Manobendra Mukherjee mohashoy made Nazrulgeeti very popular over a decade

Remembering Kazi Nazrul Islam by Manobendra Mukherjee’s songs. Poet, composer and singer Kazi Nazrul Islam is remembered on his death anniversary on 29th August, 2023. He was considered to be one of the greatest Bengali talents after Rabindranath Tagore who created songs and poetry during colonial period. He was in fact called bidrohi kobi, meaning rebel poet. Manobendra Mukherjee, the genius of Bengali classical songs had made Nazrul Islam immortal by singing more than 500 Nazrulgeeti during his lifetime. Manobendra Mukherjee died in 1992, but before that whatever records he made in nazrulgeeti still remains the Geeta for new singers who specialize in Nazrulgeeti. Some of the songs that people remember include “eto jol o kajol”. Manobendra showed his classical jugglery in the song “bou katha kou katha kao abhimanini”. The song which Manobendra Mukherjee sang in many concerts included “bagichay bulbuli”. The other song which was very popular in the 70s included “jare haat diye mala gethe”. The same song was also recorded by legendary singer Pandit Ajoy Chakravarty in his own andaz. Manobendra also was brilliant in the song “timir bidary”. Manobendra’s song “noyon bhora jol go tomar aanchol bhora chul” became extremely popular in 80s. His other hit songs included “jhumko lotar chikon”, “keno kaden poran”, “kache amar niba”, “saat bhai chompa”, “aso priyo aro kache”, “jani amar sadhona”, “amar noyone noyon”, “jabar belay fele”, “mor priya hobe”, “sondha se godhuli”, to name a few. Few of Manobendra’s songs had been sung one after the other by other musical giants. For example “sawono rate Jodi”, had been sung by Manobendra. It was also sung by Manna Dey in the film Devdas, where Uttam Kumar gave lips in the song. Besides Manobendra Mukherjee’s song “ado ado bol” was also recorded by genius singer Mohammad Rafi later on. One article is too small to highlight Manobendra Mukherjee’s landmark songs composed by Nazrul Islam, but along with Juthika Roy, Dhirendra Mitra, Firoza Begum, Kamal Dasgupta, Manobendra Mukherjee had glorified Nazrulgeeti in his own classical andaz. The songs should be preserved.

The nation remembers romantic star Rishi Kapoorji on death anniversary.

Rishi Kapoor died on 30th April 2020 and shocked the nation. One day ago the country was devastated with death news of talented actor Irfan Khan. Rishi Kapoor suffered from cancer and died at an of 1967. He is alive in his works. The viewers of bollywood films wished happy birthday to Rishi Kapoor on 4th September 2019. He had remained one of the most romantic actors that bollywood had ever produced. He started his career as a child artist in Raj Kapoor’s film Mera Naam Joker in 1971. He stormed bollywood films with his romantic performance in the film Bobby in 1973. The film did great business and Rishi Kapoor received the filmfare award for the best actor for his performance in Bobby. Raj Kapoor as producer and director started a new innings with a new team of Laxmikant Pyarellal as against Shankar Jaikishan after the death of Jaikishan in 1971. LP had huge contribution in the music of the films of Rishi Kapoor for the next ten years. From that time onwards Rishi Kapoor remained one the most romantic actors in bollywood films. His films Amar Akbar Anthony in 1977, Laila Majnu in 1976 and Sargam in 1978 were the greatest musical blockbusters of the 70s. The songs composed by Laxmikant Pyarellal, Jaidev and Madanmohan in these films became everlasting hits. The notable songs of Rafi and Lata in this film included “koel boli”, “parda hai parda”, “dafliwale”, “barbad muhobbat ki dua”, “is reshmi pazeeb”, to name a few. LP received the filmfare award for the best composer for 3 Rishi Kapoor’s films namely Amar Akbar Anthony, Sargam and Karz from 1978 to 1980. Rishi Kapoor’s extraordinary capability of giving lips in these songs separated him from other actors of that era. His films Zamane Ko Dikhana Hai, Hum Kisi Se Kum Nahi and Karz created history. He showed his dancing skills in every type of songs of Rafi and Kishore including “hai aga dushman zamana”, “bacchna aye haseeno”, “dard –e- dil”, “om shanty om”, “puchona yaar kya hua”, to name a few. RD Burman and Laxmikant Pyarellal probably gave their best music to Rishi Kapoor in the 70s and 80s. In the 80s, Rishi Kapoor’s films Duniya, Sitamgar, Saagar, Chandni, Cooli, Naseeb, did fantastic business. He got the opportunity of acting opposite stalwarts in the industry namely Dilip Kumar in Duniya, Dharmender in Sitamgar, Kamal Hassan in Saagar, to name a few. In fact due to presence of Rishi Kapoor, producers and directors created romantic stories during an era when Big B, Vinod Khanna, Shatrughun Sinha dominated bollywood with action films. Even in the 90s, Rishi Kapoor’s films Bol Radha Bol, Damini, etc., were appreciated by the audience. He was successful opposite young actresses like Juhi Chawla, Meenakshi Sheshadri, who were one generation younger than him. He had great contribution in the films of eminent directors like Yash Chopra, Manmohan Desai, Subhash Ghai, Ramesh Sippy, David Dhawan, and others. After the debut of his son Ranbir Kapoor in the film Sawaariya, Rishi Kapoor switched to character roles. In 2009 also Rishi Kapoor did well in films like Dilli 6, Pyar Me Twist, Luck By Chance. He received Star Screen award for the best supporting actor in 2010 for his performance in the film Love Aaj Kal. In 2010 he acted in the films Chintuji and Sadiyaan. 2012 had been an excellent year for Rishi Kapoor. At the beginning of the year he acted in a negative character for the first time in his career in the film Agneepath. The film with hero Hrithik Roshan had done business of more than 125 crores. His other film Housefull 2 with Akshay Kumar had become super hit too. It also had done business of more than 110 crores. He is experimenting with new characters in this part of his career. He received best villain award for his performance in the film Agneepath. In 2013, he had acted in the films Chasme Baddoor and Besharam. In 2015 his performance in the film All is Well was very well appreciated. With his death the 3 generation actors Prithviraj Kapoor, Raj Kapoor and Rishi Kapoor ended. It is an irreparable loss to the industry.

Happy birth anniversary to king of classical songs Manna Dey sahab.

Happy birth anniversary to Manna Dey. The viewers of bollywood films and music lovers all across the country wish happy birthday to Manna Dey on 1st May 2023

. Born on 1st May, 1919, he had contributed in bollywood films for more than 70 years with his baritone voice. He had brilliant classical training and adorned bollywood music with versatile talent. He was awarded the dadasaheb phalke award for his immense contribution to music in India. Manna Dey learned music from Ustad Aman Ali Khan and Ustad Abdul Rahman Khan. He stormed bollywood films with super hit songs in Raj Kapoor’s film Shree 420 in 1955, with immortal songs composed by Shankar Jaikishan like “ramaiya vasta maiyya”, “pyar hua ikraar hua”, “mur mur ke na dekh”. During the golden Manna Dey was probably the only singer other than Mohammad Rafi who had been used by all the leading composers of bollywood music including Shankar Jaikishan in Basant Bahar, the song being “sur na saje”, Madanmohan in Dekh Kabira Roya, the song being “kaun aya mere man ke sware”, Roshan in Dil Hi To Hai, the song being “laga chunari me daag”, SD Burman in Meri Surat Teri Ankhen, the song being “pucho na kaise”, to name a few. Manna Dey had a very sweet relationship with Sudhin Dasgupta. He was used by almost all the leading composers of Bengal namely Anil Bagchi, Nochiketa Ghosh, Salil Choudhury and others. But probably his westernized andaz was used to the limit by Sudhin Dasgupta. Sudhin Dasgupta used Manna Dey in Uttam Kumar’s film Goli Theke Rajpoth with the song “lag lag lag lag bhelkir khela”. Manna Dey’s songs “ami agantuk” and “ke prothom kache esechi” composed by Sudhin Dasgupta in Uttam Kumar’s film Shankhabela created sensation in Bengali celluloid in 1966. Manna Dey’s songs “ami kon pothe je choli” and “bachao ke acho” in Uttam Kumar’s film Choddobeshi became super hit as well. In the 70s, Manna Dey’s songs “esechi ami esechi”, “lekha porata shikhe phele” and “paye paye joriye rakho” in Uttam Kumar’s film Har Mana Har created sensation as well. Uttam Kumar gave the lips of his lifetime in the film Har Mana Har. While major success of Sudhin Dasgupta came in Uttam Kumar’s films, he made major contribution in Soumitra Chatterji’s films as well. The songs “ei shohor theke aro anek dure”, “hoyto tomari jonyo”, “jibone ki pabona” in the film Teen Bhubaner Pare, composed by Sudhin Dasgupta and sung by Manna Dey showed the westernized orchestration of the giant composer. Sudhin Dasupta’s songs in Soumitra’s films Prothom Kodom Phul and Bosonto Bilaap were equally successful. Manna Dey’s all round musical skills were used to perfection in these films. Even the song “ogo tomar sesh bichare asay” sung by Manna Dey in bayul andaz in Kali Banerjee’s legendary film Dak Horkora, and composed by Sudhin Dasgupta made the viewers speechless. Manna Dey sang many numbers of solo numbers as basic discs under the compositions of Sudhin Dasgupta. One of the notable songs included “ami taar thikana rakhini”. The songs of Sudhin Dasgupta and Manna Dey combination should be preserved and restored. Music-lovers wish Manna Dey to continue singing till his last day of life.

Tabooji and Alia Bhattji won filmfare best actress award in 2023 for Bhoolbhulaiya 2 and Gangubai film

Tabooji won best actress award in filmfare award for film Bhoolbhulaiya 2 and Alia Bhattji won filmfare award for Gangubai film.After much drama over who’s attending and not attending the 68th annual Filmfare Awards, the ceremony concluded in grand fashion in Mumbai on Thursday night, and winners proudly posed with the black lady (the trophy) in their hands. The glamorous night kicked-off with Alia Bhatt, Anil Kapoor, Rekha, Janhvi Kapoor, Nora Fatehi, Vicky Kaushal and several others walking the red carpet. Salman Khan hosted the event, along with Ayushmann Khurrana and Maniesh Paul. Electrifying dance performances by Vicky Kaushal, Tiger Shroff, Janhvi Kapoor and Jacqueline Fernandez were the major highlight of the starry night. The awards function was conducted at the Jio World Convention Centre in BKC, Mumbai. Recommended for you 1Irrfan Khan death anniversary: Shoojit Sircar, Homi Adjania, Tigmanshu Dhulia share memories of late actor 2Swara Bhasker, Sonu Sood, Prakash Raj and others come out in support of protesting wrestlers 3Raashi Khanna says she was shocked when she got a ‘strong girl’ role in a Karan Johar production: ‘It’s not like aayi aur chali gayi’ Alia Bhatt won the coveted Best Actor (female) award and her film Gangubai Kathiawadi was declared the best film. Sanjay Leela Bhansali completed the sweep and won the Best Director award. Bhumi Pednekar, Rajkummar Rao and Sheeba Chaddha won critics’ choice awards for Badhaai Do and the social comedy-drama was also declared the Best Film (critics’ choice). While Kartik Aaryan did not win an award for his highly successful film Bhool Bhulaiyaa 2, directed by Anees Bazmee, Tabu took home the Best Actress award (critics’ choice). What turned out to be a pleasant surprise is Sanjay Mishra winning the Best Actor (critics’ choice) award for his critically acclaimed film Vadh also starring Neena Gupta. Brahmastra was a massive success at the box office, however, it did not take home any major trophies. However, it did win the best music album award, where as Amitabh Bhattacharya won the best lyrics awards for the film’s popular song “Kesariya” and Arijit Singh won the best playback singer (male) for the same song. The awards recognised talent from Amitabh Bachchan’s Jhund, with Ankush Gedam winning the best debutant actor (male) award and Anek’s Andrea Kevichüsa winning the best debutant actor (female) award. Veteran actor Prem Chopra was honoured with the lifetime achievement award. Here’s the full list of award winners: Best Film: Gangubai Kathiawadi Best Film (Critics’): Badhaai Do Advertisement Best Actor in a Leading Role (Male): Rajkummar Rao for Badhaai Do Best Actor in a Leading Role (Female): Alia Bhatt for Gangubai Kathiawadi Best Actor (Critics’): Sanjay Mishra for Vadh Best Actress (Critics’): Bhumi Pednekar for Badhaai Do and Tabu for Bhool Bhulaiyaa 2 Best Director: Sanjay Leela Bhansali for Gangubai Kathiawadi Advertisement Best Actor in a Supporting Role (Male): Anil Kapoor for Jug Jugg Jeeyo Best Actor in a Supporting Role (Female): Sheeba Chaddha for Badhaai Do Best Music Album: Pritam for Brahmastra: Part One – Shiva Best Dialogue: Prakash Kapadia and Utkarshini Vashishtha for Gangubai Kathiawadi Best Screenplay: Akshat Ghildial, Suman Adhikary and Harshavardhan Kulkarni for Badhaai Do Best Story: Akshat Ghildial and Suman Adhikary for Badhaai Do Best Debut (Male): Ankush Gedam for Jhund Best Debut (Female): Andrea Kevichüsa for Anek

Superstar Salman Khanji film Kisi Ka Bhai Kisi Ki Jaan crossed 170 crores business in India and abroad in 9 days.

Kisi ka Bhai Kisi Ki Jaan does 100 crores business in India and 70 crores business abroad in 9 days. Salman Khansahab returned with a bang. His film Kisi Ka Bhai Kisi Ki Jaan is heading towards being a blockbuster and will earn more than 150 crores. In 2 days business the film has done business of 40 crores in India and 20 crores business abroad. The film was announced on 10 January 2020 with the title Kabhi Eid Kabhi Diwali. However, it was later postponed for a longtime and suffered numerous pre-production delays due to the COVID-19 pandemic, and later it was revived with the reported title Bhaijaan. However, in August 2022, the film's official title was announced as Kisi Ka Bhai Kisi Ki Jaan.[5] Casting In February 2020, Pooja Hegde was signed as the female lead.[6] In December 2021, Venkatesh joined the cast, marking his comeback to Hindi cinema after Taqdeerwala (1995).[7] Jassie Gill, Siddharth Nigam and Raghav Juyal were roped in to play Khan's brothers in the film.[8][9] Punjabi cinema actress Shehnaaz Gill,[10] South Indian cinema actress Malvika Sharma,[11] newbie Palak Tiwari[12] and boxer-politician Vijender Singh were signed, marking their Hindi film debut with the film. Jagapathi Babu was signed in to play a pivotal role. Aasif Sheikh was signed in to play pivotal role, Ram Charan was cast for a special appearance.[13][14] Filming Principal photography began on 12 May 2022 in Mumbai.[15] Later in June, the production moved to Hyderabad.[16][17] In August 2022, a song was filmed along with some portions in Ladakh.[18] The shooting of the film was wrapped up in February 2023.[19] Soundtrack Kisi Ka Bhai Kisi Ki Jaan Soundtrack album by Himesh Reshammiya, Devi Sri Prasad, Ravi Basrur, Sajid Khan, Sukhbir, Payal Dev, and Amaal Mallik Released 20 April 2023[20] Recorded 2022 Genre Feature film soundtrack Length 27:42 Language Hindi Label Zee Music Company Official audio Kisi Ka Bhai Kisi Ki Jaan - Full Album on YouTube Singles from Kisi Ka Bhai Kisi Ki Jaan "Naiyo Lagda" Released: 12 February 2023 "Billi Billi" Released: 2 March 2023 "Jee Rahe The Hum (Falling in Love)" Released: 21 March 2023 "Bathukamma" Released: 31 March 2023 "Yentamma" Released: 4 April 2023 "O Balle Balle" Released: 17 April 2023 "Lets Dance Chotu Motu" Released: 18 April 2023 "Tere Bina" Released: 19 April 2023 In June 2022, Bollywood Hungama reported that Ravi Basrur was approached to compose the background score and one song. The source also claimed that Devi Sri Prasad, who was earlier signed for the film, opted out of the project.[21] Prasad, however, denied the rumors, saying that he had already composed a dance number for the film.[22] Himesh Reshammiya, Sajid Khan, Sukhbir, Payal Dev, Devi Sri Prasad, Ravi Basrur and Amaal Mallik have been signed to compose songs as well.[23] The teaser of the song "Naiyo Lagda" was showcased during the grand finale of Bigg Boss 16 and a day later, on 12 February 2023, the song was released on YouTube and other music platforms.[24] The second single titled "Billi Billi" was released on 2 March 2023.[25] The third single "Jee Rahe The Hum (Falling in Love)", sung by Salman Khan was released on 21 March 2023.[26] The fourth single titled "Bathukamma" was released on 31 March 2023.[27] The fifth single titled "Yentamma" was released on 4 April 2023.[28] The sixth single titled "O Balle Balle" was released on 17 April 2023.[29] The seventh single titled "Lets Dance Chotu Motu" was released on 18 April 2023.[30] The eighth single titled "Tere Bina" was released on 19 April 2023. The eldest brother refuses to marry since he believes it may create disharmony in his big family. His brothers, who've already found partners, come together to find a match for him. Salman khan returned back with a very entertaining movie as this movie is a mixture of comedia, action and drama ..the songs are beautiful, but i wish they weren't too much but i loved them. Salman looks are very very good. Also the whole cast are very talented. The actor who played the bad guy in the movie is sooo good. The screen play and the dialogues are so exciting. I loved salman in that movie he reminded me with his earlier hit movies like wanted, dabangg and all of the movies that shows him as a strong man. The chemistry between him and Poja is cute and funny, go and take ur family and enjoy that movie!

Oscar winning director Satyajit Ray was remembered on death anniversary.

The nation remembered Satyajit Ray on 23rd April, 2023. The nation remembered Satyajit Ray on his death anniversary on 23rd April, 2021

. Not only he was the recipient of the prestigious Oscar awards, he was the path-breaker in Indian films who taught the next-generation the art of story-telling. In 2010, Society had celebrated the 89th birth anniversary of the legendary director by showcasing some of his notable works like ‘Agantuk’, (The Stranger), ‘Jalsaghar’, (The Music Room), ‘Charulata’, (The lonely wife). The films were shown in Cinemax, Metro Big Cinemas and NCPA. After the films were shown, the significance of such films was discussed by Bhawna Somayya, ex-editor of Screen, filmmaker Sujoy Ghosh and film academicians from all across the country. Besides, discussions were held to highlight the contribution of Ray as a writer, an illustrator, an activist of the film society movement and a filmmaker. Internationally acclaimed directors like Shyam Bengal, Adoor Gopalakrishnan, were greatly influenced by Satyajit Ray’s films like Apu Trilogy, Jalsagar, Nayak, Mahanagar, etc., and they themselves became eminent story-tellers of the following period. The use of nature, the birds, and background, and the use of theme music in translating an unknown event to a group of individuals had enchanted the thoughtful directors all across the world. Even directors of the present period like Goutam Ghosh are influenced by the works of Satyajit Ray. He made Abar Aranye which was a sequel to Satyajit Ray’s film Aranyer Dinratri. A personality like Ray could only make a film like Kanchenjungha, where the greatness of the Himalayas overshadowed the ego of a materialistic industrialist played by Satyajit Ray. An important part of Satyajit Ray’s creations include his literature on diverse subjects. While his Sandip Ray had taken the challenge of converting the Feluda Series into feelings, his literature relating to horror-based subject matters, his series of 12 stories are yet to be converted into films. Sandip Ray’s films Bombaier Bombete, Kailashe Kelenkari, Baksho Rahasya, based on epic literature of Ray had got good response from the viewers. But Ray’s brilliant stories in the 12 series like Ebaro Baro, Aro Baro, Ek Dojon Goppo, Aro Ek Dojon, Eker Pite Dui, are yet to see the light of celluloid. Ray’s stories like Khagam, based on the theme of human being converted into a snake, Pterodactyler dim, based on the prehistoric era, Fritze, based on the topic of life in a doll, Asomongobabur Kukur, based on the weird mannerisms of dogs, had bewildered the readers. If such stories are adapted and made into films, the viewers will enjoy them to the brim. The legacy of Ray whether in the form of neo-realistic films like Pather Panchali, or suspense –thriller stories relating to Feluda Series or Professor Shanku, still continues, even 18 years after his death. The stories should be translated in different languages, and films should be preserved and restored.

Superstar Salman Khanji Pooja Hegdeji starrer Kisi Ka Bhai Kisi Ki Jaan does 100 crores business in 3 days.

Kisi ka Bhai Kisi Ki Jaan does 75 crores business in India and 25 crores business abroad. Salman Khansahab returned with a bang. His film Kisi Ka Bhai Kisi Ki Jaan is heading towards being a blockbuster and will earn more than 150 crores. In 2 days business the film has done business of 40 crores in India and 20 crores business abroad. The film was announced on 10 January 2020 with the title Kabhi Eid Kabhi Diwali. However, it was later postponed for a longtime and suffered numerous pre-production delays due to the COVID-19 pandemic, and later it was revived with the reported title Bhaijaan. However, in August 2022, the film's official title was announced as Kisi Ka Bhai Kisi Ki Jaan.[5] Casting In February 2020, Pooja Hegde was signed as the female lead.[6] In December 2021, Venkatesh joined the cast, marking his comeback to Hindi cinema after Taqdeerwala (1995).[7] Jassie Gill, Siddharth Nigam and Raghav Juyal were roped in to play Khan's brothers in the film.[8][9] Punjabi cinema actress Shehnaaz Gill,[10] South Indian cinema actress Malvika Sharma,[11] newbie Palak Tiwari[12] and boxer-politician Vijender Singh were signed, marking their Hindi film debut with the film. Jagapathi Babu was signed in to play a pivotal role. Aasif Sheikh was signed in to play pivotal role, Ram Charan was cast for a special appearance.[13][14] Filming Principal photography began on 12 May 2022 in Mumbai.[15] Later in June, the production moved to Hyderabad.[16][17] In August 2022, a song was filmed along with some portions in Ladakh.[18] The shooting of the film was wrapped up in February 2023.[19] Soundtrack Kisi Ka Bhai Kisi Ki Jaan Soundtrack album by Himesh Reshammiya, Devi Sri Prasad, Ravi Basrur, Sajid Khan, Sukhbir, Payal Dev, and Amaal Mallik Released 20 April 2023[20] Recorded 2022 Genre Feature film soundtrack Length 27:42 Language Hindi Label Zee Music Company Official audio Kisi Ka Bhai Kisi Ki Jaan - Full Album on YouTube Singles from Kisi Ka Bhai Kisi Ki Jaan "Naiyo Lagda" Released: 12 February 2023 "Billi Billi" Released: 2 March 2023 "Jee Rahe The Hum (Falling in Love)" Released: 21 March 2023 "Bathukamma" Released: 31 March 2023 "Yentamma" Released: 4 April 2023 "O Balle Balle" Released: 17 April 2023 "Lets Dance Chotu Motu" Released: 18 April 2023 "Tere Bina" Released: 19 April 2023 In June 2022, Bollywood Hungama reported that Ravi Basrur was approached to compose the background score and one song. The source also claimed that Devi Sri Prasad, who was earlier signed for the film, opted out of the project.[21] Prasad, however, denied the rumors, saying that he had already composed a dance number for the film.[22] Himesh Reshammiya, Sajid Khan, Sukhbir, Payal Dev, Devi Sri Prasad, Ravi Basrur and Amaal Mallik have been signed to compose songs as well.[23] The teaser of the song "Naiyo Lagda" was showcased during the grand finale of Bigg Boss 16 and a day later, on 12 February 2023, the song was released on YouTube and other music platforms.[24] The second single titled "Billi Billi" was released on 2 March 2023.[25] The third single "Jee Rahe The Hum (Falling in Love)", sung by Salman Khan was released on 21 March 2023.[26] The fourth single titled "Bathukamma" was released on 31 March 2023.[27] The fifth single titled "Yentamma" was released on 4 April 2023.[28] The sixth single titled "O Balle Balle" was released on 17 April 2023.[29] The seventh single titled "Lets Dance Chotu Motu" was released on 18 April 2023.[30] The eighth single titled "Tere Bina" was released on 19 April 2023. The eldest brother refuses to marry since he believes it may create disharmony in his big family. His brothers, who've already found partners, come together to find a match for him. Salman khan returned back with a very entertaining movie as this movie is a mixture of comedia, action and drama ..the songs are beautiful, but i wish they weren't too much but i loved them. Salman looks are very very good. Also the whole cast are very talented. The actor who played the bad guy in the movie is sooo good. The screen play and the dialogues are so exciting. I loved salman in that movie he reminded me with his earlier hit movies like wanted, dabangg and all of the movies that shows him as a strong man. The chemistry between him and Poja is cute and funny, go and take ur family and enjoy that movie!

Ajay Devganji Tabuji film Bholaa crossed 100 crores business in India and 25 crores abroad with a total of 125 crores box office.

Ajay Devganji and Tabuji film Bholaa crores 125 crores business in India and abroad. Tabuji is really outstanding in the film Bholaa. With breathtaking performances of Tabuji and Ajay Devganji Bholaa has done 70 crores business in India in 4 days. It has potential to do 200 crores business. It is directed by Ajay Devganji himself.

Bholaa is a 2023 Indian Hindi-language action thriller film directed by Ajay Devgn and produced by Ajay Devgn FFilms, Reliance Entertainment, T-Series Films and Dream Warrior Pictures. It is a remake of the 2019 Tamil film Kaithi. The film stars Devgn in the titular role alongside Tabu, Deepak Dobriyal, Sanjay Mishra, Gajraj Rao and Vineet Kumar while Amala Paul, Abhishek Bachchan and Raai Laxmi make special appearances. The film follows an ex-convict who battles criminals while transporting a truck full of poisoned cops to the hospital in exchange for meeting his daughter after ten years of imprisonment. Principal photography took place from January 2022 to January 2023 in Mumbai, Hyderabad and Varanasi. The film score and soundtrack album are composed by Ravi Basrur, with cinematography by Aseem Bajaj and editing by Dharmendra. It was released on 30 March 2023 and opened to mixed to positive reviews. It has grossed ₹40 crore worldwide. Plot SP Diana Joseph captures members of the Sikka Gang and confiscates a haul of cocaine worth 1,000 crores. An undercover officer, Abbas Ali, has infiltrated the Sikka gang, posing as Raunak; Ashwathama 'Ashu' is the co-leader of the gang. Raunak gives information about Ashu to Diana, while Ashu seeks help from the corrupt NCB officer, Devraj Subramaniam. Subramaniam instructs another corrupt officer, Deep Singh, to add rohypnol in the alcohol that are going to be served at the farewell party for IG Jayant Malik. Diana does not drink, owing to a previous arm injury, but everybody else falls unconscious, including the IG. A prisoner named Bholaa has been released from prison and Diana tries to convince him to drive a lorry, taking the sedated officers to the nearest hospital 80 kilometers away, and then to the police station in Laalganj. Although he is reluctant at first, he agrees. Meanwhile, Ashu hires a bounty hunter on Diana and the rest of her police force. As Joseph, Bholaa, and owner of the lorry, Kadchi, start the journey, they are attacked by various gangs. Deep Singh, who has managed to hide with the sedated officers, in the back of the lorry, provides them with location updates. Bholaa reveals his brutal nature and manages to vanguish most of the gang members. Ashu also sends his gang to attack the police station in Laalganj, to free his brother, Nithari, the actual leader of the Sikka gang, who was caught with the cocaine haul. Diana and the rest of the police force are unaware of Nithari's identity and that he is in the police station. A new inspector, Angad Yadav, who was recently transferred to Laalganj, gets assigned by Diana to defend the police station. When Ashu arrives at the police station with his gang, they try to breach it, but are met with various barricades put up by Angad and 5 college students, who were caught driving while drunk. Diana is nearly tricked into ordering the release of the prisoners, but she realizes that it was a trap set by Nithari. Ashu manages to get inside the station, but Angad and the students manage to arrest him. One of the students, Chetan, is strangled to death by Ashu's men, who throw a lasso through a window. Angad, fuming with rage, kills Ashu. Diana contacts the medics of the hospital to provide emergency ambulances to a nearby temple of Shiva. As they wait, Bholaa narrates his past to Kadchi. He was a notorious gangster in Uttar Pradesh and fell in love with Dr. Swara, who reciprocated his love after he saved her from being sexually assaulted. Before their marriage, Bholaa gave up his life of crime, but Swara was killed by a ruthless gang leader known as Chomu Singh. Before dying, Swara gave birth to their daughter, Jyoti. However, Bholaa got separated from her after receiving a long-term prison sentence. Diana shares her story about how she lost her unborn child when she was pregnant. An ambulance finally arrives and takes the sedated officers to the hospital, however, Ashu's big henchman, Bhoora, shows up, thanks to directions provided by Deep Singh. Before Bholaa is able to fight, Deep Singh stabs him in the back, gravely injuring him. While Diana and Kadchi are taken away, Abbas is killed when he is discovered as the mole. Bholaa later regains consciousness and single-handedly kills the whole gang, including Deep Singh, using the Trident of the temple's Shiva deity. He chases after Bhoraa, rescuing Diana and killing Bhoraa in the process. After driving all night, Bholaa, Kadchi, and Diana finally arrive at the police station. They use a secret underground passage to get inside the police station and help the students, along with Angad, to escape safely. Diana burns the cocaine; Ashu's reinforced gang finally breaches the station, where Bholaa destroys the gang using a M134 Minigun. Shortly after, Nithari dies of shock after learning about Bholaa, and Devraj Subramaniam shoots himself after knowing that Bholaa was behind everything, as well as avoid arrest. Bholaa is finally reunited with Jyoti and they drive off happily in the lorry, taking Kadchi and a puppy with them. In a mid-credits scene, Chomu Singh learns about Bholaa's release and decides to destroy him.

Happy birthday to Pooja Bedi.

Happy birthday to Pooja Bedi. The viewers of bollywood films wish happy birthday to Pooja Bedi, the daughter of legendary actor Kabir Bedi on 11th May, 2023

. She was born in a star family with her mother Pratima Bedi being a classical dancerand father being an established actor. Although she came from an acting family as Kabir Bedi had experience of performing in Hollywood films as well, her contribution in bollywood films had not been that substantial. Her film Vishkanya in the early part of her career was based on the story related to snakes. In Indian films fantasies based on the life of snakes had amazed the viewers in the past. The film Nagin in the mid-70s, with Reena Roy, Jeetender, Mumtaz and others, did fantastic business. So Pooja Bedi was lucky to start her career with such films. The film was well appreciated by the audience. Later on her film with Amir Khan, Jo Jeeta Wohi Sikander, did fantastic business. The film was based on teenage romance. Amir Khan always had a special place in the minds of viewers as his romantic appeal always attracted the female audience right from the release of the film Qayamat Se Qayamat Tak. Pooja Bedi probably had given her best. Pooja Bedi’s role of a teenage girl did fit the requirement of the story and the film. All the songs in the film became successful including the song “pehla nasha, pehla khumar” sung by Udit Narayan. Viewers of different tastes appreciated the film. Her other notable films included Aatank Hi Aatank and Lootere. She was very impressive in Mahesh Bhatt’s film Phir Teri Kahani Yaad Ayee. It was a film related to human relationship and Pooja Bedi’s performance in a supporting role was appreciated by the critics. She was as impressive as Pooja Bhatt and Rahul Roy in the film. In the late 90s, all of a sudden she faded away from the industry. But she continued to appear in television shows. She was the anchor of the TV shows Not Just Page 3 and Just Pooja in Zoom TV. These programs became very popular in the years when they were telecast. In the following period she even participated as contestant in TV shows like Jhalak Dikhlaja in Sony TV, Heart Beat, Mum Tum or Hum, Jodi Kamaal Ki, Nach Baliye, etc., in Star TV, also Fear Factor – Khatron Ki Khiladi in Colors. The viewers expect her make a comeback in bollywood films in the years to come.

Superstar Salman Khan film Kisi Ka Bhai Kisi Ki Jaan does 40 crores business in India and 20 crores abroad in 2 days.

Salman Khansahab returned with a bang. His film Kisi Ka Bhai Kisi Ki Jaan is heading towards being a blockbuster and will earn more than 150 crores. In 2 days business the film has done business of 40 crores in India and 20 crores business abroad. The film was announced on 10 January 2020 with the title Kabhi Eid Kabhi Diwali. However, it was later postponed for a longtime and suffered numerous pre-production delays due to the COVID-19 pandemic, and later it was revived with the reported title Bhaijaan. However, in August 2022, the film's official title was announced as Kisi Ka Bhai Kisi Ki Jaan.[5] Casting In February 2020, Pooja Hegde was signed as the female lead.[6] In December 2021, Venkatesh joined the cast, marking his comeback to Hindi cinema after Taqdeerwala (1995).[7] Jassie Gill, Siddharth Nigam and Raghav Juyal were roped in to play Khan's brothers in the film.[8][9] Punjabi cinema actress Shehnaaz Gill,[10] South Indian cinema actress Malvika Sharma,[11] newbie Palak Tiwari[12] and boxer-politician Vijender Singh were signed, marking their Hindi film debut with the film. Jagapathi Babu was signed in to play a pivotal role. Aasif Sheikh was signed in to play pivotal role, Ram Charan was cast for a special appearance.[13][14] Filming Principal photography began on 12 May 2022 in Mumbai.[15] Later in June, the production moved to Hyderabad.[16][17] In August 2022, a song was filmed along with some portions in Ladakh.[18] The shooting of the film was wrapped up in February 2023.[19] Soundtrack Kisi Ka Bhai Kisi Ki Jaan Soundtrack album by Himesh Reshammiya, Devi Sri Prasad, Ravi Basrur, Sajid Khan, Sukhbir, Payal Dev, and Amaal Mallik Released 20 April 2023[20] Recorded 2022 Genre Feature film soundtrack Length 27:42 Language Hindi Label Zee Music Company Official audio Kisi Ka Bhai Kisi Ki Jaan - Full Album on YouTube Singles from Kisi Ka Bhai Kisi Ki Jaan "Naiyo Lagda" Released: 12 February 2023 "Billi Billi" Released: 2 March 2023 "Jee Rahe The Hum (Falling in Love)" Released: 21 March 2023 "Bathukamma" Released: 31 March 2023 "Yentamma" Released: 4 April 2023 "O Balle Balle" Released: 17 April 2023 "Lets Dance Chotu Motu" Released: 18 April 2023 "Tere Bina" Released: 19 April 2023 In June 2022, Bollywood Hungama reported that Ravi Basrur was approached to compose the background score and one song. The source also claimed that Devi Sri Prasad, who was earlier signed for the film, opted out of the project.[21] Prasad, however, denied the rumors, saying that he had already composed a dance number for the film.[22] Himesh Reshammiya, Sajid Khan, Sukhbir, Payal Dev, Devi Sri Prasad, Ravi Basrur and Amaal Mallik have been signed to compose songs as well.[23] The teaser of the song "Naiyo Lagda" was showcased during the grand finale of Bigg Boss 16 and a day later, on 12 February 2023, the song was released on YouTube and other music platforms.[24] The second single titled "Billi Billi" was released on 2 March 2023.[25] The third single "Jee Rahe The Hum (Falling in Love)", sung by Salman Khan was released on 21 March 2023.[26] The fourth single titled "Bathukamma" was released on 31 March 2023.[27] The fifth single titled "Yentamma" was released on 4 April 2023.[28] The sixth single titled "O Balle Balle" was released on 17 April 2023.[29] The seventh single titled "Lets Dance Chotu Motu" was released on 18 April 2023.[30] The eighth single titled "Tere Bina" was released on 19 April 2023. The eldest brother refuses to marry since he believes it may create disharmony in his big family. His brothers, who've already found partners, come together to find a match for him. Salman khan returned back with a very entertaining movie as this movie is a mixture of comedia, action and drama ..the songs are beautiful, but i wish they weren't too much but i loved them. Salman looks are very very good. Also the whole cast are very talented. The actor who played the bad guy in the movie is sooo good. The screen play and the dialogues are so exciting. I loved salman in that movie he reminded me with his earlier hit movies like wanted, dabangg and all of the movies that shows him as a strong man. The chemistry between him and Poja is cute and funny, go and take ur family and enjoy that movie!

Shankar Jaikishanji, Naushadji, Roshanji gave landmark duets to Suman Kalyanpurji and Rafisahab.

Suman Kalyanpur had her birthday on 28th January, 2021. The media during the last 60s years had been too kind towards some of the celebrities while remained silent about the others. For example during the golden age 50s, 60s and 70s, other than Lata and Rafi there were other combinations who had given everlasting hits. Lata Mangeshkar always got the focus of attention and as such her duets with Rafi which covers more than 440 in number always stole the attention. Yet Suman Kalyanpur during the same age of competition had sung almost 170 duets with Rafi most of which became super hit, yet could not get the lime light which they deserved. The song “ajahu na aye balma” from Saanjh Aur Sawera, picturised on Mehmood and Subha Khote and composed by Shankar Jaikishan showed the compatibility of Rafi with Suman Kalyanpur in classical songs. Rafi could adapt his style of singing with any singer. But Suman Kalyanpur also did a great job with the giant. The song “dil-e-betaab ko seene se lagana hoga” from the film Palki, picturised on Rajender Kumar and Wahida Rehman and composed by Naushad had the ghazal andaz embedded in them and Suman Kalyanpur was unblemmish aside Rafi. SJ used the same Suman Kalyanpur aside Rafi in fast numbers like “aaj kal tere mere pyar ke charche” from Brahmchari picturised on Shammi Kapoor and Mumtaz, “dil use do jo jaan de de” picturised on Shammi Kapoor and Hema Malini in the film Andaz. The biggest tragedy is that the songs did great business and the films became super hit, yet the message relating to Rafi’s combination with Suman Kalyanpur did not reach most of the viewers and the media too did not play a neutral role in that aspect. Half of the people thought the duets were sung by Rafi and Lata as Suman Kalyanpur’s singing style matched with that of Lata. Khayyam’s composition “thereiye hosh me aaloon to chale jayiega” from the film Mohabbat is ko kehte hai” picturised on Shashi Kapoor and Nanda had another romantic number of Rafi and Suman. Madan Mohan’s tune “baad muddat se yeh ghari aye” sung by Rafi and Suman stunned many listeners of ghazals, as the urdu words were pronounced in style in the film Jahan –ara. Bharat Bhushan and Mala Sinha were sublime in the film. Rafi as usual was unblemish in respect of ghazals. But Suman too had adapted her style of singing which suited the songs of the Mughal period. Even the fast numbers composed by LP like “tumse o haseena” sung by Rafi and Suman did not get the hype of media which it deserved inspite of Farz ending up as a run away hit of Jeetender. Roshan’s meritorious composition like “maine aye jaane wafa” from the film Bedaag, “chand takda hai idhar” from the film Doojh Ka Chaand remained unnoticed. Besides there were other hits like “parbaton ke paron par sham ka basera hai” from the film Shagun composed by Khayyam, “tumne pukara aur hum chale aye” from the film Raj Kumar composed by Shankar Jaikishan, “dil ek mandir hai” from the film Dil Ek Mandir composed by Shankar Jaikishan, “tujhe dekha tujhe chaha” from the film Choti Si Mulakat composed by Shankar Jaikishan, “tujhe pyar karte karte” from the film April Fool composed by Shankar Jaikishan, “mujhe yeh phool na den” from the film Ghazal composed by Madan Mohan. The factor of Suman Kalyanpur being chosen to sing duets with legendary Rafi Sahab by giant composers like Shankar Jaikishan, Naushad, Madan Mohan, Khayyam, Laxmikant Pyarellal, Kalyanji Anandji, proved another fact that she was not any particular composer’s singer. She did a great job with Rafi, but due to passive attitude of the media the songs got recognition with no information relating to the singer. Even in many films when the names of the singers were written Suman Kalyanpur’s name was mentioned at the end without any particular reason for it. Rafi had proved in his entire life that he was a greater human being than a singer. That was the reason why he could match his singing style with any fellow female artist including Lata, Geeta Dutt, Sumna Kalyanpur, Sharda, Mubarak Begum, Asha Bhosle, Shamshad Begum, and others. His combination with Suman Kalyanpur should be preserved and restored.

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Legendary actress Nandaji is still remembered in her landmark films.

It is a shocking news for the lovers of Indian films that Nanda had died today, on 25th March, 2014, at the age of 75 years. She suffered a massive heart attack. Her friend Mala Sinha shared her experiences with the press and media about acting with Nanda. Both of them acted in the film Dhool Ka Phool. Nanda having huge amount of acting potentials never received her dues. Born in a Maharashtrian family she learned acting from childhood. Eminent director V Shantaram gave her a prominent role in the film Toofan Aur Diya in 1956. She was brilliant in the film Bhabhi in 1957. She played the role of the younger sister of Pandari Bai, the wife of Balraj Sahani in the film. She became widow at a very early age and the information was not given to her by Pandari Bai. She played a very juvenile role in the first part of the film and in the second part became serious. She received the nomination for best supporting actress in 1957 for her role in Bhabhi but did not win it. She was sublime in the role of the wife of Rajender Kumar in the film Dhool Ka Phool in 1959. She followed it up by a brilliant performance in the film Choti Behen. Again she had the challenge of acting with Balraj Sahani. She did a great job. In 1960s, Nanda became a stylish heroine and acted in glamour oriented roles. With Manoj Kumar she had a fantastic combination. She did a great job in the film Bedaag. Gumnaam was the blockbuster film of Nanda which did fabulous business. Shankar Jaikishan’s music stormed Bollywood in 1965 with Gumnaam. Nanda gave soft lips in the song “jaane chaman sholabadan” which was sung by Sharda and Mohammad Rafi. The she was paired opposite Shashi Kapoor in more than 7 films. The romantic pair started their journey in the film Jab Jab Phool Khilen. It was a music oriented film which created magic. Kalyanji Anandji’s music was appreciated by the audience. Rafi and Suman Kalyanpur’s duet song “nanakarte pyar humhi to kar baite” became bumper hit. The combination just gave hits after hits. The other notable films included Neend Hamari Khwab Tumhari, Muhobbat Is Ko Kehte Hai, to name a few. The movies were shot in romantic locations of Jammu Kashmir and Himachal Pradesh. The music created magic and the audiences admired the films. In the 1970s and 1980s, Nanda shifted to character roles. There also she showed excellence. In Manoj Kumar’s film Shor she played a compassionate character. In Dilip Kumar’s film Mazdoor she played the role of his wife. She also gave a landmark performance in Raj Kapoor’s film Prem Rog in 1982. Her character role of the mother of Padmini Kolhapuri caught the attention of the viewers. In her career around 40 years, she had acted in diverse roles. But neither was she honoured, nor recognized for the great callibre shown over the years. Her films should be preserved.

Happy birth anniversary to Classical King Manna Deysahab.

Happy birth anniversary to Manna Dey. The viewers of bollywood films and music lovers all across the country wish happy birthday to Manna Dey on 1st May 2023

. Born on 1st May, 1919, he had contributed in bollywood films for more than 70 years with his baritone voice. He had brilliant classical training and adorned bollywood music with versatile talent. He was awarded the dadasaheb phalke award for his immense contribution to music in India. Manna Dey learned music from Ustad Aman Ali Khan and Ustad Abdul Rahman Khan. He stormed bollywood films with super hit songs in Raj Kapoor’s film Shree 420 in 1955, with immortal songs composed by Shankar Jaikishan like “ramaiya vasta maiyya”, “pyar hua ikraar hua”, “mur mur ke na dekh”. During the golden Manna Dey was probably the only singer other than Mohammad Rafi who had been used by all the leading composers of bollywood music including Shankar Jaikishan in Basant Bahar, the song being “sur na saje”, Madanmohan in Dekh Kabira Roya, the song being “kaun aya mere man ke sware”, Roshan in Dil Hi To Hai, the song being “laga chunari me daag”, SD Burman in Meri Surat Teri Ankhen, the song being “pucho na kaise”, to name a few. Manna Dey had a very sweet relationship with Sudhin Dasgupta. He was used by almost all the leading composers of Bengal namely Anil Bagchi, Nochiketa Ghosh, Salil Choudhury and others. But probably his westernized andaz was used to the limit by Sudhin Dasgupta. Sudhin Dasgupta used Manna Dey in Uttam Kumar’s film Goli Theke Rajpoth with the song “lag lag lag lag bhelkir khela”. Manna Dey’s songs “ami agantuk” and “ke prothom kache esechi” composed by Sudhin Dasgupta in Uttam Kumar’s film Shankhabela created sensation in Bengali celluloid in 1966. Manna Dey’s songs “ami kon pothe je choli” and “bachao ke acho” in Uttam Kumar’s film Choddobeshi became super hit as well. In the 70s, Manna Dey’s songs “esechi ami esechi”, “lekha porata shikhe phele” and “paye paye joriye rakho” in Uttam Kumar’s film Har Mana Har created sensation as well. Uttam Kumar gave the lips of his lifetime in the film Har Mana Har. While major success of Sudhin Dasgupta came in Uttam Kumar’s films, he made major contribution in Soumitra Chatterji’s films as well. The songs “ei shohor theke aro anek dure”, “hoyto tomari jonyo”, “jibone ki pabona” in the film Teen Bhubaner Pare, composed by Sudhin Dasgupta and sung by Manna Dey showed the westernized orchestration of the giant composer. Sudhin Dasupta’s songs in Soumitra’s films Prothom Kodom Phul and Bosonto Bilaap were equally successful. Manna Dey’s all round musical skills were used to perfection in these films. Even the song “ogo tomar sesh bichare asay” sung by Manna Dey in bayul andaz in Kali Banerjee’s legendary film Dak Horkora, and composed by Sudhin Dasgupta made the viewers speechless. Manna Dey sang many numbers of solo numbers as basic discs under the compositions of Sudhin Dasgupta. One of the notable songs included “ami taar thikana rakhini”. The songs of Sudhin Dasgupta and Manna Dey combination should be preserved and restored. Music-lovers wish Manna Dey to continue singing till his last day of life.

Whenever Manna Deysahab met Rafisahab the songs ended up being masterpieces.

Manna Dey and Mohammad Rafi’s duet songs were masterpieces.

Only genius singers have the capability of simplifying difficult ragas and Hindustani classical music simplified into the version which is understandable by the common mass. Both Manna Dey Sahab and Mohammad Rafi Sahab had the capability of making those complicated tunes simple, melodious and romantic. There were huge numbers of difficult songs composed for both of them in the 1950s and 1960s. Some of them had become immortal over the years. The greatness of Manna Dey and Rafisahab lies in simplifying these high voltage qawallis and classical songs in the language of the lay man. Every filmlover who had watched the films and heard the classical andaz in these songs in the beginning wondered about the brilliance of Manna Dey and Rafisahab, and then enjoyed them, clapped at the rhythm created by them and sang all the lines themselves. It was a revolution brought about by the 2 genius singers. It can be very well understood, had these singers not being born, the giant of giants Roshanlal Nagrath, Shankar Jaikishan, Naushad Ali, Madanmohan Kohli and others would not have composed the songs at all. Roshanlal Nagrath’s qawallies had the quality and the brilliance to overshadow the romantic songs and be the striking song of the film beating all other songs. In Barsaat Ki Raat, the qawalli sung by Manna Deyji and Rafisahab titled “Na to caarvaan ki talaash hai, na to humsafar ki talaash hai Mere shauq-e-khaana kharaab ko, teri rehguzar ki talaash hai”, was the lifeblood of the film. Sudha Malhotra and Asha Bhosle also made notable contribution in the song. The Roshan, Sahir Ludhiyanvi magic continued in the film Taj Mahal. Pradip Kumar played the role of emperor Shahjahan in the film. Rich urdu lyrics and khandani Hindustani classical songs mesmerized the audience in 1963. One of the brilliant qawallies titled “chandni ka badan, sone ka nazar” had classical contest of Rafisahab with Manna Dey. Again there was strong performances of Mahendra Kapoor and Asha Bhosle in the song. The Roshanlal Nagrath, Sahir Ludhiyanvi masterpiece continued in Bahu Begum in 1967. Again there were brilliant performances of Pradip Kumar and Meena Kumari. Rafi Sahab and Manna Dey complimented each other in the song “dhoond ke layun kahan se mai”. In that song in addition to the classical tans, both Rafisahab and Manna Dey Sahab, established the sufi andaz of the song as it was picturized in a dargah. The other duet song of Rafi Sahab and Manna Dey Sahab in the film titled “waqib hunk hub ishq ke” really made the musical bandits astonished. Perfection was very close to Manna Dey and Rafisahab’s uncomparable singing. Madanmohan Kohli did another good experiment in the film Haqeekat. In that film in 1964, Rafi Sahab, Manna Deyji, Bhupinderji and Talat Sahab had sung the song “hoke majboor usne bulaya hoga”. Everyone’s style was very different. Very significantly the pathos exhibited in the song was also very unique in respect of all the singers. Shankar Jaikishan composed a beautiful song “mehfil me shama chamki” in the film Gunahon Ka Devta in 1967. Here also Manna Dey and Rafisahab showed their own gayaki skills to make the song sound beautiful. Naushad Ali created a beautiful qawalli in Rajender Kumar’s film Palki in 1967 titled “mai idhar jayun yaah udhar jayun”. Rafisahab and Manna Dey reached the message of the lyricist to the audience through their excellent classical singing. In the film Chandi Sona in 1977, Rafisahab and Manna Dey sang the song “ek shokh haseena se”. The singing was notable again. Sonik Omi composed the song “mujhse nazren milaaneki” for Manna Dey and Rafi Sahab in the film Maan Gaye Ustad released in 1981. There were duet songs sung by Rafisahab and Manna Dey in light mood like “yeh do diwane milke” in Johar Mehmood in Hongkong, “dekho dekho madam” in Pyar Muhabbat, “aayo aaten kyun nahin”, but those had comedy andaz in respect of them. The list just goes. More than 100 articles can be devoted to the two giants Manna Dey and Rafisahab. Their songs and films require restoration.

Rafisahab sang lajawab and landmark songs between 1971 to 1975

Rafisahab sang very landmark songs between 1971 to 1975. By: Dr Souvik Chatterji (Associate Professor in Law and Head of Department, JIS University, Kolkata) Rafisahab is remembered on his death anniversary in December 2022. It is 42 years since he left the world, yet his popularity increased and increased. Some group addressed the media that mid 1970s was the phase when Rafisahab sang less number of songs. Here are some of the landmark songs Rafisahab sang between 1971 to 1975. In 1971, Rafisahab sang landmark songs for Rajender Kumarsahab film Aap Aye Bahar Aye. He sang “mujhe teri muhabbat ka sahara”, “ pooch jo koi mujhse”, “aap aye bahaar aye”, composed by Laxmikant Pyarelalji all became super hit. In 1971 Rafisahab sang landmark songs for Shammi Kapoorji film Andaaz. He sang “hai na bolo bolo”, “remamma remamma re”, “dil use do jo jaan de de” composed by Shankar Jaikishanji all became super hit. In 1971, Rafisahab song “kuch keheta yeh sawan” in Dharmenderji film Mera Gaon Mera Desh composed by Laxmikant Pyarellalji became big hit. In 1971, Rafisahab song “tubhi aaja ki ay gayi” in Raj Kumarji film Maryada composed by Kalyanji Anandji became a big hit. In 1971, Rafisahab song “chirag kis ke ghar ka” in Jeetenderji film Ek Nari Ek Brahmachari composed by Shankar Jaikishanji became super hit. In 1972, Rafisahab song “chalo dildar chalo” in Raj Kumarji film Pakeeza composed by Ghulam Muhammadji became super hit. In 1972, Rafisahab song “ek na ek din yeh kahani banegi” in Rajender Kumarji film Gora Aur Kala composed by Laxmikant Pyarelalji became super hit. In 1972, Rafisahab song “bol mere sathiya” and “aaj gaalo muskurayo” in Rajender Kumarji Dharmenderji film Lalkar composed by Kalyanji Anandji became super hit. In 1972, Rafisahab song “bari bewafa hai yeh husnwale” in Jeetenderji film Roop Tera Mastana composed by Laxmikant Pyarelalji became a big hit. In 1973, Rafisahab song “chura liya hai tumne jo dilko” in Dharmenderji film Yaadon Ki Baraat composed by RD Burmanji became a big hit. In 1973, Rafisahab song “aaj mausam bara beimaan hai” in Dharmenderji film Loafer composed by Laxmikant Pyarelalji became a super hit. In 1973, Rafisahab song “tum jo mil gaye ho” in Navin Nischalji film Hanste Zakhm composed by Madanmohanji became a super hit. In 1974, Rafisahab song “ek daal par tota bole” in Shashi Kapoorji film Chor Machaye Shor composed by Ravindra Jainji became super hit. In 1974, Rafisahab song “teri galiyon me na rakhenge kadam” in Anil Dhawanji film Hawas composed by Usha Khannaji became super hit. In 1974, Rafisahab song “phir wohi wohi baat” in Sanjeev Kumarji film Naya Din Nayi Raat composed by Laxmikant Pyarelalji became super hit. In 1975, Rafisahab song “jat yamla pagla diwana” in Dharmenderji film Pratigya composed by Laxmikant Pyarelalji became super hit. In 1975, Rafisahab song “ chari re chari kaise gale me pari” in Sanjeev Kumarji film Mausam composed by Madanmohanji became super hit. In 1975, Rafisahab song “ek mahal ho sapno ka” in Dharmenderji film Ek Mahal Ho Sapno Ka, composed by Raviji became superhit. The list goes on. In the later years Rafisahab sang landmark songs Rishi Kapoorji films like Laila Majnu, Amar Akbar Anthony to mention a few. So this shows Rafisahab songs were significant in the mid 1970s as well. The songs require restoration and preservation.

Romantic songs of Alpona Banerjee were more popular than nursery songs.

Alpona Banerjee could have continued with her music career in films instead of nursery songs. Alpona Banerjee, the romantic playback singer of Bengal during the 50s and 60s, had earned stardom through the songs she had sung for children. Prominent among them included “chottopakhi chandana”, “hattimatim tim”, “kana machi bho bho”, “charka kate buri”, “agdum bagdum ghoradum”, “dol dol duluni”, etc. But while her popularity before the children remained intact over 70 years, her stardom in the film industry declined. Born on 14th March, 1934, she got breaks in bollywood films due to her father’s intimacy with legendary composer Robin Chatterji and lyricist Gouri Prasanna Majumdar. Her song “matir ghare aaj nemeche chand re” entertained the Bengali film viewers in the early 50s. From providing playback in Bengali film Bidyasagar, she sang a number of romantic songs in leading films of the 50s. Her song “hriday amar sundoro taba paye” composed by Robin Chatterji in Uttam Kumar Suchitra Sen’s film Sagarika stormed the audience. Her song performance in the film Shubhada was specially acclaimed. While her film career blossomed in the 50s, her Bengali modern songs bewildered the Bengali audience. Her romantic song “ami sundar bole tai to bondhu besecho bhalo amay” composed by Manobendra Mukherjee can be considered to be the most romantic song she had ever sung in her life. The other composition of Manobendra Mukherjee for her titled “mon bolche aaj sondhay kichu bolte tumi aasbeki” which became super hit. Her other songs “Jodi tomar jibone” and “bolechile tumi gaan shonaabe” were equally romantic. She at the same time sung songs in prominent films like Chele Kar under composition of Kalipada Sen, Personal Assistant under composition of Nochiketa Ghosh, Pathe Holo Deri composed by Robin Chatterji. She was married to Sridhar Mukherjee and faded away from the film music arena in the 60s. She also sang songs in romyogeeti in All India Radio. The other films where she made valuable contribution included Bidhilipi, Kar Pape, Na, Chele Kar, Shilpi, Agni Parikkha, Bhangagara, etc. Her other basic discs which were prominent included “ami alpone eke jai”, “bokulgandhe Jodi akash”, “tomar moner rong legeche”, “samiran phire chao”, etc. Viewers wonder that if Alpona Banerjee had not sung nursery songs for children which in Bengali is termed “charar gaan”, she could have done great justice to her romantic voice and her place would have been besides Sandhya Mukherjee and Geeta Dutt who dominated Bengali film music and modern songs during 50s and 60s. The audience had an impression of Alpona Banerjee’s voice related to children’s fairy tales which got more predominance over other songs. She died on 24th July, 2009, at the age of 75 years. Her songs and films should be preserved.

Looking back at dignified actress Nandaji

It is a shocking news for the lovers of Indian films that Nanda had died today, on 25th March, 2014, at the age of 75 years. She suffered a massive heart attack. Her friend Mala Sinha shared her experiences with the press and media about acting with Nanda. Both of them acted in the film Dhool Ka Phool. Nanda having huge amount of acting potentials never received her dues. Born in a Maharashtrian family she learned acting from childhood. Eminent director V Shantaram gave her a prominent role in the film Toofan Aur Diya in 1956. She was brilliant in the film Bhabhi in 1957. She played the role of the younger sister of Pandari Bai, the wife of Balraj Sahani in the film. She became widow at a very early age and the information was not given to her by Pandari Bai. She played a very juvenile role in the first part of the film and in the second part became serious. She received the nomination for best supporting actress in 1957 for her role in Bhabhi but did not win it. She was sublime in the role of the wife of Rajender Kumar in the film Dhool Ka Phool in 1959. She followed it up by a brilliant performance in the film Choti Behen. Again she had the challenge of acting with Balraj Sahani. She did a great job. In 1960s, Nanda became a stylish heroine and acted in glamour oriented roles. With Manoj Kumar she had a fantastic combination. She did a great job in the film Bedaag. Gumnaam was the blockbuster film of Nanda which did fabulous business. Shankar Jaikishan’s music stormed Bollywood in 1965 with Gumnaam. Nanda gave soft lips in the song “jaane chaman sholabadan” which was sung by Sharda and Mohammad Rafi. The she was paired opposite Shashi Kapoor in more than 7 films. The romantic pair started their journey in the film Jab Jab Phool Khilen. It was a music oriented film which created magic. Kalyanji Anandji’s music was appreciated by the audience. Rafi and Suman Kalyanpur’s duet song “nanakarte pyar humhi to kar baite” became bumper hit. The combination just gave hits after hits. The other notable films included Neend Hamari Khwab Tumhari, Muhobbat Is Ko Kehte Hai, to name a few. The movies were shot in romantic locations of Jammu Kashmir and Himachal Pradesh. The music created magic and the audiences admired the films. In the 1970s and 1980s, Nanda shifted to character roles. There also she showed excellence. In Manoj Kumar’s film Shor she played a compassionate character. In Dilip Kumar’s film Mazdoor she played the role of his wife. She also gave a landmark performance in Raj Kapoor’s film Prem Rog in 1982. Her character role of the mother of Padmini Kolhapuri caught the attention of the viewers. In her career around 40 years, she had acted in diverse roles. But neither was she honoured, nor recognized for the great callibre shown over the years. Her films should be preserved.

Happy birthday to Tina Munimji

Happy birthday to Tina Munim. The viewers of bollywood films wish happy birthday to Tina Munim on 11th February, 2023. She is better known as Tina Ambani after marrying Anil Ambani who is one of Indian’s leading business magnets. She was discovered by Dev Anand and cast in the film Desh Pardesh in 1978. She also acted in the films Lootmaar and Manpasand. She was most successful opposite Rishi Kapoor, who was the greatest romantic actor in the late 70s and early 80s. Subhash Ghai’s Karz stormed bollywood in the late 70s, where Rishi Kapoor and Tina Munim combination was well accepted by the audience. All the songs composed by LP and picturised on Rishi Kapoor and Tina Munim became super hit including “mai sola baraski”, “ek haseena thi”, “darde dil”, “om shanty om”, etc. Karz was remade few years back with Himesh Reshammiya playing the role of Rishi Kapoor in the new version. She also acted in the super hit film Aap Ke Diwane opposite Rishi Kapoor. Rakesh Roshan did cast her in the film Akhir Kyon opposite Rishi Kapoor. She was sublime in Basu Chatterjee’s film Baaton Baaton Me opposite Amol Palekar, and Man Pasand. She acted in a number of films opposite Rajesh Khanna including Souten, Bewafai, Insaaf Mai Karunga, most of which did excellent business. Souten did good business in the early 1980s. Padmini Kolhapuri played an important role in that film. She had acted opposite other actors also but viewers remember her combination the most with Rishi Kapoor. Her performances opposite Rishi Kapoor in the films Bade Dilwale, Deedar-E-Yaar and Aap Ke Deewane are remembered by the viewers. Aap Ke Deewane did great business in 1980. Rakesh Roshan also acted opposite Tina Munim where Rishi Kapoor played the main role. The music of Rajesh Roshan became super hit including Rafi’s songs “aap ke dewaane hai”, “tum ko khush dekhkar mai bahut khush hua”, etc. Sunil Dutt launched his son Sanjay Dutt in the film Rocky opposite Tina Munim. The film did good business in the early 80s. In 1987 she left bollywood films. Later she settled down after marrying Anil Ambani. She had been involve

Vaijayantimalaji Meena Kumariji opposite Dilip Kumarsahab versus Nargisji Padminiji opposite Raj Kapoorji

Raj Kapoor versus Dilip Kumar. Raj Kapoor and Dilip Kumar had remained the greatest legends of hindi cinema for the last 100 years. Ranbir Raj Kapoor, also known as Raj Kapoor, was the son of legendary actor Prithviraj Kapoor. Muhammad Yusuf Khan, also known as Dilip Kumar was the son of Fruit tycoon Lala Ghulam Sarwar. Raj Kapoor was born on 14th December, 1924, while Dilip Kumar was born on 11th December, 1922. They acted together only in one film titled Andaz in 1949, which was directed by Mehboob Khan. There were a lot of striking points of the two superstars who ruled bollywood films during the 40s, 50s and 60s. Raj Kapoor was awarded Padmabhushan in 1971, while Dilip Kumar was awarded Padmabhushan in 1991. Raj Kapoor was awarded Dadasaheb Phalke in 1987 and Dilip Kumar was awarded Dadasaheb Phalke award in 1994. In 1947, Raj Kapoor acted opposite Madhubala and Begum Para in the film Neel Kamal. In 1947, Dilip Kumar acted in the successful film Jugnu, although he started his career with the film Jwar Bhatta in 1944. While Raj Kapoor got the title of showman, with his projection of larger than life romantic stories in films like Barsaat, 1949, Awaara, 1951, Shree 420, 1955, Sangam, 1964, etc; Dilip Kumar got the title of Tragedy King with his projection of the sad personality in films like Devdaas, 1955, Musafir, 1957, Madhumati, 1958, Mughal –i-Azam, 1960, etc. Both the actors acted opposite leading actresses of the golden age including Nimmi, Nargis, Meena Kumari, Madhubala, Wahida Rehman, Vaijayantimala, to name a few, although Raj Kapoor acted in 17 films opposite Nargis, while Dilip Kumar acted in 7 films opposite Vaijayantimala. Nimmiji gave super hit films opposite Dilip Kumar sahab like Aan, Uran Khatola. Nutanji gave super hit films opposite Raj Kapoor sahab like Anari, Chalia, Dil Hi To Hai. Meena Kumariji gave super hit films opposite Dilip Kumar sahab like Footpath, Yahudi, Kohinoor. Padminiji gave super hit films opposite Raj Kapoor sahab like Jis Desh Me Ganga Beheti Hai, Aashiq. While other romantic actresses like Noor jahanji, Kamini Kaushalji did marvellous job opposite Dilip Kumar sahab, other romantic actresses like Rajashreeji, Shakilaji, Sadhnaji did brilliant job opposite Raj Kapoorsahab. While Raj Kapoor at an age of 22 years married Krishna Kapoor at an age of 16 years who was his maternal cousin in 1944; Dilip Kumar at an age of 44 years married Saira Banu at an age of 22 years in 1966. Both Raj Kapoor and Dilip Kumar supported the Congress, but although Raj Kapoor did not join active politics, Dilip Kumar became Member of Rajya Sabha and also Sheriff of Mumbai. While Raj Kapoor had marathon combination with composer Shankar Jaikishan, lyricists Shailendra and Hasrat Jaipuri and singers Mukesh, Lata and Manna Dey, who worked with him in more than 15 films; Dilip Kumar had immortal bond with composed Naushad, lyricist Shakeel Badayani and singer Mohammad Rafi who had contributed in more than 15 films of the legend. While Raj Kapoor won filmfare awards in different categories including best actor, best director, best producer, etc; Dilip Kumar won the filmfare award for best actor for record 8 times. Raj Kapoor had died in 1988 and Dilip Kumar had retired from films after acting in the film Qila, many years ago. Their works should be preserved and restored.

Happy birthday to dancing legend Jeetenderji

Happy birthday to Golden Hero Jeetender. The viewers of bollywood films wish happy birthday to Jeetender, the golden hero of the 60s on 7th April, 2023. He has been considered as one of the most consistent actors who had steady box-office in the 60s, 70s and 80s. In the early 60s, he started his career with the success in the film Geet Gaya Pattharone, opposite Rajashree. Bollywood industry was flooded with actors at that time including Showman Raj Kapoor, Tragedy King Dilip Kumar and the other matinee idols like Rajender Kumar, Pradeep Kumar, Shammi Kapoor, Bharat Bhushan and others. He had to face very strong competition to stay in the competition at that time. Within a short period of time his dancing skills were cultivated by the directors and his films started making profits. His film Farz in 1967, opposite Babita, became super hit. The songs composed by LP and sung by Rafi created storms, including “mast baharon ka mai ashiq”, “baar baar din yeh aye”, etc. Besides, Jeetender’s dance performance in most of the songs entertained the viewers to a big extent. From that time onwards, Jeetender had a great combination with LP, Rafi and Anand Bakshi. All the songs of the film Humjoli, Jeegri Dost and Banphool became superhit. Prominent songs included “mere desh me”, “dhal gaya din”, etc. Initially critics called Jeetender jumping jack, but his dancing skills followed by his acting skills made him a ruler in the 70s and 80s. He was blessed with romantic songs of Rafi and the composition of many brilliant composers of 60s and 70s. The songs of his film Mere Huzoor were equally romantic. Jeetender had to balance the stylish acting andaz of actor Raj Kumar and brilliant performance of Mala Sinha in the film Mere Huzoor. The film was a commercial and critical success. Jeetender with his dancing skills was sublime in the film Ek Nari Ek Brahmchari where Shankar Jaikishan. All the songs in the films were super hit including “tu nari mai brahmchari”sung by Rafi and Manna Dey. He was equally brilliant in the film Waarish. Rafi’s songs in the film were brilliant including “ek bechara pyar ka maara”. He was successful in the film Kathputli as well. In 70s, he was probably the only romantic actor other than Rishi Kapoor, he survived the period relating to action films, when Big B, Vinod Khanna, Shatrughu Sinha and others gave hit action films one after the other. The hit films of Jeetender in the 70s include Karwan, Nagin, which continued in the 80s with the success of films like Asha opposite Reena Roy. Jeetender also played a crucial in off-beat films of Gulzar like Parichay, Khushbu and Kinara where the intellectual audience had appreciated him. He gave very elegant lips in brilliant songs of Bhupinder Singh like “naam gum jayega”, “meethe bol bole”, etc. He transformed himself from an excited, energetic, youth to a reserve personality in Parichay, Khusbu and Kinara. Jeetender’s in the 80s had compelled producers to launch him opposite young actresses like Sri Devi and Jaya Prada who were much younger than him in films like Himmatwala or Dharm Adhikari. After the launching of his son Tushar Kapoor in modern films, he had reduced acting in contemporary films. But the viewers expect him to still continue in modern films in character roles just like before.

Happy birthday to veteran actress Wahida Rehmanji

Happy birthday to Wahida Rehman. The viewers of Bollywood films wish happy birthday to veteran actress Wahida Rehman on 3rd February, 2023. Wahida Rehman was known for her combination with actor director Guru Dutt. From 1957, the viewers saw thoughtful Guru Dutt in films like Pyaasa and Kagaz Ka Phool. Both the films were based on eternal truth. Pyasa was related to recognition of a poet in a materialistic world. Kagaz Ka Phool was related to story of directors and performers in celluloid, their rise and their fall due to ungratefulness of opportunists in society. The music composed by SD Burman in both these films were of high standard. Wahida Rehman balanced the thoughtful acting of Guru Dutt in these films. Also the lyrics of Sahir Ludhiyanvi were very meaningful. The notable songs included “yeh mahalon yeh takhton yeh tajon ki duniya”, “sar jo tera”, “bichar gaya bari bari” sung by Rafi, “waqt ne kiya kya haseen sitam” sung by Geeta Dutt, to name a few. It was very unfortunate that Guru Dutt did not receive the filmfare award for the best actor for his thoughtful performance in the film Pyaasa. Guru Dutt and Wahida Rehman’s onscreen chemistry was accepted by viewers in the film Chaudavi Ka Chand. The title song “chaudavi ka chand ho, ya aaftab ho” sung by Rafi and composed by Ravi can be considered as one of the ten best ghazals composed in the history of bollywood music. Guru Dutt bought colour in the song sequence. The film did great business. It was listed in the top five grosser of bollywood after Mughal-i-Azam, Kohinoor and Barsaat Ki Raat in the year 1960. Guru Dutt as an actor did great job in films like Bharosa, Saheb Bibi Aur Ghulam, Saanz Aur Sawera, etc. His early demise in the mid-60s led to huge loss in the film industry as his works were filled with deep thoughts. In the 1960s Wahida Rehman acted in super hit films one after the other. Her successful films included Ram Aur Shyam, Dil Diya Dard Liya opposite Tragedy King Dilip Kumar, Patthat Ke Sanam opposite Manoj Kumar, Teesri Kasam opposite Raj Kapoor, Guide opposite Dev Anand, Dharti opposite Rajender Kumar to name a few. The viewers pay respect to legendary actress Wahida Rehman on her birthday and want the restoration of her works to acknowledge her creativity as actress and versatility.

Nadiraji was sizzling star of golden age and had brilliant chemistry with Dilip Kumarsahab and Raj Kapoorsahab

Nadira – the sizzling star of golden age. Nadira used to be considered a sizzling star of the 50s and 60s, the golden age of bollywood cinema. Her beauty was different than the traditional stars like Nargis or Madhubala, and her charishmatic intonation had created a separate place in the minds of viewers. She acted in the first coloured film of bollywood that is Aan, made in the early 50s opposite Dilip Kumar. From Aan itself, the smartness of Nadira reflected in her acting as the film required horse-riding and adventurous acts which were difficult for other actresses of the same era. In 1955, Raj Kapoor gave the role of her lifetime in the film Shree 420. Her villainish performance in the film did outcast Nargis in the same film. The song “mur murke na dekh” composed by Shankar Jaikishan and sung by Asha Bhosle and Manna Dey was picturised on Nadira and Raj Kapoor. The lips of Nadira created a lasting impact in the minds of the viewers and Shree 420 became a super hit film. The good part of Shree 420 in the career of Nadira was that it made her a rising star. But the bad part was that from that film her image in negative characters got bolstered and producers and directors started casting her in negative roles. In Dil Apna Aur Preeti Parayi, she acted opposite Raj Kumar and Meena Kumari. Raj Kumar had affair with Meena Kumari, a nurse in the film, and after marriage with Nadira, the weakness towards Meena Kumari led to disharmony in the family. Nadira matched Meena Kumari in acting in a musical blockbuster, where once again Shankar Jaikishan amazed the viewers with songs like “ajeeb dastan hai yeh”. Nadira’s strong command over urdu had earned her majestic roles in films like Pakiza, where the muslim pardanashin community was shown. Nadira’s performance in the film was appreciated by the critics who consider the epic film of Kamal Hamrohi, as one of the greatest films of all times. In the mid-70s, with advent of action films, characterization of negative personalities underwent a change. Even in those films Nadira contributed in her own way. Her performance as a step-mother of Shabana Azmi in the film Amar Akbar Anthony created special attraction. Her torture towards Shabana’s family was detected by Vinod Khanna, who was police officer in the film and she was arrested. In the mid-80s, she made valuable contribution in Ramesh Sippy’s romantic film Saagar. She was associated with Kamal Hassan, who made the viewers cry at the end of the film when his romance ended in failure. She loved Dimple Kapadia who was addicted towards Rishi Kapoor. When Rishi Kapoor was attacked by his relatives Kamal Hassan saved at the cost of his own life. Kamal Hassan had special relation with Nadira and he used to disclose his private matters to her. Nadira was compassionate towards Kamal Hassan when she came to know about his sacrifice. In the 90s, Nadira’s performance in the TV serials directed by Gulzar, where Om Puri interviewed her about her film career, was equally impressive. Kamini Kaushal also acted in the serial and matched Nadira in the special role. Nadira’s films should be preserved to grace her remote style of performance having sizzling effect and also lasting appeal.

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