The admirers of Helen expect her to make more contribution in bollywood films in character roles as she has a lot acting still left in her.
Happy birth anniversary to Johnny Walker.
The viewers of bollywood films wish happy birthday to comedy star Johnny Walker on 11th November, 2017. His popularity in bollywood films was immense during the 50s and 60s. He used to be considered the second hero opposite legendary stars like Dilip Kumar, Raj Kapoor, Guru Dutt and others.
Rafi had a huge contribution in the success of Johnny Walker, the elegant comedian of the 50s and 60s. Most of the songs sung by Rafi for Johnny Walker were hits and caught public attention. Rafi even imitated the style of dialogue delivery of Johnny Walker. Johnny Walker acted both in lead roles in notable films as well as supporting roles in hit films of stars like Dilip Kumar, Raj Kapoor, Guru Dutt, Dev Anand, and others and the different composers who composed music in those films including OP Nayyar, Shankar Jaikishan, SD Burman, Salil Choudhury, Ravi, Naushad, Dattaram, Laxmikant Pyarellal and others composed catchy songs of Rafi which were picturised on the legendary comedian. The songs in the film CID, composed by OP Nayyar, including “ai dil mushkil jeena yahan”, picturised on Johnny Walker were melodious. OP Nayyar’s composition for Johnny Walker in the film Aar Paar titled “are na na na na nana touba touba” was also equally hilarious and melodious. Rafi imitated the dialogue throwing style of Johnny Walker in the film in style. The song in the film Mr. and Mrs. 55, composed by OP Nayyar and picturised on Johnny Walker, including “jane kahan mera jigar gaya ji” became extremely popular. The song was as popular as some other of the songs of Rafi like “dil par hua aisa jaadoo”. The other songs were picturised on the hero of the film Guru Dutt. Rafi’s song in Raj Kapoor’s film Chori Chori composed by Shankar Jaikishan was also hit titled “all line clear”.
Johnny Walker became an indispensable part of the films of Guru Dutt and used to get important roles in the films of Guru Dutt. In the film Pyaasa, Rafi’s song “tel malish” picturised on Johnny Walker became landmark hit. SD Burman, the composer of the song modified his style of composition to suit the song of Rafi in the film. In the film Ustadon Ke Ustad, Rafi sang a very peppy number for Johnny Walker titled “maine kaha tha aana Sunday ko”, composed by music director Ravi. In Dilip Kumar’s Madhumati, Rafi’s song for Johnny Walker titled “jangal me mor nacha kisi ne na dekha” became super hit. Salil Choudhury, the brilliant composer composed the songs of the film and received the filmfare award for the best composer in the year 1959. The song “mai bombai ka babu” from the film Naya Daur was also successful. OP Nayyar’s composition for Rafi suited the style of acting of Johnny Walker and impressed the viewers.
The other songs of Rafi which became successful include “gareeb janke”, from the film Chu Mantar, where Johnny Walker played the leading role. Even the songs in the film Chaudavi Ka Chaand, composed by Ravi became extremely successful. Johnny Walker’s songs in the same film “mera yaar bana hai dulha” and “yeh duniya gol hai” became extremely successful. Rafi’s song “nashe me hum nashe me tum” in Johnny Walker’s film Black Cat also became extremely popular. In the film Johnny Walker, there were few hit numbers composed by OP Nayyar for Rafi including “bekithiyaar hoke pyaar”, “bachke balam chal”, “mooh se mat”. Some of these songs were duets and Geeta Dutt and Asha Bhosle also sung well.
In the film Baharen Phir Bhi Ayegi, Rafi’s song for Johnny Walker titled “suno suno Miss Chatterjee” became extremely popular. OP Nayyar’s background beat was very melodious. Laxmikant Pyarellal composed very melodious songs for Johnny Walker and Biswajeet in the film Night in London. Most of the songs became super hit.
Johnny Walker was probably the only comedian who had given lips in so many hit songs of Rafi, even considering Manna Dey’s songs for Mehmood. The list of films where Rafi had sung for Johny Walker can go on and cannot be covered in one article.
The songs and the films should be restored and preserved.
Happy birthday to Shekhar Kapoor.
The viewers of bollywood films wish happy birthday to Shekhar Kapoor on 6th December, 2017. He was one of the thoughtful directors of bollywood films and still his films are cherished by a big section of the viewers today.
He directed a meaningful film Masoom in the early 80s. He used the most dynamic actors and actresses of the contemporary period that was Shabana Azmi and Naseeruddun Shah. Naseeruddin had a previous wife who died leaving his small child played by Jugal Hansraj. He married Shabana Azmi who already had her own daughters including Urmila Matondkar. It was difficult for Shabana Azmi to accept the step son when her own daughters’ interests were related. Naseeruddin Shah decided to send the young child to boarding, but Shabana Azmi’s conscious spoke and she brought him back at the end of the film. RD Burman’s composition titled “huzur is kadar bhi” sung by Bhupinder Singh and Suresh Watkar, and “tushse naraz nahi zindagi” sung by Lata appealed to the masses.
Shekhar Kapoor astonished the viewers with a masala film Mr. India in the mid-80s. Anil Kapoor found a device which could make people invisible. He used the device to encounter a big smuggler played by Amrish Puri with the title Mogambo. Anil Kapoor ran an orphanage full of children and after becoming Mr. India used the children in his fight against Mogambo. Anil Kapoor’s compassionate performance, Amrish Puri’s fiery acting, Sri Devi’s dance numbers, everything appealed to the masses and the film ended up being the greatest hit of the year. Laxmikant Pyarellal’s music in the film became super hit including songs like “hawa hawai”, “karte hai hum pyar Mr. India se”, etc.
Shekhar Kapoor was criticized the most for his film Bandit Queen based on the life of dacoit Phoolan Devi. Shekhar Kapoor tried to show the torture faced by Phoolan Debi who was a malwa, by the Thakurs of the area, which compelled her to become dacoit. But the film gathered controversy due to the details shown by Shekhar Kapoor in respect of humiliation faced by Phoolan Debi. The Censure Board came in the way. Shekhar Kapoor got criticized all the way. His other film Elizabeth was also a noble venture. Shekhar Kapoor is also known for his acting in TV serials like Khandan which became super hit in the mid-80s.
His future projects include Paani, Long Walk To Freedom and The Last Full Measure. The viewers expect Shekhar Kapoor to continue his innovative film making in the years to come.
The listeners wish happy birthday to singer Usha Utthup who now had become a cult figure. Her birthday is on 7th November, 2017. In the recent past she had come in a number of TV shows and rocked the shows.
Padmashree winner Usha Uthup glorified Zee Saregamapa Little Champs Program by being the Mahaguru on 5th and 6th August, 2011. Alka Yagnik had gone for a holiday and Usha Uthup came to judge the performances of the participants in the program.
Very significantly the day was dedicated to the golden music of 1960s. Adnan Sami dressed up like Shammi Kapoor, Javed Ali dressed up like Dev Anand, Kailash Kher dressed up like Guru Dutt. The participants dressed up like the actors and actresses of the golden period and sang their songs.
Very significantly the participants mainly sang the songs of Mohammad Rafi. Niladri Chatterjee sang the song “yahoo chahe koi mujhe jungle kahen” from the film Junglee, sung by Mohammad Rafi and composed by Shankar Jaikishan. Azmat Hussain sang the song “mere pairon me ghungruu bandhade” from the film Insaniyat sung by Mohammad Rafi and composed by Naushad Ali.
Usha Uthup mentioned that God was there in the heart of Azmat Hussain and that was the reason he sang so well. Anmol Khatri sang the song “nain lad jai he wo manwama kasak oi bekari” sung by Mohammad Rafi in the film Ganga Jumna, composed by Naushad Ali. Usha Uthup said he was looking like junior Dilip Kumar. The child participants were excellent in the rendition of the songs.
Rimsha sang the song “yeh dil tum bin kahin lagta nahi ab kya Karen” sung by Lata and Rafi in the film Izzat, composed by Laxmikant Pyarelal. Sanjana sang the song “kajra muhabbat wala” sung by Asha Bhosle and Shamshad Begum in the film Kismat composed by OP Nayyar. Barnali Hota sang the song “parde me rehne do” from the film Shikar, sung by Asha Bhosle composed by Shankar Jaikishan.
Salman Ali sang the song “akele hai chale awo” sung by Mohammad Rafi and composed by Kalyanji Anandji in the film Raaz. Javed Ali praised Kalyanji Anandji for their unique composition and said that they had encouraged new talents. It was Kalyanji Anandji who had brought them in the industry.
Nitin Kumar sang the song “na ja kahin ab na ja” sung by Mohammad Rafi and composed by LP in the film Mere Humdum Mere Dost. Usha Uthup sang the song “haal kaisa hai janaab ka” herself. She had given her musical instrument khanjari to Nitin Kumar as a token of love.
In other episodes, Alka Yagnik used to make her valuable comments along with Javed Ali, Adnan Sami and Kailash Kher. On 5th and 6th August, Usha Uthup did the same, she had literally ignited and glorified the atmosphere of Zee Saregamapa Little Champs program telecast in Zee TV. Her English was as brilliant as her hindi as brilliant as her Bengali. She should be invited frequently in this program.
Happy birthday to Dharmender.
The viewers of bollywood films wish happy birthday to Dharmender on 8th December, 2017. He is one of the living legends of bollywood. In 2011, he acted in the film Yaamla Pagla Diwana with Bobby Deol and Sunny Deol, and the film did excellent business. But he promoted his daughter Esha Deol’s film in the later part of 2011, which did mediocre business. In 2013 he acted in the film Yaamla Pagla Deewana 2, with sons Sunny Deol and Bobby Deol.
He had acted in more than 300 films and bollywood industry was heavily dependent on the star in the 60s and 70s. He started his journey with romantic films. His successful romantic films included Phool Aur Pathar with Meena Kumari, Mamta with Suchitra Sen, Mere Humdum Mere Dost with Sharmila Tagore, Aye Din Bahar Ke with Asha Parekh, Pyar Hi Pyar with Vaijayantimala, to name a few. Rafi’s songs picturized on Dharmender like “gar tum bhula na doge,” “ na ja kahin ab na ja”, “o majhi chal”, “dil kahen ruk ja”, “aaj mausam bara beimaan hai”, etc., had remained evergreen gems. His combination with legendary singer Mohammad Rafi was evergreen. As he acted in the production and direction of different legends in the 60s, including Bimal Roy, Chetan Anand, Asit Sen, etc., he gave lips in the songs of Rafi composed by different composers. Some of the examples include “aap ke haseen rukh” composed by OP Nayyar in the film Baharen Phir Bhi Ayegi, “dekha hai teri ankhome” composed by Shankar Jaikishan in the film Pyar hi Pyar, “chalkaye jam” composed by Laxmikant Pyarellal in the film Mere Humdum Mere Dost, “tere paas aake” composed by Ravi in the film Aankhe, “in baharon me akela na phiro” composed by Roshan in the film Mamta, to name a few.
He played a different innings in the 70s. His image of action hero created revolution in bollywood films. He had a very muscular physic and created a trend of actors who involved themselves in exercises. His discipline had been followed by the actors of the next generation like Sunny Deol, Sanjay Dutt, Salman Khan, Hrithik Roshan and others. His successful films in the 70s included Jheel Ke Us Paar, Jugnu, Sholay, Dream Girl, etc.
His combination with Hema Malini is considered as one of the most colourful onscreen combination after Raj Kapoor Nargis and Dilip Kumar Vaijayantimala. Dharmender had acted in more than 20 films with Hema Malini, most of which were super hit. The most renowned films included Raja Jani, Naya Zamana, Sholay, Charas, Seeta Aur Geeta, Burning Train, Dream Girl, etc.
Dharmender acted in off-beat films as well. The best example was Gulzar’s Kinara. He was the husband of Hema Malini in the film who was a noted classical dancer. He was killed due to an accident with the car of Jeetender in the film. Bhupinder Singh’s song picturised on Dharmender titled “ek hi khwab kai baar dekha hai maine” remains as one of the greatest off-beat creations of RD Burman. His performance in the film Maa, based on the life of elephant requires special mention. He took a young elephant away from his mother to use him in Circus. The mother elephant revolted and killed Dharmender’s mother Nirupa Roy in the film. Dharmender’s patent dialogue “maa kasam”, “kamine”, etc., were memorized by youths of the 70s.
Both his sons Sunny Deol and Bobby Deol are successful actors of bollywood films. Dharmender still has acting left in him and the viewers expect him to carry on the marathon innings that he had started 50 years back.
Subir Sen songs are still relevant. Subir Sen, the noted Bengali Singer who had played a great innings in both Mumbai and Bengal had always remained an unsung singer. He had super hit songs in Bengali from the 50s to 70s.
Some of his hit songs included “akash jekhane golpo bole”, “chand tumi eto alo kotha hote pele”, “chondon ankha chotto kopal”, “dur diganto dheke aache meghe”, etc. His song “eto sur aar eto gaan” and “saradin tomay bhebe” mesmerized the Bengali audience in the late 50s. Composer Sudhin Dasgupta and Abhijit Banerjee composed some memorable songs for Subir Sen.
His other song “ogo shakuntala” composed by Bhupen Hazarika was very well appreciated by the Bengali audience. Some of his other songs included “nogor jibon chobir moton”, “ei ujjal din”, “swarnojhara surjorange”, tomra amar gaan shune”, “tomar hashi lukiye”, “tumi bolechile”, etc. He also sang songs under the composition of Salil Choudhury including “dharaniro pothe pothe”. He also acted in Uttam Kumar’s film Momer Alo, where composer Robin Chatterji had composed songs for him.
He was extremely successful in his bollywood venture. He sang the songs in the film Katputli with elegance. The songs were composed by legendary composer Shankar Jaikishan. His song “dil mera ek aas ka panchi” became super hit in the film Aas Ka Panchi. Jubilee Kumar Rajender Kumar gave lips in the song and Shankar Jaikishan composed the song for Subir Sen.
He was even impressive in the songs sung in Shammi Kapoor’s film Boy Friend which were also composed by Shankar Jaikishan. His success somewhat got overshadowed due to the similarity of his voice with Bengali singer Hemant Kumar or Hemanta Mukherjee. His songs and the films should be preserved and restored.
The viewers of bollywood films wish happy birthday to Raveena Tandon on 26th October, 2017 . She was a versatile actress of the 90s. Initially when she joined films her performance opposite Akshay Kumar and Govinda attracted the attention of many viewers.
Her films Mohra opposite Akshay Kumar and Sunil Shetty, Aatish and Vijeta opposite Sanjay Dutt, Vinashak opposite Sunil Shetty got great box-office success. In Vijeta she played the role of an honest police officer who loved a lawyer Sanjay Dutt. Sanjay Dutt took law in his own hands to punish the killers of his senior lawyer played by Aloknath. Raveena realized that her superior police officer Amrish Puri was a criminal himself and sided with Paresh Rawal. The performance of Raveena in a daring role in Vijeta amazed the viewers. She also showed her comedy skills in the film Andaz Apna Apna opposite Ami Khan and Salman Khan. She was the mate of rich girl Karishma Kapoor. But instead she pretended to be the rich girl and Karishma Kapoor pretended to be the maid. The film directed by Raj Kumar Santoshi did brilliant business in the early 1990s.
But later on in her career she got challenging roles. She got the national award for the best actress for her brilliant performance in the film Daman. It was related to ill-treatment of women. She was sublime in the film Shool opposite Manoj Vajpayee, where the corruption in politics was at issue. Shool showed the high level of corruption in Bihar to such extent that some of the politicians wanted to ban the film.
She gave landmark performance in the film Jago opposite Sanjay Kapoor. Her daughter was raped by miscreants in local train in Mumbai and she prayed for justice in court of law. Manoj Vajpayee, the police officer in the film faced the resistance from different members of the society in proving the case. Her performance in the court scene amazed the viewers and she got critical acclamation for the performance in the film.
Raveena Tandon was brilliant in the film Daava opposite Akshay Kumar. She acted in other hit films like Officer opposite Sunil Shetty, Ladlaa opposite Anil Kapoor, Zid opposite Sunny Deol, to name a few.She always had kept her mark in action films where Sunil Shetty or Akshay Kumar or Sanjay Dutt had the major role. It is a pity that when she was at the peak of her career that she left films after getting married and begetting children. In 2011 she had acted in the film Buddha Hoga Tera Baap. She had also acted in the film Aap Ke Liye Hum. The viewers want her to make a complete return to bollywood films in character roles as she still has a lot of acting left in her.
Shyama, the veteran actor remained immortal in her works.
Veteran Bollywood actor Shyama passed away on the morning of November 14, 2017 at the age of 82. Her daughter Shirrin told indianexpress.com that her mother was suffering from a lung infection, and her health deteriorated further because of that. The cremation took place at 2.30 pm at Marine Lines in Mumbai today.
The actress was known for her roles in movies like Aar Paar, Barsaat Ki Raat, Sawan Bhadi, Milan and Sharada. In a more than four-decades-long career, Shyama acted in about 175 movies. She won the Filmfare Award Best Supporting Actress award for her performance in Sharada.
It is very sad. The film fraternity and viewers were shocked to hear her death. She was one of the very beautiful actresses of the 1950s and 1960s. Her dance performances, powerful acting and great expression still haunt the viewers.
She rose to stardom with Guru Dutt’s film Aar Par. Her lips in Geeta Dutt’s song “ae loji hari piya hui teri jeet re”, “ sun sun sun sun zalima” became super hit. OP Nayyar composed the music of the film. Aar Par was a super hit film of 1954.
She did well opposite Dilip Kumar in the film Amar. Madhubala was the other lead actress of the film. She did well in Raj Kapoor’s film Sharda. Meena Kumari played the lead role in the film. It was a super hit film of 1957. Shyama did not fear even negative characters. In Sharda in the later part of the film her role was negative.
Shyama (born Khurshid Akhtar; 7 June 1935 – 14 November 2017) was a Hindi movie actress. Her best known roles were in Aar Paar (1954), Barsaat Ki Raat (1960) and Tarana. She was also noticed for her versatility through her performances in Milan, Bhai-Bhai (1956), Mirza Sahiban (1957), Bhabhi (1957) and Sharda, for which she was awarded the Filmfare Award for Best Supporting Actress. She was the actress in late 50s who has been most responsive to the rhythm and lyrics of the music directors and poets. Songs picturised on her such as "Ae dil mujhe bata de", "O chand jahan wo jaye", "Ae lo main hari piya", "Dekho, wo chand chhup ke karata hai kya ishare", "Chhupa ke meri aankhon ko", Sun Sun Zalima and "Ja re ka re badara" are examples of her sensitive acting. She did a double role in Do Bahen(1959) portraying twins who were completely different in characters.
Shyama arrived in Mumbai from Lahore in the 1940s. As a young girl, she acted in a few films like Noorjahan's husband Shauqat Rizvi's Zeenat (1945) and Meerabai (1947).
Director Vijay Bhatt gave her the stage name Shyama, by which she is credited in her movies. She had starring roles in Guru Dutt's classic Aar Paar, and later in Barsaat Ki Raat, which was perhaps her best performance. She was a major star in the 1950s and 1960s and acted in more than 150 movies many in starring roles. Johnny Walker and Shyama had worked in films like Choo Mantar, Aar Paar, Musafir Khanna, Khota Paisa and Khel Khilari Ka. She was married to cinematographer Fali Mistry in 1953, and the couple had two sons, Faroukh and Rohinton and a daughter Shirrin. Fali Mistry passed away in 1979, thereafter she continued to stay in Mumbai.
Her close friend were actress Ameeta and Johnny Walker. Nasir Khan, Johnny Walker’s son expressed his grief on hearing the news. In an interview with Mid-Day, he said, “It’s really disheartening to know about the demise of Shyama aunty. She had done several films with my father and in a lot of them she was opposite him also. In fact, in the film that was made on his name ‘Johnny Walker’, she was the heroine with him.
Romantic Singer Gayatri Bose sang many romantic songs during 1950s and 1960s. Some of the songs were for children also.
Her song “amar sondhya pradip jolbe angina” composed by Robin Chatterjee was one of the successful songs. Her song “shuktara akashero konete” was one of the other songs.
One of her other songs was “ei phalgun hok obosan” which was composed by Shyamal Mitra. There was another song “amar jibone pradeep jalate” which became very popular in the 1950s.
Gayatri Bose showed her immense romantic andaz in the song “poddokoli sakal khoje” which was very melodious. Some of her other notable songs included “oi baaje kini rini rini”, “gun gun gun bhramara”, “aakash kandey baatash kaande”, “e mon kemon kore jeneche”, “dure pahar jeno koto”, to mention a few.
Gayatri Bose sang many melodious songs in the 1950s. They included “aaj malonche moushami howa”, “andhare prodip mor”, “swapnabhara ei banatal”, “prothom mukul tumi jhorona”, “dekho dekho krishnachura”, “o meghe meghe”, etc.
There was strong competition between a number of female singers during the golden age including Sandhya Mukherjee, Geeta Dutt, Alpona Banerjee, Pratima Banerjee, Ila Bose, Shipra Bose, Nirmala Mishra and others. That was one of the reason Gayatri Bose could not dominate the music arena but she had her own identity and singing style which was appreciated by the audience.
She had also sang in Uttam Kumar’s films like Bidhilipi where Sandharani acted opposite Uttam Kumar. The music of the film was composed by Kalipada Sen. There were four songs in the film which were sung by Gayatri Bose, Mrinal Chakravarty and Alpona Banerjee. All the songs were very successful.
Sandhya Mukherjee and Geeta Dutt sang majority of songs of actress Suchitra Sen. So in the film arena Gayatri Bose’s talent was not exploited to that extent. But she sang brilliant songs in the modern song arena and for those reasons the songs should be preserved.
Jaikishan Dayabhai Panchal is remembered on 12th September and 4th November, his death anniversary in 2013. The listeners of music all over the world wished happy birthday to legendary composer Jaikishan better known as Jaikishan Dayabhai Panchal on 4th November, 2012. He was part of the legendary duo Shankar Jaikishan who dominated bollwood music during the 1950s and 1960s. Rafi had a very sweet relationship with Shankar Jaikishan but unfortunately their relationship had not been glorified in bollywood history. Whenever contribution of composers relating to classic creations involving Rafi are highlighted the name of Naushad, Roshan, Madanmohan, OP Nayyar are glorified and the contribution of Shankar Jaikishan is ignored.
If Rafi’s stylish andaz relating to westernized compositions are adequately it is Shankar Jaikishan who had used it to perfection. They had used Rafi for singing romantic songs with Japanese orchestration in Love in Tokyo including songs like “aja re aa zara aa”, “Japan, Love in Tokyo”, “ o mere shahekhuba”, etc. In Biswajeet’s April Fool SJ’s composition for Rafi including “aa gale lag ja” had westernized background.
SJ’s composition for Rafi in Shammi Kapoor’s An Evening in Paris like “akele akele kahan ja rahe ho”, “raat ke humsafar”, had loud French music with echo effect and Rafi’s intonation was also westernized. Shankar Jaikishan gave a completely different style of music to Rafi in Rajender Kumar’s Aarzoo with songs like “aji ruth kar ab”, “chalke teri aankho se”, “ai nargisi mastana”, etc.
SJ had given songs addressing children to Rafi including “nanne munne bache teri mutthi me kya hai” in Boot Polish, “hai na bolo bolo”, “re mamma re mamma re” in Shammi Kapoor’s Andaz and “chakke p chakka” in Brahmchari. Rafi pronounced the words with childish accent and SJ used the orchestration to attract children.
There were ghazals also given by SJ for Rafi including “rukh se zara nakab” in Jeetender’s Mere Huzoor, “unke khayal aye to” in Raj Kumar’s Lal Patthar, “saaze dil ched de” in Pradeep Kumar’s Rajhaath, etc. Besides SJ’s creation involving Rafi in somber mood had created great impact including songs like “teri zulfon ki judai to nahi maangi thi” in Dev Anand’s Jab Pyar Kisi Se Hota Hai, “ehsaan tera hoga mujhpar” in Shammi Kapoor’s Junglee, “yaad na aye” in Rajender Kumar’s Dil Ek Mandir.
Shankar Jaikishan had used Rafi’s classical andaz in the songs “radheke tune bansoori churai”, “ajahu na aye”, etc., and combined the ragas with devotional andaz. SJ had given music in almost 200 films within the span from 1949 to 1971, and at least each year they composed music for approximately 10 films. As Rafi was given predominance over other male singers SJ had use him in regular intervals even without doing injustice to Mukesh, Manna Dey, Kishore Kumar, Talat Mehmood and others. Songs like “kaun hai jo sapno me aya” from Jhuk Gaya Aasman, “to bura maan gaye” from Ayee Milan Ki Bela, “yeh ankhen” from Jab Pyar Kisi Se Hota Hai, “tujhe jeevan ki dor se” from Aasli Nakli, “dheere dheere chal” from Love Marriage, “badan pe sitaren lapete hue” from Prince, “mai kahin kavi na banjayun” from Pyar Hi Pyar, “mai gayun tum so jao” from Brahmchari, had not lost their flavour even 40 years after their creation due to sheer brilliance of Shankar Jaikishan. It is really tragic neither Shankar Jaikishan had received the accolades that they deserved nor Rafi’s association with them had been glorified but history says that the combination of Rafi with Shankar Jaikishan had produced invaluable creations which had become immortal over the period of time.
Rafi had a dream run in the 60s, mainly in the films of Jubilee Kumar, Rajender Kumar for more than a number of reasons. Firstly Rajender Kumar acted in the production and direction of biggest banners of bollywood in the 60s. Secondly from 1963 to 1966, all his films ended up in silver jubilee showing his immense popularity and strong presence in the box-office. Shankar Jaikishan was equated with God in the early 60s and the main reason of the box-office success of Jubillee Kumar’s films was the superlative music given to him by both SJ and Naushad.
In the film Ayee Milan Ki Bela, all the songs of SJ, picturised on Rajender Kumar and sung by Rafi became super hit The immortal songs include “mai pyar ka diwana“, “aha aye Milan ki bela“, “tum khamseen ho“, “to bura maan gaye“, “o sanam tere ho gaye hum“. Rajender Kumar and Saira Banu’s online chemistry in the film helped in the success of the film.
SJ’s composition in the film Aarzoo, Humrahi and Sasural for Rajender Kumar and Rafi were equally rich. The brilliant songs include “chalke teri aankhose“, “ae nargisi mastana“, “aji ruth kar ab“, “yeh aansoo meri dil ki zubaan hai“, “teri pyari pyari surat ko“, “mujhko apne gale laga lo“, to mention a few. Sadhna complimented the powerful performance of Rajender Kumar in Aarzoo.
The brilliant combination of Rafi, SJ and Rajender Kumar, continued in the film Dil Ek Mandir and Jhuk Gaya Aasman. Prominent songs include “yaad na jaye“, “jahan koi nahi“, “dil ek mandir hai“, “o priya kaun hai jo sapno me aya“, “kahan chal diye“, to mention a few. SJ Rafi and Rajender Kumar continued in the film Aman, where songs like “surahidar garden koel si hi awaz” still mesmerizes the listeners.
Rafi, Rajender Kumar and SJ created history even in the film Suraj. The songs “kaise samjhayun“, “chehere pe giri zulfein“, “itna hai tujhse pyar mujhe“, “baharon phool barsao” had become immortal over the years. Rajender Kumar and Vaijayantimala’s screen presence were as majestic as the voice of Rafi and the quality of music of Shankar Jaikishan. The other films where the magic combination of Rafi, Rajender Kumar and Shankar Jaikishan made people speechless include Zindagi and Sangam, with the prominent songs being “pehle milethe sapno me” and “meherban likhoon“.
When Shammi Kapoor was informed about Rafi’s death in 1980, he was told by the informer that he had lost his own voice. In other words it was said that Rafi’s voice had reached the soul of Shammi Kapoor, whose success in bollywood films was largely dependent on the golden voice of Rafi. Shankar Jaikishan had contributed in around 22 films of Shammi Kapoor and without the magical duo Rafi’s combination with Shammi Kapoor would not have fulfilled the popular demands of the musical audience.
If SJ’s composition for Raj Kapoor mark the music catered to the masses, the composition for Rajender Kumar mark the sophisticated tunes catered towards the cultured audience, the compositions for Shammi Kapoor mark the westernized andaz addressed for the young generations. Shammi Kapoor brought the rock and roll andaz of Hollywood films in hindi films, and SJ and Rafi combined together to bring the energetic andaz of Shammi Kapoor who was considered to be a rebel star in the 60s. In fact his style was imitated by Joy Mukherjee and Biswajeet who were also blessed with melodious songs sung by Rafi in the 60s.
SJ, Shammi Kapoor and Rafi combined together to give superhit songs in the film Junglee, including “ehsaan tera hoga mujhpar”, “meri yaar shabba khair”, “chahe koi mujhe jungle kahen”, etc. Saira Banu made her debut opposite Shammi Kapoor and the Subodh Mukherjee film became a trend setter for other directors of producers of the 60s.
SJ, Shammi Kapoor and Rafi created the same magic in the film Janwar. Songs like “tumse achha kaun hai”, “lal chari maidan khari” became superhit along with romantic performance of Rajashree in the film. SJ, Shammi Kapoor and Rafi combination in the film Raj Kumar was equally sublime with songs like “hum hai rajkumar”, “tumne pukara aur hum chale ayen”, “tumne kisiki jaan ko”, to name a few. Sadhna was sublime along with Shammi Kapoor in the film.
SJ, Shammi Kapoor and Rafi created magic again in the film An Evening in Paris. All the songs of the film became super hit including “aji aisa mauka”, “aasman se aya farishta”, “raat ke humsafar”, “akele akele kahan ja rahe ho”, “mera dil hai tera”, “diwane ka naam to pucho”, to name a few. The foreign locations of Paris were as majestic as the European music of SJ and modernized performance of Sharmila Tagore in the film.
The brilliant combination of SJ, Shammi Kapoor and Rafi again created magic in the film Brahmchari. All the songs in the film including “dil ke jharoke me”, “chakke pe chakka”, “mai gavun tum so jayo”, “aajkal tere mere pyar ke charche” created storm in bollywood films. Shammi Kapoor won the filmfare for best actor for his performance in Brahmchari, and Shankar Jaikishan won the film fare for best music director for the same film, while Rafi won the filmfare for best singer for singing the song of the same film. Again Rajashree was sublime in the film.
SJ, Shammi Kapoor and Rafi were equally brilliant in the film Prince where Vaijayantimala acted opposite Shammi Kapoor. Rafi’s songs “muqabla hum se na karo” was as hit as “badan pe sitaren lapete hue”. The same combination came up with brilliant songs in the film Laat Sahab. The songs “sawerewali gari se chale jayenge” and “aye chaand zara chup ja” became superhit. Nutan contributed well opposite Shammi Kapoor.
The magic combination of SJ, Shammi Kapoor and Rafi contributed even in GP Sippy film, Andaz. All the songs of Rafi like “dil use do jo jaan deden”, “hai na bolo bolo”, “re mamma re mammare” became superhit. Hema Malini performed for the first time opposite Shammi Kapoor. The brilliant combination of SJ, Hasrat Jaipuri, Shailendra, Shammi Kapoor and Rafi ended with sad demise of Jaikishan in 1971.
Articles after articles can be devoted on the magic combination who even created magic in other films like Tumse Accha Kaun Hai, Jawan Muhobbat, etc. Critics argue that OP Nayyar and Ravi also contributed in Shammi Kapoor’s films, but their music was also influenced by Shankar Jaikishan’s tunes. The films and the songs of Shammi Kapoor, Shankar Jaikishan and Rafi should be preserved for the future generations.
A big section of music lovers agree that had Jaikishan not died in 1971, Rafi’s dominance in bollywood music not suffered at all. In fact SJ’s tunes were brilliant and were specifically catered towards the likings of common mass. They were not that technical which could not reach the audience. Besides SJ gave tunes in around 10 films per years all along the 50s and 60s, the era when Rafi was unbeatable.
Nirmala Mishra said Carribean humming gave her song “emon ekta jhinuk”.
Eminent singer Nirmala Mishra gave an exclusive interview in Anandabazar Patrika on 16th October, 2011. At an age of 73 years she talked about many unknown facts.
She disclosed that her father Mohinimohan Mishra was Pandit, Sangeet Ratna and Sangeet Nayak. He went to Benaras to get those degrees in music. Nirmala Mishra’s second brother who was also a great talented singer was given poison and did not survive, otherwise would have been a great singer.
She was very mischievous during childhood, that was the reason she was called “jhamela”. She got typhoid 6 times, for that reason her eyesight was affected. Everyone prescribed her to sing light songs, but her father was upset as he was an eminent classical singer. Ustad Bade Ghulam Ali Khan had many times given her medicine for voice.
Eminent singer Dhananjoy Bhattacharya had helped her in her initial days of career. When composer Nochiketa Ghosh composed a song and asked her whether she could do Carribean humming, she said yes. Nochiketa Ghosh thought about Lata Mangeshkar for the song. But she did the humming, and got the song “emon ekta jhinuk khuje pellam na”. It became super hit. In the same way she got the song “o tota pakhire” from the brilliant composer Prabir Mojumdar.
She was called by superstar Uttam Kumar a number of times in his own house whenever Supriya Debi cooked a delicacy of prawns. She was asked to sing songs many times. She talked about her husband also who wrote the song “ami je tomar chirodiner hasi kannar saathi” which was later recorded and became a big hit.
Nirmala Mishra said that just as Lata Mangeshkar was called the melody queen of Mumbai, Sandhya Mukherjee the melody queen of Kolkata, similarly she was considered the melody queen of Orissa. She had sung many Oriya songs and majority of them had become hits.
Happy birthday to Bappi Lahiri.
The viewers of bollywood films wish happy birthday to Bappi Lahiri on 25th November, 2017. He had huge contribution in bollywood music during the 70s and 80s and his compositions are remembered even today.
He is the son of famous Bengali singer and composer Aparesh Lahiri. Aparesh Lahiri had very impressive basic discs and the songs like “takka tare”, “jhar” stormed the Bengali audience in the 50s. His composition for Lata Mangeshkar, titled “ekbar bidae de ma” in Bengali films should his capability of using powerful resources successfully.
Bappi Lahiri emerged in the bollywood film arena, when composers like Shankar Jaikishan, Roshan, Madan Mohan, SD Burman, died and composers like Laxmikant Pyarellal, RD Burman, Kalyanji Anandji were the main competitors in the late 70s. Bappi created an impression before the audience with his compositions for the film Zakhmee where Sunil Dutt and Asha Parekh were the main performers.
The music of his film Namakhalal became super hit. Big B’s lips and Kishore Kumar’s song “ki pag ghungru”, made Bappi Lahiri a big star in the early 80s. He also gave ppular music in the film Sharabi, where again the Big B, KK combination stormed bollywood. The song “imtehan ho gayi intezr ki” became super hit.
Bappi Lahiri and KK combination did work also in the films of Mithun Chakravarthy. All the songs of the film Disco Dancer became super hit where Bappi Lahiri himself sang hit songs like “yaad aa rahai”, etc. The other hit films where Bappi Lahiri contributed well include Thanedaar, with Sanjay Dutt and Madhuri Dixit, where the song “tama tama loge” became very popular.
Bappi Lahiri was very successful in his composition of music for Bengali films as well. His music in Uttam Kumar’s last film Ogo Bodhu Sundari became super hit. KK’s songs “ami ekjon santoshito”, “shikte tomai hobe”, etc., became very successful. The other hit Bengali films where Bappi Lahiri made valuable contribution include Guru Dakhina and Amar Sangi. The hit songs include “o amar gurudakhina”, “prithibi hariye geche”, “sangi, sangi”, “jekhanei thako”, etc.
He sang the song “u lala u lala” in the film Dirty Picture. The film had reciprocated the great music trend of 1980s when Bappi himself composed music in films like Himmatwala.
Bappi Lahiri had been often criticized for copying music from international films and other sources, as his tunes were very similar to others tunes. But that controversy is faced by lot of modern composers as well. The big thing is Bappi Lahiri had entertained audience of bollywood films for more than 15 years. His admirers expect him to compose innovative tunes in more films in future.
Aneek and Ujjaini won the Zee Bangla Dadagiri Program.
On 4th November, 2017, Sourav Ganguly brought eminent singers in Zee Bangla Dadagiri Program. The singers included Aneek and Ujjaini in one team, Imon Chatterjee and Sanchita in another team, Imon and Shovan Ganguly in another team, Durnibar and Mekhala in another team, Saptak and his team and Tirtha and his team.
Imon Chatterjee and Sanchita sang the song “humma, humma, humma, humma, humma”. In the first round the question was a celebrity who had featured in many reality shows in Zee Bangla. Most of the participants gave the answer as Sourav Ganguly. But the answer was Shubhankar Chatterjee, the director of Zee Bangla Dadagiri Program.
Aneek and Ujjaini challenged the questions of other participants and got big number of points. They scored the fastest 50 points. Sourav Ganguly asked the name of the singer who in the recent past disguised himself and sang in the streets. The participants were supposed to name the singer. It was Sonu Nigam and Saptak and his team gave the right answer. Saptak sang the song “jawan mai hoon, jawan tum bhi ho” with his team. At the end of the show Saptak and his team also crossed 50 points and became second. They answered the maximum questions in the slog over round and became second.Surnibar sang the song "ei niralay kunjachayay".
Aneek was asked to answer a audio voice of a singer singing a Punjabi folk song. It was an uncommon song. Aneek took a wild guess and said it was the song of a non-singer and it was Harbhajan Singh. The answer was correct and Sourav Ganguly confirmed that.
Tirtha and his team sang a folk song on the request of Sourav Ganguly. Mekhala sang Geeta Dutt’s song “Tumi je amar ogo tumi je amar”. Sourav Ganguly asked all the participants in turns to sing songs of their choice. Most of the participants reached the finals of Zee Bangla Saregamapa program and are known faces for the audience.
Sourav Ganguly anchored the program in style.
Happy birthday to superstar Shahrukh Khan.
The viewers of bollywood films wish happy birthday to superstar Shahrukh Khan on 2nd November, 2017. He was the ruler of bollywood industry in the 90s. Right from Baazigar, Shahrukh Khan gave blockbusters one after the other. After Amitabh Bacchan, he is the next superstar, whose screen presence had carried through many big budget films.
2011 had been a great year for Shahrukh Khan. He had produced the costliest film in Indian history Ra One. The film in the first week had already done business of more than 50 crores. Although the film had not broken the record of Salman Khan’s film Bodyguard this year which had done business of 150 crores, the film had created a new trend, and Shahrukh Khan’s excellent acting, stunts and enthusiasm had been praised a lot by the viewers.
In 2012, Shahrukh Khan’s romantic film Jab Tak Hai Jaan was released on Diwali, on 13th November. It was the last film of Yash Chopra. He died recently. This was the first time Shahrukh Khan had acted opposite Katrina Kaif. AR Rehman composed the music of the film. The film did business of 115 crores.
2013 had been even more successful year for Shahrukh Khan. His film Chennai Express released in August, 2013, did business of more than 210 crores. The film broke the record of Amir Khan’s The Three Idiots and stands as the biggest blockbuster ever.
2014 had been a bigger year. Shahrukh Khan’s film Happy New Year did business of more than 150 crores in the 1st weeks. It has the potential of doing business of more than 200 crores.
Shahrukh Khan had a grand combination with Director Karan Johar, and most of the films directed by him ended up being super hit. The notable films include Kabhi Khushi Kabhi Gham, Kuch Kuch Hota Hai, etc. Shahrukh Khan also gave able lips in hit songs of these films including “kuch kuch hota hai”, “suraj hua madhyam”, etc. In 2010, their grand combination gave another hit titled My Name is Khan. Shahrukh Khan played the lead role in the film and did a great job opposite Kajol.
Shahrukh Khan also succeeded in negative roles. The greatest example includes Darr. There he played a negative character opposite Sunny Deol and Juhi Chawla. On one hand he gave good lips in the songs “tu mere samne”, on the other hand his attack on Juhi Chawla made the viewers understand that he could act in any type of films. He received filmfare award for the negative category as well. He was played a challenging role in Mani Ratnam’s film Dil Se. The film was related to terrorism in North East India and Shahrukh Khan died with Manisha Koirala in the film.
Shahrukh Khan has the record of bagging 7 filmfare awards for best actor, which is the second best record after Dilip Kumar who had won it 8 times. Shahrukh Khan, better known as King Khan, had acted in the films of almost all the leading directors of the country, including Amol Palekar’s Paheli with Rani Mukherjee. Besides he had acted opposite different actresses like Kajol in the film Dilwale Dulhania Le Jayenge, Preeti Zinta in the film Veer Zara, Anushka Sharma in the film Rab Ne Bana Di Jori, to name a few.
Shahrukh Khan opened own production house titled Dreams Unlimited with Juhi Chawla, and the films produced by such combination like Phir Bhi Dil Hai Hindustani also did good business. Shahrukh Khan had ruled the industry for more than 15 years. Shahrukh Khan is also known for high level of energy. He had sponsored the Kolkata Knight Riders IPl team which had been captained by Sourav Ganguly. Although the team had performed is a disastrous manner, Shahrukh Khan had always encouraged his players. Shahrukh Khan’s team under the captainship of Gautam Gambhir had also won the IPL Trophy this year.
The viewers are waiting for his next film that is going to be released in 2015. He is breaking his own records. So there are more surprises in future.
Manobendra Mukherjee was one of the legendary classical singer of Bengal who had simplified classical ragas and used them in Bengali modern songs.
His romantic song “ami eto je tomay bhalobesechi” written by Shyamal Gupta and composed by himself had classical touch embedded in it. His other own composed song “emni kore porbe mone baki jibon dhore” was also a masterpiece related to classical andaz.
Manobendra Mukherjee’s pure classical numbers were even more melodious. One example is “ei moushumi mon shudhu rong bodlay”. In this song there was a small alaap or khanak taken at the place “mori je hay” where Manobendra had used the sargam by uttering in “aa aa” form. It was brilliant.
There were other romantic songs like “boroshaklanto o duti nayan mele”. The song had been composed by Anal Chatterji. Manobendra Mukherjee had another master piece “bolo raat bolo se kothay”. The song was totally raga oriented.
Manobendra Mukherjee was sublime in the song “ei nil nil jal sagore” composed by Probir Mojumdar and “tomar pather prante moner monidip jele rekhechi” composed by Satinath Mukherjee. Some of his own compositions like “ei ganga sei padda” and “sei bhalo ei bosonto noi” had absolute romantic andaz.
Manobendra Mukherjee had given adequate expression to songs composed by Himangshu Dutta including “birohini chiro birohini”, “tumi je andhar”, “biroho barisha”, etc. The songs were difficult in nature and Manobendra was probably the most classically trained singer to do justice to them.
Manobendra had also sung some of the songs created in thumri style. One example was “koto je soyechi betha” composed by Chinmoy Lahiri. One more classical number included “tumi to dariye acho”.
Articles after articles can be devoted to Manobendra Mukherjee whose classical touch was as elegant and stylish as Neil Harvey’s wristy strokes.
Satinath Mukherjee was one of the versatile classical singers who did not get dues during the golden age. The 50s and 60s were categorized with notable classical and semi-classical singers in the Bengal arena where Manobendra Mukherjee, Manna Dey, Dhananjoy Bhattacharya, Akhil Bandhu Ghosh and other giants galvanized the world of modern songs.
Satinath Mukherjee, the guru of notable singer Shyamal Mitra, had a huge partnership with lyricist Shyamal Gupta and presented his flora of classical ragas in Bengali modern songs. His songs “pashaner buke likhona amar naam”, “bono patho majhe”, “jibone Jodi deep”, etc. were milestones of Bengali modern songs.
He sang separate private songs involving “raag pradhan” which described the movement of separate ragas like Imon, Baghesri, Darbari Kanada, Behag, Ashawari, etc. His song on raag bageshri included “elo jochona se tobu”. His song on raag bairagi included “dake na keno je banshi”. His song on raag behaag included “gelo je logon chole”. His song on raag bhairav included “jagiche bhore probhat robi”. His song on raag bhupali included “kotha je banshori baaje”. His song on raag darbadi kanada included “e bedona kemone sohi”. His song on raag desh thumri included “boroshar rate jagi”. His song on raag kalawati included “baje keno beena”. His song on raag komol ashavari included “modhu rati bhor hoi”. His song on raag madhab todi included “ke jano dake nishibore”. His song on raag manj khamaj included “tomare bhulite ogo”. His song on raag nandkauns included “kotha tumi ghanashyam”. His song on raag pahari thumri included “emono dine se kothay”. His song on raag patdeep included “kano janina baje”. His song on raag yaman included “na go na jeyona”.
Some of his classical songs included “bojhona keno ami je koto eka”, “jedin jibone tumi”, “baluka belay kurai jhinuk”, to name a few. Very significantly most of the songs were composed by himself.
As a composer he used to be considered a giant of giants. His compositions for other legendary singers included “tomar pother prante moner monideep jele rekhechi” and “bhule gechi kobe” sung by Manobendra Mukherjee, “eto alo aar eto hasi gaan” sung by Shyamal Mitra, “ami cheyechi tomay” sung by Dhananjoy Bhattacharya, “tomar moto amiyoto koto soyechi” sung by Pannalal Bhattacharya, to name a few.
Besides his own student Dipak Maitra had sung few songs composed by Satinath Mukherjee included “koto kotha bola holona”. Satinath Mukherjee is associated with the compositions for the two maestros in Indian music namely Mohammad Rafi and Lata Mangeshkar.
Lata’s first record in Bengali namely “akash pradeep jale” and “koto tara” were the compositions of the genius Satinath Mukherjee. Satinath Mukherjee’s landmark compositions for Mohammad Rafi included “ekhono biday bolona”, “pakhitar buke jeno teer merona”, etc. It is very sad that Satinath Mukherjee’s immense musical talents were not used in Bengali films. He had sung rare songs like “majhe nodi bahe re” in Tapan Sinha’s film Atithi, songs in Uttam Kumar’s film Bon Palashir Padabali, etc.
Otherwise Satinath Mukherjee, the sincere student of Ustad Bare Ghulam Ali Khan was one of the revolutionary singers and composers who remained an institution by himself. His students included singer and composer Jotileshwar Mukherjee who carried on the legacy of Satinath Mukherjee. The songs and creations of Satinath should be preserved and restored.
Happy birthday to sweet star Juhi Chawla.
The viewers of bollywood films wish happy birthday to sweet star Juhi Chawla on 13th November, 2017. Juhi Chawla stormed bollywood films in the 90s.
Her first film Qayamat Se Qayamat Tak became super hit in the late 80s. Her pair with Amir Khan was well accepted by the audience. The songs in the film became very successful. The landmark songs included “aye mere humsafar”, “papa kehte hai” sung by Udit Narayan, Alka Yagnik and others. From that time many producers and directors did cast her opposite Amir Khan in many films. The film also started a new trend of romantic films one after other after 15 years of domination of action films under success of Angry young man Amitabh Bacchan. Salman Khan’s film Maine Pyar Kiya followed very soon.
Her comedy andaz in the film Ishq opposite Amir Khan was well appreciated. Her romance with Amir Khan started with quarrels as against the affair of Kajol and Ajay Devgan in the same film. The film did great business.
Juhi Chawla acted in romantic films opposite all the leading actors of bollywood, including Rishi Kapoor in Bol Radha Bol and Eena Meena Dika, Anil Kapoor in Deewana Mastana, Jhoot Bole Kowa Kate, Amir Khan in Hum Hai Rahi Pyar Ke, to name a few. In the mid-90s she acted in a number of films opposite superstar Shahrukh Khan.
Her major films opposite Shahrukh Khan included Duplicate, Raju Ban Gaya Gentleman, etc. She started her production house Dreams Unlimited along with Shahrukh Khan and produced many films. One of the hit films included Phir Bhi Dil Hai Hindustani. Both Shahrukh Khan and Juhi Chawla acted in the film.
Juhi Chawla also acted in films opposite other actors. Her performance in character roles in the recent times had also impressed the crowds. Some of her recent films included Salaam-E-Ishq opposite Anil Kapoor. She played the role of a middle-aged woman whose husband got attached with another woman. She got dejected at the beginning, but keeping in mind the interest of her children, she compromised with Juhi Chawla.
Juhi Chawla acted in action films like Darr as well. She performed opposite Sunny Deol and Shahrukh Khan. Shahrukh Khan acted in a negative role in the film who was killed at the end by Sunny Deol. Juhi Chawla’s dance performance in the film in songs like “tu meri saamne” still haunts the viewers.
In 2012 she had acted in a number of films like Main Krishna Hoon, Son of Sardar. Son of Sardar was released in November, 2012, and there was lot of hope relating to the film where Juhi Chawla had a great role. The film did business of more than 100 crores and her performance opposite Sanjay Dutt created attention. In 2013, she had acted in the film Gulaab Gang. The film had been released. The viewers expect Juhi Chawla to continue the quality work in future.
The viewers of bollywood films wish happy birthday to rock and roll star Shammi Kapoor on 21st October, 2017. He died in 2011 making huge number of audience sad. He had remained a dancing sensation in the 60s.
Shammi Kapoor is also admired a lot by a big section of music lovers because most of the hit songs of the 50s and 60s belonged to him and the legendary singer Mohammad Rafi had sung immense number of brilliant songs for the stylish actor.
Although in the early part of his career he had mediocre films like Laila Majnu, he bounced back in style with the film Tumsa Nahi Dekha in 1957 and Dil Deke Dekho in 1959. His stylish andaz and dancing mannerisms like Elvis Priestley created a separate image before the viewers. He in fact modernized Indian films.
His combination with Shankar Jaikishan and Mohammad Rafi was very grand. SJ composed music in almost 22 films of Shammi Kapoor and the songs of those films are still considered musical gems. Hit songs include “yahoo chahe koi mujhe jungle kahen”, “ehsaan tera hoga mujhpar”, “meri yaar shabba khair”, “ay ay ya karoon me kya sukoo sukoo” sung by Rafi, composed by SJ in Junglee, “tumse accha kaun hai”, “lal chari”, “humko hai tumse pyar”, “meri muhobbat jawan raha hai”, sung by Rafi, composed by SJ in Janwar, “aye gulbadan”, “awaz deke”, composed by SJ sung by Rafi in the film Professor, “tumne pukara aur hum chale aye”, “yeh rang badalti duniya me”, “hoshiyaar”, “tumne kisi ki jaanko jate hue dekha hai”, composed by SJ, sung by Rafi in the film Raj Kumar, “aasmaan se aya farishta”, “raat ke humsafar”, “akele akele kahan ja rahe ho”, “dewaane ka naam to pucho”, “tera dil hai mera” composed by SJ and sung by Rafi in the film An Evening in Paris, “mai gayun tum so jayo”, “aajkal tere mere pyar ke charche”, “dil ke jharoke me”, “chakke pe chakka”composed by SJ sung by Rafi in the film Brahmchari, to name a few.
Shankar Jaikishan composed music in other less known films of Shankr Jaikishan like Boy Friend, Andaz, Singapore, Tumse Accha Kaun Hai, Jawan Muhobbat. Mohammad Rafi’s hit songs in those films include “dil use do jo jaan de den”, “re mamma re mamma re”, “hai na bolo bolo”, “tumse accha kaun hai”, “janam janam ka saath hai”, etc. The list can go on.
Shammi Kapoor received filmfare award for best actor only once, for the performance in the film Brahmchari in 1968. But that cannot show his dominance in bollywood films in the 60s. If Rajender Kumar portrayed the sophisticated style of romance in the 60s, Shammi Kapoor portrayed the westernized dimension. Actors like Joy Mukherjee, Biswajeet followed the Shammi Kapoor style and got success in contemporary films like Phir Wohi Dil Laya Hoon, Mere Sanam, etc.
Shammi Kapoor acted opposite all the leading actresses of bollywood films in the 60s, including Sharmila Tagore in Kashmir Ki Kali, Sadhna in Raj Kumar, Asha Parekh in Teesri Manzil, Saira Banu in Junglee, Rajashree in Janwar, Hema Malini in Andaz, Mala Sinha in Dil Tera Diwana, Nutan in Laatsahab, etc. After the 70s, he switched to character roles and there also showed his skills.
Shammi Kapoor and Mohammad Rafi combination was phenomenal even in other films where music was composed other than Shankar Jaikishan. For example OP Nayyar was unparallel in Kashmir Ki Kali, Tumsa Nahi Dekha, RD Burman was excellent in Teesri Kasam, Ravi was brilliant in China Town.
Some of his memorable films in old age include Betaab, Bidhata, Prem Rog, Parvarish, etc. His films and songs should be restored to remember the golden age of Indian films with colourful music.