Remembering Tragedy Queen Meena Kumari on her birth
The viewers of bollywood films remembered Tragedy Queen Meena Kumari both on her birth anniversary on 1st August, 2018 on her death anniversary on 31st March, 2019. Meena Kumari can be considered as the greatest actress of Bollywood during the golden age who had portrayed images and characters showing complexity of the mind of the Indian women and the social ostentations that they had faced during different periods of time. Meena Kumari, born on 1st August, 1932, known as Mahjabeen Bano, stormed into the Indian silver screen in 1952, with the sublime performance in Baiju Bawra. Although the film had been renowned for everlasting composition of Hindustani ragas by Naushad and supreme performance of Mohammad Rafi, with songs like “man tarpata”, “woh duniya ke rakhwale”, etc., Meena Kumari’s performance opposite Bharat Bhushan showed the filmlovers that she had come to conquer Bollywood with her soft style of acting.
In the 50s Meena Kumari’s performance in films like Parineeta, 1953, Footpath, 1954, Yahudi, 1958, etc. were appreciated by critics, but she had created her image of martyr in the film Sharda, 1957, where even after having an affair with Raj Kapoor, in the film she had to sarcrifice her affection to marry Raj Mehra, his father, who was much older than her. In Dil Ek Mandir, 1963, Meena Kumari after having affair with Rajender Kumar in her youth had to marry Raj Kumar, due to social pressure. But from the time she had married Raj Kumar, she fulfilled all the duties of a middle class Hindu woman, and brought her sick husband to the hospital at the mercy of Rajender Kumar. She prayed to God, for the recovery of Raj Kumar. Rajender Kumar sacrificed his life to treat her husband and died at the end of the film. The songs composed by Shankar Jaikishan and sung by Rafi and Lata, had not lost their significance even today.
In 1962, Meena Kumari, performed the role of choti bahu, in Guru Dutt’s Saheb Bibi aur Ghulam, the film showing the zamindari raj (dominance of Feudal lords) existing in the British capital in India, that is Kolkata. She was married to the youngest son in a family of zamindars who used to attend mujras in Jaan bazaar, in Kolkata, where performers from Lucknow, Benaras used to come and exhibit their skills of singing classical songs. She tried to retain her husband Rehman at home, and through her conversation, Guru Dutt, the observer came to know about the history of the family.
Meena Kumar’s performance opposite Pradeep Kumar, used to create a different dimension, as her pardanashin image had matched with royal style of acting of Pradeep Kumar. After the success of Aarti, 1962; Meena Kumari, acted in the blockbusters Bheegi Raat, 1965, and Bahu Begum, 1967, opposite Pradeep Kumar and Ashok Kumar. In Bheegi Raat, she loved Pradeep Kumar, yet due to an accident which made her legs paralysed she could not attend the engagement and worked in the house of Ashok Kumar as governess. When society boycotted Ashok Kumar, she agreed to marry her, but presence of Pradeep Kumar at the end of the film in the song “dil jo na keh saka” compelled Ashok Kumar to sacrifice his affair and go back to London. It was a film where, Rafi, Lata, Roshan and the actors all had provided their best performance possible. Meena Kumar’s other film with Pradeep Kumar titled Chitralekha was also successful.
Meena Kumari had become immortal with her classic performance in the film Pakeeza, 1971, opposite Raj Kumar, which took around 10 years to be completed. It was created on a subject related to women brought up in kotha and exhibited the class of women who could not give the recognition to their next generation as their father’s are not known. The music composed by Ghulam Mohammad, Lata and Rafi’s songs, Kamal Humrohi’s direction (the husband of Meena Kumari) all complemented each other, and the film became historical piece of document.
The greatest hallmark of Meena Kumari lied in her ability to depict the helplessness of Indian women existing specially in the 50s and 60s, when the patriarchal society dominated them and they had no independent income to live separately against the pressure of society. In her performances, beauty, aristrocracy, tragedy, personality all blended into one. Whenever we think about cine-classics like Dil Apna aur Preet Parayi, 1960, or Ghazal, 1965, Meena Kumari’s image automatically comes in our mind. She died in 1972, only at an age of 41. Meena Kumari’s films should be restored in an archive for future generations to learn the art of understanding the characters from the core of the heart the way Meena Kumari had done during the golden age of Indian cinema.
Shamshad Begum the owner of voice like bell of temple.
Shamshad Begum was a legendary singer and the gain of the voice still haunts music lovers. She was born on 14th April, 1919 and died on 23rd April, 2013.
She was born in Lahore. From there she came to Mumbai with Mehboob Khan. Her talent was recognized by music director Ghulam Haider in the early 1930s.
After Naushad Ali became successful he recorded songs with new singers as well in the early 1950s, but kept working with Shamshad in the late 1950s and early 1960s. Naushad Ali chose his favourite singer Begum once again to sing four out of the twelve songs in Mother India.
Begum is credited with singing one of the first Westernised songs, "Meri jaan...Sunday ke Sunday" by Ramchandra. She kept getting more offers to sing songs and was the highest paid female singer from 1940 to 1955 and again post Mother India in 1957 to 1964. In 1949, music directors S. Rajeshwara Rao, M. D. Parthasarathy and Balakrishna Kalla asked her to sing "Jaiyo Jaiyo Shipayon Bazar" for P. Bhanumati in the film Nishan, produced by Gemini Films of Madras, which became highly popular.
In 1954, when OP Nayyar got a break as a composer, he approached Begum to record songs for Mangu. Nayyar described her voice as resembling a "temple bell" for its clarity of tone. He worked with her until the late 1960s and gave her many hit songs, including "Ab To Jee Hone Laga" from Mr. & Mrs. '55, "Main Jaan Gayi Tujhe" from Howrah Bridge, "Zara Pyar Karle" from Mangu (1954), "Saiyan Teri Ankhon Mein" from 12' O Clock (1957), "Thodasa Dil Lagana" from Musafirkhana, and many others.
Incidentally Shamshad Begum sang around 160 duet songs with Rafisahab. Majority of them rocked Bollywood music in the 1950s. Some of the most famous ones included “leke pehela pehela pyar” in film CID composed by OP Nayyar, “thandi hawaye kaalighatayen”, “husnwalen wafa nahin karte” in Love in Simla, composed by Iqbal Qureshi, “mai jaan gayi tujhe saiyan” in Howrah Bridge composed by OP Nayyar, “gao tarane manke” in Aan composed by Naushad Ali, “dhoom dharaka dhoom dharaka” in film Amber, “door koi gaye dhun yeh sunaye” in Baiju Bawra composed by Naushad Ali, “ho bachpan ke din bhula na dena” in Deedar composed by Naushad Ali, “nadi kinare saath hamare” in film Babul composed by Naushad Ali, to name a few.
Shamshad Begum had other solo hits like “ek do teen aaja mausam hai rangeen” composed by Shankar Jaikishan in film Awaara in 1951. From the 1970s Shamshad Begum faded away from the industry, but her brilliant bass still haunts the listeners.
Happy birthday to Sonu Nigam.
The viewers of bollywood films wish happy birthday to popular Singer Sonu Nigam on 30th July, 2019. In 2013, Sonu Nigam won the best singer award in Zee Cine Awards 2013. The award was given for his famous song “abhi mujh me kahin” sung in the film Agneepath. He won the Mirchi award and Toifa award also for the same song. His mother came in the Indian idol show on 30th July, 2011, and Sonu Nigam showed his respect for the mother on his birthday. He dedicated a song to his idol Mohammad Rafi who had died on 31st July, 1980.
Sonu Nigam in a recent interview given in Anandabazar Patrika and published on 23rd July, 2011, had said that the Indian composers these days hardly call him to sing songs. If there is truth in the statement it is very sad. He said that although he had sung songs in the international platform along with Michael Jackson’s brother Jermaine Jackson, he had very few songs in the year 2011. He said that many composers are singing the songs in bollywood films themselves. He did not point his finger at Shankar Mahadevan, as he agreed himself that Shankar, the composer of the Shankar Ehsaan Loy combination, had learned Karnatic classical and always had sung well. But those composers who did not have that amount of trained voice, for singing in shows are rarely using the veteran singers. He said that it is a blessing that there are very few female composers in the industry, otherwise the domination of Shreya Ghoshal, Sunidhi Chouhan and others would have got shaken up.
In 2010, he had his romantic voice felt in the film Milenge Milenge, where his song picturized on Shahid Kapoor was well accepted by the viewers. He was also brilliant in the song “tu ne to pal bhar me chori kiya re jiya” along with Shreya Ghoshal in the film Dabaang, composed by Sajid Wajid.
Sonu Nigam had brilliant combination a number of leading composers of bollywood over the last 10 years. Sonu Nigam was associated with Anu Malik as some of his best romantic numbers were composed by him including “hume jab se mohabbat ho gayi hai”, in the film Border, or “sau dard hai” in the film Jaaneman. He was also associated with Sajid Wajid, as most of his romantic numbers like “tumko bhula na payega” from the film Tumko Bhula Na Payenge, or “mujhse shaadi karogi” in the film Mujshe Shaadi Karoge. In 2010, both of them featured together in the film Veer. Although the film did moderate business, the songs became hits.
But Sonu Nigam sang very landmark songs under the composition of Shantanu Moitra in critically acclaimed films. The films included Parineeta, Lage Raho Munnabhai, The Three Idiots, etc. Parineeta was directed by Pradeep Sarkar and was probably the first launching pad of actress Vidya Balan. Sonu Nigam’s duet song with Shreya Ghoshal namely “piyu bole piya bole” composed by Shantanu Moitra maintained the flavor of Rabindrasangeet with a background of Kolkata during the time of writer Sarat Chandra Chatterji. Also the song “yeh hawaye gungunaye” was equally impressive.
In the film Lage Raho Munnabhai, Shantanu Moitra, maintained both the bhai-like mastani flavor as well as the soft romantic mood. Sonu Nigam’s song “pal pal pal pal pal pal har pal” was probably the most romantic song of the film. The other songs like “lage raho munnabhai” did bear a different andaz. If the acting of Sanjay Dutt, Boman Irani and Vidya Balan was impressive, the music was equally instrumental in the success of the film.
The Three Idiots had shown the loopholes of India’s higher education system. The songs composed by Shantanu Moitra had the message of the director Raj Kumar Hirani. Sonu Nigam and others in the film sung the theme song “all is well” a number of times in the film. The other song “zubi zubi” sung by Sonu Nigam and Shreya Ghoshal was also very fast and melodious. If the acting of Amir Khan, R. Mahadevan and Sharman Joshi had impressed the viewers, the music had made them spellbound.
The audience expect Sonu Nigam to provide more number of romantic numbers in future, even in films made under any other banner in addition to the banner of Vidhu Vinod Chopra or direction of Raj Kumar Hirani.
Shiboprasad Mukherjee and Anindya Chatterjee promoted film Posto in Zee Bangla Apur Sangsar.
Director Shiboprasad Mukherjee and singer Anindya Chatterjee promoted Bengali film Posto in Zee Bangla Apur Sangsar. The film had been released on 12th May, 2017.
Saswata Chatterjee took interview of Anindya Chatterjee and Shiboprasad Mukherjee. Anindya Chatterjee said that during college days they used to write songs, compose tunes and sing them. Then the idea came that they could create a band and record the songs. Upal and others came up and the band Chandrabindo came up. They already had created 9 basic albums till now. They are working on the 10th album which is a kind of achievement on their part. The songs became popular and they all got live shows in different parts of the country.
Shiboprasad Mukherjee appreciated the film made by Anindya Chatterjee called Open T Bioscope. When Saswata Chatterjee asked Shiboprasad Mukherjee about his journey as director, he said he initially wrote scripts for Television serials. From there came to develop skills and started writing script for entire films. He faced problems in finding producers for his films in the initial days. His film Ichhe for the first 2 to 3 days did not get audience. But from words of mouth once people came to know that the film had content, the later shows became houseful. His recent films Ramdhanu, Belasheshe, Pratton, all had ended up being blockbusters.
He told that Posto was the story of a small boy. The boy was nurtured by grandfather Soumitra Chatterjee and grandmother Lily Chakraborty. His father Jishu Sengupta and mother Mimi Chakravarty did not have time as they had working commitments.
All of a sudden Jishu Sengupta decided to have the child with him and take care within his custody. The decision took a rough shape and ended up as a court battle. It was up to the Court to decided who should have custody of child Posto, whether the grandmothers or the parents. So that was the substance of the film.
All the artists, Soumitra Chatterjee, Jishu Sengupta, Lily Chakravarty did well and the small child Posto did a fabulous job. Presently Shiboprasad Mukherjee and Nanditaji had created a great reputation in film making. So again it is expected that audience will flock in big numbers to see the film. Saswata Chatterjee wished best of luck for the film.
Happy birthday to Mr. Perfectionist Star Amir Khan.
The viewers of bollywood films wish happy birthday to Mr. Perfectionist and Committed Star Amir Khan on 14th of March, 2019. He has proved himself as one of the most committed actors of modern bollywood films. He also carried on the legacy of Tragedy King Dilip Kumar of acting in less number of films and meaningful films. In 2016 his film Dangal broke all records and did business of more than 380 crores. These days whenever Amir Khan’s films are released they end up being blockbusters.
He started his career with the hit film Qayamat Se Qayamat Tak in 1988 opposite Juhi Chawla. His film had brought back the era of romantic films, after bollywood was loaded with action films for more than 20 years. The music of Qayamat Se Qayamat Tak composed by Anand Milind and majority of songs sung by Udit Narayan and Alka Yagnik created history. The popular songs included “aye mere humsafar”, “papa kehte hai”, etc. The film did excellent business and Amir Khan became a star at the early part of his career.
From that time onwards Amir Khan acted in many romantic films like Hum Hai Rahi Pyar Ke, opposite Juhi Chawla, Ishq opposite Juhi Chawla, Dil opposite Madhuri Dixit, Mann opposite Manisha Koirala. Being a relative of Nasir Hussain, Amir Khan showed his acting skills from the beginning of his career. He gave able lips in most of the songs of Udit Narayan and with passage of time showed his versatility in different types of films.
He did extremely well in Ashutosh Gowarikar’s film Lagaan. Lagaan was based on the story of Indian farmers entering into a challenge with the British Govt. during the colonial rule. A cricket match was held between the British team and the Indian peasants. The condition was that if the Indians won it, the farmers would be excused of the share of produce that they supposed to give the landlords and the British Govt. of such. Amir Khan gave training to the rural Indians and ultimately won the match amidst odds.
Amir Khan was sublime in his performance in patriotic film based on the life Mangal Pandey and he did an excellent job in the film Sarfarosh. Even as a director he showed innovative vision by making a film on the subject related to children. The film Taren Zameen Par showed that every child in the world is special. They have their innovative qualities. The job of the teachers and the academicians should be to unearth their skills The songs in the film composed by Shankar Ehsaan Loy were also sensational.
Even in 2008, Amir Khan’s film Ghajini was remarkable in nature. He played the role of a person who lost his memory every 20 minutes. He took revenge against the murder of his girlfriend, but he did it with his limitation in respect of the lost memory. He had played probably the role of his career. He came out with even greater hit film in 2009, The 3 idiots. The film had done more than 200 crores business till now. Even more than that the film directed by Raj Kumar Hirani, had a serious social message to give. The message is that the parents should not overburden the students with their own choices. Students should be allowed to specialize in the line they love and enjoy. Although filmfare awards had not been fare to Amir Khan, it does not matter for Amir Khan at all. He is the actor of the refined section of audience and will remain there for periods to come. In 2010, his venture Peepli Live had been ably appreciated by the critics and the audience as a whole.
In 2011, his film Dhobi Ghaat did well in most part of India. He had acted well in the film. He also requested hall owners not to give break in the film, because it takes away the concentration in the film. Talash released in 2012 showed the intensity with which Amir Khan played the role of investigating officer who lost his own son who drowned in water. Amir Khan’s Dhoom 3 released in 2013 did business of more than 280 crores. In 2014 his film PK destroyed all records and did business of more than 330 crores. Raj Kumar Hirani directed the film, and Aamir Khan did a brilliant job in the film. He is a very cultured actor and the viewers have lot of hope on the thoughtful personality for innovative ventures in the years to come.
Happy birthday to Jaya Bacchan.
The viewers of bollywood films wish happy birthday to Jaya Bacchan on 9th April, 2019. She was considered to be one of the most powerful actresses of films during the 70s and 80s. Her effortless performance in different types of roles had inspired other actresses to follow her later on.
Jaya Bacchan started her career with an impressive role in Satyajit Ray’s film Mahanagar in 1965. She played the role of younger sister of Anil Chatterji and adapted herself in the role of realistic actress who show least amount of mannerisms in that film. In the bollywood film Guddi, she played the role of a common girl who was inspired by bollywood films. Utpal Dutta, her uncle took her to film studios to show that actors like Dharmender and others were made stars by the sheer effort of the cameraman, make-up man, director, producer and others and larger than life image is created by the technicians. Jaya Bacchan showed the innocence required from the role of a common teenager in the film.
In the 70s, Jaya Bacchan acted in refined commercial films opposite Sanjeev Kumar and got appreciation from the mass and the critics. She was sublime in Gulzar’s film Koshish, where she herself along with Sanjeev Kumar played the role of a deaf and dumb couple who educated their child and learned communication by attending classes in deaf and dumb schools. She acted in the film Naya din nayi raat, opposite Sanjeev Kumar, where Sanjeev Kumar played 9 roles of 9 different persons. She left her house and met all the nine separate persons and met her husband which was also played by Sanjeev Kumar. She had very peculiar experiences of meeting drunkards, persons suffering from leprosy, smugglers, etc. and expressed her emotions very well.
She was sublime in Gulzar’s film Parichay in 1972, where she played the role of the eldest sister of Sanjeev Kumar. She and her brothers and sisters became orphans after the death of their parents and were brought by Pran, their grandfather to their ancestral house. Jeetender was invited to teach the children and she got involved with Jeetender at the end of the film. She expressed her love for her father and hatred towards grandfather for not accepting her mother in the house like any intellectual actress. Her lips in the song “biti na bitai rehna” sung by Lata and Bhupinder Singh require special mention.
Jaya Bachhan was equally sublime in commercial films like Sholay, Zanjeer, etc., opposite Big B. If her performance opposite Sanjeev Kumar in films like Anamika, Nauker, showed her class of acting, her performance opposite Big B in films like Bangsi Aur Birju or Abhimaan or Milli showed her spontaneous presence before the commercial crowd.
In Abhimaan, all the songs of Lata like “teri bindiya re”, “tere mere Milan ki yeh raina”, etc., almost appeared like songs of Jaya Bacchan. Critics feel that she even did better than Big B in Hrishikesh Mukherjee’s classic film.
She became a myth in the 70s, after performing in any time of film including Manoj Kumar’s Shor to Yash Chopra’s Silsila. Even the medium-budget films like Piya Ka Ghar did business due to sheer brilliance of performance of Jaya Bacchan. In the late 90s, she again made a comeback in character roles in films like Kabhi Khushi Kabhi Gham, Fiza, etc., and showed the audience that she had not lost her touch in acting.
The viewers expect her to continue the great work in bollywood films, as there is no doubt that she had equal potentiality like Shabana Azmi or Smita Patil and could have been chosen for any art film made by Shyam Benegal, Govind Nihalini and others during the 80s, had she not left films for bringing up Abhishek Bacchan and her daughter.
The owner of velvette voice Talat Mehmood was remembered on his death anniversary on 9th May, 2018. The listeners of bollywood music wish happy birthday to legendary singer Talat Mehmood on 24th February, 2015
. He was a leading performer in bollywood films during the 40s, 50s and 60s.
Along with Rafi, Mukesh and other leading singers of bollywood Talat Mehmood sang notable songs in the films of leading stars of bollywood. He rendered his voice for most of the actors of the bollywood during the 40s and 50s including Dilip Kumar, Raj Kapoor, Bharat Bhushan, and others. His landmark songs included “dil-e-nadan tujhe hua kya hai” composed by Ghulam Mohammad and picturised on Bharat Bhushan, in the film Mirza Ghalib in 1954, “koi nahi mera” composed by Shankar Jaikishan and picturised on Dilip Kumar in the film Daag in 1952, “mai dil hoon ek armaan bhara” picturised on Raj Kapoor in the film Anhonee in 1952, etc. He sang landmark songs for Dilip Kumar also in the films Footpath, Devdas, etc. All the leading composers of bollywood films of that age namely Naushad Ali, Shankar Jaikishan, Roshan Lal Nagrath, Madanmohan Kohli , OP Nayyar, Salil Choudhury, SD Burman and others used him in different films.
His other landmark songs included “phir wohi sham” composed by Madanmohan and picturised on Bharat Bhushan in the film Jahan-ara released in 1964. Talat Mehmood acted in a number of films including Dil-e-Nadan opposite Shyama, Raftaar opposite Nadira, Waris opposite Suraiya, Ek Gaon Ki Kahani opposite Mala Sinha and also showed his acting talent in those films. He had been mainly associated with ghazals and soft romantic songs. His vibrating technique in rendition had charmed many listeners of the golden age.
He also sang light songs for many composers. His other songs included “jalte hai jiske liye” composed by SD Burman in the film Sujata, “humse aya na gaya” composed by Madanmohan in the film Dekh Kabira Roya, “itna na mujhse tu pyar bara” composed by Salil Choudhury in the film Chaya, “aye mere dil kahin aur chal” composed by Shankar Jaikishan in the film Daag, to name a few..
Talat Mehmood had a number of basic discs in Bengali as well. His landmark songs included “chander eto alo” and “alote chayate” composed by Robin Chatterjee, “duti paakhi duti teere” composed by Kamal Dasgupta, etc. The sweetness of his voice was well appreciated by the Bengali listeners as well. His songs and films should be preserved and restored.
The holi festival has come again in 2019. The festival of colours brings a large section of the society together. These days holi is losing significance in the context of bollywood films and the stars involved with film-making. During the lifetime of Showman Raj Kapoor, holi was celebrated in RK Studio. It used to be a very prestigious affair. Other than members of the Kapoor family including Shammi Kapoor, Shashi Kapoor, Rishi Kapoor, Randhir Kapoor, Rajiv Kapoor and others, celebrities from the film industry used to play holi in the studio. These days Holi party is thrown by Raj Kundra and others.
The event marked the strengthening of relationship of members of the bollywood film industry. The celebration included directors like Manmohan Desai, actors like Dilip Kumar, singers like Mukesh, composers like Shankar Jaikishan, to name a few. The enthusiasm was there even during the 80s, when most of the celebrities who were contemporaries of Raj Kapoor became old.
Raj Kapoor himself stopped it in the late 80s as he started having physical discomfort while playing holi. He had asthma and the contact of colours basically aggravated the disease. The prestigious celebration of holi stopped after 1988, after the death of Raj Kapoor.
After that time, a number of other celebrities started the tradition of inviting the film industry to play holi. But the pomp and grandiuer that was there in RK Studio could not be replicated.
Holi forms an important festival for Indians and bollywood films had devoted a lot of space for holi. It was shown in films like Paraya Dhan, Sholay, Silsila, to name a few. The songs related to holi like “holi re holi” sung by Manna Dey, “holi ke rang” sung by Kishore Kumar, or “rang barse” sung by Big B had not lost their appeal even after 30 years of the release of the films.
Modern producers and directors can also portray the festival of colours in modern films in their innovative style as holi is one of the most popular festivals of the country. Ranbir Kapoor is on the way to be the new superstar of bollywood films with successful performances in films like Bachna Aye Haseeno, Wake Up Sid, Ajab Prem Ki Gazab Kahani and Yeh Jawaani Hai Deewani. He can make an effort to revive the holi celebrations in RK Studio.
The viewers of bollywood films wish happy birthday to successful bollywood actress Kangana Ranaut on 20th March, 2019. In 2019 her film Manikarnika did business of 97 crores. Kangana Ranaut had created a strong box-office for herself during her short career till now. Recently her film Rangoon also did well.
In 2008 when she acted in the film Fashion, she amazed the audience with her powerful performance in a Madhur Bhandarkar film, which had more elements involving reality than larger than life image. The film showed the new entrants in the fashion industry. Priyanka Chopra played the main role in the film who had come from her native town to Mumbai to create her identity in the fashion industry.
Priyanka interacted with Kangana Ranaut in the fashion industry and came to know about her struggle as well. Success in that industry is obtained at the cost of peace, security, happiness. Both Kangana and Priyanka played their part to perfection and created a mark in the minds of intellectual audience. Both Kangana Ranaut and Priyanka Chopra received filmfare awards for their best performance in Fashion as best supporting actress and best actress respectively.
Kangana Ranaut played her role to perfection even in the film Gangster and Life in a Metro. Her performance in Gangster brought her the best debutant award in 2007. In Life in a Metro, she played the role of a girl who could not decide about what to do in a Metro city. She was confused about the boyfriends and could not find out who really wanted her.
She was probably at her best in the film Raaz, the mystery continues opposite Adhyayan Suman and Imraan Hashmi. It has been released in January, 2009 and already did good business in India and abroad. The unsatisfied soul of Jackie Shroff had entered her body, and Imraan Hashmi could see the future events while he did paint Kangana’s face.
At the end of the film, Kangana and Imraan Hashmi went to the place Kalindi, where they unearthed the past events where a chemical plant used to dump its toxic wastes in a sacred lake near a temple. When Jackie Shroff complained about it, he was killed by the gundas sent by the priest. So the unsatisfied soul of Jackie Shroff entered the body of Kangana Ranaut to tell the story to everyone. Kangana again can get nomination for best actress for her horrified performance in the film Raaz –the mysery continues.
Although her film Kites opposite Hrithik Roshan and Barbara Mori and No Problem opposite Akshay Khanna did mediocre business in 2010, she bounced back with the film Tanu Weds Manu. R. Madhavan acted opposite her and the film did good business.She did well in those films but the films were not accepted by the audience for different reasons. She has age, beauty and acting talent in her favour which can make an impact in 2015.
She had two big successes in 2013 with Shootout at Wadala and Krissh 3. Shoot Out At Wadala opposite John Abraham did business of more than 60 crores while Krishh 3 did business of more than 200 crores. 2014 had been a great year for her. She won the filmfare award for best actress for her performance in the film Queen. The viewers expect her to do well in the films in future.
Rafi’s brilliant combination with Jeetender in the 1960s.
The viewers of Bollywood fims wish happy birthday to dancing star Jeetender on 7th April, 2017. Jeetender started his career in the early 1960s with the patronage of eminent director V. Shantaram. He was launched as hero opposite Rajashri in the film Geet Gaya Pattharone in 1964. At that time Jeetender had to face the competition from the rulers of bollywood films like Dilip Kumar, Raj Kapoor, Rajender Kumar and others. Probably Jeetender spend his toughest time of the career to cement his place between 1964 to 1970, when viewers starting recognizing Jeetender and appreciating his acting and dancing skills.
The singer played a huge role in the success story of Jeetender was Mohammad Rafi. Rafi’s everlasting songs for Jeetender created a hall mark for super hit music which was one of main reasons for box-office success of the films. In the film Geet Gaya Pattharon Ne, Ramlal Choudhury composed the music. Mahendra Kapoor sang the hit song “ayiye padhariye” for Jeetender.
In Jeetender ‘s film Gunahon Ka Devta, released in 1967, Shankar Jaikishan used Rafi in hit songs. Rafi’s song “humko to barbaad kiya hai” became bumper hit. Rafi and Manna Dey’s song “ayi hai bari door se mehmil me” is worth mentioning. Rafi Jeetender combination rocked bollywood with the film Farz in 1967. Laxmikant Pyarellal composed loud music for Rafi in songs like “mast baharon ka mai aashiq”, “baar baar din yeh aye” and “tujhse aye haseena”. Jeetender showed his dancing skills and viewers started calling him jumping juck. At the same time viewers enjoyed the western andaz of Mohammad Rafi in the peppy numbers.
In Boond Jo Ban Gayi Mooti, released in 1967, Satish Bhatia composed music of the film. Mukesh’s song “yeh kaun chitrakaar hai” for Jeetender became big hit.
In 1968, again Shankar Jaikishan and Rafi combination struck gold for Jeetender in the film Mere Huzur. Rafi’s song “rukh se zara naqab uthayo mere huzoor” had ghazal andaz. Raj Kumar also played important role in the film. Manna Dey sang excellent classical song “jhanak jhanak tori baje payelia”. Rafi was majestic in the songs “wo khushi mili hai mujhko”, “kya kya na sahe humne sitam aap ki khatir”, “gum uthane ke liye mai to jiye jayunga”. Hasrat Jaipuri wrote excellent lyrics for the film.
In 1968 Jeetender acted in the film Suhaag Raat. Kalyanji Anandji composed the music of the film. Mukesh’s song “khush Raho” became hit. The Rafi Jeetender combination was back in 1968 with the film Aulad. Chitragupt composed music in the film. Rafi’s song “abke bahar ayi hai” had brilliant melody. The rendition of the song was splendid. Rafi and Lata’s duet song “armaan tha humein jinka” became bumper hit. Rafi and Lata’s duet song “nazuk nazuk badan mora” had folk effect.
RD Burman composed music for Jeetender’s film Waris in 1969. All the songs were sung by Mohammad Rafi. All the songs became smash hits including “ek bechara pyar ka maara”, “lehrake aye hai jhoka bahaarka”, “kabhi kabhi aisa bhi hota hai”, etc.
The LP Rafi and Jeetender combination dominated the chartbusters in 1969 in the films Jigri Dost, Do Bhai and Jeene Ki Raah. Jigri Dost’s songs of Rafi were super hit including “dil me kya hai”, “mere desh me pavan chale”, “raat suhaani jag rahi hai”, etc. Jeene Ki Raah’s songs were equally hit including “aa mere humjoli aa”, “aane se uske aye bahaar”, “ek banjaara gaye”, “chanda ko dhoonde sare tare nikal pare”. The magic continued in the film Do Bhai. Rafi was sublime in the songs “is duniya me aye duniyawalon”, “o geet nahin ban sakte”, “samne aaj dono jahan kea aa”, “jeena hai tere banker”.
Rafi sang around 369 songs for Laxmikant Pyarellal in between 1963 to 1980. In that list at least 100 songs were picturized on Jeetender. LP used Rafi for Jeetender for the title song “dharti kahe pukarke” in the film Dharti Kahe Pukaarke in 1969. LP Rafi Jeetender combination stormed bollywood in the film Humjoli in 1970. All the songs of Rafi became bumper hit including “tik tik tik mera dil dole”, “hai re hai neend nahi aye”, “chal shuru ho ja”. Shankar Jaikishan continued with Rafi in Jeetender’s film Ek Naari Ek Brahmchari. Rafi was sublime in the songs “chirag kis ke ghar ka hai”, “are tu hai buddhu brahmchari”. Rafi LP and Jeetender again created magic in the film Himmat in 1970. All the songs became super hit including “hai shukr ke tu hai ladka”, “o piyo piyo ka zamana aya”, “das gayi nagin”, “maan jayiye”.
In the 1970s Jeetender became a leading star of bollywood and never looked back. It is difficult to cover all the songs of Rafi for Jeetender because he had sung almost 100 songs for Jeetender. Viewers of bollywood films were entertained in other films of Jeetender including Banphool, Carwan, Badalte Rishtey, Aasha, etc. All the songs and the films should be preserved and restored.
Happy birthday to Chubby Star Ayesha Takia.
The viewers of bollywood films wish happy birthday to Chubby Star Ayesha Takia on 10th April, 2017. Actress Ayesha Takia has a very bright future in bollywood films. There are two categories of actresses who perform in bollywood films. The first category includes the daughters of celebrities who make their debut in films made by their parents. Examples include Sonam Kapoor, Kareena Kapoor, Deepika Padukone, whose first films had lot of curiousness created in respect of the performance. The second category includes the other actresses who prove their capability by performing in films over a period of time.
Ayesha Takia fall in that category. She was born on 10th April, 1986. Her father Nisith or mother Faridah were not celebrities to the stature of Jeetender, or Feroz Khan or Hema Malini whose children joined bollywood films. Ayesha did advertisement relating to complain girl and acted in music video of Falguni Pathak titled “meri chunari ur ur jaye”. She received the filmfare award for best debutant for the performance in the film Tarzan, The Wonder Car.
After that few average films like Socha Na Tha, Dil Mange Mor followed. She created attention in the film Shaadi No. 1, where Esha Deol and Soha Ali Khan acted with her. All three of them had husbands like Fardeen Khan, Sharman Joshi, etc., who were addicted towards other ladies. Sanjay Dutt came over there and disclosed the truth relating to the affairs of their husbands with other girls like Riya Sen. At the end of the film Ayesha’s husband and the husbands of Esha Deol and Soha Ali Khan understood their mistake and followed the right path.
Ayesha Takia was sublime in the film Salaam-e-Ishq opposite Akshay Khanna. Initially Akshay Khanna did not wanted to marry her for not taking up responsibilities of husband. But later he got convinced and married her. Ayesha gave able lips in the songs “salaam –e-ishq”, “dekho to dekho aisa hota to”, etc. Although the film did mediocre business the songs of the film became super hit. In 2008 and early part of 2009 her films De Taali, Sunday and 8*10 Tasveer did mediocre business.
In 2009, Ayesha Takia acted in super hit film Wanted opposite Salman Khan. Her romantic performance opposite Salman Khan was appreciated by all sections of the crowd. Her softness and submissiveness is like by different sections of audience. The song “love me love me” became hit in the film. The film did business of more than 75 crore and established Ayesha Takia as a leading actress along with Priyanka Chopra, Kareena Kapoor and Katrina Kaif.
The viewers also appreciated the good work of Ayesha Takia in films like Paathshala and Aap Ke Liye Hum in 2010. Viewers expect Ayesha Takia to continue her good acting in future.
Salman Khan’s Bajrangi Bhaijaan has very good humanitarian message.Salman Khan’s new film Bajrangi Bhaijaan released on 17th July, 2015, did business of more than 32 crores on the first day. The film has excellent humanitarian message.
The film had been directed by Kabir Khan who had previously directed Salman Khan’s Ek Tha Tiger few years back. Salman Khan and Rockline Venkatesh produced the film. The music had been composed by Pritam.
The film is all about a little girl played by Harshali Malhotra who got lost in India. She belonged to a hilly district of Pakistan. Salman Khan met her in Delhi but as she was dumb he could not make out her place of residence. He kept her in the house of Kareena Kapoor and her father Sharat Saxena. Sharat Saxena incidentally gave Salman place to stay when his father died some time back.
After that Salman Khan entered Pakistan without Passport and Visa. He was a devotee of Hanumanji. So told the truth that he entered underneath the fencing in the deserts between India and Pakistan. He got beaten up by the Pakistani police. He got help from a Pakistani journalist played by Nawazuddin Siddique and Om Puri, a religious person.
Ultimately he could reach Munni or Shahida, the child to her parents in Pakistan in Sultanpur district. The child at the end spoke out.
The film gave the message that nature shares all the assets in both India and Pakistan. Human love and affection could have softened the relationship between the human beings of both the countries. It is the law enforcers and policy makers who had stemmed hatred between the two country men.
Salman Khan played his role in an outstanding way. His innocence and human feeling touched everyone. Kareena Kapoor and Sharat Saxena were brilliant in their roles. Om Puri did a cameo in his short role. Nawazuddin was again brilliant and very different from his villainish roles.
The music of Pritam was outstanding. Atif Aslam’s song “tu chahiye”, Adnan Sami’s qawalli “bhar do jholi meri”, Mohit Chauhan and Palak Mucchal’s song “chicken” and Javed Ali’s song “tu jo mila” touched everyone. Salman Khan in the past had shown that he was the badshaah of eid.
Happy birth anniversary to Pran.
The viewers of bollywood films wish happy birth anniversary to Pran Sikand, the legendary actor on 12th February, 2017. He was one of indispensable personality in bollywood films without whom most of the films of the 50s and 60s could not be thought about. He also was a big star who was as popular as an antihero as the leading stars of 50s and 60s including Showman Raj Kapoor and Tragedy King Dilip Kumar. He died last year but actually did not leave the hearts of numerous admirers of Bollywood films.
Pran had acted in more than 300 films in his career which spanned over 60 years. He was a notorious dacoit in Raj Kapoor’s Jis Desh Me Ganga Behti Hai, who was reformed and persuaded to surrender before the police at the end of the film. He hammered Dilip Kumar all along the film Dil Diya Dard Liya, not knowing his identity. It was later known that Dilip Kumar was the king of the princely estate after the locket in his body was discovered. Dilip Kumar forgave him even after knowing that his affair with Wahida Rehman never blossomed into marriage due to Pran only. Among romantic songs of Rafi and Lata like “sawan aye ya na aye”, “dilruba main ne tere”, “koi sagar dil ko behlata nahi”, Pran kept a balance with his villanish pursuits.
In Ram Aur Shyam, Pran tortured one of the Dilip Kumars who played the role of his brother-in-law. When Dilip Kumar’s twin brother came to his wife he took revenge against the evil deeds of Pran. Both the sequences when Pran whipped Dilip Kumar and when Dilip Kumar whipped Pran remained sensational. The film was serio-comic in nature with Dilip Kumar playing a double role for the first time in Ram Aur Shyam.
In the mid-60s, Pran changed his image by playing positive roles like the one he played in the film Upkar. In that film he played the role of a handicapped person but he was an observer who witnessed the good deeds of Manoj Kumar who was a farmer and the bad deeds of his own brother played by Prem Chopra. Pran’s lips in Manna Dey’s songs “kasme wade” is still remembered by cinematic audience today.
Pran was sublime in most of the hit films of the 60s like Shammi Kapoor’s Raj Kumar, Kashmir Ki Kali, An Evening in Paris, etc., Joy Mukherjee’s Love in Tokyo, Phir Wohi Dil Laya Hoon, Biswajeet’s Mere Sanam, Rajender Kumar’s Ganwar, Raj Kumar’s Maryada, Manoj Kumar’s Gumnaam, to name a few. In the 70s he even matched himself with the action heroes of the other generation like Dharmender and Big B.
His performance in Big B’s film Zanjeer in the role of a Pathan requires special mention. He gave excellent lips in Manna Dey’s song “yari hai imaan mera yaar mera zindagi” in the same film. In Amar Akbar Anthony, he was the father of Big B, Vinod Khanna and Rishi Kapoor and he faced the evil operations of Jeevan and his men all along the film. He kept his fitness to such an extent that in action sequences, he never looked out of place in a film where Big B, Vinod Khanna who were much younger than him showed their own skills.
Pran continued his villainish performances in films of 80s including Dilip Kumar’s Duniya and Big B and Rajnikant’s Andha Kanoon. With notable actors coming in bollywood industry in the 80s like Amrish Puri, Danny, Paresh Rawal, Kader Khan, Anupam Kher, etc., Pran slowly faded away from the industry. By that time he had performed in more than 300 films.
Viewers remember him for his unique style of dialogue delivery, unique mannerisms and fantastic body. He died few years back making everyone sad. His viewers pay respect to the old actor on his birth anniversary who had already received lifetime achievement award from Filmfare for his unique contribution to bollywood cinema.
Jubilee hit films of Shankar Jaikishan.
Shankar Jaikishan are the musical duo who became immortal with their music.
Between 1949 to 1971 they became a phenomenon. Their music really enchanted the listeners.
Here is the list of jubilee hits of SJ.
1949 - Barsaat - Raj Kapoor - Golden jubilee
1951 - Awaara - Raj Kapoor - Golden jubilee
1952 - Daag - Dilip Kumar - Silver jubilee
1955 - Shree 420 - Raj Kapoor - Golden jubilee
1956 - Chori Chori - Raj Kapoor - Silver jubilee
1956 - Basant Bahar - Bharat Bhushan - Silver jubilee
1958 - Yahudi - Dilip Kumar - Silver jubilee
1959 - Anari - Raj Kapoor - Golden Jubilee
1960 - Jis Desh me Ganga Behti Hai - Raj Kapoor - Golden Jubilee
1960 - Dil Apna Prit Parayi - Raj Kumar - Silver Jubilee
1961 - Junglee - Shammi Kapoor - Silver Jubilee
1961 - Sasural - Rajender Kumar - Silver Jubilee
1962 - Professor - Shammi Kapoor - Silver Jubilee
1962 - Hariyali Aur Raasta - Manoj Kumar - Silver Jubilee
1963 - Dil Ek Mandir - Rajender Kumar - Silver Jubilee
1964 - Sangam - Raj Kapoor, Rajender Kumar - Platinum Jubilee
1964 - Ayee Milan Ki Bela - Rajender Kumar - Silver Jubilee
1964 - Zindagi - Rajender Kumar - Silver Jubilee
1964 - April Fool - Biswajeet - Silver Jubilee
1965 - Aarzoo - Rajender Kumar - Golden Jubilee
1965 - Janwar - Shammi Kapoor - Silver Jubilee
1965 - Gumnaam - Manoj Kumar - Silver Jubilee
1966 - Suraj - Shammi Kapoor - Silver Jubilee
1966 - Love in Tokyo - Joy Mukherjee - Silver Jubilee
1967 - An Evening in Paris - Shammi Kapoor - Silver Jubilee
1968 - Brahmchari - Shammi Kapoor - Silver Jubilee
1968 - Shikar - Dharmender - Silver Jubilee
1969 - Yakeen - Dharmender - Silver Jubilee
1969 - Kanyadaan - Shashi Kapoor - Silver Jubilee
1969 - Prince - Shammi Kapoor - Silver Jubilee
1972 - Beimaan - Manoj Kumar - Silver Jubilee
In 1949, Raj Kapoor rose to Stardom with Barsaat. Raj Kapoor’s Barsaat became the greatest blockbuster which was a golden jubilee hit running for more than 50 weeks. Mukesh’s “chor gaye balam”, Lataji’s “hawa me urta jaye” and “jiya beqarar hai” became super hit.
In 1951, Raj Kapoor’s Awaara became the biggest blockbuster. It was a golden jubilee hit and ran for more than 50 weeks. It became popular in Russia and Europe as well. Raj Kapoor produced and directed the film. The music was composed by Shankar Jaikishan. Nargis, Raj Kapoor, Prithviraj Kapoor, Leela Chitnis, KN Singh played the lead roles. Mukeshji’s song “awara hoon, yah gardish me hoon aasman ka tara hun”, Lataji’s “jab se balam ghar aye”, “ghar aya mere pardesi” became super hit.
In 1952, Dilip Kumar’s Daag was a silver jubilee hit film. Talatji’s song “koi nahi mera is duniya me” and “ei mere dil kahin aur chal” became super hit.
In 1955, Raj Kapoor’s Shree 420 became the biggest blockbuster. It was a golden jubilee hit and ran for more than 50 weeks. Raj Kapoor produced and directed the film. The music was composed by Shankar Jaikishan. Rafisahab’s song “ramaiya vasta maiya”, Manna Deysahab’s song “dil ka haal sune dilwala”, “mur murke na dekh”, Lataji’s song “ichakdana” became super hit. In that year Dilip Kumar’s Azaad was the 2nd biggest hit.
In 1956 Raj Kapoor’s Chori Chori was a silver jubilee hit running for more than 25 weeks. Nargis, Raj Kapoor, Pran played the lead role. The music was composed by Shankar Jaikishan. Manna Dey’s song “aaja sanam madhu chandni me hum”, “yeh raat bheegi bheegi”, Lataji’s “rasik balma” became super hit.
In 1956, Bharat Bhushan’s Basant Bahar also became a silver jubilee hit. Manna Dey’s song “sur na saje”, Bhim Sen Joshi’s “Ketaki gulab”, Rafisahab’s “duniya na bhaye mohe” became big hit.
In 1959, Raj Kapoor’s Anari was the biggest blockbuster and a golden jubilee hit. It ran for more than 50 weeks. Hrishikesh Mukherjee directed the film. Shankar Jaikishan composed music for the film. Nutan, Raj Kapoor, Lalita Power played the lead roles. Mukeshji’s song “sab kuch seekha humne”, “kisiki muskurahaton pe ho nisar”, Lataji’s song “yeh chand khilan”, became super hit. Raj Kapoor received the filmfare award for best actor for Anari in that year.
In 1960, Raj Kapoor’s Jis Desh Me Ganga Behti Hai became the 4th biggest blockbuster and a golden jubilee hit running for more than 50 weeks. It was produced by Raj Kapoor and directed by Radhu Karmakar. Shankar Jaikishan composed the music of the film. Padmini, Pran acted opposite Raj Kapoor. Raj Kapoor again received filmfare award for best actor for the film. Lataji’s song “o maine pya kiya”, “o basanti pawanapawan”, Mukeshji’s song “aa ab laut chale”, “mera naam raju”, “hoton pe sacchai rehte hai” became super hit. In that year Dilip Kumar’s Mughal I Azam was the biggest blockbuster.
In 1960, Raj Kumar’s Dil Apna Aur Preet Parayi became silver jubilee hit. Lataji’s songs ‘sheesha-e-dil itna na uchalo”, “dil apna aur preet parayi” became big hit.
In 1961, Shammi Kapoor’s Junglee became silver jubilee hit. Rafisahab’s songs “ehsaan tera hoga mujhpar”, “meri yaar shabba khair” became super hit.
In 1961, Rajender Kumar’s Sasural became silver jubilee hit. Rafisahab’s song “ek sawal tum karon”, “teri pyari pyari surat ko” became super hit.
In 1963, Rajender Kumar, Raj Kumar’s film Dil Ek Mandir became silver jubilee hit. Lataji’’s song “ruk ja raat”, “hum tere pyar me sara alam” and Rafisahab’s “jahan koi nahi”, “dil ek mandir hai” and “yaad na jaye” became super hit.
In 1964, Raj Kapoor’s Sangam became the biggest blockbuster and a platinum jubilee hit. It ran for more than 75 weeks. Raj Kapoor produced and directed the film. Shankar Jaikishan composed the music of the film. Rajender Kumar, Vaijayantimala, Raj Kapoor played the lead roles. All the songs became super hit including Rafisahab’s “ki tum naaraaz na hona”, Mukeshji’s “bol radha bol”, “o mehbooba”, to name a few. In 1964, Sangam was Rajender Kumar’s biggest blockbuster in entire career ending up as platinum jubilee running for more than 75 weeks. Raj Kapoor and Vaijayantimala’s performances were as brilliant as Rajender Kumar’s performance. Rafisahab’s song composed by Shankar Jaikishan “ki tum naraaz na hona” haunted the viewers. In the same year, Rajender Kumar’s Ayee Milan Ki Bela and Zindagi ended up as silver jubilee hits running for more than 25 weeks. Again Rafisahab and Shankar Jaikishan’s combination created gold for Rajender Kumar including the songs “tum khamseen ho”, “tu bura maan gaye”, “o sanam tere ho gaye hum”, “aha aye milan ki bela”, “pehele mile the sapno me”, to name a few. Vaijayantimala acted opposite Rajender Kumar in Zindagi, while Saira Banu acted opposite Rajender Kumar in Ayee Milan Ki Bela.
In 1965, Rajender Kumar’s film Aarzoo became silver jubilee hit running for more than 25 weeks. Again the Rafisahab, Shankar Jaikishan produced gold, the landmark songs being “aye nargisi mastana”, “chalke teri ankhon se”, “aji humse bachkar kahan jayiega”. Sadhna’s performance opposite Rajender Kumar was brilliant and the film ended up being the 4th biggest hit of the year.
In 1966, Rajender Kumar’s film Suraj became silver jubilee hit running for more than 25 weeks. Again it was magic combination of Rafisahab and Shankar Jaikishan which created gold. The landmark songs included “gustaqi maaf”, “kaise samjhayun bari nasamajh ho”, “itna hai tumse pyar mujhe mere raazdaar”, to name a few. Vaijayantimala acted opposite Rajender Kumar in the film.
In 1965, Manoj Kumar’s Gumnaam became silver jubilee hit. Rafisahab’s songs “jaan pehchaan ho”, “jaane chaman shola badan” and Lataji’s “gumnaam hai koi” became super hit.
In 1965, Shammi Kapoor’s Janwar became silver jubilee hit. Rafisahab’s songs “lal chari maidaan khari”, “tum se accha kaun hai”, Suman Kalyanpur’s “mere sang ga gunguna” became super hit.
In 1966, Joy Mukherjee’s Love in Tokyo became silver jubilee hit. Rafisahab’s songs “Japan, Love in Tokyo”, “aaja re aa zara aa” became super hit.
In 1967, Shammi Kapoor’s An Evening in Paris became silver jubilee hit. Rafisahab’s songs “akele akele kahan ja rahe ho”, “aasman se aya farishta”, raat ke humsafar” became big hits.
In 1967, Dharmender’s Shikar became silver jubilee hit. Rafisahab’s song “shikar karne ko aye” and Ashaji’s song “parde me rahene do” became a big hit.
In 1968, Shammi Kapoor’s Brahmchari became silver jubilee hit. Rafisahab’s songs “mai gayun tum so jayo”, “aajkal tere mere pyar ke charche” became super hit.
In 1971, Jaikishan’s death brought a big blow to marathon innings of Shankar Jaikishan in the 1940s, 1950s and 1960s. The songs require restoration and preservation as they are still young and immortal.
Raj Kapoor and Shakila were brilliant in Shriman Satyawadi.
In the late 1950s and early 1960s, due to high box office of blockbusters, the hit films did not get that recognition. For example, in 1960, Raj Kapoor’s film Shriman Satywadi was released. Due to super hit box office report of Jis Desh Me Ganga Behti Hai and all time blockbuster Dilip Kumar’s Mugha-i- azam, Shriman Satyawadi got lost in the crowd of brilliant films.
But the film was successful. SM Abbas directed the film. Mahipatray Shah produced the film. The music was composed by Dattaram. Raj Kapoor was shown as an honest man whose father was an honest medicine seller. His father was falsely implicated by Mehmood’s father Radhakrishan. He deliberately kept narcotic drugs in his shop so that police could arrest him. He got a heart attack and died.
Raj Kapoor was brought up by his neighbor uncle who send him to industrialist Nazir Hussain for job in Mumbai. Nazir Hussain and his daughter Shakila allowed Raj Kapoor to work in their advertisement company. Mehmood joined the same company and created a cream and pharmaceutical products which adulterated content. Consumers got skin diseases and one person died. Raj Kapoor left the company and did other jobs and finally worked as journalist in the Newspaper company owned by Moni Chatterjee.
In the last scene Raj Kapoor went with Moni Chatterjee in the house of Radhakrishan to tell the truth relating to adulterated products. His son Mehmood shot a bullet on Moni Chatterjee. In a tassle with Raj Kapoor, Mehmood fell in an acidic pool and died. The film proved that honesty was the right policy.
The music of the film became super hit. Mukesh’s songs “haal-e-dil hamara”, “ai dil dekhe hai humne” became bumper hit. Rafi’s song “rang birangi botal ka kaisa hai jadoo” was as big hit as Suman Kalyanpur’s song “kyun ura jata hai anchal” and Manna Dey’s bheegi “hawaano me” as well as Mahendra Kumar’s song “ek baat kahoon vallah”. Dattaram’s music was as brilliant as lyrics of Hasrat Jaipuri.
Mehmood in a comedy cum villainish role was impressive. Nazir Hussain and Radhakrishan played very impressive roles. Raj Kapoor probably acted only in one film opposite Shakila. Both the artists matched each other. They should have been cast in more roles. The film and the music require restoration.