The owner of velvette voice Talat Mehmood was remembered on his death anniversary on 9th May, 2017. The listeners of bollywood music wish happy birthday to legendary singer Talat Mehmood on 24th February, 2015
. He was a leading performer in bollywood films during the 40s, 50s and 60s.
Along with Rafi, Mukesh and other leading singers of bollywood Talat Mehmood sang notable songs in the films of leading stars of bollywood. He rendered his voice for most of the actors of the bollywood during the 40s and 50s including Dilip Kumar, Raj Kapoor, Bharat Bhushan, and others. His landmark songs included “dil-e-nadan tujhe hua kya hai” composed by Ghulam Mohammad and picturised on Bharat Bhushan, in the film Mirza Ghalib in 1954, “koi nahi mera” composed by Shankar Jaikishan and picturised on Dilip Kumar in the film Daag in 1952, “mai dil hoon ek armaan bhara” picturised on Raj Kapoor in the film Anhonee in 1952, etc. He sang landmark songs for Dilip Kumar also in the films Footpath, Devdas, etc. All the leading composers of bollywood films of that age namely Naushad Ali, Shankar Jaikishan, Roshan Lal Nagrath, Madanmohan Kohli , OP Nayyar, Salil Choudhury, SD Burman and others used him in different films.
His other landmark songs included “phir wohi sham” composed by Madanmohan and picturised on Bharat Bhushan in the film Jahan-ara released in 1964. Talat Mehmood acted in a number of films including Dil-e-Nadan opposite Shyama, Raftaar opposite Nadira, Waris opposite Suraiya, Ek Gaon Ki Kahani opposite Mala Sinha and also showed his acting talent in those films. He had been mainly associated with ghazals and soft romantic songs. His vibrating technique in rendition had charmed many listeners of the golden age.
He also sang light songs for many composers. His other songs included “jalte hai jiske liye” composed by SD Burman in the film Sujata, “humse aya na gaya” composed by Madanmohan in the film Dekh Kabira Roya, “itna na mujhse tu pyar bara” composed by Salil Choudhury in the film Chaya, “aye mere dil kahin aur chal” composed by Shankar Jaikishan in the film Daag, to name a few..
Talat Mehmood had a number of basic discs in Bengali as well. His landmark songs included “chander eto alo” and “alote chayate” composed by Robin Chatterjee, “duti paakhi duti teere” composed by Kamal Dasgupta, etc. The sweetness of his voice was well appreciated by the Bengali listeners as well. His songs and films should be preserved and restored.
Shamshad Begum the owner of voice like bell of temple.
Shamshad Begum was a legendary singer and the gain of the voice still haunts music lovers. She was born on 14th April, 1919 and died on 23rd April, 2013.
She was born in Lahore. From there she came to Mumbai with Mehboob Khan. Her talent was recognized by music director Ghulam Haider in the early 1930s.
After Naushad Ali became successful he recorded songs with new singers as well in the early 1950s, but kept working with Shamshad in the late 1950s and early 1960s. Naushad Ali chose his favourite singer Begum once again to sing four out of the twelve songs in Mother India.
Begum is credited with singing one of the first Westernised songs, "Meri jaan...Sunday ke Sunday" by Ramchandra. She kept getting more offers to sing songs and was the highest paid female singer from 1940 to 1955 and again post Mother India in 1957 to 1964. In 1949, music directors S. Rajeshwara Rao, M. D. Parthasarathy and Balakrishna Kalla asked her to sing "Jaiyo Jaiyo Shipayon Bazar" for P. Bhanumati in the film Nishan, produced by Gemini Films of Madras, which became highly popular.
In 1954, when OP Nayyar got a break as a composer, he approached Begum to record songs for Mangu. Nayyar described her voice as resembling a "temple bell" for its clarity of tone. He worked with her until the late 1960s and gave her many hit songs, including "Ab To Jee Hone Laga" from Mr. & Mrs. '55, "Main Jaan Gayi Tujhe" from Howrah Bridge, "Zara Pyar Karle" from Mangu (1954), "Saiyan Teri Ankhon Mein" from 12' O Clock (1957), "Thodasa Dil Lagana" from Musafirkhana, and many others.
Incidentally Shamshad Begum sang around 160 duet songs with Rafisahab. Majority of them rocked Bollywood music in the 1950s. Some of the most famous ones included “leke pehela pehela pyar” in film CID composed by OP Nayyar, “thandi hawaye kaalighatayen”, “husnwalen wafa nahin karte” in Love in Simla, composed by Iqbal Qureshi, “mai jaan gayi tujhe saiyan” in Howrah Bridge composed by OP Nayyar, “gao tarane manke” in Aan composed by Naushad Ali, “dhoom dharaka dhoom dharaka” in film Amber, “door koi gaye dhun yeh sunaye” in Baiju Bawra composed by Naushad Ali, “ho bachpan ke din bhula na dena” in Deedar composed by Naushad Ali, “nadi kinare saath hamare” in film Babul composed by Naushad Ali, to name a few.
Shamshad Begum had other solo hits like “ek do teen aaja mausam hai rangeen” composed by Shankar Jaikishan in film Awaara in 1951. From the 1970s Shamshad Begum faded away from the industry, but her brilliant bass still haunts the listeners.
Happy birthday to dancing legend Aruna Irani.
The viewers of bollywood films wish happy birthday to dancing legend Aruna Irani on 3rd May, 2017. She had made her debut as a child actress in the film Ganga Jamuna in 1961. She played the role of the smaller version of Azra in the film. She played similar roles in films like Jahanara in 60s.
But her fantastic dancing skills launched her in super hit films like Farz which was released in 1967. She danced opposite Jeetender in the film Farz in Rafi’s song “mast baharon ka mai aashiq”, and that cemented her career in bollywood films. After that she got dance-based roles one after the other in bollywood. But due to comedy pairing with Mehmood in films like Humjoli, she got roles in the range of vamps rather than frontline heroines. She was brilliant opposite Mehmood in the Jeetender starrer Waarish in 1968. The music of RD Burman was brilliant with Rafi’s hit songs like “ek bechara pyar ka maara”.
She amazed the viewers with the role of a gypsey woman in Jeetender’s film Carwan released in 1971. Her dance number in the song “dilbar” sung by Lata Mangeshkar and “chadti jawani” sung by Mohammad Rafi had shaken up bollywood in the early 70s. Her dancing skills were used to perfection by Showman Raj Kapoor in the film Bobby especially in Shailendra Singh’s song “mai shayar to nahin”.
Her successful films in 70s and 80s includes Khel Khel Me, Buddha Mil Gaya, Laila Majnu, Ek Nari Ek Brahmchari, Qurbani, Sargam, Rocky, Love Story, etc. In negative characters in films like Qurbani she had amazed the viewers. From late 80s, she switched to character roles and became one of the leading actresses in that field. She received filmfare award for the best supporting actress for her brilliant performance in Madhuri Dixit’s film Beta.
Her brilliant performance in films like Raja Babu, Ghulam-e-Mustafa, Kartavya, had created a separate place in the hearts of millions of filmlovers. Viewers got astonished to realize how an able dancer in her teenage, had transformed into a brilliant character artist who could do any type of role starting from comedy acting to serious roles to roles of negatives characters.
She should have won many more filmfare awards for epic performances in films like Bobby, Qurbani, Haseena Maan Jayegi. She also played notable role in Priyadarshan’s film Khatta Meetha released in 2010.
She also had received filmfare lifetime achievement awards. She said that she knew nothing. Dilip Kumar brought her to the beautiful world of bollywood. She learned everything and was indebted to the viewers for their love and affection. It was her humility which spoke out and made everyone enchanted. The viewers expect the veteran of more than 300 films to continue the great work that she started 40 years ago.