It is very sad that romantic star Shashi Kapoor passed away on the 4th December, 2017. He died at the age of 79 years. He remained immortal in more than 150 films that he had acted in. The viewers of bollywood films wish happy birthday to Shashi Kapoor on 18th March, 2017. In 2011 he received the filmfare lifetime achievement award. In 2011, he received Padmabhushan, the civilian award for his excellence in bollywood films. His sickness prevents him from freely walking, but he receives most of his awards on wheel chair.
Born in 1938, Shashi Kapoor started his acting career in the film Aag in 1948 directed by his elder brother Raj Kapoor. He also showed his acting skills as a child artist in the film Awara in 1951. The film won different awards in international film festivals and ended up being super hit.
Shashi Kapoor acted in off-beat films at the beginning of his career like Prempatra opposite Sadhna. He entertained the audience with the film Jab Jab Phool Khilen in 1965. All the songs of Rafi composed by Kalyanji Anandji in the film became super hit like “pardesiyon se na”, “yahan mai ajnabee hoon”, “na na karke pyar”, etc. From that time Shashi Kapoor acted with Nanda in a number of films like Muhabbat Is Ko Kehte Hai, Neend Hamari Khwab Tumhari, etc. Rafi’s songs in many Shashi Kapoor films did magic including “o dilbar janiye”, “dilbar dilbar”, “bekhudi me sanam”, to name a few. Shankar Jaikishan gave notable tunes to Shashi Kapoor in the film Kanyadan. Madanmohan gave notable tunes to Shashi Kapoor in the film Neend Hamari Khwab Tumhari.
In the late 60s Shashi Kapoor acted in many romantic films like Pyar Kiye Jaa, Kanyadaan, Abhinetri, Ek Shriman Ek Shrimati, etc. In Pyar Kiye Ja, he acted opposite actress Nanda, in Kanyadan he acted opposite Asha Parekh, in Abhinetri he acted opposite Hema Malini, in Ek Shriman Ek Shrimati he acted opposite Babita. In the 70s, Shashi Kapoor acted in action films along with Amitabh Bacchan, at a time when action films dominated either types of films in bollywood.
His dialogue in the film Dewaar opposite Big B titled “mere paas ma hai” became immortal over the years. He acted in many films opposite Big B like Shaan, Do Aur Do Paanch, Iman Dharam, Namakhalal, Suhaag, Kala Pathhar, Kabhi Kabhi,Trishul, Silsila, etc., and most of those films ended up being blockbusters. Some of these films were multi-starred in nature. For example in Shaan and Kala Patthar he acted opposite Big B and Shatrughun Sinha. It was his sheer talent, that he could adapt himself in the new regime of anti-establishment films in the 70s, starting from Dewaar, which were quite different from the society shown in the romantic films of the 60s. He acted with other bollywood actors like Shatrughun Sinha in films like Gautam Govinda.
He was a close friend of Ismail Merchant and featured in many of his English films like Siddharta. He produced impressive films like Junoon directed by Shyam Benegal and Vijeta directed by Govind Nihalini. His sons Kunal Kapoor and Karan Kapoor acted in many films.
In the 1990s, Shashi Kapoor put on a lot of weight and stopped acting. He was in tears to receive the filmfare lifetime achievement award. The viewers pay homage to the veteran actor and revisit his films for their huge success.
Dharmender and Sharmila Tagore had acted in many bollywood films together and in most of the cases the films had become extremely successful. Their film Mere Humdum Mere Dost became hit mainly due to the melodious music composed by LP in the film. Rafi’s songs like “na ja, kahin ab na ja”, “hui shaam unka”, etc. became landmark hits in the late 60s.
They did very well in the film Satyakam directed by Hrishikesh Mukherjee. Dharmender played the role of an engineer who came to know the crude reality relating to the corruption in the relative sector. He married Sharmila Tagore whose modesty was outraged and there was nobody to marry. Dhamender received the acclaimation of critics for his good performance in the film.
Both of them showed their comedy skills in Hrishikesh Mukherjee’s film Chupke Chupke which was the remake of Uttam Kumar’s film Chodobeshi. Dharmender was a Professor of Botany who pretended to be the driver of Om Prakash and ran away with Sharmila. Big B was asked the play the role of the Professor of Botany and he did the acting to perfection and got ultimately engaged with Jaya Bacchan and got married to her. SD Burman’s music was successful with songs like “ab ke sajan”, “chupke chupke” sung by Lata and “saregama” sung by Rafi and Kishore.
Both of them did well in the film Yakeen, where again the music was excellent. Rafi’s song “gar tum bhula na doge” became big hit in that age. With the advent of action films Dharmender got involved in big budget films like Sholay, Jugnu, Charas, etc., and Sharmila Tagore concentrated to soft romantic films like Mausam, Dooriyan, etc., with Sanjeev Kumar, Uttam Kumar and others.
Yet the viewers accepted the pair of Dharmender and Sharmila Tagore both in the soft romantic films and comedy films.
The films should be restored and preserved.
Raj Kapoor versus Dilip Kumar.
Raj Kapoor and Dilip Kumar had remained the greatest legends of hindi cinema for the last 100 years. Ranbir Raj Kapoor, also known as Raj Kapoor, was the son of legendary actor Prithviraj Kapoor. Muhammad Yusuf Khan, also known as Dilip Kumar was the son of Fruit tycoon Lala Ghulam Sarwar. Raj Kapoor was born on 14th December, 1924, while Dilip Kumar was born on 11th December, 1922. They acted together only in one film titled Andaz in 1949, which was directed by Mehboob Khan.
There were a lot of striking points of the two superstars who ruled bollywood films during the 40s, 50s and 60s. Raj Kapoor was awarded Padmabhushan in 1971, while Dilip Kumar was awarded Padmabhushan in 1991. Raj Kapoor was awarded Dadasaheb Phalke in 1987 and Dilip Kumar was awarded Dadasaheb Phalke award in 1994.
In 1947, Raj Kapoor acted opposite Madhubala and Begum Para in the film Neel Kamal. In 1947, Dilip Kumar acted in the successful film Jugnu, although he started his career with the film Jwar Bhatta in 1944. While Raj Kapoor got the title of showman, with his projection of larger than life romantic stories in films like Barsaat, 1949, Awaara, 1951, Shree 420, 1955, Sangam, 1964, etc; Dilip Kumar got the title of Tragedy King with his projection of the sad personality in films like Devdaas, 1955, Musafir, 1957, Madhumati, 1958, Mughal –i-Azam, 1960, etc. Both the actors acted opposite leading actresses of the golden age including Nimmi, Nargis, Meena Kumari, Madhubala, Wahida Rehman, Vaijayantimala, to name a few, although Raj Kapoor acted in 17 films opposite Nargis, while Dilip Kumar acted in 7 films opposite Vaijayantimala.
While Raj Kapoor at an age of 22 years married Krishna Kapoor at an age of 16 years who was his maternal cousin in 1944; Dilip Kumar at an age of 44 years married Saira Banu at an age of 22 years in 1966. Both Raj Kapoor and Dilip Kumar supported the Congress, but although Raj Kapoor did not join active politics, Dilip Kumar became Member of Rajya Sabha and also Sheriff of Mumbai.
While Raj Kapoor had marathon combination with composer Shankar Jaikishan, lyricists Shailendra and Hasrat Jaipuri and singers Mukesh, Lata and Manna Dey, who worked with him in more than 15 films; Dilip Kumar had immortal bond with composed Naushad, lyricist Shakeel Badayani and singer Mohammad Rafi who had contributed in more than 15 films of the legend.
While Raj Kapoor won filmfare awards in different categories including best actor, best director, best producer, etc; Dilip Kumar won the filmfare award for best actor for record 8 times. Raj Kapoor had died in 1988 and Dilip Kumar had retired from films after acting in the film Qila, many years ago. Their works should be preserved and restored.
Happy birthday to Helen.
The viewers of bollywood films wish happy birthday to Helen on 19th Nov., 2019. She had remained an exceptional dancer and featured in majority of bollywood fllms in the 60s and 70s. She was probably one of the most indispensable figures in bollywood during 60s and 70s. Without her films like Gumnaam, Teesri Manzil, Jewel Thief, Inteqam, Carwan, Night in London, etc. would have been incomplete. She had acted opposite leading stars of the 60s and 70s, for example, in Gumnaam she acted opposite Pran, In Teesri Manzil she acted opposite Shammi Kapoor, in Jewel Thief she acted opposite Dev Anand, in Night in London opposite Johnny Walker to name a few. She in fact filled in the empty space created by prominent dancer Cuckoo in the 50s.
One of her most memorable films included Gumnaam, which was released in 1965, where she played the role of one of the few persons who were taken to an isolated island. She was killed along with a number her friends by Tarun Bose in the film who was identified by Manoj Kumar at the end of the film. Her dance number in the songs “hum kale hai to kya hua dilwale hai” and “is duniya me jeena ho to” composed by Shankar Jaikishan were brilliant by every judging standards.
She was put to test in her dance no. in the song “muqabla hum se na karo” in the film Prince along with Shammi Kapoor and Vaijayantimala. She did the western part while Vaijayantimala did the eastern part. Whenever she got a scope of performing opposite Shammi Kapoor her performance used to get a different dimension as he was the only male star in the 60s to dominate bollywood films with rock and roll dance performances.
Both of them did well in the film Teesri Manzil. The song “o haseena zulfonwali” is remembered for the dance of both Helen and Shammi Kapoor. Helen got a villainish role in the film and trapped Shammi Kapoor in a murder case where the actual murderer was Prem Nath.
Helen even got few roles of heroines in the 60s including the role in the film Pyar Hi Pyar where she acted opposite Mehmood, where the main roles were played by Dharmender and Vaiyantimala. Her prominent roles continued in the 70s, including her cameo in the song “piya tu ab tu aja” composed by RD Burman in the film Carwan, her role in the film Sholay, where her dance number in the song “mehbooba mehbooba” amazed the viewers.
The villainish roles continued like the one in Big B’s film Don, where her song “yeh mera dil” became a runaway hit. Kareena Kapoor danced in the same item number as that of Helen when the film was remade by Farhan Akhtar, with Shahrukh Khan.
Her other notable films include Mere Jeevan Saathi, Hindustani, Half Ticket, etc. She even acted in character roles in the 90s in films like Akela and Khamoshi. Her performance in the film Khamoshi had been appreciated by all section of viewers. In one article it is not possible to cover the contribution of Helen, who had dominated bollywood films of 60s and 70s. The admirers of Helen expect her to make more contribution in bollywood films in character roles as she has a lot acting still left in her.
Shankar Jaikishan had composed more than 350 songs for Mohammad Rafisahab and around 400 songs for Lata Mangeshkarji. But with Mukeshji also they had a great partnership.
One of the primary reasons of Shankar Jaikishan association with Mukesh was because both were part of the same team of Raj Kapoor. Raj Kapoor’s films were musical in nature and wherever the 3 met, Raj Kapoor, Mukesh and Shankar Jaikishan they created magic.
In Awaara in 1951, Mukesh’s song for Raj Kapoor “awara hoon” created havoc in India and Russia. Shankar Jaikishan’s tune enchanted the audience. Mukesh’s duet song with Lata “dam bhar jo udhar muh phere” became smash hit. In Raj Kapoor’s film Aah, SJ created the successful song for Mukesh and Lata ‘aaja re”. In Shree 420 both the songs of Mukesh “mera juta hai japaani” and “ramaiya vasta maiya” became super hit. Again credit goes to Shankar Jaikishan.
In the film Anari in 1959, all the songs of Raj Kapoor sung by Mukesh touched the souls of the audience including “kisiki muskurahato pe ho nisaar”, “sab kuch sikha humne na sikhi hoshiari”, “dil ki nazar se”, to name a few. In Jis Desh Me Ganga Behti Hai, all the songs of Mukesh became super hit including “mera naam raju gharana anar”, “hoton pe sachai rehti hai”, “hum bhi hai tum bhi ho”, “pyar kar le”, to name a few. The magic combination continued in other hit films of Raj Kapoor including Sangam, Deewana, Teesri Kasam, Around the World, Mera Naam Joker. In Sangam Mukesh’s song ‘dost dost na raha”, “o mehbooba” and “mere man ki ganga” really thrilled the audiences. All the songs of the film Deewana were run away hits like “deewana mujhko log kahe”, “pate ka baat kahega”, “tumhare bhi ja jai”, “ae sanam jisne tujhe chand sa surat di hai”, to nam a few. In Mera Naam Joker, Shankar Jaikishan’s composition were in melancholy mood. Mukesh’s song “jeena yahan marna yaha” and “jane kahan gaye wo din’ touched the hearts of the audience.
While Mukesh enchanted the audience in Raj Kapoor’s films, in other films also Shankar Jaikishan composed beautiful tunes. In Dilip Kumar’s film Yaahudi the song “yeh mera deewanapan hai” touched the souls of viewers. In Manoj Kumar’s film Hariyali Aur Raasta, Mukesh’s song “ifteda-e-ishq me hum” really mesmerized the audience. The list can go on. Mukesh had sung around 200 songs under the composition Shankar Jaikishan and majority of them became immortal. The songs and the films required restoration.
Happy birthday to Amol Palekar.
The viewers of bollywood films wish happy birthday to Amol Palekar, on 24th November, 2019. He had been an invaluable asset of realistic films of the 70s and 80s. Directors like Basu Chatterji, Hrishikesh Mukherjee and others had displayed stories relating to the common man due through the performances of Amol Palekar in the related films.
He caught the attention of the viewers with his performance in the film Rajnigandha, directed by Basu Chatterji, where he acted opposite Vidya Sinha, the successful actress of the 70s. Salil Choudhury’s music in the film including songs sung by Lata, Yesudas and others like “janeman janeman”, “ranjigandha”, etc., created special impact on the viewers. Amol Palekar’s performance in the other film of Basu Chatterji, titled Chitchor also impressed the viewers. In that film a new pair of Zareena Wahab was created with Amol Palekar who was accepted by the viewers. The film revolved around the romantic story of Amol Palekar that took place in forest locations. The performance of Master Raju in the role of a child artist was also impressive. The music of the film composed by Ravindra Jain including songs like “gori tera gaon”, “tu jo mere sang me”, etc., sung by Hemlata and Yedudas was very impressive.
Amol Palekar also gave brilliant performances in serious films like Gharonda, where he expressed the agony of a jobless person in Mumbai and other complication of life. Zarina Wahab again did well opposite him in the film. The music given by Jaidev and the lyrics written by Gulzar in the film was of very high standard. The notable songs sung by Bhupinder Singh and Runa Laila like “do diwane shahar me”, “ek akela is shahar me”, “tume ho na ho”, etc., are important landmarks of Indian film music and Amol Palekar should his capability of giving able lips even in compositions catered to the intellectual commodity.
If the serious films of Amol Palekar gave variety to bollywood films in the 70s, the comedy films made every section of the society laugh. His combination with Utpal Dutta was considered one of the most successful combinations in the 70s and 80s, especially in respect of films which had intellectual humour in them.
Golmaal and Naram Garam are two films where Amol Palekar and Utpal Dutta complimented each other with their distinct style of acting. In Golmaal, Amol Palekar had to play double role to impress Utpal Dutta and marry his daughter Vindya Goswami. In Naram Garam, he worked in the estate of Utpal Dutta, and after all the preparations being made Utpal Dutta instead of marrying Swaroop Sampad, asked Amol Palekar to marry her.
Amol Palekar also did well in films like Baton Baton Me, opposite Tina Munim. His contribution to bollywood films was also wide in respect of direction. His directed film Paheli was critically acclaimed by the critics. He used Shahrukh Khan and Rani Mukherjee very well in the film.
Viewers want Amol Palekar to make a comeback in bollywood films, as his face is wanted more infront of the camera than behind it as director. He can still contribute in character roles in modern bollywood films.
The listeners wish happy birthday to singer Usha Utthup who now had become a cult figure. Her birthday is on 7th November, 2019. In the recent past she had come in a number of TV shows and rocked the shows.
Padmashree winner Usha Uthup glorified Zee Saregamapa Little Champs Program by being the Mahaguru on 5th and 6th August, 2011. Alka Yagnik had gone for a holiday and Usha Uthup came to judge the performances of the participants in the program.
Very significantly the day was dedicated to the golden music of 1960s. Adnan Sami dressed up like Shammi Kapoor, Javed Ali dressed up like Dev Anand, Kailash Kher dressed up like Guru Dutt. The participants dressed up like the actors and actresses of the golden period and sang their songs.
Very significantly the participants mainly sang the songs of Mohammad Rafi. Niladri Chatterjee sang the song “yahoo chahe koi mujhe jungle kahen” from the film Junglee, sung by Mohammad Rafi and composed by Shankar Jaikishan. Azmat Hussain sang the song “mere pairon me ghungruu bandhade” from the film Insaniyat sung by Mohammad Rafi and composed by Naushad Ali.
Usha Uthup mentioned that God was there in the heart of Azmat Hussain and that was the reason he sang so well. Anmol Khatri sang the song “nain lad jai he wo manwama kasak oi bekari” sung by Mohammad Rafi in the film Ganga Jumna, composed by Naushad Ali. Usha Uthup said he was looking like junior Dilip Kumar. The child participants were excellent in the rendition of the songs.
Rimsha sang the song “yeh dil tum bin kahin lagta nahi ab kya Karen” sung by Lata and Rafi in the film Izzat, composed by Laxmikant Pyarelal. Sanjana sang the song “kajra muhabbat wala” sung by Asha Bhosle and Shamshad Begum in the film Kismat composed by OP Nayyar. Barnali Hota sang the song “parde me rehne do” from the film Shikar, sung by Asha Bhosle composed by Shankar Jaikishan.
Salman Ali sang the song “akele hai chale awo” sung by Mohammad Rafi and composed by Kalyanji Anandji in the film Raaz. Javed Ali praised Kalyanji Anandji for their unique composition and said that they had encouraged new talents. It was Kalyanji Anandji who had brought them in the industry.
Nitin Kumar sang the song “na ja kahin ab na ja” sung by Mohammad Rafi and composed by LP in the film Mere Humdum Mere Dost. Usha Uthup sang the song “haal kaisa hai janaab ka” herself. She had given her musical instrument khanjari to Nitin Kumar as a token of love.
In other episodes, Alka Yagnik used to make her valuable comments along with Javed Ali, Adnan Sami and Kailash Kher. On 5th and 6th August, Usha Uthup did the same, she had literally ignited and glorified the atmosphere of Zee Saregamapa Little Champs program telecast in Zee TV. Her English was as brilliant as her hindi as brilliant as her Bengali. She should be invited frequently in this program.
Rajender Kumar acted in many landmark films in the 60s and successfully performed opposite leading actresses of that age including Meena Kumari, Sadhna, Wahida Rehman, etc. But his performance opposite Vaijayantimala created a distinct impact on the viewers.
Vaijayantimala previously formed a legendary combination with Dilip Kumar. In the film Sangam, she was attached with Rajender Kumar, but Rajender Kumar due to his soft corner for Raj Kapoor he could not express it.Raj Kapoor the airforce and the news relating to his death surprised Rajender Kumar and Vaijayantimala. At the time when they made up their mind of marrying each other Raj Kapoor again returned back and Vaijayantimala married him. Rajender Kumar sacrificed his life for his friends. The viewers were in their tears when Rafi’s song “ki tum naraz na hona” was played when his ashes were immersed by Raj Kapoor and Vaijayantimala in the holy prayag sangam in Allahabad.
Both of them acted together in the film Suraj where Rajender Kumar was a prince and Vaijayantimala was a princess. It was an action-pact film where the melodious songs composed by Shankar Jaikishan created a great impact on the audience. Songs of Rafi, Lata and Asha including “chehre pe giri zulfen”, “kaise samjhayun”, “itna hai tujhse pyar mujhe”, “baharon phool barsao”, etc, mesmerized the viewers.
Both of them did well in the film Saathi also, where Rajender Kumar became blind. The music was composed by Naushad, and Mukesh and Lata sung very well songs like “mera pyar bhi tu hai” and others. Vaijayantimala gave a spirited performance in the film Zindagi opposite Rajender Kumar. She was not accepted by her father-in-law played by Prithviraj Kapoor, and she struggled hard with her mother to stay separately, without the support of Rajender Kumar. He accepted her at the end of the film and repented for the misunderstanding.
Their other hit films include Aas Ka Panchi, Ganwar, etc., and in all these films the romantic pair got the appreciation of the mass audience. Their films had strong storyline and music and for those reasons should be restored.
Jaikishan Dayabhai Panchal is remembered on 12th September and 4th November, his death anniversary in 2019. The listeners of music all over the world wished happy birthday to legendary composer Jaikishan better known as Jaikishan Dayabhai Panchal on 4th November, 2012. He was part of the legendary duo Shankar Jaikishan who dominated bollwood music during the 1950s and 1960s. Rafi had a very sweet relationship with Shankar Jaikishan but unfortunately their relationship had not been glorified in bollywood history. Whenever contribution of composers relating to classic creations involving Rafi are highlighted the name of Naushad, Roshan, Madanmohan, OP Nayyar are glorified and the contribution of Shankar Jaikishan is ignored.
If Rafi’s stylish andaz relating to westernized compositions are adequately it is Shankar Jaikishan who had used it to perfection. They had used Rafi for singing romantic songs with Japanese orchestration in Love in Tokyo including songs like “aja re aa zara aa”, “Japan, Love in Tokyo”, “ o mere shahekhuba”, etc. In Biswajeet’s April Fool SJ’s composition for Rafi including “aa gale lag ja” had westernized background.
SJ’s composition for Rafi in Shammi Kapoor’s An Evening in Paris like “akele akele kahan ja rahe ho”, “raat ke humsafar”, had loud French music with echo effect and Rafi’s intonation was also westernized. Shankar Jaikishan gave a completely different style of music to Rafi in Rajender Kumar’s Aarzoo with songs like “aji ruth kar ab”, “chalke teri aankho se”, “ai nargisi mastana”, etc.
SJ had given songs addressing children to Rafi including “nanne munne bache teri mutthi me kya hai” in Boot Polish, “hai na bolo bolo”, “re mamma re mamma re” in Shammi Kapoor’s Andaz and “chakke p chakka” in Brahmchari. Rafi pronounced the words with childish accent and SJ used the orchestration to attract children.
There were ghazals also given by SJ for Rafi including “rukh se zara nakab” in Jeetender’s Mere Huzoor, “unke khayal aye to” in Raj Kumar’s Lal Patthar, “saaze dil ched de” in Pradeep Kumar’s Rajhaath, etc. Besides SJ’s creation involving Rafi in somber mood had created great impact including songs like “teri zulfon ki judai to nahi maangi thi” in Dev Anand’s Jab Pyar Kisi Se Hota Hai, “ehsaan tera hoga mujhpar” in Shammi Kapoor’s Junglee, “yaad na aye” in Rajender Kumar’s Dil Ek Mandir.
Shankar Jaikishan had used Rafi’s classical andaz in the songs “radheke tune bansoori churai”, “ajahu na aye”, etc., and combined the ragas with devotional andaz. SJ had given music in almost 200 films within the span from 1949 to 1971, and at least each year they composed music for approximately 10 films. As Rafi was given predominance over other male singers SJ had use him in regular intervals even without doing injustice to Mukesh, Manna Dey, Kishore Kumar, Talat Mehmood and others. Songs like “kaun hai jo sapno me aya” from Jhuk Gaya Aasman, “to bura maan gaye” from Ayee Milan Ki Bela, “yeh ankhen” from Jab Pyar Kisi Se Hota Hai, “tujhe jeevan ki dor se” from Aasli Nakli, “dheere dheere chal” from Love Marriage, “badan pe sitaren lapete hue” from Prince, “mai kahin kavi na banjayun” from Pyar Hi Pyar, “mai gayun tum so jao” from Brahmchari, had not lost their flavour even 40 years after their creation due to sheer brilliance of Shankar Jaikishan. It is really tragic neither Shankar Jaikishan had received the accolades that they deserved nor Rafi’s association with them had been glorified but history says that the combination of Rafi with Shankar Jaikishan had produced invaluable creations which had become immortal over the period of time.
Rafi had a dream run in the 60s, mainly in the films of Jubilee Kumar, Rajender Kumar for more than a number of reasons. Firstly Rajender Kumar acted in the production and direction of biggest banners of bollywood in the 60s. Secondly from 1963 to 1966, all his films ended up in silver jubilee showing his immense popularity and strong presence in the box-office. Shankar Jaikishan was equated with God in the early 60s and the main reason of the box-office success of Jubillee Kumar’s films was the superlative music given to him by both SJ and Naushad.
In the film Ayee Milan Ki Bela, all the songs of SJ, picturised on Rajender Kumar and sung by Rafi became super hit The immortal songs include “mai pyar ka diwana“, “aha aye Milan ki bela“, “tum khamseen ho“, “to bura maan gaye“, “o sanam tere ho gaye hum“. Rajender Kumar and Saira Banu’s online chemistry in the film helped in the success of the film.
SJ’s composition in the film Aarzoo, Humrahi and Sasural for Rajender Kumar and Rafi were equally rich. The brilliant songs include “chalke teri aankhose“, “ae nargisi mastana“, “aji ruth kar ab“, “yeh aansoo meri dil ki zubaan hai“, “teri pyari pyari surat ko“, “mujhko apne gale laga lo“, to mention a few. Sadhna complimented the powerful performance of Rajender Kumar in Aarzoo.
The brilliant combination of Rafi, SJ and Rajender Kumar, continued in the film Dil Ek Mandir and Jhuk Gaya Aasman. Prominent songs include “yaad na jaye“, “jahan koi nahi“, “dil ek mandir hai“, “o priya kaun hai jo sapno me aya“, “kahan chal diye“, to mention a few. SJ Rafi and Rajender Kumar continued in the film Aman, where songs like “surahidar garden koel si hi awaz” still mesmerizes the listeners.
Rafi, Rajender Kumar and SJ created history even in the film Suraj. The songs “kaise samjhayun“, “chehere pe giri zulfein“, “itna hai tujhse pyar mujhe“, “baharon phool barsao” had become immortal over the years. Rajender Kumar and Vaijayantimala’s screen presence were as majestic as the voice of Rafi and the quality of music of Shankar Jaikishan. The other films where the magic combination of Rafi, Rajender Kumar and Shankar Jaikishan made people speechless include Zindagi and Sangam, with the prominent songs being “pehle milethe sapno me” and “meherban likhoon“.
When Shammi Kapoor was informed about Rafi’s death in 1980, he was told by the informer that he had lost his own voice. In other words it was said that Rafi’s voice had reached the soul of Shammi Kapoor, whose success in bollywood films was largely dependent on the golden voice of Rafi. Shankar Jaikishan had contributed in around 22 films of Shammi Kapoor and without the magical duo Rafi’s combination with Shammi Kapoor would not have fulfilled the popular demands of the musical audience.
If SJ’s composition for Raj Kapoor mark the music catered to the masses, the composition for Rajender Kumar mark the sophisticated tunes catered towards the cultured audience, the compositions for Shammi Kapoor mark the westernized andaz addressed for the young generations. Shammi Kapoor brought the rock and roll andaz of Hollywood films in hindi films, and SJ and Rafi combined together to bring the energetic andaz of Shammi Kapoor who was considered to be a rebel star in the 60s. In fact his style was imitated by Joy Mukherjee and Biswajeet who were also blessed with melodious songs sung by Rafi in the 60s.
SJ, Shammi Kapoor and Rafi combined together to give superhit songs in the film Junglee, including “ehsaan tera hoga mujhpar”, “meri yaar shabba khair”, “chahe koi mujhe jungle kahen”, etc. Saira Banu made her debut opposite Shammi Kapoor and the Subodh Mukherjee film became a trend setter for other directors of producers of the 60s.
SJ, Shammi Kapoor and Rafi created the same magic in the film Janwar. Songs like “tumse achha kaun hai”, “lal chari maidan khari” became superhit along with romantic performance of Rajashree in the film. SJ, Shammi Kapoor and Rafi combination in the film Raj Kumar was equally sublime with songs like “hum hai rajkumar”, “tumne pukara aur hum chale ayen”, “tumne kisiki jaan ko”, to name a few. Sadhna was sublime along with Shammi Kapoor in the film.
SJ, Shammi Kapoor and Rafi created magic again in the film An Evening in Paris. All the songs of the film became super hit including “aji aisa mauka”, “aasman se aya farishta”, “raat ke humsafar”, “akele akele kahan ja rahe ho”, “mera dil hai tera”, “diwane ka naam to pucho”, to name a few. The foreign locations of Paris were as majestic as the European music of SJ and modernized performance of Sharmila Tagore in the film.
The brilliant combination of SJ, Shammi Kapoor and Rafi again created magic in the film Brahmchari. All the songs in the film including “dil ke jharoke me”, “chakke pe chakka”, “mai gavun tum so jayo”, “aajkal tere mere pyar ke charche” created storm in bollywood films. Shammi Kapoor won the filmfare for best actor for his performance in Brahmchari, and Shankar Jaikishan won the film fare for best music director for the same film, while Rafi won the filmfare for best singer for singing the song of the same film. Again Rajashree was sublime in the film.
SJ, Shammi Kapoor and Rafi were equally brilliant in the film Prince where Vaijayantimala acted opposite Shammi Kapoor. Rafi’s songs “muqabla hum se na karo” was as hit as “badan pe sitaren lapete hue”. The same combination came up with brilliant songs in the film Laat Sahab. The songs “sawerewali gari se chale jayenge” and “aye chaand zara chup ja” became superhit. Nutan contributed well opposite Shammi Kapoor.
The magic combination of SJ, Shammi Kapoor and Rafi contributed even in GP Sippy film, Andaz. All the songs of Rafi like “dil use do jo jaan deden”, “hai na bolo bolo”, “re mamma re mammare” became superhit. Hema Malini performed for the first time opposite Shammi Kapoor. The brilliant combination of SJ, Hasrat Jaipuri, Shailendra, Shammi Kapoor and Rafi ended with sad demise of Jaikishan in 1971.
Articles after articles can be devoted on the magic combination who even created magic in other films like Tumse Accha Kaun Hai, Jawan Muhobbat, etc. Critics argue that OP Nayyar and Ravi also contributed in Shammi Kapoor’s films, but their music was also influenced by Shankar Jaikishan’s tunes. The films and the songs of Shammi Kapoor, Shankar Jaikishan and Rafi should be preserved for the future generations.
A big section of music lovers agree that had Jaikishan not died in 1971, Rafi’s dominance in bollywood music not suffered at all. In fact SJ’s tunes were brilliant and were specifically catered towards the likings of common mass. They were not that technical which could not reach the audience. Besides SJ gave tunes in around 10 films per years all along the 50s and 60s, the era when Rafi was unbeatable.
Happy birthday to Bappi Lahiri.
The viewers of bollywood films wish happy birthday to Bappi Lahiri on 25th November, 2019. He had huge contribution in bollywood music during the 70s and 80s and his compositions are remembered even today.
He is the son of famous Bengali singer and composer Aparesh Lahiri. Aparesh Lahiri had very impressive basic discs and the songs like “takka tare”, “jhar” stormed the Bengali audience in the 50s. His composition for Lata Mangeshkar, titled “ekbar bidae de ma” in Bengali films should his capability of using powerful resources successfully.
Bappi Lahiri emerged in the bollywood film arena, when composers like Shankar Jaikishan, Roshan, Madan Mohan, SD Burman, died and composers like Laxmikant Pyarellal, RD Burman, Kalyanji Anandji were the main competitors in the late 70s. Bappi created an impression before the audience with his compositions for the film Zakhmee where Sunil Dutt and Asha Parekh were the main performers.
The music of his film Namakhalal became super hit. Big B’s lips and Kishore Kumar’s song “ki pag ghungru”, made Bappi Lahiri a big star in the early 80s. He also gave ppular music in the film Sharabi, where again the Big B, KK combination stormed bollywood. The song “imtehan ho gayi intezr ki” became super hit.
Bappi Lahiri and KK combination did work also in the films of Mithun Chakravarthy. All the songs of the film Disco Dancer became super hit where Bappi Lahiri himself sang hit songs like “yaad aa rahai”, etc. The other hit films where Bappi Lahiri contributed well include Thanedaar, with Sanjay Dutt and Madhuri Dixit, where the song “tama tama loge” became very popular.
Bappi Lahiri was very successful in his composition of music for Bengali films as well. His music in Uttam Kumar’s last film Ogo Bodhu Sundari became super hit. KK’s songs “ami ekjon santoshito”, “shikte tomai hobe”, etc., became very successful. The other hit Bengali films where Bappi Lahiri made valuable contribution include Guru Dakhina and Amar Sangi. The hit songs include “o amar gurudakhina”, “prithibi hariye geche”, “sangi, sangi”, “jekhanei thako”, etc.
He sang the song “u lala u lala” in the film Dirty Picture. The film had reciprocated the great music trend of 1980s when Bappi himself composed music in films like Himmatwala.
Bappi Lahiri had been often criticized for copying music from international films and other sources, as his tunes were very similar to others tunes. But that controversy is faced by lot of modern composers as well. The big thing is Bappi Lahiri had entertained audience of bollywood films for more than 15 years. His admirers expect him to compose innovative tunes in more films in future.
The viewers of bollywood films wish happy birthday to Raveena Tandon on 26th October, 2019 . She was a versatile actress of the 90s. Initially when she joined films her performance opposite Akshay Kumar and Govinda attracted the attention of many viewers.
Her films Mohra opposite Akshay Kumar and Sunil Shetty, Aatish and Vijeta opposite Sanjay Dutt, Vinashak opposite Sunil Shetty got great box-office success. In Vijeta she played the role of an honest police officer who loved a lawyer Sanjay Dutt. Sanjay Dutt took law in his own hands to punish the killers of his senior lawyer played by Aloknath. Raveena realized that her superior police officer Amrish Puri was a criminal himself and sided with Paresh Rawal. The performance of Raveena in a daring role in Vijeta amazed the viewers. She also showed her comedy skills in the film Andaz Apna Apna opposite Ami Khan and Salman Khan. She was the mate of rich girl Karishma Kapoor. But instead she pretended to be the rich girl and Karishma Kapoor pretended to be the maid. The film directed by Raj Kumar Santoshi did brilliant business in the early 1990s.
But later on in her career she got challenging roles. She got the national award for the best actress for her brilliant performance in the film Daman. It was related to ill-treatment of women. She was sublime in the film Shool opposite Manoj Vajpayee, where the corruption in politics was at issue. Shool showed the high level of corruption in Bihar to such extent that some of the politicians wanted to ban the film.
She gave landmark performance in the film Jago opposite Sanjay Kapoor. Her daughter was raped by miscreants in local train in Mumbai and she prayed for justice in court of law. Manoj Vajpayee, the police officer in the film faced the resistance from different members of the society in proving the case. Her performance in the court scene amazed the viewers and she got critical acclamation for the performance in the film.
Raveena Tandon was brilliant in the film Daava opposite Akshay Kumar. She acted in other hit films like Officer opposite Sunil Shetty, Ladlaa opposite Anil Kapoor, Zid opposite Sunny Deol, to name a few.She always had kept her mark in action films where Sunil Shetty or Akshay Kumar or Sanjay Dutt had the major role. It is a pity that when she was at the peak of her career that she left films after getting married and begetting children. In 2011 she had acted in the film Buddha Hoga Tera Baap. She had also acted in the film Aap Ke Liye Hum. The viewers want her to make a complete return to bollywood films in character roles as she still has a lot of acting left in her.
Happy birthday to sweet star Juhi Chawla.
The viewers of bollywood films wish happy birthday to sweet star Juhi Chawla on 13th November, 2019. Juhi Chawla stormed bollywood films in the 90s.
Her first film Qayamat Se Qayamat Tak became super hit in the late 80s. Her pair with Amir Khan was well accepted by the audience. The songs in the film became very successful. The landmark songs included “aye mere humsafar”, “papa kehte hai” sung by Udit Narayan, Alka Yagnik and others. From that time many producers and directors did cast her opposite Amir Khan in many films. The film also started a new trend of romantic films one after other after 15 years of domination of action films under success of Angry young man Amitabh Bacchan. Salman Khan’s film Maine Pyar Kiya followed very soon.
Her comedy andaz in the film Ishq opposite Amir Khan was well appreciated. Her romance with Amir Khan started with quarrels as against the affair of Kajol and Ajay Devgan in the same film. The film did great business.
Juhi Chawla acted in romantic films opposite all the leading actors of bollywood, including Rishi Kapoor in Bol Radha Bol and Eena Meena Dika, Anil Kapoor in Deewana Mastana, Jhoot Bole Kowa Kate, Amir Khan in Hum Hai Rahi Pyar Ke, to name a few. In the mid-90s she acted in a number of films opposite superstar Shahrukh Khan.
Her major films opposite Shahrukh Khan included Duplicate, Raju Ban Gaya Gentleman, etc. She started her production house Dreams Unlimited along with Shahrukh Khan and produced many films. One of the hit films included Phir Bhi Dil Hai Hindustani. Both Shahrukh Khan and Juhi Chawla acted in the film.
Juhi Chawla also acted in films opposite other actors. Her performance in character roles in the recent times had also impressed the crowds. Some of her recent films included Salaam-E-Ishq opposite Anil Kapoor. She played the role of a middle-aged woman whose husband got attached with another woman. She got dejected at the beginning, but keeping in mind the interest of her children, she compromised with Juhi Chawla.
Juhi Chawla acted in action films like Darr as well. She performed opposite Sunny Deol and Shahrukh Khan. Shahrukh Khan acted in a negative role in the film who was killed at the end by Sunny Deol. Juhi Chawla’s dance performance in the film in songs like “tu meri saamne” still haunts the viewers.
In 2012 she had acted in a number of films like Main Krishna Hoon, Son of Sardar. Son of Sardar was released in November, 2012, and there was lot of hope relating to the film where Juhi Chawla had a great role. The film did business of more than 100 crores and her performance opposite Sanjay Dutt created attention. In 2013, she had acted in the film Gulaab Gang. The film had been released. The viewers expect Juhi Chawla to continue the quality work in future.
Happy birth anniversary to Johnny Walker.
The viewers of bollywood films wish happy birthday to comedy star Johnny Walker on 11th November, 2019. His popularity in bollywood films was immense during the 50s and 60s. He used to be considered the second hero opposite legendary stars like Dilip Kumar, Raj Kapoor, Guru Dutt and others.
Rafi had a huge contribution in the success of Johnny Walker, the elegant comedian of the 50s and 60s. Most of the songs sung by Rafi for Johnny Walker were hits and caught public attention. Rafi even imitated the style of dialogue delivery of Johnny Walker. Johnny Walker acted both in lead roles in notable films as well as supporting roles in hit films of stars like Dilip Kumar, Raj Kapoor, Guru Dutt, Dev Anand, and others and the different composers who composed music in those films including OP Nayyar, Shankar Jaikishan, SD Burman, Salil Choudhury, Ravi, Naushad, Dattaram, Laxmikant Pyarellal and others composed catchy songs of Rafi which were picturised on the legendary comedian. The songs in the film CID, composed by OP Nayyar, including “ai dil mushkil jeena yahan”, picturised on Johnny Walker were melodious. OP Nayyar’s composition for Johnny Walker in the film Aar Paar titled “are na na na na nana touba touba” was also equally hilarious and melodious. Rafi imitated the dialogue throwing style of Johnny Walker in the film in style. The song in the film Mr. and Mrs. 55, composed by OP Nayyar and picturised on Johnny Walker, including “jane kahan mera jigar gaya ji” became extremely popular. The song was as popular as some other of the songs of Rafi like “dil par hua aisa jaadoo”. The other songs were picturised on the hero of the film Guru Dutt. Rafi’s song in Raj Kapoor’s film Chori Chori composed by Shankar Jaikishan was also hit titled “all line clear”.
Johnny Walker became an indispensable part of the films of Guru Dutt and used to get important roles in the films of Guru Dutt. In the film Pyaasa, Rafi’s song “tel malish” picturised on Johnny Walker became landmark hit. SD Burman, the composer of the song modified his style of composition to suit the song of Rafi in the film. In the film Ustadon Ke Ustad, Rafi sang a very peppy number for Johnny Walker titled “maine kaha tha aana Sunday ko”, composed by music director Ravi. In Dilip Kumar’s Madhumati, Rafi’s song for Johnny Walker titled “jangal me mor nacha kisi ne na dekha” became super hit. Salil Choudhury, the brilliant composer composed the songs of the film and received the filmfare award for the best composer in the year 1959. The song “mai bombai ka babu” from the film Naya Daur was also successful. OP Nayyar’s composition for Rafi suited the style of acting of Johnny Walker and impressed the viewers.
The other songs of Rafi which became successful include “gareeb janke”, from the film Chu Mantar, where Johnny Walker played the leading role. Even the songs in the film Chaudavi Ka Chaand, composed by Ravi became extremely successful. Johnny Walker’s songs in the same film “mera yaar bana hai dulha” and “yeh duniya gol hai” became extremely successful. Rafi’s song “nashe me hum nashe me tum” in Johnny Walker’s film Black Cat also became extremely popular. In the film Johnny Walker, there were few hit numbers composed by OP Nayyar for Rafi including “bekithiyaar hoke pyaar”, “bachke balam chal”, “mooh se mat”. Some of these songs were duets and Geeta Dutt and Asha Bhosle also sung well.
In the film Baharen Phir Bhi Ayegi, Rafi’s song for Johnny Walker titled “suno suno Miss Chatterjee” became extremely popular. OP Nayyar’s background beat was very melodious. Laxmikant Pyarellal composed very melodious songs for Johnny Walker and Biswajeet in the film Night in London. Most of the songs became super hit.
Johnny Walker was probably the only comedian who had given lips in so many hit songs of Rafi, even considering Manna Dey’s songs for Mehmood. The list of films where Rafi had sung for Johny Walker can go on and cannot be covered in one article.
The songs and the films should be restored and preserved.
Satinath Mukherjee was one of the versatile classical singers who did not get dues during the golden age. The 50s and 60s were categorized with notable classical and semi-classical singers in the Bengal arena where Manobendra Mukherjee, Manna Dey, Dhananjoy Bhattacharya, Akhil Bandhu Ghosh and other giants galvanized the world of modern songs.
Satinath Mukherjee, the guru of notable singer Shyamal Mitra, had a huge partnership with lyricist Shyamal Gupta and presented his flora of classical ragas in Bengali modern songs. His songs “pashaner buke likhona amar naam”, “bono patho majhe”, “jibone Jodi deep”, etc. were milestones of Bengali modern songs.
He sang separate private songs involving “raag pradhan” which described the movement of separate ragas like Imon, Baghesri, Darbari Kanada, Behag, Ashawari, etc. His song on raag bageshri included “elo jochona se tobu”. His song on raag bairagi included “dake na keno je banshi”. His song on raag behaag included “gelo je logon chole”. His song on raag bhairav included “jagiche bhore probhat robi”. His song on raag bhupali included “kotha je banshori baaje”. His song on raag darbadi kanada included “e bedona kemone sohi”. His song on raag desh thumri included “boroshar rate jagi”. His song on raag kalawati included “baje keno beena”. His song on raag komol ashavari included “modhu rati bhor hoi”. His song on raag madhab todi included “ke jano dake nishibore”. His song on raag manj khamaj included “tomare bhulite ogo”. His song on raag nandkauns included “kotha tumi ghanashyam”. His song on raag pahari thumri included “emono dine se kothay”. His song on raag patdeep included “kano janina baje”. His song on raag yaman included “na go na jeyona”.
Some of his classical songs included “bojhona keno ami je koto eka”, “jedin jibone tumi”, “baluka belay kurai jhinuk”, to name a few. Very significantly most of the songs were composed by himself.
As a composer he used to be considered a giant of giants. His compositions for other legendary singers included “tomar pother prante moner monideep jele rekhechi” and “bhule gechi kobe” sung by Manobendra Mukherjee, “eto alo aar eto hasi gaan” sung by Shyamal Mitra, “ami cheyechi tomay” sung by Dhananjoy Bhattacharya, “tomar moto amiyoto koto soyechi” sung by Pannalal Bhattacharya, to name a few.
Besides his own student Dipak Maitra had sung few songs composed by Satinath Mukherjee included “koto kotha bola holona”. Satinath Mukherjee is associated with the compositions for the two maestros in Indian music namely Mohammad Rafi and Lata Mangeshkar.
Lata’s first record in Bengali namely “akash pradeep jale” and “koto tara” were the compositions of the genius Satinath Mukherjee. Satinath Mukherjee’s landmark compositions for Mohammad Rafi included “ekhono biday bolona”, “pakhitar buke jeno teer merona”, etc. It is very sad that Satinath Mukherjee’s immense musical talents were not used in Bengali films. He had sung rare songs like “majhe nodi bahe re” in Tapan Sinha’s film Atithi, songs in Uttam Kumar’s film Bon Palashir Padabali, etc.
Otherwise Satinath Mukherjee, the sincere student of Ustad Bare Ghulam Ali Khan was one of the revolutionary singers and composers who remained an institution by himself. His students included singer and composer Jotileshwar Mukherjee who carried on the legacy of Satinath Mukherjee. The songs and creations of Satinath should be preserved and restored.
Manobendra Mukherjee was one of the legendary classical singer of Bengal who had simplified classical ragas and used them in Bengali modern songs.
His romantic song “ami eto je tomay bhalobesechi” written by Shyamal Gupta and composed by himself had classical touch embedded in it. His other own composed song “emni kore porbe mone baki jibon dhore” was also a masterpiece related to classical andaz.
Manobendra Mukherjee’s pure classical numbers were even more melodious. One example is “ei moushumi mon shudhu rong bodlay”. In this song there was a small alaap or khanak taken at the place “mori je hay” where Manobendra had used the sargam by uttering in “aa aa” form. It was brilliant.
There were other romantic songs like “boroshaklanto o duti nayan mele”. The song had been composed by Anal Chatterji. Manobendra Mukherjee had another master piece “bolo raat bolo se kothay”. The song was totally raga oriented.
Manobendra Mukherjee was sublime in the song “ei nil nil jal sagore” composed by Probir Mojumdar and “tomar pather prante moner monidip jele rekhechi” composed by Satinath Mukherjee. Some of his own compositions like “ei ganga sei padda” and “sei bhalo ei bosonto noi” had absolute romantic andaz.
Manobendra Mukherjee had given adequate expression to songs composed by Himangshu Dutta including “birohini chiro birohini”, “tumi je andhar”, “biroho barisha”, etc. The songs were difficult in nature and Manobendra was probably the most classically trained singer to do justice to them.
Manobendra had also sung some of the songs created in thumri style. One example was “koto je soyechi betha” composed by Chinmoy Lahiri. One more classical number included “tumi to dariye acho”.
Articles after articles can be devoted to Manobendra Mukherjee whose classical touch was as elegant and stylish as Neil Harvey’s wristy strokes.
Shyama, the veteran actor remained immortal in her works.
Veteran Bollywood actor Shyama passed away on the morning of November 14, 2017 at the age of 82. Her daughter Shirrin told indianexpress.com that her mother was suffering from a lung infection, and her health deteriorated further because of that. The cremation took place at 2.30 pm at Marine Lines in Mumbai today.
The actress was known for her roles in movies like Aar Paar, Barsaat Ki Raat, Sawan Bhadi, Milan and Sharada. In a more than four-decades-long career, Shyama acted in about 175 movies. She won the Filmfare Award Best Supporting Actress award for her performance in Sharada.
It is very sad. The film fraternity and viewers were shocked to hear her death. She was one of the very beautiful actresses of the 1950s and 1960s. Her dance performances, powerful acting and great expression still haunt the viewers.
She rose to stardom with Guru Dutt’s film Aar Par. Her lips in Geeta Dutt’s song “ae loji hari piya hui teri jeet re”, “ sun sun sun sun zalima” became super hit. OP Nayyar composed the music of the film. Aar Par was a super hit film of 1954.
She did well opposite Dilip Kumar in the film Amar. Madhubala was the other lead actress of the film. She did well in Raj Kapoor’s film Sharda. Meena Kumari played the lead role in the film. It was a super hit film of 1957. Shyama did not fear even negative characters. In Sharda in the later part of the film her role was negative.
Shyama (born Khurshid Akhtar; 7 June 1935 – 14 November 2017) was a Hindi movie actress. Her best known roles were in Aar Paar (1954), Barsaat Ki Raat (1960) and Tarana. She was also noticed for her versatility through her performances in Milan, Bhai-Bhai (1956), Mirza Sahiban (1957), Bhabhi (1957) and Sharda, for which she was awarded the Filmfare Award for Best Supporting Actress. She was the actress in late 50s who has been most responsive to the rhythm and lyrics of the music directors and poets. Songs picturised on her such as "Ae dil mujhe bata de", "O chand jahan wo jaye", "Ae lo main hari piya", "Dekho, wo chand chhup ke karata hai kya ishare", "Chhupa ke meri aankhon ko", Sun Sun Zalima and "Ja re ka re badara" are examples of her sensitive acting. She did a double role in Do Bahen(1959) portraying twins who were completely different in characters.
Shyama arrived in Mumbai from Lahore in the 1940s. As a young girl, she acted in a few films like Noorjahan's husband Shauqat Rizvi's Zeenat (1945) and Meerabai (1947).
Director Vijay Bhatt gave her the stage name Shyama, by which she is credited in her movies. She had starring roles in Guru Dutt's classic Aar Paar, and later in Barsaat Ki Raat, which was perhaps her best performance. She was a major star in the 1950s and 1960s and acted in more than 150 movies many in starring roles. Johnny Walker and Shyama had worked in films like Choo Mantar, Aar Paar, Musafir Khanna, Khota Paisa and Khel Khilari Ka. She was married to cinematographer Fali Mistry in 1953, and the couple had two sons, Faroukh and Rohinton and a daughter Shirrin. Fali Mistry passed away in 1979, thereafter she continued to stay in Mumbai.
Her close friend were actress Ameeta and Johnny Walker. Nasir Khan, Johnny Walker’s son expressed his grief on hearing the news. In an interview with Mid-Day, he said, “It’s really disheartening to know about the demise of Shyama aunty. She had done several films with my father and in a lot of them she was opposite him also. In fact, in the film that was made on his name ‘Johnny Walker’, she was the heroine with him.
Happy birthday to superstar Shahrukh Khan.
The viewers of bollywood films wish happy birthday to superstar Shahrukh Khan on 2nd November, 2019. He was the ruler of bollywood industry in the 90s. Right from Baazigar, Shahrukh Khan gave blockbusters one after the other. After Amitabh Bacchan, he is the next superstar, whose screen presence had carried through many big budget films.
2011 had been a great year for Shahrukh Khan. He had produced the costliest film in Indian history Ra One. The film in the first week had already done business of more than 50 crores. Although the film had not broken the record of Salman Khan’s film Bodyguard this year which had done business of 150 crores, the film had created a new trend, and Shahrukh Khan’s excellent acting, stunts and enthusiasm had been praised a lot by the viewers.
In 2012, Shahrukh Khan’s romantic film Jab Tak Hai Jaan was released on Diwali, on 13th November. It was the last film of Yash Chopra. He died recently. This was the first time Shahrukh Khan had acted opposite Katrina Kaif. AR Rehman composed the music of the film. The film did business of 115 crores.
2013 had been even more successful year for Shahrukh Khan. His film Chennai Express released in August, 2013, did business of more than 210 crores. The film broke the record of Amir Khan’s The Three Idiots and stands as the biggest blockbuster ever.
2014 had been a bigger year. Shahrukh Khan’s film Happy New Year did business of more than 150 crores in the 1st weeks. It has the potential of doing business of more than 200 crores.
Shahrukh Khan had a grand combination with Director Karan Johar, and most of the films directed by him ended up being super hit. The notable films include Kabhi Khushi Kabhi Gham, Kuch Kuch Hota Hai, etc. Shahrukh Khan also gave able lips in hit songs of these films including “kuch kuch hota hai”, “suraj hua madhyam”, etc. In 2010, their grand combination gave another hit titled My Name is Khan. Shahrukh Khan played the lead role in the film and did a great job opposite Kajol.
Shahrukh Khan also succeeded in negative roles. The greatest example includes Darr. There he played a negative character opposite Sunny Deol and Juhi Chawla. On one hand he gave good lips in the songs “tu mere samne”, on the other hand his attack on Juhi Chawla made the viewers understand that he could act in any type of films. He received filmfare award for the negative category as well. He was played a challenging role in Mani Ratnam’s film Dil Se. The film was related to terrorism in North East India and Shahrukh Khan died with Manisha Koirala in the film.
Shahrukh Khan has the record of bagging 7 filmfare awards for best actor, which is the second best record after Dilip Kumar who had won it 8 times. Shahrukh Khan, better known as King Khan, had acted in the films of almost all the leading directors of the country, including Amol Palekar’s Paheli with Rani Mukherjee. Besides he had acted opposite different actresses like Kajol in the film Dilwale Dulhania Le Jayenge, Preeti Zinta in the film Veer Zara, Anushka Sharma in the film Rab Ne Bana Di Jori, to name a few.
Shahrukh Khan opened own production house titled Dreams Unlimited with Juhi Chawla, and the films produced by such combination like Phir Bhi Dil Hai Hindustani also did good business. Shahrukh Khan had ruled the industry for more than 15 years. Shahrukh Khan is also known for high level of energy. He had sponsored the Kolkata Knight Riders IPl team which had been captained by Sourav Ganguly. Although the team had performed is a disastrous manner, Shahrukh Khan had always encouraged his players. Shahrukh Khan’s team under the captainship of Gautam Gambhir had also won the IPL Trophy this year.
The viewers are waiting for his next film that is going to be released in 2020. In 2018 his film Zero did not do good business. He is breaking his own records. So there are more surprises in future. Viewers are waiting for his new film Zero.