Sadashiv Amrapurkar will be remembered for his acting.
On 3rd November, 2014, actor Sadashiv Amrapurkar passed away at the age of 64 years. He was suffering from lung infection for more than 2 weeks. He had contributed a lot in Bollywood films.
He was born on 11th May, 2050. He was brought up in Ahmednagar. In 1981 he acted in the play Hands Up. He was a great break by director Govind Nihalini in the film Ardh Satya in 1983. He acted in the role of a Mafia Don and balanced the brilliant performances of other stalwarts like Om Puri and Amrish Puri. He also received the filmfare best supporting actor award for the performance in the film Ardh Satya.
From that time onwards his image as a villain was recognized. He played notable characters in Jackie Shroff Film Teri Meherbaniya, Amitabh Bacchan’s film Akhree Rasta, Amitabh Bacchan’s film Indrajeet, to name a few.
In 1991 his performance in Sanjay Dutt’s film Sadak in role of a eunuck Maharani, made him a big star. The negative role not only gave him the filmfare award for the best villain in the same year but created a new dimension in the world of negative roles.
He also acted in many relief roles and comedy roles. In films like Amir Khan’s Ishq, Bobby Deol’s Gupt, Akshay Kumar Sunil Shetty’s Mohra he played positive roles and comedy characters. His ease in respect of getting into the character of the different models helped me to get important character roles for more than 30 years.
The list of his successful films are very long. Right from Dil Ne Phir Yaad Kiya to Khatarnak, Insaniyat to Mohra, Janam Samjha Karo to Ankhe.
The list of heroes against whom he played the role of villains is also very long including Salman Khan, Amir Khan, Sanjay Dutt, Bobby Deol, Amitabh Bacchan, Sunny Deol, Anil Kapoor, Jackie Shroff, Mithun Chakravarty and others.
He also acted in regional films like Bengali films, Marathi films, Hariyanvi films, etc. Out of more than 300 films where he played important roles, at least 50 films stand out to show his versatility in acting. He had acted in both parallel films and commercial films. His films and works should be preserved.
Amitabh Bacchan, Shahrukh Khan gave fantastic speech in inauguration of 20th Kolkata International Film Festival.
The 20th Kolkata International Film Festival 2014, started off with a brilliant inauguration in Netaji Indoor Stadium on 10th November, 2014. It was a brilliant occasion by every standard.
Mamta Banerjee, the Chief Minister of West Bengal managed to invite the major dignitaries from different parts of the world and especially India. The 8 day film festival started with the inauguration on 10th November, 2014.
The legends who graced the occasion included Amitabh Bacchan, Jaya Bacchan, Aishwarya Rai Bacchan, Abhishek Bacchan, Tanuja, Shahrukh Khan and many others. The August gathering also saw Bengali legends like Ranjit Mullick, Madhabi Mukherjee, Moushumi Chatterjee, Moonmoon Sen and others.
Shahrukh Khan in his short speech made sure that he could say something in Bengali. This is the third time he had inaugurated a film festival and he said in his own words that honest creation is what the spectators expect from the creators.
Amitabh Bacchan gave an extended speech. He did huge homework for that. He emphasized on women empowerment. He mentioned that both in Bengali films and hindi films, the directors and writers emphasized on women’s social standing. Sarat Chandra Chatterjee’s Parineeta, Biraj Bahu told the same. Tagore’s stories also reflected them.
While directors like Bimal Roy with films like Bandini, Sujata, Mehboob Khan with films like Mother India showed women’s individuality in Indian society, renowned Bengali directors like Satyajit Ray in his films Charulata, Pather Panchali had showed the different facets of women characters and also it was shown in films of other giants like Tapan Sinha who showed it in films like Jotugriha. Amitabh Bacchan’s speech was par excellence.
Australian Filmmaker Paul Cox gave a brilliant speech explaining the importance of film festivals which brings expression of different countries and connects the countries together. Amol Palekar, Irfan Khan, Tanuja, Jaya Bacchan all congratulated the Bengali audience and the love for films in Bengal.
Mamta Banerjee invited everyone and talked about the film festival showing films of 60 countries in Kolkata for the next 8 days. She also said what Bengal thinks today India thinks tomorrow. So Bengali writers, filmmakers and actors had been inspirations for other directors, actors of other parts of the world. So she expected everyone to enjoy the festival for the next few days.
June Maliya and Sayani Ghosh came to Zee Bangla Mirakkel to promote Ekla Cholo.
Actress June Maliya and Sayani Ghosh came to Zee Bangla Mirakkel Program to promote their new film Ekla Cholo. Incidentally the film was also shown in Zee Bangla Cinema on 18th January. 2015.
Director Sudeshna Roy also came in the show to tell the story of the film Ekla Cholo. The film had been directed jointly by Sudeshna Roy and Abhijit Guha. It has produced by Nideas Creations and Production Pvt. Ltd. Sayani Ghosh played the lead role in the film. She portrayed the character of a single mother. June Maliya played the role of the mother of Sayani Ghosh who was also a single mother.
But significantly it had been a comedy film. Thinking about single mother, the first impression which into mind is that the film must have talked about struggle of a mother. But it was not the case.
When Mir Afsar Ali asked Sudeshna Roy to tell the story of the film, she said Sayani Ghosh wanted to be a single mother without marrying any male husband. So she searched sperm donors and with artificial implant became pregnant and gave birth to a child. But in the process she got a lot of help from her boyfriend played by Koushik Roy. So eventually Sayani Ghosh came to know about her father and the husband of June Maliya and agreed to marry Koushik Roy after giving birth to the baby.
All the judges in the show namely Paran Banerjee, Rajatavo Dutta and Srilekha Mitra appreciated the unique subject of the film. They also said that Sudeshna Roy always had done good work and she made the team of artists act very well in the film.
The film had been released and is expected to do good business.
Dev, Koel and others came in Zee Bangla Dadagiri Program to promote film Herogiri.
The entire team of Bengali film Herogiri came in Sourav Ganguly’s Dadagiri Program on 21st January, 2015. Actress Sayantani Banerjee, Bharat Kaul, and the script writer of the film came in the program.
Sourav Ganguly asked Dev about the experience of acting with Mithun Chakravarty in the film. Incidentally Mithun Chakravarty played the role of the father of Dev in the film. Dev said in reply that Mithun Chakravarty was one of the brightest international Bengali icon. He also said Mithun Chakravarty during the peak of his career he acted in Bengali films and restored the profits of the industry.
Sourav Ganguly asked Dev, Koel, Sayantani and others who is the boss in respect of film making, is it the director or the producer? All of them replied in the sets the actors, actresses follow the directives of the directors, in shooting zones and discussion relating to projects producers also play important role. This film Herogiri had been shot at different places including Kolkata, Hyderabad, Mumbai, Paris and Bangkok. When asked by Sourav Ganguly who dictates the actors fees, the actors or the producers, Dev and Koel gave reasonable answers. Whenever actors wanted to act in films of reputed directors they ignored the payment and acted with low remuneration also.
Sourav Ganguly asked Koel after giving a clipping of song “pagla garod kothae ache nei ko setha jana” in Rankit Mullick and Uttam Kumar’s film Mouchak, the name of the film and the singer. Koel gave right answer saying the song being sung by Manna Dey and name of the film being Mouchak.
Dev became the champion at the end of the show. Sourav Ganguly gave his best wishes and told everyone to continue the good work.
Raj Kapoor and Shakila were brilliant in Shriman Satyawadi.
In the late 1950s and early 1960s, due to high box office of blockbusters, the hit films did not get that recognition. For example, in 1960, Raj Kapoor’s film Shriman Satywadi was released. Due to super hit box office report of Jis Desh Me Ganga Behti Hai and all time blockbuster Dilip Kumar’s Mugha-i- azam, Shriman Satyawadi got lost in the crowd of brilliant films.
But the film was successful. SM Abbas directed the film. Mahipatray Shah produced the film. The music was composed by Dattaram. Raj Kapoor was shown as an honest man whose father was an honest medicine seller. His father was falsely implicated by Mehmood’s father Radhakrishan. He deliberately kept narcotic drugs in his shop so that police could arrest him. He got a heart attack and died.
Raj Kapoor was brought up by his neighbor uncle who send him to industrialist Nazir Hussain for job in Mumbai. Nazir Hussain and his daughter Shakila allowed Raj Kapoor to work in their advertisement company. Mehmood joined the same company and created a cream and pharmaceutical products which adulterated content. Consumers got skin diseases and one person died. Raj Kapoor left the company and did other jobs and finally worked as journalist in the Newspaper company owned by Moni Chatterjee.
In the last scene Raj Kapoor went with Moni Chatterjee in the house of Radhakrishan to tell the truth relating to adulterated products. His son Mehmood shot a bullet on Moni Chatterjee. In a tassle with Raj Kapoor, Mehmood fell in an acidic pool and died. The film proved that honesty was the right policy.
The music of the film became super hit. Mukesh’s songs “haal-e-dil hamara”, “ai dil dekhe hai humne” became bumper hit. Rafi’s song “rang birangi botal ka kaisa hai jadoo” was as big hit as Suman Kalyanpur’s song “kyun ura jata hai anchal” and Manna Dey’s bheegi “hawaano me” as well as Mahendra Kumar’s song “ek baat kahoon vallah”. Dattaram’s music was as brilliant as lyrics of Hasrat Jaipuri.
Mehmood in a comedy cum villainish role was impressive. Nazir Hussain and Radhakrishan played very impressive roles. Raj Kapoor probably acted only in one film opposite Shakila. Both the artists matched each other. They should have been cast in more roles. The film and the music require restoration.
Sushant and Dipakar Banerjee were excellent in Detective Byomkesh Bakshi.
Director Dibakar Banerjee started with a bang in the film Detective Byomkesh Bakshi. The film had been released recently and is doing extremely well. With Yash Raj Productions the film was shot in Kolkata and had a medium budget. On the first day the film did business of 7 crores. If the film can finally do business of 50 crores it will be a successful film.
Saradindu Banerjee’s character Byomkesh Bakshi is known to everyone in India. Satyajit Ray used superstar Uttam Kumar to play the role of Detective Byomkesh Bakshi in the film Chiriakhana in 1967. Basu Chatterjee used Rajat Kapoor to play the role of Byomkesh Bakshi for Doordarshan. Anjan Dutta used Abir Chatterjee for three different films related to Byomkesh Bakshi. Recently Dipankar Banerjee had got a new Byomkesh in the form of Sushant Singh Rajput related to the Saradindu Banerjee’s story of Satyaneshi and Pather Kanta.
In the film the story reveals Kolkata of 1940s. It was during the 2nd world War. Byomkesh completed studies. At that time he found his friend Ajit’s father missing who was a chemist. Ajit was played by Anand Tiwari. Ajit’s father created a new version of heroine which could be mixed in pan masala but not detected till it entered the blood of human being. Dr Anukul Guha instigated him to create it. In the film the role of Dr Anukul Guha was played by Neeraj Kabi. Then Ajit’s father was killed. Satyawati’s mesho was also killed after that. It was because the dead body of Ajit’s father was kept in the factory of Satyawati’s mesho. In this film the role of Satyawati was played by Divya Menon.
Swastika Mukherjee played the role of Anguri Devi. She loved Dr Anukul Guha. Under his instruction she set poison in the soup of Satyawati’s mesho and killed him. Byomkesh unearthed the mystery.
He found that the drug racket run by Young Chang from Shanghai operated in Kolkata as well. Dr Anukul Guha created a plan whereby he had given information to the Japanesh soldiers to penetrate into Kolkata from the Ganga ghats, in return he could dominate the drug racket to transport drugs via waterways across South East Asia. For achieving his target he befooled the Chinese mafias, Japanese soldiers and even the British Deputy Commissioner played by Mark Bennington. Byomkesh found the deadbodies of related persons including a student and a Japanese lady teacher, all killed by Dr Anukul Guha. At the end Byomkesh called all the parties and disclosed the truth and left Dr Anukul before the drug peddlars before he killed Anguri Devi.
The performance of Neeraj Kabi was the best. He terrified and astonished everyone with his weird performance. Sushant Singh Rajput was excellent in his role. His eyebrows were joined together to give a detective’s look. Swastika Mukherjee did a great job for her seductive role. Chang did well for his role in the China Town within Kolkata. Divya Menon and Anand Tiwari were impressive in their roles.
The entire credit goes to the director Dipakar Banerjee who had a herculean task of reproducing Kolkata of 1940s. The trams of those days, the vintage cars gave a vintage look to the city at the time of 2nd World War. Viewers should watch the film.
Kumar Shanu gave excellent interview in Zee Bangla Happy Parents Day Program.
Kumar Shanu, the successful Bengali singer was the guest in the program Zee Bangla Happy Parents Day on 24th April, 2015. He gave a splendid interview before Devshankar Halder.
Kumar Shanu firstly appreciated Zee Bangla’s effort to organize a great program which pays tributes to parents of different individuals. There had not been any program like this before.
He then said that he had seen many people worshipping different Gods by using flowers, fruits and incense sticks. But he realized that there is no bigger God than father and mother in life. So he worshiped his father Kedarnath Bhattacharya and mother.
He said his father Kedarnath Bhattacharya was a great Bengali singer. But he was very strict person. He got a lot of beating in his childhood. But he understood his father’s love for him. When Shanu became a superstar in Mumbai between 1989 to 1995 he took his father and mother in helicopter and showed every part of Mumbai flying at low distance. He took his mother in flight and when she held his hand once the flight took over, he said the memory was so grand.
He said whenever his father used to scold him in the morning, when he returned back at night he used to wake up Shanu and give him rasogolla. Shanu could realize the immense love of his father and mother in life. He said that he grew up in extreme poverty. But he rose to fame with the blessings of father and mother.
He had only one grief that he could not save his parents when they were hospitalized. He himself was not a doctor. He spend money for best treatment. But lifespan is determined by God so he could do nothing.
He also said that whenever his father used to ask him to help a poor person he did so. Once his father asked him to pay a needy person one lakh rupees. He did so.
In the program the two old gentleman and lady were neighbours of him, not his own parents. He played for them. They had a daughter who lived at a distance. Both the old persons lived in an old age home.
Shanu gave right answers one after the other and earned money for the medical treatment of the these parents and tour of Goa for the old persons. Shanu sang a number of his hit songs including “kuch na kaho kuch bhi na kaho”, “tujhe dekha to yeh jana sanam”, to name a few. The old couple blessed Kumar Shanu.
Dev Shankar Halder said the new generation should learn a lot from Kumar Shanu.
Remembering Satyajit Ray on 2nd May, 2017.
Viewers of international films all across the world remember Oscar Winning Director Satyajit Ray on his birth anniversary on 2nd May and death anniversary 23rd April, 2017. Ray was born on 2nd May, 1921, and critics feel it was the birth of legend of legends and probably one of the greatest talents the world has ever produced after Rabindranath Tagore. Ray showed his excellence in every different of film making including script writing, costumes, music direction, costume designing, etc.
My father, Chitta Ranjan Chatterji, Ex-Chief Public Prosecutor, Bankshall Court, North, Calcutta, represented Sandip Ray, the son of Satyajit Ray, in a case relating to recovery of manuscripts from Uday Acharya, the brother of Nirmal Acharya, a renowned critic. When the manuscripts of Ray’s films were seized from Udai Acharya’s house and opened from sealed trunk it was seen that they were pictographic in nature. Script of the film Pather Panchali, Gonoshotru had illustrations at every part which showed the secret of Ray’s brilliant characterization in films.
Probably some of the actors and actresses in Ray’s films rose to stardom through the images portrayed by Ray. Chabi Biswas mesmerized the film lovers with his dignified performance in the role of Bishambhar Roy in the film Jalsaghar. Charu Prakash Ghosh was unparallel in the role of Birinchibaba in the film Kapurush Mahapurush. Anil Chatterji was unparallel in the role of Post Master in the film Teen Kanya. Utpal Dutt gave his performance for his life in the character Maganlal Meghraj in the film Joy Baba Felunath.
Similarly Om Puri and Smita Patil were sublime in their roles in the film Sadgati. Sanjeev Kumar entered the skin of the character played in the film Shatranj Ki Khiladi. Uttam Kumar could not have been replaced by any other actor in the film Nayak. Karuna Banerjee had made the role of mother of Apu immortal in the film Pather Panchali. Sharmila Tagore was outstanding in the film Debi. Tapen Chatterji and Robi Ghosh are still remembered by filmlovers through their character Goopi Bagha.
All the Indian directors like Shyam Benegal, Adoor Gopalakrishnan ,had agreed that they learnt the art of story-telling from Ray’ films. Even the theme music of the legendary director had moved the directors all across the world. Audrey Hepburn, the Oscar winning actress while awarding the Oscar award for lifetime contribution of Ray, said in her speech that Ray’s direction had the soul of Apu in the Apu Trilogy march out from the village of West Bengal and explored India and expressed the struggle for existence of every middle-class individual of the country.
Whenever classic literature of novelists and writers were used in films, Ray created his own dimension in those films, including the standard of excellence in the films Charulata and Ghare Baire which were based on the epic literature of Tagore. Films made by Ray from his own literature like Sonar Kella, Joy Baba Felunath, Agantuk, etc., were equally brilliant.
The films of Ray should be preserved to disseminate the art of script writing, costume designing, theme music, camera work, neat direction, etc.
Satyajit Ray is remembered on 23rd April, 2012, his death anniversary.
Oscar winning Director Satyajit Ray had been remembered all over the country on 23rd April, 2012. He had died on this day in 1992 at the age of 71 years.
He was considered to be a legend of legends. Right from his first film Pather Panchali he changed the world of story telling in Indian films. He used classic literature of noted novelists like Rabindranath Tagore, Munshi Premchand, Bibhutibhushan Banerjee, Tarashankar Banerjee, and others and created a new dimension in the films with those classic stories.
He changed the views of directors from shooting within studios and ventured out and captured the different moods of nature. He made crime thrillers like Joy Baba Felunath, Sonar Kella which were written by him and became popular with the children with the name of Feluda series.
His use of theme music in films had been a learning experience for noted directors of the 70s like Shyam Benegal, Adoor Gopalakrishnan, Govind Nihalini and others. His Apu Trilogi showed the path of a middle-class Indian who travelled the roads of villages and ventured into the urbanized town.
Most of his films including Pather Panchali, Jalsaghar, Teen Kanya, Mahanagar, Nayak, were masterpieces. His films and literature should be preserved for their immense artistic value. A big section of intellectuals feel that he was the greatest creator in India to have born after Rabindranath Tagore. His Son Sandip Ray had directed many of the films based on his father’s literature including Bombaiyer Bombete, Tintoretor Jishu, Royal Bengal Rahasya, etc.
Happy birth anniversary to Manna Dey.
The viewers of bollywood films and music lovers all across the country wish happy birthday to Manna Dey on 1st May 2017. Born on 1st May, 1919, he had contributed in bollywood films for more than 70 years with his baritone voice. He had brilliant classical training and adorned bollywood music with versatile talent.
He was awarded the dadasaheb phalke award for his immense contribution to music in India. Manna Dey learned music from Ustad Aman Ali Khan and Ustad Abdul Rahman Khan. He stormed bollywood films with super hit songs in Raj Kapoor’s film Shree 420 in 1955, with immortal songs composed by Shankar Jaikishan like “ramaiya vasta maiyya”, “pyar hua ikraar hua”, “mur mur ke na dekh”.
During the golden Manna Dey was probably the only singer other than Mohammad Rafi who had been used by all the leading composers of bollywood music including Shankar Jaikishan in Basant Bahar, the song being “sur na saje”, Madanmohan in Dekh Kabira Roya, the song being “kaun aya mere man ke sware”, Roshan in Dil Hi To Hai, the song being “laga chunari me daag”, SD Burman in Meri Surat Teri Ankhen, the song being “pucho na kaise”, to name a few.
Manna Dey had a very sweet relationship with Sudhin Dasgupta. He was used by almost all the leading composers of Bengal namely Anil Bagchi, Nochiketa Ghosh, Salil Choudhury and others. But probably his westernized andaz was used to the limit by Sudhin Dasgupta.
Sudhin Dasgupta used Manna Dey in Uttam Kumar’s film Goli Theke Rajpoth with the song “lag lag lag lag bhelkir khela”. Manna Dey’s songs “ami agantuk” and “ke prothom kache esechi” composed by Sudhin Dasgupta in Uttam Kumar’s film Shankhabela created sensation in Bengali celluloid in 1966. Manna Dey’s songs “ami kon pothe je choli” and “bachao ke acho” in Uttam Kumar’s film Choddobeshi became super hit as well.
In the 70s, Manna Dey’s songs “esechi ami esechi”, “lekha porata shikhe phele” and “paye paye joriye rakho” in Uttam Kumar’s film Har Mana Har created sensation as well. Uttam Kumar gave the lips of his lifetime in the film Har Mana Har. While major success of Sudhin Dasgupta came in Uttam Kumar’s films, he made major contribution in Soumitra Chatterji’s films as well. The songs “ei shohor theke aro anek dure”, “hoyto tomari jonyo”, “jibone ki pabona” in the film Teen Bhubaner Pare, composed by Sudhin Dasgupta and sung by Manna Dey showed the westernized orchestration of the giant composer.
Sudhin Dasupta’s songs in Soumitra’s films Prothom Kodom Phul and Bosonto Bilaap were equally successful. Manna Dey’s all round musical skills were used to perfection in these films. Even the song “ogo tomar sesh bichare asay” sung by Manna Dey in bayul andaz in Kali Banerjee’s legendary film Dak Horkora, and composed by Sudhin Dasgupta made the viewers speechless.
Manna Dey sang many numbers of solo numbers as basic discs under the compositions of Sudhin Dasgupta. One of the notable songs included “ami taar thikana rakhini”. The songs of Sudhin Dasgupta and Manna Dey combination should be preserved and restored.
Music-lovers wish Manna Dey to continue singing till his last day of life.