Sunday, July 31, 2016

Still memories of superstar Uttam Kumar haunts filmlovers.


Uttam Kumar’s death anniversary brings great memories of the superstar of Bengal. Again, 24th July, 2016 will bring memories of Mahanayak Uttam Kumar.In 2011, the walls of the Tollygunge Metro Station had been filled with the pictures of films of Uttam Kumar. In fact the people of Tollygunge cannot associate the place without the existence of Uttam Kumar whose works glorified the different studios which carried on the legacy of Bengali Film Industry. Mamta Banerjee, the Chief Minister of West Bengal had also provided support to revive the Uttam Mancha and take care of Shilpi Sangsad, an organization created by Mahanayak Uttam Kumar to help the needy actors, actresses, technicians, etc. Oscar winning director Satyajit Ray acknowledged the dynamic presence of the legendary superstar in Bengali films and made a film Nayak in 1966 based on the story of Uttam Kumar. His original name was Arun Kumar Chatterji, who was a clerk in Port Commission before joining Bengali films. When he joined films with Drishtidaan in 1948, he had to struggle to create his image as against he established heroes like Asit Boron, Bikash Roy and others. In 1952, his film Basu Paribar struck at the box-office and he overtook Bosonto Choudhury, Asit Boron and became the leading superstar of Bengali films. All the qualities of a romantic hero was possessed by him, including a standard height, good complexion, manly voice, romantic hairstyle and unique dialogue delivery. Any dress suited the legendary superstar including Punjabi, dhoti, coat, Bengali dresses, etc. He had acted in the films of all the legendary directors of the golden age including Satyajit Ray’s Nayak in 1966, Chiriakhana in 1967, Tapan Sinha’s Jhinder Bandi in 1961, Upahaar in 1955 and Jotugriha in 1964, Ajoy Kar’s Harano Sur in 1957, Saptapadi in 1961, Suno Bara Nari in 1960, Agradoot’s Bipasha in 1962, Surjo Toron in 1958, Agragami’s Sagarika in 1956, Shonkhobela in 1966, to name a few. Uttam Kumar acted opposite all the leading actresses of Bengali celluloid including Suchitra Sen, Arundhuti Debi, Manju Dey, Sabitri Chatterji, Supriya Choudhury, Mala Sinha, and others. His combination with Suchitra Sen had given everlasting classics and both of them still remains the most romantic pair in Indian silver screen. Uttam Kumar’s films were based on rich literature including Tagore’s Khokababur Protyaborton, Subodh Ghosh’s Suno Bara Nari, Samaresh Bose’s Kuhak, Sorodindu Bondhopadyay’s Chiriakhana, Shankar’s Chourangi. The films were related to different types of stories including comedy stories, tragic stories, soft romantic stories, etc. Uttam Kumar had acted in around 205 films (including bollywood films like Amanush, Anand Ashram, Choti Si Mulakat, Dooriyan, Kitaab etc., ) in a span of 35 years, and all his films had remained everlasting treasures. Out of his 205 films, around 37 of them ended up being blockbusters, around 50 were super hit films and around 50 were hit films. Actor Shatrughun Sinha in his interview before Bengali media had disclosed that when he was working in Pune Film and Television Institute, the graduates had unanimous view that Uttam Kumar, Raj Kapoor and Dilip Kumar were the greatest superstars of celluloid and had Uttam Kumar acted in more number of bollywood films, he would have remained as great a legend as Dilip Kumar or Raj Kapoor. Even the singers who had sung for him including Manna Dey, Shyamal Mitra, Hemanta Mukherjee, Manobendra Mukherjee, etc., agreed that they did not find any actor who was parallel to Uttam Kumar in giving lips in songs. He made the viewers feel that he only sang the songs. Actor Shatrughun Sinha in his interview had said that during his student life in Pune Film and Television Institute, the upcoming actors used to debate about the charishma of Uttam Kumar, Raj Kapoor and Dilip Kumar. Although there was no unanimity about the finest actor among them, there was consensus about one fact had Uttam Kumar established himself in bollywood films by acting in more number of films, he would have been equally an international figure like Raj Kapoor or Dilip Kumar. Articles after articles can be devoted to Uttam Kumar who was one –man –industry in Bengali films. His films should be revisited to create motivation for making better quality films in future.

Happy birthday to Rakhee Gulzar.


Happy birthday to Rakhee. The viewers of bollywood films wish happy birthday to Rakhee on 15th August, 2016. She had contributed in bollywood films for more than 30 years. She had contributed both as a leading actress and also as a character actress. Rakhee came to limelight with her successful film Sharmilee opposite Shashi Kapoor in the early 70s. The songs of the film composed by SD Burman became very successful, including the songs “khilte hai dil yahan”, “megha chaye aadhi raat”, etc. Rakhee played a double role, one being calm and quite named Kanchan and the other who was outspoken named Kamini and created attention. In the mid-70s Rakhee acted in landmark roles including the one in the film Kabhi Kabhi opposite Big B and Shashi Kapoor. She loved a poet played by Big B, but had to marry Shashi Kapoor. The poetry of Big B created a great impact in the life of Rakhee. The songs of Mukesh and Lata composed by Khayyam in the film including “mai pal do pal ka shayar hoon” and “kabhi kabhi mere dil me” made the viewers spellbound. Rakhee acted in many landmark films opposite Big B including Shakti Shamanta’s Bengali film Anusandhan, hindi film Barsaat Ki Ek Raat, Kala Patthar, Kasme Wade, etc. In the early 80s Rakhee played the role of her lifetime opposite Dilip Kumar in the film Shakti. She played the role of the mother of Big B, who faced the hostility between Dilip Kumar and Big B, one being the protector of law, while the other being the lawbreaker. The scenes where she praised her law-abiding husband her performance had outcast Big B, and viewers said that Rakhee’s performance was as brilliant as Dilip Kumar in Shakti. The film became super hit. She was brilliant in the film Shaan. She played the role of the wife of Sunil Dutt. After the death Sunil Dutt, her small interaction with Shashi Kapoor and Amitabh Bacchan, who were the brothers of Sunil Dutt in the film, had shown the class of acting of Rakhee. Rakhee by that period of time created her own class in character roles. She was outstanding opposite Suresh Oberoi in the film Shraddhanjali. In the 90s, Rakhee played many character roles in films like Anil Kapoor’s Ram Lakhan, Shahrukh Khan and Salman Khan’s Karan Arjun, Bobby Deol’s Soldier, to name a few. She had acted in more than 100 films and continues to act in many contemporary films. Rakhee had also acted in many character roles and challenging roles. Her performance in Aparna Sen’s film Parama requires special mention. She had affair with a middle-aged neighbour. When the truth relating to her extra-marital affair was known to her husband, she lost her value in the family. She showed the helplessness in the respective story. She had performed in both commercial films and parallel cinema and in both forms of films she had kept a mark. She was sublime in the other Bengali film Shubha Maharat. The viewers expect her to continue the good work in the years to come.

Happy birthday to Neha Dhupia.


Happy birthday to Neha Dhupia. The viewers of bollywood films wish happy birthday to Neha Dhupia on 27th August, 2016. Neha Dhupia, the daughter of Commander Pradip Dhupia of Indian Navy, had attracted public attention after winning the Miss India Universe 2002 crown in that year. After beginning her career in the film Qayamat: City Under Threat, she impressed the viewers with challenging role in the film Julie where her glamour was used to perfection. But she got a notable role in the film Kya Cool Hai Hum in 2005. She acted opposite Ritesh Deshmukh where Tusshar Kapoor and Isha Koppikar were the other pair. Isha Koppikar, the police officer in the film was sent by Anupam Kher to investigate a case relating to a habitual offender. Tusshar Kapoor was suspected to be a murderer and Isha Koppikar was sent to his house to monitor his activities. Ritesh Deshmukh had an affair with Neha Dhupia and married her at the end of the film. The film was serio-comic in nature and Neha Dhupia performed very well in her respective role. She also got a purposeful role in the film Shootout At Lokhandwala. The film was related to a real-life story where the Bombay police had trapped the underworld group in a house in Bombay and fired at them. Sanjay Dutt gave a memorable performance in the role of Encounter specialist in the film opposite Vivek Oberoi who played the role of a mafia don. Neha Dhupia did her part very well. She did even better in the film Chup Chup Ke, in the role of the sister of Kareena Kapoor. Shahid Kapoor pretended to be dumb in the film and stayed in their house. Neha Dhupia acted as a mediator between Kareena Kapoor and Shahid Kapoor and helped in the marriage between the two. Neha Dhupia knew that Shahid Kapoor could speak but never informed Sunil Shetty or Om Puri or any other member of the house about it. Although the film was related to the serio-comic relationship between Om Puri, Paresh Rawal and Rajpal Yadav, Neha Dhupia kept her mark in a reserve role and in some of the sequences even acted better than Kareena Kapoor. She was even impressive in her supporting role in the film Singh is Kinng, where Katrina Kaif and Akshay Kumar had the lead roles. Singh is Kinng also did good business in India and abroad. But if her performance in the earlier films like Sheesha and new films like Mithya are compared it will be found that initially the stylish screen presence and bold performance of Neha Dhupia was publicized by the producers. These days the acting skills of Neha Dhupia are used. She had been bold enough to act in the role of a prostitude in the film De Dana Dan in 2008. The role required comedy timing and she did extremely well. In 2009, her performance in the film Raat Gayi Baat Gayi bagged her the nomination for Star Screen Award for the best actress in a supporting role. She had two releases in 2010 where her two films, Action Replay and With Love to Obama had different roles. Although her performances in the films were appreciated the films did not do good business. In 2012 she had acted in the film Rush where Imraan Hashmi, Sagarika Ghadke and Aditya Pancholi had played important characters. In 2013, she acted in the film Ungly with Sanjay Dutt, Imran Hashmi and others. Unless she grabs any glamourous role in near future she will not remain in the rat race where the competition between Priyanka Chopra, Katrina Kaif, Kareena Kapoor, Sonakshi Sinha is very keen.

Monday, July 25, 2016

Mohammad Rafi was remembered on death anniversary.


Mohammad Rafi had remained one of the greatest singers of all times.
On his death anniversary on 31st July, 2016, great Rafisahab is remembered all across the world. He is considered one of the greatest singers of all times. Rafisahab remained an eternal singer. Even after more than 36 years of death, his songs had remained immortal and relevant even today. Relationship with Shankar Jaikishan. Shankar Jaikishan composed music in almost 195 films in that golden age. One of the great reasons of Shankar Jaikishan’s huge success was due to the great combination with immortal singer Mohammad Rafi Sahab. If Rafi’s stylish andaz relating to westernized compositions are adequately it is Shankar Jaikishan who had used it to perfection. They had used Rafi for singing romantic songs with Japanese orchestration in Love in Tokyo, released in 1966 including songs like “aja re aa zara aa”, “Japan, Love in Tokyo”, “ o mere shahekhuba”, etc. In Biswajeet’s April Fool, released in 1964 SJ’s composition for Rafi including “aa gale lag ja” had westernized background. At the same time Rafi’s song “tumhe chaha” with Suman Kalyanpur was a great rendition in pensive mood. SJ’s composition for Rafi in Shammi Kapoor’s An Evening in Paris, in 1967, like “akele akele kahan ja rahe ho”, “raat ke humsafar”, had loud French music with echo effect and Rafi’s intonation was also westernized. Shankar Jaikishan gave a completely different style of music to Rafi in Rajender Kumar’s Aarzoo, released in 1965 with songs like “aji ruth kar ab”, “chalke teri aankho se”, “ai nargisi mastana”, etc. SJ had given songs addressing children to Rafi including “nanne munne bache teri mutthi me kya hai” in Boot Polish which was produced by Raj Kapoor and released in 1954, “hai na bolo bolo”, “re mamma re mamma re” in Shammi Kapoor’s Andaz, released in 1971 and “chakke p chakka” in Brahmchari, in 1969. Rafi pronounced the words with childish accent and SJ used the orchestration to attract children. There were ghazals also given by SJ for Rafi including “rukh se zara nakab”, “kya kya na kahe” in Jeetender’s Mere Huzoor, “unke khayal aye to” in Raj Kumar’s Lal Patthar, “saaze dil ched de” in Pradeep Kumar’s Rajhaath, etc. Besides SJ’s creation involving Rafi in somber mood had created great impact including songs like “teri zulfon ki judai to nahi maangi thi” in Dev Anand’s Jab Pyar Kisi Se Hota Hai, “ehsaan tera hoga mujhpar” in Shammi Kapoor’s Junglee, “yaad na aye” in Rajender Kumar’s Dil Ek Mandir. Shankar Jaikishan had used Rafi’s classical andaz in the songs “radheke tune bansoori churai”, “ajahu na aye”, etc., and combined the ragas with devotional andaz. SJ has given music in almost 200 films within the span from 1949 to 1971, and at least each year they composed music for approximately 10 films. As Rafi was given predominance over other male singers SJ had use him in regular intervals even without doing injustice to Mukesh, Manna Dey, Kishore Kumar, Talat Mehmood and others. Songs like “kaun hai jo sapno me aya” from Jhuk Gaya Aasman, “to bura maan gaye” from Ayee Milan Ki Bela, “yeh ankhen” from Jab Pyar Kisi Se Hota Hai, “tujhe jeevan ki dor se” from Aasli Nakli, “dheere dheere chal” from Love Marriage, “badan pe sitaren lapete hue” from Prince, “mai kahin kavi na banjayun” from Pyar Hi Pyar, “mai gayun tum so jao” from Brahmchari, had not lost their flavour even 40 years after their creation due to sheer brilliance of Shankar Jaikishan. It is really tragic neither Shankar Jaikishan had received the accolades that they deserved nor Rafi’s association with them had been glorified but history says that the combination of Rafi with Shankar Jaikishan had produced invaluable creations which had become immortal over the period of time. Relationship with OP Nayyar. Whenever the name of OP Nayyar appeared in the minds of the audience, the name of immortal singer Mohammad Rafi had come together, without whom OP Nayyar was incomplete. The relationship between the two greats can be compared as tea and milk. OP Nayyar started his career with the film Kaneej in 1949. Guru Dutt had created his image in bollywood films in different categories being a thoughtful director and producer, dynamic actor, good choreographer. One of the numerous reasons for which his films became super hit in the 50s and 60s included the brilliant songs sung by Rafi during the golden age. Rafi’s songs in Guru Dutt’s Aar Paar, released in 1954 and composed by OP Nayyar became super hit. It was followed by Mr and Mrs. 55 released in 1955. Songs picturized on both Guru Dutt and Johnny Walker had melody and sweetness. Rafi’s songs like “dil pe kiya aisa jaadu”, “muhobbat karlo aji karlo”, “sun sun sun sun zaalima”, composed by OP Nayyar, created landmark in the mid-50s and Rafi emerged as the greatest singer of bollywood films during that time. In many of the songs Geeta Dutt did a great job in duets sung along with Mohammad Rafi. The same combination of Guru Dutt, OP Nayyar and Rafi gave everlasting hit in the film 12 O Clock with songs like “mai kho gaya”. Also in CID, OP Nayyar and Rafi combination created gold with songs like “aye dil mushkil jeena yahan”, “leke pehla pehla pyar”, “ankhon hi ankhon me”, etc. The magic combination of Rafi and OP Nayyar mesmerized the audience in Dilip Kumar’s Naya Daur. The super hit songs “saathi hath barana”, “mangke saath tumhara”, “mai bombai ka babu”, contributed a lot in the absolute success of the film. OP Nayyar received the filmfare award for the best music director only once in his career. Credit goes to Rafisahab for the great rendition of each songs of Naya Daur. The brilliant combination of OP Nayyar and Rafi continued in Raj Kapoor’s film Do Ustad. All the songs in the film became extremely popular including “tu ladki mai ladka”, “ruk ruk ruk, chor na de diwane”, “nazron ke teer mare kas kas kas”, etc. Rafisahab was the first choice of OP Nayyar, and inspite of Raj Kapoor’s voice having closeness with Mukesh and Manna Dey. OP Nayyar gave all the songs of Do Ustad released in 1959 to Mohammad Rafi Sahab. Even in Bharat Bhushan’s Phagun, OP Nayyar composed all the songs for great Rafi Sahab. So of the most super hit songs included “kaun se pardesi mera dil le gaya”, “tum rooth ke mat jana”, “mai soya ankhiya miche”. Qamar Jalalabadi’s words were as brilliant as Rafisahab’s velvety voice. Joy Mukherjee’s film Ek Musafir Ek Hasina did brilliant business in the early 60s. Raj Khosla’s musical thriller released in 1962 addressed every section of the society with romantic performance of Joy Mukherjee and Sadhna. All the songs of Rafi and Asha picturized on Joy Mukherjee and Sadhna became super hit. It includes songs like “aap yuhin agar humse milte rahe”, “mujhe dekhkar aapka muskurana”, “phir tere shahar me”, “mai pyar ka rahi hoon”, “bahut shukhriya, bari meherbani”, “humko tumhari isqh ne”, to name a few. Rafi was elegant as ever in the songs “phir tere shahar me” and “humko tumhare ishq ne”. OP Nayyar was probably at his best in the film and his blend of eastern and western music created the romantic mood for the film. Joy Mukherjee, Rafi and OP Nayyar’s magical combination continued in the film Phir Wohi Dil Laya Hoon. Most part of the film released in 1963 was shot at picturesque locations of Jammu & Kashmir and the landscape was as romantic as the songs sung by Rafi and Asha in the film. The prominent songs included “banda parwar, thamlo jigar”, “lakho hai nigahon me”, “nazneen bara rangeen hai wada tera”, “aanchal me sajalena kaliyan”, “zulf ke chayon me chehere ka ujala lekar”, to name a few. Rafi had shown his excellent classical skills in the songs “zulf ke chayon me”, and “aancal me sajalena kaliyan”. Asha Parekh showed her dancing skills to perfection in the film. Rajender Nath played the role of the relief character in the film. In fact OP Nayyar maintained the same standard of music in Shammi Kapoor’s film Kashmir Ki Kali and Biswajeet’s film Mere Sanam which were made after Phir Wohi Dil Laya Hoon. Joy Mukherjee’s combination with OP Nayyar continued in the film Humsaya. In that film Sharmila Tagore got the lead role opposite Joy Mukherjee. By that time due to emergence on new actors and actresses in bollywood films, Joy Mukherjee’s popularity declined and the film also did moderate business. In respect of the songs, Rafi’s song “dil ki awaaz bhi sun” became hit. But OP Nayyar gave a number of songs to Mahendra Kapoor was well which did not strike gold in the box –office. Besides Rafi’s western romantic mood is utilized by OP Nayyar in a very stylish way in the songs “Diwana hua badal, sawan ki ghata chayi” and “Yeh Chand Sa Roshan Chehera” in the film Kashmir Ki Kali, 1964 picturised on Shammi Kapoor and “Humne to dilko aap ke kadmome rakh diya, is dil ka kya karenge yeh ab aap sochiye” in the film Mere Sanam, 1965 and “Phir Miloge Kabhi is baat ka wada karlo, humse ek aur mulakat ka wada karlo” in the film Yeh Raat Phir Na Ayegi, picturised on Biswajeet. In all these songs the sarengi and santoor had played a very pivotal role accompanied by the intoxicating appeal of Rafi’s voice. In the film Baharen Phir Bhi Aayegi, Rafi’s ghazal “aap ki haseen rukh” composed by OP Nayyar and picturised on Dharmender was extremely romantic and made the audience spellbound in the early 60s. OP Nayyar composed peppy numbers for Rafi Sahab in Dharmender’s film Muhobbat Zindagi Hai in 1966. Rafisahab’s song “na jaane kyun” was as brilliant as “tumhari mulakat se” and “yeh purnur chehra yeh dilkash ada”. The list of films where OP Nayyar and Rafi’s magic flabbergasted the listeners just goes on including films like Tumsa Nahi Dekha, Basant, Phagun, Kismat, etc. One article is too small to explain the domination of OP Nayyar and Mohammad Rafi in bollywood films of the 50s and 60s. But the songs and the films had not become obsolete and listeners can listen to them again and again. The songs and the films should be restored. Relationship with Naushad Ali. Naushad Ali is remembered for his brilliant tunes over a period of 50 years down the memory lane. In the 40s, he composed music in many films including Anmol Ghari, but he stormed bollywood with romantic songs in Dulari, including “suhani raat dhal chuki” sung by Rafi, all the songs of Andaz, where he composed Rafi’s songs for Raj Kapoor and Mukesh’s songs for Dilip Kumar. In the 50s, Naushad’s composition in Baiju Bawra made the listeners speechless. He won filmfare award for the best composer for his brilliant classical presentation in songs like “o duniya ke rakhwale”, “man tarapata”, “tu gangi ki mauj”, etc., sung by Rafi and Lata. Rafi’s range was used to perfection and from that time the Rafi Naushad combination provided gems after gems. The different ragas and their timings were explained by Naushad in the film. Bharat Bhushan and Meena Kumari gave able lips in the songs composed by Naushad. Songs of Uran Khatula, like “wo dur ke musafir” sung by Rafi for Dilip Kumar also shook bollywood in the mid-50s. In the 60s Naushad was unstoppable. His composition in Kohinoor for Rafi titled “madhuban me radhika nachere” and “do sitaron ka zameen” picturised on Dilip Kumar displayed the brilliance of Hindustani ragas. Naushad’s composition in Rajender Kumar’s Mere Mehboob, Naushad displayed the ghazal culture of Lucknow and Aligarh. The songs “mere mehboob tujhe meri muhobbat ki kasam”, “ai husn zara jag”, etc. sung by Rafi and picturised on Rajender Kumar was per se excellent. Naushad composed light songs in Mughal-i-azam for Lata including “pyar kiya to darna kya”, “mohe panghat ke nandlal”, and again composed thumri sung by Bare Ghulam Ali Khan in the same film. Naushad also composed Bhojpuri music for Dilip Kumar in the film Ganga Jumna. The songs “nain lar jaihe” sung by Rafi was one of the examples of Naushad’s control of Bihari folk tune. Naushad was at his best in Dilip Kumar’s Leader. All the songs in the film sung by Rafi and Lata flabbergasted the listeners, including “ek shahenshah ne banwake haseen tajmahal”, “teri husn ki kya tareef karun”, “mujhe duniya walon”, etc. Naushad was excellent in Dilip Kumar’s Ram Aur Shyam. All the songs sung by Rafi and Lata in the film including “aye hai baharen dekho”, “yeh raat dulhan bangayi”, “mai hoon saki”, etc. Critics consider Dil Diya Dard Liya as one of the best creations of Naushad. All the songs in the film became superhit including Rafi’s “dilruba maine tere”, “koi sagar dil ko behlata nahi”. Naushad Rafi and Dilip Kumar continued with their level of excellence in the film Aadmi, with Rafi’s songs like “na aadmi ka koi bharosa”, “aaj purani rahon se”, etc. Besides, Naushad composed excellent music in Rajender Kumar’s Palki, Saathi, Ganwar, etc. Rafi’s hit songs in those films included “dil-e-betaab ko seene se lagana hoga” sung with Suman Kalyanpur. Naushad faded away from film music in the 70s, causing huge loss to the film industry. The classical gharana related to thumris, kajris, ghazals, etc., faded away with Naushad. Music became popular, but lost its class. Naushad received Dadasahab Phalke for his excellent contribution to bollywood music. His songs and the films should be preserved and restored. Relationship with Roshanlal Nagrath. Whenever any reference relating to everlasting singer Mohammad Rafi comes, the attention goes to the big budget films and songs for big banners. Rafi is known the most for singing catchy numbers for Shammi Kapoor under the composition of Shankar Jaikishan and classical songs for Dilip Kumar under the composition of Naushad Ali. Although Rafi had sung brilliant songs for all the leading actors of 40s, 50, and 60s, much had been written about the successful films where both the songs and the films did excellent business. But Rafi had sung excellent songs for Pradeep Kumar under the composition of Roshanlal Nagrath, where even if the mass was not touched, the class was addressed and the royal andaz of singing showed the range of Rafi to suit his voice for any form of playback singing. The magic of Roshanlal Nagrath, Pradeep Kumar and Mohammad Rafi started in Aarti released in 1962. Phani Majumdar directed the film. Four of the songs of Rafi stand out, “aapne yaad dilaya”, “ab kya misaal doon”, “baar baar tohe kya” and “tere bin lage na jiya”. Some of them were solo songs, while others were duet songs sung with Lata Mangeshkar. There were other duet songs of Rafi with Asha Bhosle, but the ones in pathos andaz like “aapne yaad dilaya” mesmerized the audience. The lyrics of Majrooh Sultanpuri, the composition of Roshanlal Nagrath, the voice of Mohammad Rafi and lips of Pradeep Kumar made the viewers spellbound. None of the songs had lost their charm even today. The magic continued in the film Tajmahal in 1963. M. Sadiq directed the film. Pradeep Kumar played the role of Shahjahan while Beena Roy played the role of Mumtaz Mahal. Here the combination was different with Sahir Ludhiyanvi writing the songs for Roshan which were sung by Mohammad Rafi. Four of Rafi’s songs were masterpieces including “jo wada kiya wo nibhana parega”, “paon chulene do phulonko inayat hogi”, “chandi ka badan”, and “jo baat tujhme hai”. Roshanlal Nagrath won the filmfare award for the best composer only once in his life, that was for the composition of the music of the film Tajmahal. He deserved it many more number of times. Sahir Ludhiyanvi won the best lyricist award for the lyrics of the film. Rafi was as outstanding as Pradeep Kumar in the role of Shahjahan. The magic continued in the film Chitralekha in 1964. Kidar Sharma directed the film. Pradeep Kumar, Meena Kumari and Ashok kumar played the main roles. Rafi’s song “man re tu kahe na dheer dhare” is still considered one of the 10 best bhajans Rafi had sung. Sahir Ludhiyanvi wrote the songs of the film. Rafi’s other song “cha gaye badal” was equally impressive. The Roshan, Rafi, Pradeep Kumar combination continued in the film Bheegi Raat in 1965. It was directed by Kalidas. Rafi’s songs in the film “dil jo na keh saka”, “aise to na dekho”, “jane wo kaun hai kya naam hai”, “mohabbat se dekha” all were masterpieces. Some were duets with Suman Kalyanpur, while the others were solo songs sung by Mohammad Rafi. Lyrics were written by Majrooh Sultanpuri. The words were excellent. Rafi was unparallel in all the songs. The combination continued in the film Bahu Begum in 1967. It was directed by M. Sadiq. Rafi’s songs “hum intezar karenge tera qawamat tak”, “dhoond ke layun kahan se”, “vakiv hoon ishqgade” were all masterpieces. While some had ghazal andaz, the others were stand out qawallies with Manna Dey. Roshan was as brilliant as Mohammad Rafi as Sahir Ludhyianvi. In the same year, the combination was sublime in the film Noorjahan. Rafi sang the songs “aap jab se kareeb aye hain” and “wo mohabbat wo wafayen” in style. For a change the lyrics were written by Shakeel Badayani. The unfortunate death of Roshanlal Nagrath in 1967, ended the journey of Rafi with Roshan and Pradeep Kumar. Otherwise masterpieces after masterpieces could be created. Rafi’s archive should preserve the songs of Pradeep Kumar and Roshan, which showed the royal andaz of music existing in the courts of Mughals, Pathans and Sultans in India. Relationship with Madanmohan Kohli. If any composer had utilised the ghazal andaz of Mohammad Rafi to the best of his potentiality it is Madanmohan whose name appears in the minds of the lovers of music across the nation. Madanmohan’s father Rai Bahadur chunnilal send his son to Dehradun to join the army. Instead he left the army and joined All India Radio in Lucknow. He came in contact with Ustad Faizz Khan, Ustad Ali Akbar Khan and carried on their legacy in the compositions he made for 30 years which can be classified as masterpieces. As Madanmohan was not associated with the Big Banners like RK or Navketan, he was not categorised with any star of bollywood during 50s, 60s, 70s. Further he never wanted to balance the popular test of music and excellent class of classical compositions he created. But the compositions were so rich in lyrics and tunes that the musical pandits had no way but to admire them. The golden age of bollywood music was categorised with the excellence of Mohammad Rafi and as such if any composer neglected Rafi and tried to reach the summit of popularity they have invited their own downfall. Madanmohan did not make such a mistake. He started his career with the film Ankhen in 1950. He also composed music for Raj Kapoor’s film Ashiana in 1952. His notable songs for Rafi in the film Railway Platform, 1956, include “basti basti parbat parbat”. In Gateway of India, 1957, Madanmohan used Mohammad Rafi for the song “do ghari woh jo pass aa baithe” picturised on Bharatbhushan. It was very successful and strengthened the everlasting bond of Rafi with Madanmohan. Rafi’s intoxicating appeal in the song “kabhi na khabhi kahin na kahin koi na koi toi ayega” in the film Sharabi, 1964, composed by Madanmohan can be classified one of the best songs in sombre mood. The most majestic ghazals of Rafi composed by Madanmohan include “kisiki yaad me apnako hai bhulaye huye” and “baad muddat ke yeh ghari ayi” from the film Jahan ara, 1964, picturised on Bharat Bhushan. Talat Mehmood’s song in the same film “phir wohi sham wohi gham wohi tanhai hai” was also based on ghazal andaz. The classic lyrics were written by Rajinder Kishan. The film titled Ghazal, in 1964, was based on ghazals and Rafi was outstanding by every standard in the song “rang aur noor ki baraat kise pesh karun.” In the same year Rafi’s patriotic flavour was bolstered in the song “kar chale hum fida jan-o-tan sathiyon” in the film Haqeeqat, where Rafi’s ghazal titled “hoke majboor usne bulaya hoga” shared with Bhupinder Singh, Manna Dey and Talat Mehmood was sensational. The majestic lyrics were written by Kaifi Azmi. In the film Neela Akash, 1965, picturised on Dharmender, Rafi’s song “akhri geet muhobbat ka sunayun to chalun” showed the tragic note of Madanmohan. In the film Need Hamari Khwab Tumkhari, all the songs were sung by Rafi including “husn ne jab isq se takraya tha”. Returning back to ghazals, Rafi’s song “aap ke pehlu me akar” in the film Mera Saya, 1966, was as outstanding as Lata’s title song “tu jahan jahan chalega mera saya saath hoga”. The lyrics were written by Raja Mehendi Ali Kahan. Raj Khosla’s crime thriller ended up becoming a musical blockbuster just like Woh Kaun Thi, in 1964, where Madanmohan’s composition “naina barse,” “lagja gale”, etc. for Lata Mangeshkar was probably the most immortal creation in the history of film music, with Sadhna giving life time performances in ghostly characters in both these films. The landmark ghazal “tumhari zulf ke saye me sham karlunga” in the film Naunihal, in 1967, is probably one of the five best ghazals Rafi did sing in his life. Experts in music realise that ages will pass, but no second singer can provide blood and flesh in the superlative ghazal of Madanmohan the way Rafi had done in this song. Kaifi Azmi has written sensational lyrics for the abovementioned song. People started thinking that Rafi and Madanmohan were made for each other. The belief was put to action in the next film Dulhan Ek raat ki, in 1967, picturised on Dharmender in the song “ek haseen sham ko dil mera kho gaya. In the film Chirag, 1969, “teri aakhon ke siwa duniya me rakkha kya hai” Madanmohan combined ghazal with light orchestration to try to inspire the common listeners in understanding these type of songs. In the film Heer Ranjha, 1971, picturised on Rajkumar, Rafi’s song “yeh duniya yeh mehfil” was well acclaimed by music lovers. Rafi was outstanding by every standard in the song “tum jo mil gaye ho” in the film Hanste Zakhm, 1973, where Madanmohan synchronised lightning with his own orchestration. Madanmohan also gave a tremendous break to Bhupinder Singh in the song “dil dhoonta hai, phir wohi, fursat ke raat din” written by Gulzar in Sanjeev Kumar’s Mausam in 1975. Rafi had the song “chari re chari kaise gale me pari.” Madanmohan’s last performance with Jaidev brought out Rafi’s Himalayan range in the film Laila Majnu in 1977. Rafi’s songs “tere dar pe aya hoon,” “barbad muhobat ka duya saath liye ja”, picturised on Rishi Kapoor showed his master spirit of adapting to tunes of middle east which was the geographical location where the story was based. Madanmohan died in 1975, without even seeing the success of Laila Majnu, it appeared like out of seven sur in every octave one sur had gone, because, the majestic combination of Madanmohan with Rafi cannot be forgotten through ages. Rafi’s archive should restore Madanmohan’s combination to let the next generation know about the high esteem with which Madanmohan addressed Mohammad Rafi during the golden age of film music. Articles after articles can be written to show the indispensability of Rafisahab during the golden age. For listeners the intoxication still continues. Rafisahab’s voice sunke lagta hai sunte jay bas suntey hi jay. His admirers pay their respect and homage to the noble soul.

Friday, July 22, 2016

Mukesh songs are still melodious and relevant today.


Remembering Mukesh on his birth anniversary. Great singer Mukesh is remembered both on his birthday on 22nd July, 2016
and death anniversary on 27th August, 2013. The viewers of bollywood films remember legendary singer Mukesh on his death anniversary on 27th August, 2015. He was born on 22nd July, 1923 and died on 27th August, 1976 and people all over the world remember his great works. Mukesh was probably the most popular singer of the 50s, 60s and 70s after Mohammad Rafi. His nazal tune had huge amount of sensitiveness and he gave expression to brilliant composers of the golden age with the romantic voice. His combination with Showman Raj Kapoor was considered one of the golden combinations of the 40s, 50s, 60s. His notable songs for Raj Kapoor included “awara hoon” from film Awara, composed by Shankar Jaikishan, “aaja re” from film Aah, composed by Shankar Jaikishan, “ramaiya vasta maiya” and “mera joota hai japani” from film Shree 420 composed by Shankar Jaikishan, “sab kuch sikha humne”, “dil ki nazar se” and “kisiki muskurahaton pe ho nisar” from film Anari, “ai sanama jish ne tujhe chand sa surat di hai” from film Diwana, “sajanwa bairi ho gaye hamar”, from film Teesri Kasam, composed by SJ, etc. The list can go on. Shankar Jaikishan stormed bollywood films with their everlasting tunes for more than 25 years, and wherever they were associated with Raj Kapoor, Mukesh sang the songs of his lifetime. The combination gave everlasting hits in films like Barsaat, Jis Desh Me Ganga Behti Hai, Sangam, Ek Dil Sau Afsana, Around the World, Diwana, Teesri Kasam, Mera Naam Joker, to name a few. In non-Raj Kapoor films also Mukesh did a superlative job. His performance in Dilip Kumar’s Madhumati, composed by Salil Choudhury, Manoj Kumar’s Hariyali Aur Raasta composed by Shankar Jaikishan, Rajender Kumar’s Saathi composed by Naushad Ali, Manoj Kumar’s Pathar Ke Sanam composed by LP, require special mention. Some of the notable songs of Mukesh which had remained immortal in those films included “dil tarap tarap ke kehrahahe aabhi ja” in Madhumati, “ifteda-e-ishq me” in Hariyali Aur Raasta, “mera pyar bhi tuhe” in Saathi, “tauba yeh matwali chal” in Patthar Ke Sanam, etc. He died in 1976, and ended the era relating to soft romantic songs. His journay from the film Nirdosh in 1941 to Amar Akbar Anthony in 1977, remained unblemish. In 1974, he received national award for best singer for the song “kai baar yun hi dekha hai” from the film Rajnigandha, composed by Salil Choudhury. He deserved many more national awards, as he had sung from his soul bringing tears in the listener’s eyes. Besides he received filmfare awards for his best performance in films like Anari, Pehchan, Beimaan, Kabhi Kabhi. Even in the 70s, when slow music gradually lost its predominance, Mukesh’s songs in somber mood like “mai pal do pal ka shayar hoon” and “kabhi kabhi mere dil me” in the film Kabhi Kabhi composed by Khayyam and written by Sahir Ludhiyanvi created a permanent place in the hearts of millions of musiclovers. Articles after articles can be devoted on the successful combination of Mukesh with Shankar Jaikishan, Salil Choudhury, Naushad, Roshan, and others. His films and songs should be preserved.

Thursday, July 21, 2016

Rebel star Shammi Kapoor is remembered.


The country will remember Shammi Kapoor for immense contribution in bollywood films. Rebel Star Shammi Kapoor is remembered on 14th August, 2015, his death anniversary, for his immense contribution to Bollywood films. On 14th August, 2011, veteran actor Shammi Kapoor, passed away. He was 79 years old. The country had become sad due to his demise. He brought a new wave in Indian films with powerful performances in films like Tumsa Nahi Dekha, Dil Deke Dekho, Junglee, Janwar and other films. He used to be called Rebel Star and the Indian Elvis Priestley. One thing for which viewers used to be mad to see his films during 60s used to be the everlasting music in the films and brilliance of Mohammad Rafi in those songs. Rafi had sung 341 songs composed by Shankar Jaikishan during his illustrious career with 216 solos. Very significantly 3 of the filmfare awards that Rafi received during 60s had been composed by Shankar Jaikishan. They included “teri pyari pyari surat ko kiski nazar na lage” from the film Sasural, “baharon phool barsao” from the film Suraj and “dilke jharoke me mujhko bithaker” from the film Brahmchari. But in the list of songs sung by Rafi and composed by Shankar Jaikishan, at least half of the total sungs were composed for Shammi Kapoor. Shammi Kapoor and Shankar Jaikishan worked together for around 22 films, most of which did great business in the 60s. If Rafi’s songs sung for Shammi Kapoor are remembered for the loud music and melo-dramatic dance numbers, there were lot of songs which were ever romantic and touched the hearts of the viewers. In the film Junglee, Rafi’s songs “ehsaan tera hoga mujhpar” and “meri yaar shabba khair” had very melodious appeal and the sweetness of Rafi haunted the listeners for years. In Shammi Kapoor’s Professor, the songs “awaz deke hume tum bulayo”, “mai chali mai chali”, probably had set the mood of the film. From that time Rafi, Shammi Kapoor and Shankar Jaikishan created magic in one film after the other. In Raj Kumar, Rafi’s soft numbers for Shammi Kapoor like “yeh rang badalti duniya me”, “tumne kisiki jaan ko jate hue dekha hai” made the viewers speechless. Even the western numbers of Shankar Jaikishan for Rafi stole the hearts in the 60s. In the film Janwar, Rafi’s number “meri muhabbat jawan rahegi” and “humko hai tumse pyar” had been the most romantic songs in the film, where the landscape of Kashmir and Rafi’s melodious voice complimented each other. In the film An Evening in Paris, Rafi’s songs “akele akele kahan ja rahe ho” and “raat ke humsafar” were the most romantic numbers which were more melodious than the loud numbers which equally became hits. In Shammi Kapoor’s Brahmachari, probably the best songs included “mai gayun tum so jayo” and “dil ke jharoke mai”. “mai gayun tum so jayo” was sung twice by Rafi in the film, one with a even slower rhythm. Shankar Jaikishan’s background music was as brilliant as Rafi’s singing style for Shammi Kapoor. In the film Tumse Accha Kaun Hai, Rafi’s soft number “janam janam ka saath hai” had remained evergreen and melodious for years. In Latt Sahab, Rafi’s romantic number with Asha Bhosle titled “aye chaand zara ruk ja” haunted the listeners for years after years. Rafi and Shankar Jaikishan combined together in other films of Shammi Kapoor like Prince, Buttameez, Laat Sahab, Ujala, Chote Sarkar, Hong Kong, etc. There were many more romantic numbers of Rafi sung for Shammi Kapoor, which cannot be covered in a small article. In Shammi Kapoor’s Jawan Muhabbat, the song “jawan muhabbat jahan jahan hai” was very romantic. The last film where Shankar and Jaikishan worked together for Shammi Kapoor included Andaz. The songs “dil use do jo jaan de de” and “re mamma re mamma re” were brilliant both in form and orchestration. It was very unfortunate that Jaikishan died in 1971,and after that Shammi Kapoor also added weight and switched to character roles in films like Zameer, Parvarish, etc. The magical combination of Shankar Jaikishan, Shammi Kapoor and Rafi ended and the era of romantic songs also suffered a set back. Some section of listeners argue that Rajender Kumar probably received the more romantic numbers sung by Rafi and composed by Shankar Jaikishan, but Shammi Kapoor’s combination with Rafi and Shankar Jaikishan was phenomenal which swept the youth and took them to a different inspite of Shammi Kapoor being called a rebel star and Shankar Jaikishan providing the most loud bomblastic numbers for Rafi. The songs and the films of the legendary combination of Shammi Kapoor, Rafi and Shankar Jaikishan should be preserved.

Happy birthday to Sunidhi Chauhan.


Sunidhi Chauhan – the dashing singer of bollywood. The viewers wish happy birthday to Sunidhi Chauhan on 14th August, 2016. Born in 1983, Sunidhi Chauhan got a break in the film Shastra with the song “ladki diwani”. She amazed the viewers with her dashing style of singing in the film Mast, with the song “ruki ruki yeh zindagi”. It never matched with any of the traditional singers and composers found a female voice who could improvise for any type of song. She sang the English song “reach out” in the Opening Ceremony of 2006 Asian Games at Doha, Qatar. She had always being given challenging songs which did not require sweetness to that extent but related to the folk effect or the intoxicating effect or had rural appeal. She was excellent in her performance in the film Chameli with the song “sajna ve sajna”. With passage of time composers used her in westernized creations like the one in the film Dhoom 2. Her song “crazy kiya re” had both the strength of the voice and also the punch required in the intonation to bring out the appeal of the lyrics in the song. She sang for all the leading actresses of bollywood films in her short career including Aishwarya Rai, Kareena Kapoor, Rani Mukherjee and others. All the songs she sang in the film Dhoom 2, including the song “dhoom machale” picturised on Aishwarya Rai became super hits. Her song in the film Parineeta was also challenging, the song “kaisi paheli zindagani”. She had displayed the type of songs being sung in Pubs in Park Street in Kolkata like Moulin Rouge, where bar singers used to entertain the local people in the late 18th century. She started getting different types of awards from 2004, including Star Screen award for best female playback singer in 2004 for the song “sajna ve sajna” in the film Chameli. In 2005, she got the IIFA award for the best playback singer for the song “dhoom machale” in the film Dhoom 2. In 2006, she got the Star Screen award for the best female playback singer for the song “beedi jalaile” in the film Omkara. She also the filmfare award for the best female playback singer also for the same song. She had become an automatic choice for challenging songs for all the leading composers of bollywood films. Shankar Ehsaan Loy had used her in the song “dharak dharak” in the film Bunty Aur Babli, picturised on Rani Mukherjee. Her hit songs include “deedar de” from the film Dus, “”ishq samundar” from Kaante, “”cash meri aankhon me” from the film Cash, “chaliya” in the film Tashan, “Race sansonki” in the film Race, “Lucky Boy” in the film Bacchna Ay Haseeno. The list can go on. Sunidhi Chauhan had increased the variety of bollywood songs in the last few years and had created her identity in the list of successful female singers like Alka Yagnik, Kavita Krishnamurthy, Shreya Ghoshal, Alisha Chinoy, and others. The listeners expect her to continue the good work and experiment with her voice even more in the future.

Happy birthday to Vaijayantimala.


Happy birthday to Vaijayantimala. The viewers of bollywood films wish happy birthday to dancing queen Vaijayantimala on 13th August, 2016. She had ruled bollywood films during the 50s and 60s, during an age when muslim actresses like Nargis, Madhubala, Meena Kumari rocked silver screen. She was the first South Indian actress to create a sensation in bollywood films and paved the way for other South Indian actresses to follow like Hema Malini, Sri Devi, Jaya Prada, Meenakshi Sheshadri, and others. There was no successful actor of the 1950s and 1960s, who did not act opposite Vaijayantimala. The list is very long ranging from Dilip Kumar to Raj Kapoor, Rajender Kumar to Shammi Kapoor, Dev Anand to Pradip Kumar, Joy Mukherjee to Uttam Kumar. In 2013, she received the lifetime achievement award too for her immense contribution in Bollywood films. Her online chemistry with Tragedy King Dilip Kumar created history in bollywood. Most of their films including Devdas, Naya Daur, Madhumati, Paigham, Ganga Jumna, Leader, Sunghursh ended up being blockbusters. Besides dancing, she was sublime in the role of a tawaif in Bimal Roy’s film Devdas, in the role of village girl in Bimal Roy’s Madhumati. Vaijayantimala used to do a lot of homework also in respect of her role. When she was awarded best supporting actress award in filmfare for her performance in the film Devdas, she did not receive the award. She said after reading the literature of Sarat Chandra Chatterjee, she found that Chandramukhi, the character she played, was equally a heroine as Parvati. Probably Madhumati, released in 1958, marks the best performance of Vaijayantimala in her entire career. Her innocence reflected in her acting and she made the audience spellbound with the lips given in songs composed by Salil Choudhury including “aa ja re pardesi”, “ghari ghari mera dil dharke”, “daiya re daiya re”, etc. She received the filmfare award for the best actress for the brilliant performance in the film. On one hand she was brilliant opposite Dilip Kumar, on the other hand she created sensation with Raj Kapoor as well. Their film Nazrana did mediocre business. But Sangam, released in 1964, was probably one of the biggest hits of Raj Kapoor in his entire life. Vaijayantimala’s stylish performance opposite both Raj Kapoor and Rajender Kumar created a benchmark which could hardly be reached. Sangam still remains one of the most landmark films based on triangular love story shot at exotic locations in London, Paris, and other European countries. Shankar Jaikishan was matchless in Sangam. The acting performance of Vaijayantimala was excellent and she received the filmfare award for the best actress once again. The last scene where Vaijayatimala questioned both Raj Kapoor and Rajender Kumar about deciding about her life, had become a trend-setter. She justified the fact that she had affair with Rajender Kumar, but from the time she married Raj Kapoor, she fulfilled all the responsibilities of a hindu wife. She had been followed by numerous actresses of the following period in similar roles. In the 60s, Vaijayantimala was matchless. Her name was enough to make any film hit. The list of her hit films include Nagin opposite Pradeep Kumar, Suraj opposite Rajender Kumar, Amrapali opposite Sunil Dutt, Prince opposite Shammi Kapoor, Choti Si Mulakat opposite Uttam Kumar, Jewel Thief opposite Dev Anand, Pyar Hi Pyar opposite Dharmender, to name a few. In fact her combination with Rajender Kumar and Shankar Jaikishan created sensation in the 60s. All their films ended up being silver jubilees including Aas Ka Panchi, Suraj, Sangam, Zindagi, etc. Her lips in landmark songs like “kaise samjhayun bai na samajh ho”, “itna hai tujhse pyar mujhe meri raazdaar”, “o mere sanam”, “titli uri” had become immortal over a period of time. Besides her standard of classical dancing in films like Katputli or Amrapali had created interest among viewers to appreciate aesthetic dance numbers which became an art in due period of time. Her films should be restored and preserved.

Salman Khan's Sultan did more than 280 crores business in 14 days.


Salman Khan’s Sultan did more than 280 crores business in 14 days. Every year whenever superstar Salman Khan’s films are released during Eid, the films end up being blockbusters. In 2015, Salman Khan’s film Bajrangi Bhaijaan did business of 320 crores when released in Eid. Previously Salman Khan’s film Ek Tha Tiger released in Eid did business of 198 crores, Bodyguard did business of 148 crores, Dabaang did business of 141 crores, Wanted did business of more than 73 crores. The same thing happened with Salman Khan’s new film Sultan released in Eid in July, 2016. The film had done business of 280 crores in 14 days. It had broken the record of all other films. Presently only Bajrangi Bhaijaan with 320 crores and PK with 340 crores are ahead of Sultan. If the film runs for another 7 days in the halls it will break these records as well. The film had done business of more than 200 crores in 6 days. It is expected to break all records in box office. In Sultan, Salman Khan played the role of a wrestler. He fell in love with Anushka Sharma. When Anushka, an eminent wrestler told him that Salman had no goal in life, he got determined to become a good wrestler. Salman won Olympic Gold medal in heavy weight wrestling for India. But when Anushka was pregnant, he went to appear in World cup wrestling abroad, while giving birth, Anushka’s son was born but died within short time. He had B negative blood group, and could not find any donor in the village. Salman could have saved the child as he had B negative blood group. So Anushka Sharma asked Salman Khan to leave her. Salman left wrestling. But later on Parikshit Sahani’s son came and provoked Salman Khan to play in international wrestling. He was collecting blood of B Negative group for required children in future. Salman was trained by Randeep Hooda in that phase. Finally Salman Khan became wrestling champion after suffering many blows from international wrestling champions. The music of Vishal Shekhar in the film was good, with songs like “baby ko base pasand hai”, “kahin ankhiya nurani jaisi” becoming hits. Rahat Fateh Ali Khan, Mika Singh and many other singers sang in the film and the songs became hit. The film was produced by Yash Raj Films. The standard of acting of Salman Khan, Anushka Sharma, Randeep Hooda and co-actors in the film were very high. The film also had social message. The beautiful agricultural fields of Haryana was added attraction for viewers. The film will do business of more than 300 crores.

Tuesday, July 19, 2016

Happy birthday to Sanjay Dutt.


Happy birthday to Sanjay Dutt. The viewers of bollywood films wish happy birthday to Sanjay Dutt on 29th July, 2016. For the last 30 years, Sanjay Dutt remained one of the actors who had a very steady box-office. It was very sad that he had again gone for 3 and half years imprisonment relating to the TADA case. It is a loss for the film industry. For the next 2 years also he will be in prison. His film Policegiri had been released in 2014 and did not do great business. 2012 had been an excellent year for Sanjay Dutt. He acted in the film Agneepath in a negative character opposite Hrithik Roshan. The film did business of more than 120 crores. The bigger achievement is that Sanjay Dutt’ s performance had been appreciated equally as that of Hrithik Roshan. Hrithik Roshan played the same character which Amitabh Bacchan had played in the first version of film Agneepath. It was a big challenge for both Sanjay Dutt and Hrithik Roshan but both the actors were outstanding. While his first film Rocky was successful in the early 80s, he struggled to create a name till his film Naam with Kumar Gaurav struck box-office. He did undergo a makeover and from the late 80s, his long hair and muscular body changed his career. His performance in the role of a handicapped poet in the film Saajan opposite Madhuri Dixit was well appreciated. The film ended up being blockbuster with hit songs like “mera dil bhi kitna paagal hai”. Sanjay Dutt’s action films always created an impact in the minds of the viewers. The hit films included Sadak, Khalnayak, Daag –The Fire, etc. He received the filmfare award for the best actor for his performance in the film Vaastav. Sanjay Dutt and Vidya Balan formed one type of such an unique pair who had been accepted by the viewers of bollywood films. Sanjay Dutt got the scope of performing opposite Vidya Balan at middle-age as opposed to his performance opposite Madhuri Dixit in during his young age in films like Thanedaar, Saajan, Khalnayak, etc. In Pradeep Sarkar’s Parineeta, Sanjay Dutt’s role was based on the character of a middle aged person who was considerate about the family of Parineeta. Although Vidya Balan was attached with Saif Ali Khan according to the classic literature of Sarat Chandra Chatterji, Sanjay Dutt’s contribution was even greater in the film than Saif Ali Khan. All the songs in the film composed by Shantanu Moitra ended up being super hit, including Sonu Nigam and Shreya Ghoshal’s song “piyu bole”. Lage Raho Munnabhai was probably the greatest hit film of Sanjay Dutt in his entire career. He was a bhai ( underworld don) who pretended to be a Professor and impressed Vidya Balan who was attached to an old-age home. He impressed her with his knowledge on Gandhiji. Mahatma Gandhi’s soul instructed Sanjay Dutt to follow his path related to ahimsa. The romance in the film was related to matured level of understanding. Sonu Nigam’s song “pal pal pal pal pal pal”, was a landmark hit. After that song Vidya Balan slapped Sanjay Dutt after reading the letter where he mentioned that he was not a Professor. The film with Vidya Balan forgiving Sanjay Dutt for the lies he said to her. In 2011, Sanjay Dutt’s film Double Dhamaal did mediocre business. But the positive reviews that were received in the film were about Sanjay Dutt, Kangana Ranaut and Mallika Sherawat. 2011 has a lot in store for Sanjay Dutt. The films which had been released in 2011 and 2012 include Rascals, Agneepath, Chatur Singh Two Star, Power and Koochi Koochi Hota Hai. The viewers are looking forward to more films of Vidya Balan with Sanjay Dutt, as the pair had shown matured level of performance which touched the hearts of millions of viewers all across the world. Sanjay Dutt these days had restricted himself in acting in action films, so if he signs romantic films, the producers and directors should think about Vidya Balan who suits him better than any other actress of bollywood industry. Viewers are expecting him to return from prison after 3 years and get back to films.

Kishore Kumar was remembered on birth anniversary.


Kishore Kumar had been remembered on his birth anniversary on 4th August, 2016. Kishore Kumar died on 13th October, 1987. Kishore Kumar, the master entertainer had been one of the most colourful personalities of bollywood who just became more and more and more popular over the years, now it is almost 26 years after his demise. In respect of his acting performances hardly any actor even dared to imitate him as his improvisations were spontaneous. The part that is followed by numerous singers all over the country is his singing style. When KK acted as hero in bollywood films he showed his acting capability even in playback singing like the song “c a t cat, cat mane billi” in the film Dilli Ka Thag. He brought out all the sounds of the animals that were named in the song. In the film Chalti Ka Naam Gari, in the song “paanch rupaiya bara ana” he imitated SD Burman and in every paragraph he had created a new style which justified the lyrics. In Half Ticket he showed the childishness in the song “chil chil chillake” composed by Salil Choudhury, which became very popular among children. He even sang the ladies version of the song “o sawariya” in the film Half Ticket, when he was teasing Pran during a song sequence. He had acted opposite many versatile actresses like Nutan in Dilli Ka Thug, Madhubala in Jhumru, Vaijayantimala in Aasha, to name a few. All his innovations created history when he concentrated in playback singing only in the 70s. He made the audience realize that he was singing for Dev Anand, or Rajesh Khanna or Big B, to name a few. His songs “gata rahe mera dil” from Guide, “roop tera mastana” from Aradhana, “kuch to log kahenge” from Amar Prem, “tere mere Milan ki” from Abhimaan have created history over the years. With Big B he had a tremendous combination and had sung in almost all the films of Big B till 1987, including Don, Shaan, Mr. Natwarlal, Do Aur Do Paanch, Amar Akbar Anthony, Muqaddar Ka Sikandar, Kaalia, Silsila, etc. The list can go on. In the 80s, it was KK all the way, when he had no competitors. All his songs in Big B’s film Namakhalal, Sharaabi, became record hits. Even in Rishi Kapoor’s Saagar, his song “saagar kinare” had romantic appeal. Composers like RD Burman, Bappi Lahiri, Rajesh Roshan could not think about any composition without KK. He provided playback for almost all the leading actors of bollywood in the 80s, namely Amitabh Bacchan, Rishi Kapoor, Vinod Khanna, Anil Kapoor, Mithun Chakravarty, Kamal Hassan, and others. He became the legend of legends and all the actors of the 70s and 80s are indebted for his colourful playback. After his death Kumar Shanu, Abhijeet, Vinod Rathod, Babul Supriyo and other singers had established themselves by following his style of singing. It has not happened with any other playback singer of bollywood. His styles were very entertaining, romantic and filmic. Articles after articles can be devoted to the master entertainer and it can be said that he had remained alive all over the years in his numerous films and thousands of songs. His films and songs should be preserved.

Legend Chabi Biswas was remembered on birth anniversary.


Remembering legendary actor Chabi Biswas on his birth anniversary. The nation remembers legendary actor Chabi Biswas on his birth anniversary
on 12th July, 2015. His superlative class of performance had been acknowledged by brilliant directors like Satyajit Ray, Hrithik Ghatak, Raj Kapoor, Tapan Sinha, but he had remained unsung, unhonoured, unlamented. Ray had a very serious personality and hardly required any improvisation as his innovative scripts had almost everything embedded in them. But Chabi Biswas brought out his own dimensions in the role of Feudal Lord in the film Jalsaghar released in 1958. He combined the aristocracy and the dignity of the feudal lord in the colonial period and at times astonished Ray himself with his dynamic performances. He even sold his wife’s ornaments to organize a musical program in his banquet room to maintain his dominance as a feudal lord. Singers from renowned classical gharana came and performed in the show and the entire village was invited to witness it. With the loss in revenue and poverty during British regime, he committed suicide by dying on horseback. He was sublime in the film Debi released in 1960, where he visualized Goddess Kali in the human form in Sharmila Tagore, his daughter –in –law. The entire concept was related to his belief and his son Soumitra took exception about the thing but was helpless. Sharmila Tagore became sick as it was awkward on her part to see his father-in-law touching her feet as she was believed to be Debi, the human form of Goddess. Chabi Biswas was majestic in his classic role in the film Kanchenjungha released in 1962. Ray experimented with a remote subject where the greatness of the Himalayas freed the mental blockade of middle-class bengalies. Arun Mukherjee, one of the unemployed youth even did not accept the job offered by big industrialist played by Chabi Biswas. At the end of the film Chabi Biswas realized the greatness of the great mountain range and surrendered before it. The film could not be understood by mass audience as it dealt with the concept of realization although the colourful photography of Ray in Darjeeling was well appreciated. But critics had acclaimed Chabi Biswas and said that he was the last name for the depiction of aristocracy in any form. His dignified performance in the films of legendary directors like Ajoy Kar, Tapan Sinha, Prabhat Mukherjee, Agragami, Agradoot had not been forgotten by the mass. He had remained sublime in Prabhat Mukherjee’s Bicharak (1958) in the role of a charishmatic advocate, Tapan Sinha’s Kabuliwala (1957) in the role of an Afghan father, Ajoy Kar’s Suno Baranari (1960) in the role of a wealthy Barrister, Agragami’s Headmaster (1959) in the role of an old headmaster, Bijoli Baran Sen’s film Manik, where he played the role of a handicapped grandfather, Sudhir Mukherjee’s Dadathakur (1962) where he played the role of Sharat Pandit, Premendro Mitra’s film Chupi Chupi Ase (1960) where he played the role of a detective in a crime thriller film, to name a few. He died in a tragic accident in 1962 and Indian celluloid lost one of its greatest actors ever. His films should be preserved for projection of dynamism, class, dignity, aristocracy and majestic demeanour.

Saturday, July 16, 2016

Remembering Mukeshji on his birth anniversary.


Remembering Mukesh on his birth anniversary. Great singer Mukesh is remembered both on his birthday on 22nd July, 2016
and death anniversary on 27th August, 2013. The viewers of bollywood films remember legendary singer Mukesh on his death anniversary on 27th August, 2015. He was born on 22nd July, 1923 and died on 27th August, 1976 and people all over the world remember his great works. Mukesh was probably the most popular singer of the 50s, 60s and 70s after Mohammad Rafi. His nazal tune had huge amount of sensitiveness and he gave expression to brilliant composers of the golden age with the romantic voice. His combination with Showman Raj Kapoor was considered one of the golden combinations of the 40s, 50s, 60s. His notable songs for Raj Kapoor included “awara hoon” from film Awara, composed by Shankar Jaikishan, “aaja re” from film Aah, composed by Shankar Jaikishan, “ramaiya vasta maiya” and “mera joota hai japani” from film Shree 420 composed by Shankar Jaikishan, “sab kuch sikha humne”, “dil ki nazar se” and “kisiki muskurahaton pe ho nisar” from film Anari, “ai sanama jish ne tujhe chand sa surat di hai” from film Diwana, “sajanwa bairi ho gaye hamar”, from film Teesri Kasam, composed by SJ, etc. The list can go on. Shankar Jaikishan stormed bollywood films with their everlasting tunes for more than 25 years, and wherever they were associated with Raj Kapoor, Mukesh sang the songs of his lifetime. The combination gave everlasting hits in films like Barsaat, Jis Desh Me Ganga Behti Hai, Sangam, Ek Dil Sau Afsana, Around the World, Diwana, Teesri Kasam, Mera Naam Joker, to name a few. In non-Raj Kapoor films also Mukesh did a superlative job. His performance in Dilip Kumar’s Madhumati, composed by Salil Choudhury, Manoj Kumar’s Hariyali Aur Raasta composed by Shankar Jaikishan, Rajender Kumar’s Saathi composed by Naushad Ali, Manoj Kumar’s Pathar Ke Sanam composed by LP, require special mention. Some of the notable songs of Mukesh which had remained immortal in those films included “dil tarap tarap ke kehrahahe aabhi ja” in Madhumati, “ifteda-e-ishq me” in Hariyali Aur Raasta, “mera pyar bhi tuhe” in Saathi, “tauba yeh matwali chal” in Patthar Ke Sanam, etc. He died in 1976, and ended the era relating to soft romantic songs. His journay from the film Nirdosh in 1941 to Amar Akbar Anthony in 1977, remained unblemish. In 1974, he received national award for best singer for the song “kai baar yun hi dekha hai” from the film Rajnigandha, composed by Salil Choudhury. He deserved many more national awards, as he had sung from his soul bringing tears in the listener’s eyes. Besides he received filmfare awards for his best performance in films like Anari, Pehchan, Beimaan, Kabhi Kabhi. Even in the 70s, when slow music gradually lost its predominance, Mukesh’s songs in somber mood like “mai pal do pal ka shayar hoon” and “kabhi kabhi mere dil me” in the film Kabhi Kabhi composed by Khayyam and written by Sahir Ludhiyanvi created a permanent place in the hearts of millions of musiclovers. Articles after articles can be devoted on the successful combination of Mukesh with Shankar Jaikishan, Salil Choudhury, Naushad, Roshan, and others. His films and songs should be preserved.

Happy birthday to star icon Sri Devi.


Happy birthday to gorgeous icon Sri Devi. The viewers of bollywood films wish happy birthday to gorgeous icon and evergreen actress Sri Devi on 13th August, 2016. She was the most dominating figure in bollywood films in the 80s. Her excellent dancing skills gave her an edge over other actresses of that period. In 2013 her film English Vinglish received awards in IIFA awards in Macao. Her director received best debutant director award. She was brilliant in the film Himmatwala opposite Jeetender. The film was a South Indian production which was released in the early 1980s and the dancing skills of both Sri Devi and Jeetender mesmerized the viewers. The music of the film was also very popular. Sri Devi got a landmark role in Feroz Khan’s film Jaanbaaz. She played the role of the wife of Jeetender who was given drugs forcefully by Shakti Kapoor, Raza Murad and their men. She died due to consumption of the drugs. Feroz Khan along with Anil Kapoor took revenge against her brutal killing. Sri Devi’s combination with Anil Kapoor was appreciated by the viewers of the 80s. Their film Mr. India, directed by Shekhar Kapoor became everlasting hit. Sri Devi displayed her comedy skills as against the innocent performance of Anil Kapoor in the film. Anil Kapoor’s device for becoming invisible amazed the viewers. Amrish Puri was matchless in his performance in the role of Mogambo. Sri Devi’s dance number opposite Anil Kapoor in a blue dress during a rainy day haunted many youngstars of the 80s. Big B acted in many films opposite Sri Devi including Inquilab, Akhree Rasta and others. Most of those films ended up being blockbusters. In Akhree Raasta she had show her mettle opposite another South Indian beauty Jaya Prada. Her performance was as good as Jaya Prada, and both the actresses justified their selection opposite Megastar Big B. Sri Devi gave many hits opposite Rishi Kapoor including Yash Rash film Chandni. In Chandi, Sri Devi looked gorgeous. Rishi Kapoor was considered to be most romantic actor of the 80s. Sri Devi had the challenge of matching him in a Yash Raj film, where shooting is done in Switzerland and costly dresses are used for the stars. Sri Devi rose up to the occasion and got the viewers flabbergasted with her performance. Even then viewers considered Anil Kapoor the best combination opposite Sri Devi. Their superhit films included Laadla, Lamhe, Roop Ki Rani Choron Ka Raja, and others. Sri Devi had a fantastic career in South Indian films as well. Her performance in films opposite Rajnikant and Kamal Hassan became super hit in the 8os. She acted in hit bollywood films opposite Rajnikant like Chaalbaaz where she played a double role. She was excellent in the film Sadma opposite Kamal Hassan. Her abnormal acting which was required in the role and later on a different behavior really made the viewers spellbound. The music composed by Illaiyaraja was exceptional, with the song “surmaiy ankhyonme” becoming smash hit. With the domination of Madhuri Dixit in bollywood films in the 90s, Sri Devi faded away from the film arena. Besides she added weight after marrying Boney Kapoor and giving birth to her daughter. Although viewers cannot expect the same glamour and charm of Sri Devi in her late 30s, yet they want her presence in bollywood films, as lot of acting is still left in her. The viewers expect her to continue the flawless character acting like English Vinglish in the other films as well.

Sultan has done 240 crores business in 10 days.


Salman Khan’s Sultan did more than 240 crores business in 10 days. Every year whenever superstar Salman Khan’s films are released during Eid, the films end up being blockbusters. In 2015, Salman Khan’s film Bajrangi Bhaijaan did business of 320 crores when released in Eid. Previously Salman Khan’s film Ek Tha Tiger released in Eid did business of 198 crores, Bodyguard did business of 148 crores, Dabaang did business of 141 crores, Wanted did business of more than 73 crores. The same thing happened with Salman Khan’s new film Sultan released in Eid in July, 2016. The film had done business of 240 crores in 10 days. It had broken the record of all other films. Presently only Dhoom 3 with 280 crores, Bajrangi Bhaijaan with 320 crores and PK with 340 crores are ahead of Sultan. If the film runs for another 7 days in the halls it will break these records as well. The film had done business of more than 200 crores in 6 days. It is expected to break all records in box office. In Sultan, Salman Khan played the role of a wrestler. He fell in love with Anushka Sharma. When Anushka, an eminent wrestler told him that Salman had no goal in life, he got determined to become a good wrestler. Salman won Olympic Gold medal in heavy weight wrestling for India. But when Anushka was pregnant, he went to appear in World cup wrestling abroad, while giving birth, Anushka’s son was born but died within short time. He had B negative blood group, and could not find any donor in the village. Salman could have saved the child as he had B negative blood group. So Anushka Sharma asked Salman Khan to leave her. Salman left wrestling. But later on Parikshit Sahani’s son came and provoked Salman Khan to play in international wrestling. He was collecting blood of B Negative group for required children in future. Salman was trained by Randeep Hooda in that phase. Finally Salman Khan became wrestling champion after suffering many blows from international wrestling champions. The music of Vishal Shekhar in the film was good, with songs like “baby ko base pasand hai”, “kahin ankhiya nurani jaisi” becoming hits. Rahat Fateh Ali Khan, Mika Singh and many other singers sang in the film and the songs became hit. The film was produced by Yash Raj Films. The standard of acting of Salman Khan, Anushka Sharma, Randeep Hooda and co-actors in the film were very high. The film also had social message. The beautiful agricultural fields of Haryana was added attraction for viewers. The film will do business of more than 300 crores.

Tuesday, July 12, 2016

Meena Kumari films are still relevant today.


Remembering Tragedy Queen Meena Kumari on her birth
anniversary. The viewers of bollywood films remembered Tragedy Queen Meena Kumari both on her birth anniversary on 1st August, 2015 on her death anniversary on 31st March, 2015. Meena Kumari can be considered as the greatest actress of Bollywood during the golden age who had portrayed images and characters showing complexity of the mind of the Indian women and the social ostentations that they had faced during different periods of time. Meena Kumari, born on 1st August, 1932, known as Mahjabeen Bano, stormed into the Indian silver screen in 1952, with the sublime performance in Baiju Bawra. Although the film had been renowned for everlasting composition of Hindustani ragas by Naushad and supreme performance of Mohammad Rafi, with songs like “man tarpata”, “woh duniya ke rakhwale”, etc., Meena Kumari’s performance opposite Bharat Bhushan showed the filmlovers that she had come to conquer Bollywood with her soft style of acting. In the 50s Meena Kumari’s performance in films like Parineeta, 1953, Footpath, 1954, Yahudi, 1958, etc. were appreciated by critics, but she had created her image of martyr in the film Sharda, 1957, where even after having an affair with Raj Kapoor, in the film she had to sarcrifice her affection to marry Raj Mehra, his father, who was much older than her. In Dil Ek Mandir, 1963, Meena Kumari after having affair with Rajender Kumar in her youth had to marry Raj Kumar, due to social pressure. But from the time she had married Raj Kumar, she fulfilled all the duties of a middle class Hindu woman, and brought her sick husband to the hospital at the mercy of Rajender Kumar. She prayed to God, for the recovery of Raj Kumar. Rajender Kumar sacrificed his life to treat her husband and died at the end of the film. The songs composed by Shankar Jaikishan and sung by Rafi and Lata, had not lost their significance even today. In 1962, Meena Kumari, performed the role of choti bahu, in Guru Dutt’s Saheb Bibi aur Ghulam, the film showing the zamindari raj (dominance of Feudal lords) existing in the British capital in India, that is Kolkata. She was married to the youngest son in a family of zamindars who used to attend mujras in Jaan bazaar, in Kolkata, where performers from Lucknow, Benaras used to come and exhibit their skills of singing classical songs. She tried to retain her husband Rehman at home, and through her conversation, Guru Dutt, the observer came to know about the history of the family. Meena Kumar’s performance opposite Pradeep Kumar, used to create a different dimension, as her pardanashin image had matched with royal style of acting of Pradeep Kumar. After the success of Aarti, 1962; Meena Kumari, acted in the blockbusters Bheegi Raat, 1965, and Bahu Begum, 1967, opposite Pradeep Kumar and Ashok Kumar. In Bheegi Raat, she loved Pradeep Kumar, yet due to an accident which made her legs paralysed she could not attend the engagement and worked in the house of Ashok Kumar as governess. When society boycotted Ashok Kumar, she agreed to marry her, but presence of Pradeep Kumar at the end of the film in the song “dil jo na keh saka” compelled Ashok Kumar to sacrifice his affair and go back to London. It was a film where, Rafi, Lata, Roshan and the actors all had provided their best performance possible. Meena Kumar’s other film with Pradeep Kumar titled Chitralekha was also successful. Meena Kumari had become immortal with her classic performance in the film Pakeeza, 1971, opposite Raj Kumar, which took around 10 years to be completed. It was created on a subject related to women brought up in kotha and exhibited the class of women who could not give the recognition to their next generation as their father’s are not known. The music composed by Ghulam Mohammad, Lata and Rafi’s songs, Kamal Humrohi’s direction (the husband of Meena Kumari) all complemented each other, and the film became historical piece of document. The greatest hallmark of Meena Kumari lied in her ability to depict the helplessness of Indian women existing specially in the 50s and 60s, when the patriarchal society dominated them and they had no independent income to live separately against the pressure of society. In her performances, beauty, aristrocracy, tragedy, personality all blended into one. Whenever we think about cine-classics like Dil Apna aur Preet Parayi, 1960, or Ghazal, 1965, Meena Kumari’s image automatically comes in our mind. She died in 1972, only at an age of 41. Meena Kumari’s films should be restored in an archive for future generations to learn the art of understanding the characters from the core of the heart the way Meena Kumari had done during the golden age of Indian cinema.

Happy birthday to Sunil Shetty.


Happy birthday to Sunil Shetty. The viewers of bollywood films wish happy birthday to Sunil Shetty on 11th August 2016. Although he started his career as an action star, especially in the film Balwaan, he proved his capability in every type of role very gradually. His combination with Akshay Kumar had been considered very grand and both the actors had given many colourful hits during their illustrious career. Mohra was a big hit. There Sunil Shetty played the role of the anti-hero who was dictated terms by Naseeruddin Shah, while Akshay Kumar played the role of an honest police-officer. Sunil Shetty fell into the trap of Naseeruddin Shah and went on committing crimes one after the other. He came to know about the actual character of Naseeruddin Shah at the end of the film. Their film Dhadkan opposite Shilpa Shetty did great business. Sunil Shetty received the filmfare award for the best villain for his brilliant performance in the film. The songs in the film including “tum dil ki dhadkan me” were extremely successful and both the stars gave brilliant lips in those songs. Sunil Shetty started a new chapter with Akshay Kumar and Paresh Rawal in his career in respect of comedy films with the film Hera Pheri. Three of them acted brilliantly in the film Hera Pheri along with Tabu and other actors. The film became so successful that the director Priya Darshan was compelled to make a sequel of the film with the title Phir Hera Pheri. It became super hit too. In this film Bipasha Basu played a very significant role along with the three musketeers. The third sequel of Hera Pheri is under production at the moment. Sunil Shetty was excellent in anti-establishment roles in films like Main Hoon Na. He was equally impressive opposite Shahrukh Khan in the film. He was brilliant aside Ajay Devgan in the film Diljale. Sunil Shetty also acted in great patriotic films like Border. JP Dutta’s blockbuster utilized the acting skills of Sunil Shetty, Sunny Deol, Jackie Shroff and Akshay Khanna. The songs in the film composed by Anu Malik created history with Sonu Nigam doing a great job with “sandese ate hai”. His other hit films include Hu Tu Tu opposite Tabu, Krishna opposite Karishma Kapoor, etc. Sunil Shetty praised Gulzar for his direction when he worked with him in the film Hu Tu Tu. He acted in other successful films like Shashtra, Gaddar, Vishwasghat, Rakshak, Prithvi, Vinashak, Dhaal, Officer, Refugee, Jungle, Awaara Paagal Deewana, to name a few. In 2009, Sunil Shetty acted opposite Sameera Reddy in Priyadarshan’s comedy film De Dana Dan. The film did not do equally good business like Hera Pheri or Phir Hera Pheri. In 2010, Sunil Shetty had worked in 3 films, which included Tum Milo Toh Sahi, Red Alert: The War Within and No Problem. Sunil Shetty had a number of new releases in 2011 namely Thank You, Chai Garam, Loot and Hera Pheri 3. In 2012 he acted in the films Enemmy and Afra Tafri. In 2014 he made a guest appearance in Salman Khan’s Jai Ho. Jai Ho did business of 115 crores. He also acted in the film Koylaanchal. The viewers wish him the best for the films in future and also for his Production House titled Popcorn Entertainment.

Ajay Devgan and Tabu should have got awards for Drishyam.


Ajay Devgan and Tabu were brilliant in film Drishyam. They should have won awards for their acting in the film. Ajay Devgan and Tabu did a great job in the film Drishyam. The film was originally made in Malayalam and Mohanlal played the lead role in the film. The hindi version is directed by Nishikant Kamat. It had been produced by Kumar Pathak, Ajit Andhare and Abhishek Pathak. The music had been composed by Vishal Bhardwaj. In the film Ajay Devgan had Cable business in a remote village at Goa. He lived peacefully with his wife played by Shriya Saran and two daughters. Once his daughter went for camping with her college friends. At that camp Rishabh Chaddha (played the role of Sam), the son of Inspector General played by Tabu took ofscene photos of her from his mobile phone and blackmailed her. In haste Ajay Devgan’s daughter hit him with an iron rod and he was killed. Shriya Saran and the daughter buried the body in the garden of the house and told Ajay Devgan about everything. Ajay Devgan made a plan, took the family on holiday, went to Panaji by bus, stayed in a hotel, saw a film and returned back keeping all the bills of expenses. Tabu very seriously interrogated him because one of the police officers Gaikonde saw Ajay Devgan driving the yellow car of Sam. The rest of the film was related to the interrogation. The police tortured Ajay Devgan and his family in the custody, and finally the younger daughter told that the body of Sam was buried in the garden. But when the surrounding area was dug, the body of a dead goat was found. Tabu was suspended along with Gaikonde. Ajay Devgan very intelligently used the stories of films and buried the body in the new foundation of police station. The acting of Ajay Devgan, Tabu were per excellence. Both of them deserve a number of awards for outstanding performance. The film had very unique storyline. The film had done business of 42 crores in 5 days but is destined to do better. The music was good and the song “dum ghutta hai” by Rahat Fateh Ali Khan, Rekha Bhardwaj stands out. Everyone should watch the film.

Salman Khan's Sultan did more than 200 crores business in 6 days.


Salman Khan’s Sultan did more than 200 crores business in 6 days. Every year whenever superstar Salman Khan’s films are released during Eid, the films end up being blockbusters. In 2015, Salman Khan’s film Bajrangi Bhaijaan did business of 320 crores when released in Eid. Previously Salman Khan’s film Ek Tha Tiger released in Eid did business of 198 crores, Bodyguard did business of 148 crores, Dabaang did business of 141 crores, Wanted did business of more than 73 crores. The same thing happened with Salman Khan’s new film Sultan released in Eid in July, 2016. The film had done business of more than 200 crores in 6 days. It is expected to break all records in box office. In Sultan, Salman Khan played the role of a wrestler. He fell in love with Anushka Sharma. When Anushka, an eminent wrestler told him that Salman had no goal in life, he got determined to become a good wrestler. Salman won Olympic Gold medal in heavy weight wrestling for India. But when Anushka was pregnant, he went to appear in World cup wrestling abroad, while giving birth, Anushka’s son was born but died within short time. He had B negative blood group, and could not find any donor in the village. Salman could have saved the child as he had B negative blood group. So Anushka Sharma asked Salman Khan to leave her. Salman left wrestling. But later on Parikshit Sahani’s son came and provoked Salman Khan to play in international wrestling. He was collecting blood of B Negative group for required children in future. Salman was trained by Randeep Hooda in that phase. Finally Salman Khan became wrestling champion after suffering many blows from international wrestling champions. The music of Vishal Shekhar in the film was good, with songs like “baby ko base pasand hai”, “kahin ankhiya nurani jaisi” becoming hits. Rahat Fateh Ali Khan, Mika Singh and many other singers sang in the film and the songs became hit. The film was produced by Yash Raj Films. The standard of acting of Salman Khan, Anushka Sharma, Randeep Hooda and co-actors in the film were very high. The film also had social message. The beautiful agricultural fields of Haryana was added attraction for viewers. The film will do business of more than 300 crores.