On birth anniversary of Guru Duttsahab it can be said Rafisahab gave best combination with him.

Melody in Guru Dutts films and combination with Mohammad Rafi. 9th July is the birth anniversary

of noted Director Guru Dutt. He was born in 1925 on this day. Rafi became a living legend in the mid-50s after dominating bollywood films over ten years and singing for nearly all the giant productions and leading actors of bollywood. He had very strong combination with thinking actor Guru Dutt. Guru Dutt had created his image in bollywood films in different categories being a thoughtful director and producer, dynamic actor, good choreographer. One of the numerous reasons for which his films became super hit in the 50s and 60s include the brilliant songs sung by Rafi during the golden age. Rafi’s songs in Guru Dutt’s Aar Paar, composed by OP Nayyar became super hit. It was followed by Mr and Mrs. 55 released in 1955. Songs picturized on both Guru Dutt and Johnny Walker had melody and sweetness. Rafi’s songs like “dil pe kiya aisa jaadu”, “muhobbat karlo aji karlo”, “sun sun sun sun zaalima”, composed by OP Nayyar, created landmark in the mid-50s and Rafi emerged as the greatest singer of bollywood films during that time. The same combination of Guru Dutt, OP Nayyar and Rafi gave everlasting hit in the film 12 O Clock with songs like “mai kho gaya”. When Guru Dutt used SD Burman for composing songs in the film Pyaasa and Kaagaz Ka Phool, Rafi was used brilliantly for the legendary music of those films. Both the films won national and international awards and remain a landmark in the field of story-telling. Rafi’s songs “sar jot era chakrae” picturised on Johnny Walker and “hum aapke aankho me” and “yeh mahalon yeh takhton yeh taajon ki duniya” picturised on Guru Dutt had emotions, passions, comedy, tragedy everything embedded in them. Rafi’s duet combination with Geeta Dutt was bolstered in the film. The lyrics were outstanding as well. The films marked the best music given by SD Burman in his entire lifetime. Guru Dutt can boast himself to have given lips in one of Rafi’s best ghazals sung in the history of bollywood films titled “chaudavi ka chaand”. Guru Dutt picturised the song sequence with colour, showing his passionate relationship with Wahida Rehman in the film Chaudavi Ka Chand. Ravi’s music in the film showed the pardanashin culture of muslims in India during the early 60s. Rafi also sang songs for Guru Dutt in the film Saanjh Aur Sawera, composed by Shankar Jaikishan. The title song “yehi hai who saanjh aur sawera” sung by Rafi became very popular. Meena Kumari balanced the powerful performance of Guru Dutt in the film. The other films where Rafi had contributed for Guru Dutt include Bharosa where Ravi composed melodious tunes including “yeh jhuki jhuki naina” picturised on Guru Dutt and Asha Parekh. Guru Dutt’s music in the film Baharen Phir Bhi Aayegi composed by OP Nayyar, created sensation in the mid -60s. It was a tragedy, that Guru Dutt died before the release of the film and could not see the success of the film. The songs sung by Rafi and picturised on Dharmender mesmerized the audience and still haunts people all over the world. One of those brilliant songs include “aap ki haseen rukh me aaj naya nur hai, mera dil machal gaya to mera kya kasoor hai”. The uniqueness of Guru Dutt’s relationship with Rafi lies in the fact that whether the composer was OP Nayyar or Shankar Jaikishan or SD Burman or Ravi, the music composed for whom had philosophical thoughts embedded in them and Rafi gave expression to the mesmerizing lyrics of evergreen tunes which had become immortal over a period of time. The films and the songs should be preserved and restored.

On Rafisahab death anniversary it can be said that he gave greatest hits in the lives of composers and lyricists

On Rafisahab death anniversary it can be said he gave the biggest hits in the lives of lyricists and composers. By: Dr Souvik Chatterji Rafisahab is remembered all over the world on his death anniversary on 31st July 2026. Every lyricist, music director and composer between 1940s to 1970s rose to fame due to their association with Rafisahab. Naushad Ali Sahab’s greatest hit song and Shakeel Badayani’s greatest hit song was “o duniya ke rakhwale” in the film Baiju Bawra sung by Rafisahab in 1952. Bharat Bhushanji gave lips in the cult song. Incidentally Naushad Alisahab received filmfare award once in 1953 for the film Baiju Bawra. Naushad sahib received BFJA award for Dilip Kumar film music in Ganga Jumna. Rafisahab sang landmark songs like “nain lad jaihe o manwama”, “o chalia re chalia re man mei hamaar” written by Shakeel Badayani to name a few. Shakeel Badayaniji received filmfare awards for best lyricist in 1961 for Rafisahab sung song “chaudavi ka chand” in film Chaudavi ka chand. He received filmfare award in 1962 for Rafisahab song “husnwale tera jawab nahi” in film Gharana. Hasrat Jaipurisahab received filmfare award for best lyricist in 1967 for Rafisahab song “baharon phool barsaao” in film Suraj. Sahir Ludhiyanviji received filmfare award for best lyricist in 1964 for Rafisahab song “jo wada kiya wo nibhana parega” in film Taj Mahal. Majrooh Sultanpurisahab received filmfare award for best lyricist in 1965 for Rafisahab song “chahunga mai tujhe” in film Dosti. Shailendraij received filmfare award for best lyricist in 1969 for Rafisahab song “mai gayun tum so jayo” in film Brahmachari. Anand Bakshisahab received filmfare award for best lyricist in 1979 for Rafisahab song “aadmi musafir hai” in film Apnapan. Shankar Jaikishansahab received 9 filmfare awards. Out of that they received filmfare award in film Dil Apna Aur Preet Parayi with lead role of Raj Kumarsahab in 1961 due to Rafisahab song “jane kahan gaye”. In 1963 SJ received filmfare award in film Professor. There were many landmarks songs of Rafisahab for Shammi Kapoorji like “awaaz deke hume tum bulayo”, “ae gulbadan ae gulbadan”, to name a few. In 1967 SJ received filmfare award in Rajender Kumar film Suraj. Rafisahab sang many landmark songs like “baharon phool barsao”, “itna hai tumse pyar mujhe”, “kaise samjhayun”, “gustaqi maaf” to name a few. Rafisahab won best filmfare male playback singer award for Rajender Kumar film Sasural for the song “teri pyari pyari surat ko” composed by Shankar Jaikishansahab. The biggest hit song composed by Shankar Jaikishanji was “ki tum naraaz na hona” in film Sangam sung by Rafisahab for Rajender Kumarsahab. Roshanlal Nagrath sahab received filmfare award for Pradeep Kumar film Taj Mahal in 1964. Rafisahab many landmark songs like “jo wada kiya ho”, “jo baat tujh me hai” “pao chul lene do” to name a few in the film. Rafisahab received Sur Singer award in 1964 for Pradip Kumar film Chitralekha. The music director was Roshansahab and song was “man re tu kahe na dhir dhare” The biggest hit song composed by Roshanlal Nagrathji for Rafisahab was “man re tu kahe na dhir dhare” in film Chitralekha where Pradip Kumarsahab gave lips. OP Nayyarsahab received filmfare award in 1958 for Dilip Kumar film Naya Daur. Rafisahab sang many landmark songs in the film like “ure jab jab zulfen teri”, “maang ke saath tumhara”, “aana ho to aa”, “saathi haath barana” to name a few. The biggest hit song composed by OP Nayyarsahab was “pukarta chala hoon mai” sung by Rafisahab in 1965 where Biswajeetji gave lips. Salil Choudhurysahab received filmfare award in 1959 for Dilip Kumar film Madhumati. Rafisahab sang the landmark song “tute hue khwabon me” and “jangal me mor nacha” in the film. Ravi Shankar Sharma sahab received filmfare award in 1962 for Rajender Kumar film Gharana. Rafisahab sang the landmark song “husnwale tera jawab nahi”. Rafisahab also won best male playback singer award for the song “chaudavi ka chand” composed by Ravisahab in Guru Dutt film Chaudavi Ka Chand. The biggest hit song of Ravi Shankar Sharmaji for Rafisahab was “Chaudavi ka chand ho” in film Chaudavi ka chand where Guru Duttsahab gave lips. Madanmohansahab received national award for Sanjeev Kumar film Dastak in 1970. Rafisahab sang the song “tumse kahoon ek baat”. The biggest hit song composed by Madanmohansahab for Rafisahab included “kar chale hum fida jaan o tan saathiyo” in film Haqeekat in 1964. Laxmikant Pyarellalji received filmfare award in film Dosti in 1965. Rafisahab sang landmark songs like “chahunga mai tujhe”, “rahi manwa dukh ki chinta”, “koi jab raah nap aye”. Rafisahab son best male playback singer award for the song “chahunga mai tujhe”. Rafisahab received national award in Rishi Kapoor film Hum Kisi Se Kam Nahi. The song was “kya hua tera wada” composed by RD Burmansahab. Khayyamsahab shot to fame with Rafisahab song “jane kya dhoonti rehti yeh ankhe mujhme” in film Shola Aur Shabnam. Jaidevsahab rose to fame with Rafisahab song “mai zindagi ka saath nibhata chala gaya”in film Hum Dono. Chitraguptji rose to fame with Rafisahab song “chal ur ja re panchi” in film Bhabhi. Kalyanji Anandji rose to fame with Rafisahab song “pardesiyon se na ankhiya milana” in film Jab Jab Jab Phool Khilen. Ghulam Mohammadsahab rose to fame with Rafisahab song “chalo dildar chalo” in film Pakizaa. Iqbal Qureshi sahib rose to fame with Rafisahab song “subah na ayi” in film Cha Cha Cha. GS Kohlisahab rose to fame with Rafisahab song “agar mai puchu jawab doge” in film Shikari. Sonik Omi sahib rose to fame with Rafisahab song “dil ne phir yaad kiya” in film Dil Ne Phir Yaad Kiya. Usha Khannaji rose to fame with Rafisahab song “dil deke dekho” in film Dil Deke Dekho. Rafi's Baharon Phool Barsao was voted the most popular Hindi song in a BBC Asia Network poll commemorating 100 years of Hindi Cinema. In a CNN-IBN survey in 2013, he was voted the greatest voice of Hindi Cinema. In 2001, Rafi was named as the "best singer of the millennium" by Hero Honda and Stardust magazine. Rafisahab films and songs require restoration.

Shankar Jaikishan Rafisahab combination in 5 times and LP and Rafisahab combination in 5 times came in first 3 times in Binaca Geetmala

Rafisahab songs were loved by everyone. Here is a mention of the Rafisahab songs which topped Binaca Geetmala from 1954 to 1980. Here the Rafisahab Shankar Jaikishan combination. In 1961, Rafisahab song "teri pyari pyari soorat ko" from film Sasural topped Binaca Geetmala. Shankar Jaiishanji composed the song and Hasrat Jaipurisahab wrote the lyrics. Rajender Kumarsahab and Sarojadeviji gave lips in the songs. In 1962, Rafisahab song "ehsaan tera hoga mujhpar" from film Junglee topped Binaca Geetmala. Shankar Jaikishanji composed the song and Hasrat Jaipuriji wrote the lyrics. Shammi Kapoorsahab and Saira Banuji gave lips. In 1964, Rafisahab song "yeh mera prematra parkar" from film Sangam picturized on Rajender Kumarji and Vaijayantimalaji became 2nd in Binaca Geetmala with music of Shankar Jaikishanji and lyrics of Hasrat Jaipurisahab. In 1966, Rafisahab song "baharon phool barsao" from film Suraj topped Binaca Geetmala. Shankar Jaikishanji composed the song and Hasrat Jaipuriji wrote the lyrics. Rajender Kumarji and Vyjayantimalaji gave lips. Here are the Rafisahab LP combination In 1977 Rafisahab song "parda hai parda" from film Amar Akbar Anthony picturized on Rishi Kapoorsahab and Neetu Singhji became 2nd in Binaca Geetmala with music of Laxmikant Pyarellalji and lyrics of Anand Bakshiji. In 1977, Rafisahab song "o meri mehbooba" from film Dharamveer film picturized on Dharmendersahab and Zeenat Amanji became 3rd in Binaca Geetmala with music of Laxmikant Pyarelalji and lyrics of Anand Bakshiji. In 1978, Rafisahab and Lataji song "aadmi musafir hai" from film Apnapan picturized on Jeetenderji Sulakshana Panditji became 2nd in Binaca Geetmala with music of Laxmikant Pyarellalji and lyrics of Anand Bakshiji. In 1980, Rafisahab song "dafliwale dafli baja" from film Sargam topped Binaca Geetmala. Laxmikant Pyarellalji composed the song and Anand Bakshiji wrote the lyrics. Rishi Kapoorsahab and Jaya Pradaji gave lips and Lataji sang the song with Rafisahab. In 1981, Rafisahab song "chal chal mere bhai" from film Naseeb picturized on Amitabh Bachan and Rishi Kapoorji became 3rd in Binaca Geetmala with music of Laxmikant Pyarelalji and lyrics of Anand Bakshiji In 1956 Rafisahab song "aye dil hai mushkil" from film CID topped the Binaca Geetmala with lips of Johnny Walker Kumkumji and voice of Rafisahab and Geeta Duttji. OP Nayyarsahab composed music of the film. In 1957 Rafisahab song "zara saamne to aa chaliye" from film Janam Janam Ke Phere topped Binaca Geetmala. Lataji sang the song with Rafisahab. It was composed by SN Tripathi, where lips were given by Manher Desai and Nirupa Royji. In 1957 Rafisahab song "sar jo tera chakraye" from picturized on Johnny Walkersahab in film Pyaasa became 2nd in Binaca Geetmala with music of SD Burmanji and lyrics of Sahir Ludhiyanvisahab. In 1957, Rafisahab song "laal laal gaal" from film Mr X became 3rd in Binaca Geetmala with music of N Duttasahab and lyrics of Majrooh Sultanpurisahab. In 1960 Rafisahab song "zindagi bhar nahi bhulegi woh barsaat ki raat" from film Barsaat Ki Raat topped Binace Geetmala. Roshansahab composed the song and Sahir Ludhianviji wrote the lyrics. Bharat Bhushanji and Madhubalaji were the lead actors of the film. In 1960, Rafisahab song "chaudavi ka chand ho" from film Chaudavi Ka Chand picturized on Guru Duttsahab and Wahida Rehmanji became 2nd with music of Roshanlal Nagrathji and lyrics of Sahir Ludhianviji In 1961, Rafisahab song "teri pyari pyari soorat ko" from film Sasural topped Binaca Geetmala. Shankar Jaiishanji composed the song and Hasrat Jaipurisahab wrote the lyrics. Rajender Kumarsahab and Sarojadeviji gave lips in the songs. In 1961, Rafisahab song "abhi na jayo chor kar" from film Hum Dono picturized on Dev Anandsahab and Sadhnaji and composed by Jaidevji became second in Binaca Geetmala with lyrics of Sahir Ludhianviji In 1962, Rafisahab song "ehsaan tera hoga mujhpar" from film Junglee topped Binaca Geetmala. Shankar Jaikishanji composed the song and Hasrat Jaipuriji wrote the lyrics. Shammi Kapoorsahab and Saira Banuji gave lips. In 1962, Rafisahab song "ab kya misaal doon mai tumhae shabab ki" from film Aarti picturized on Pradeep Kumarsahab and Meena Kumariji became 3rd in Binaca Geetmala with music of Roshanlal Nagrathji and lyrics of Majrooh Sultanpurisahab. In 1963, Rafisahab song "jo wada kiya woh nibhana parega" from film Taj Mahal topped Binaca Geetmala. Roshanji composed the song and Sahir Ludhiyanvi wrote the lyrics. Pradip Kumarji and Beena Royji gave lips in the song which was sung by Lataji also. In 1963, Rafisahab and Suman Kalyanpurji song "dil ek mandir hai" from film Dil Ek Mandir became 2nd in Binaca Geetmala with lips of Raj Kumarsahab Meena Kumariji and music of Shankar Jaikishanji and lyrics of Hasrat Jaipuriji. In 1964, Rafisahab song "yeh mera prematra parkar" from film Sangam picturized on Rajender Kumarji and Vaijayantimalaji became 2nd in Binaca Geetmala with music of Shankar Jaikishanji and lyrics of Hasrat Jaipurisahab. In 1964, Rafisahab and Lataji song "mere mehboob tujhe meri muhabbat ki kasam" picturized on Rajender Kumarsahab and Sadhnaji became 3rd in Binaca Geetmala with music of Naushadsahab and lyrics of Shakeel Badayanisahab. In 1965, Rafisahab song "chahunga mai tujhe saanjh sawere" picturized on Sudhir Kumar in film Dosti became 2nd in Binaca Geetmala with music of Laxmikant Pyarelalji and lyrics of Majrooh Sultanpurisahab. In 1966, Rafisahab song "baharon phool barsao" from film Suraj topped Binaca Geetmala. Shankar Jaikishanji composed the song and Hasrat Jaipuriji wrote the lyrics. Rajender Kumarji and Vyjayantimalaji gave lips. In 1977 Rafisahab song "parda hai parda" from film Amar Akbar Anthony picturized on Rishi Kapoorsahab and Neetu Singhji became 2nd in Binaca Geetmala with music of Laxmikant Pyarellalji and lyrics of Anand Bakshiji. In 1977, Rafisahab song "o meri mehbooba" from film Dharamveer film picturized on Dharmendersahab and Zeenat Amanji became 3rd in Binaca Geetmala with music of Laxmikant Pyarelalji and lyrics of Anand Bakshiji. In 1978, Rafisahab and Lataji song "aadmi musafir hai" from film Apnapan picturized on Jeetenderji Sulakshana Panditji became 2nd in Binaca Geetmala with music of Laxmikant Pyarellalji and lyrics of Anand Bakshiji. In 1978, Rafisahab and Sushma Shresthji song "kya hua tera wada" from film Hum Kisi Se Kam Nahi picturized on Tariqsahab and Kajal Kiranji became 3rd in Binaca Geetmala with music of RD Burmansahab and lyrics of Majrooh Sultanpuriji. In 1980, Rafisahab song "dafliwale dafli baja" from film Sargam topped Binaca Geetmala. Laxmikant Pyarellalji composed the song and Anand Bakshiji wrote the lyrics. Rishi Kapoorsahab and Jaya Pradaji gave lips and Lataji sang the song with Rafisahab. In 1981, Rafisahab song "chal chal mere bhai" from film Naseeb picturized on Amitabh Bachan and Rishi Kapoorji became 3rd in Binaca Geetmala with music of Laxmikant Pyarelalji and lyrics of Anand Bakshiji So till 1981, Rafisahab song topped the first 3 places in Binaca Geetmala 22 times. The Male and female version songs of Rafisahab with Lataji and other singers were masterpieces. By: Dr Souvik Chatterji During the 1950s and 1960s there were many landmark male and female version songs created by composers and poets. The version songs of Rafisahab were masterpieces. Shankar Jaikishanji used Rafisahab in the song “ehsan tera hoga mujhpar” for Shammi Kapoorji in film Junglee in 1961. The same song had Lataji effect for Saira Banuji in the film. Roshanji used Rafisahab in the version song in film Barsaat Ki Raat, where the title song composed by Bharat Bhushanji became blockbuster hit. Lataji sang the version song for Madhubalaji in the film. Naushadji used Rafisahb in Rajender Kumarji song “mere mehboob tujhe meri muhabbat ka kasam” in film Mere Mehboob in 1963. Lataji sang the version song for Sadhnaji in the film. Shankar Jaikishanji used Rafisahab for Dharmenderji version of song “gar tum bhula na doge” where Lataji sang the Sharmilaji version. Rafisahab sang Pradip Kumarji song “dil jo na keh saka” composed by Roshanji in film Bheegi Raat in 1965. Meena Kumariji version was sung by Lataji in the film. In film Mamta in 1966, Suchitra Senji song “rahe na rahe hum” was sung by Lataji. The same song in a different version for Ashok Kumarji was sung by Rafisahab and Suman Kalyanpurji. In Shammi Kapoorji film Pagla Kahin Ka, Rafisahab song “tum mujhe bhula na payoge” was very brilliant where Lataji sang the Asha Parekhji version. In Balraj Sahaniji film Bhabhi, Rafisahab song “chal ur ja re pachi” was created was theme song in film Bhabhi composed by Chitraguptji in 1958. Talatji also sang the same song recorded for Bhabhi. In Joy Mukherjeeji film Love in Tokyo, in 1966, Shankar Jaikishanji composed “o mere shahe khuba” sung by Rafisahab. Lataji sang the version song for Asha Parekhji. In Sunil Duttji film Chirag, Rafisahab sang the song “teri ankhon ke siwa” composed by Madanmohansahab. Lataji sang the version song for Asha Parekhji. In Guru Duttji film Aar Paar, in 1954, Rafisahab sang duet song “sun sun sun sun zalima” composed by OP Nayyarji. Geeta Duttji sang the version song for Shyamaji in the same film. The list goes on. The songs really matched the sequences in the films and the composers also utilized the brilliance of Rafisahab and other singers very well.

Rafisahab songs came 22 times in first 3 places in Binaca Geetmala.

Rafisahab songs were loved by everyone. Here is a mention of the Rafisahab songs which topped Binaca Geetmala from 1954 to 1980. In 1956 Rafisahab song "aye dil hai mushkil" from film CID topped the Binaca Geetmala with lips of Johnny Walker Kumkumji and voice of Rafisahab and Geeta Duttji. OP Nayyarsahab composed music of the film. In 1957 Rafisahab song "zara saamne to aa chaliye" from film Janam Janam Ke Phere topped Binaca Geetmala. Lataji sang the song with Rafisahab. It was composed by SN Tripathi, where lips were given by Manher Desai and Nirupa Royji. In 1957 Rafisahab song "sar jo tera chakraye" from picturized on Johnny Walkersahab in film Pyaasa became 2nd in Binaca Geetmala with music of SD Burmanji and lyrics of Sahir Ludhiyanvisahab. In 1957, Rafisahab song "laal laal gaal" from film Mr X became 3rd in Binaca Geetmala with music of N Duttasahab and lyrics of Majrooh Sultanpurisahab. In 1960 Rafisahab song "zindagi bhar nahi bhulegi woh barsaat ki raat" from film Barsaat Ki Raat topped Binace Geetmala. Roshansahab composed the song and Sahir Ludhianviji wrote the lyrics. Bharat Bhushanji and Madhubalaji were the lead actors of the film. In 1960, Rafisahab song "chaudavi ka chand ho" from film Chaudavi Ka Chand picturized on Guru Duttsahab and Wahida Rehmanji became 2nd with music of Roshanlal Nagrathji and lyrics of Sahir Ludhianviji In 1961, Rafisahab song "teri pyari pyari soorat ko" from film Sasural topped Binaca Geetmala. Shankar Jaiishanji composed the song and Hasrat Jaipurisahab wrote the lyrics. Rajender Kumarsahab and Sarojadeviji gave lips in the songs. In 1961, Rafisahab song "abhi na jayo chor kar" from film Hum Dono picturized on Dev Anandsahab and Sadhnaji and composed by Jaidevji became second in Binaca Geetmala with lyrics of Sahir Ludhianviji In 1962, Rafisahab song "ehsaan tera hoga mujhpar" from film Junglee topped Binaca Geetmala. Shankar Jaikishanji composed the song and Hasrat Jaipuriji wrote the lyrics. Shammi Kapoorsahab and Saira Banuji gave lips. In 1962, Rafisahab song "ab kya misaal doon mai tumhae shabab ki" from film Aarti picturized on Pradeep Kumarsahab and Meena Kumariji became 3rd in Binaca Geetmala with music of Roshanlal Nagrathji and lyrics of Majrooh Sultanpurisahab. In 1963, Rafisahab song "jo wada kiya woh nibhana parega" from film Taj Mahal topped Binaca Geetmala. Roshanji composed the song and Sahir Ludhiyanvi wrote the lyrics. Pradip Kumarji and Beena Royji gave lips in the song which was sung by Lataji also. In 1963, Rafisahab and Suman Kalyanpurji song "dil ek mandir hai" from film Dil Ek Mandir became 2nd in Binaca Geetmala with lips of Raj Kumarsahab Meena Kumariji and music of Shankar Jaikishanji and lyrics of Hasrat Jaipuriji. In 1964, Rafisahab song "yeh mera prematra parkar" from film Sangam picturized on Rajender Kumarji and Vaijayantimalaji became 2nd in Binaca Geetmala with music of Shankar Jaikishanji and lyrics of Hasrat Jaipurisahab. In 1964, Rafisahab and Lataji song "mere mehboob tujhe meri muhabbat ki kasam" picturized on Rajender Kumarsahab and Sadhnaji became 3rd in Binaca Geetmala with music of Naushadsahab and lyrics of Shakeel Badayanisahab. In 1965, Rafisahab song "chahunga mai tujhe saanjh sawere" picturized on Sudhir Kumar in film Dosti became 2nd in Binaca Geetmala with music of Laxmikant Pyarelalji and lyrics of Majrooh Sultanpurisahab. In 1966, Rafisahab song "baharon phool barsao" from film Suraj topped Binaca Geetmala. Shankar Jaikishanji composed the song and Hasrat Jaipuriji wrote the lyrics. Rajender Kumarji and Vyjayantimalaji gave lips. In 1977 Rafisahab song "parda hai parda" from film Amar Akbar Anthony picturized on Rishi Kapoorsahab and Neetu Singhji became 2nd in Binaca Geetmala with music of Laxmikant Pyarellalji and lyrics of Anand Bakshiji. In 1977, Rafisahab song "o meri mehbooba" from film Dharamveer film picturized on Dharmendersahab and Zeenat Amanji became 3rd in Binaca Geetmala with music of Laxmikant Pyarelalji and lyrics of Anand Bakshiji. In 1978, Rafisahab and Lataji song "aadmi musafir hai" from film Apnapan picturized on Jeetenderji Sulakshana Panditji became 2nd in Binaca Geetmala with music of Laxmikant Pyarellalji and lyrics of Anand Bakshiji. In 1978, Rafisahab and Sushma Shresthji song "kya hua tera wada" from film Hum Kisi Se Kam Nahi picturized on Tariqsahab and Kajal Kiranji became 3rd in Binaca Geetmala with music of RD Burmansahab and lyrics of Majrooh Sultanpuriji. In 1980, Rafisahab song "dafliwale dafli baja" from film Sargam topped Binaca Geetmala. Laxmikant Pyarellalji composed the song and Anand Bakshiji wrote the lyrics. Rishi Kapoorsahab and Jaya Pradaji gave lips and Lataji sang the song with Rafisahab. In 1981, Rafisahab song "chal chal mere bhai" from film Naseeb picturized on Amitabh Bachan and Rishi Kapoorji became 3rd in Binaca Geetmala with music of Laxmikant Pyarelalji and lyrics of Anand Bakshiji So till 1981, Rafisahab song topped the first 3 places in Binaca Geetmala 22 times. The Male and female version songs of Rafisahab with Lataji and other singers were masterpieces. By: Dr Souvik Chatterji During the 1950s and 1960s there were many landmark male and female version songs created by composers and poets. The version songs of Rafisahab were masterpieces. Shankar Jaikishanji used Rafisahab in the song “ehsan tera hoga mujhpar” for Shammi Kapoorji in film Junglee in 1961. The same song had Lataji effect for Saira Banuji in the film. Roshanji used Rafisahab in the version song in film Barsaat Ki Raat, where the title song composed by Bharat Bhushanji became blockbuster hit. Lataji sang the version song for Madhubalaji in the film. Naushadji used Rafisahb in Rajender Kumarji song “mere mehboob tujhe meri muhabbat ka kasam” in film Mere Mehboob in 1963. Lataji sang the version song for Sadhnaji in the film. Shankar Jaikishanji used Rafisahab for Dharmenderji version of song “gar tum bhula na doge” where Lataji sang the Sharmilaji version. Rafisahab sang Pradip Kumarji song “dil jo na keh saka” composed by Roshanji in film Bheegi Raat in 1965. Meena Kumariji version was sung by Lataji in the film. In film Mamta in 1966, Suchitra Senji song “rahe na rahe hum” was sung by Lataji. The same song in a different version for Ashok Kumarji was sung by Rafisahab and Suman Kalyanpurji. In Shammi Kapoorji film Pagla Kahin Ka, Rafisahab song “tum mujhe bhula na payoge” was very brilliant where Lataji sang the Asha Parekhji version. In Balraj Sahaniji film Bhabhi, Rafisahab song “chal ur ja re pachi” was created was theme song in film Bhabhi composed by Chitraguptji in 1958. Talatji also sang the same song recorded for Bhabhi. In Joy Mukherjeeji film Love in Tokyo, in 1966, Shankar Jaikishanji composed “o mere shahe khuba” sung by Rafisahab. Lataji sang the version song for Asha Parekhji. In Sunil Duttji film Chirag, Rafisahab sang the song “teri ankhon ke siwa” composed by Madanmohansahab. Lataji sang the version song for Asha Parekhji. In Guru Duttji film Aar Paar, in 1954, Rafisahab sang duet song “sun sun sun sun zalima” composed by OP Nayyarji. Geeta Duttji sang the version song for Shyamaji in the same film. The list goes on. The songs really matched the sequences in the films and the composers also utilized the brilliance of Rafisahab and other singers very well.

Rafisahab sang lovely songs for bengali superstar Uttam Kumar in combination with Shankar Jaikishan in film Choti Si Mulakat

In 1967, bengali Superstar Uttam Kumar ventured into bollywood opposite superstar Vaijayantimalaji in the film Choti Si Mulakat. Before Vaijayantimalaji was uncrowned queen of bollywood. All her films from Nagin to Naya Daur, Devdas to Zindagi, Sangam to Suraj became super hits blockbusters. This film was based on the story of Agni Parikkha which was super hit film of Uttam Kumar Suchitra Sen in bengali. But the hindi version did not get box office. All the songs of Rafisahab "tujhe dekha tujhe chaha", "choti si mulakat me pyar ban gayi", Ashaji's "mat ja mat ja" composed by Shankar Jaikishan were bumper hits. Tujhe dekha tujhe chaha still remains one of the best super hit duets of Suman Kalyanpur and Rafisahab over the decade. Vaijayantimalaji was at the peak of her career at that time commanding highest fees. Uttam Kumar was the bengali superstar who was known for brilliant looks and lovely voice. There was exotic locations of Jammu and Kashmir, Shimla and everything was in colour. There was powerful performances of character artists like Pratibha Debi, Tarun Bose, Shashikala, Rajender Nath and others. The film was directed by Alo Sarkar. It was amazing that in bollywood films with weak storyline and poor acting also became hits in the past, while Choti Si Mulakat with two superstars Vaijayantimalaji and Uttam Kumarji ended up without success.

Rafisahab topped the Binaca Geetmala 8 times

Rafisahab songs were loved by everyone. Here is a mention of the Rafisahab songs which topped Binaca Geetmala from 1954 to 1980. In 1956 Rafisahab song "aye dil hai mushkil" from film CID topped the Binaca Geetmala with lips of Johnny Walker Kumkumji and voice of Rafisahab and Geeta Duttji. OP Nayyarsahab composed music of the film. In 1957 Rafisahab song "zara saamne to aa chaliye" from film Janam Janam Ke Phere topped Binaca Geetmala. Lataji sang the song with Rafisahab. It was composed by SN Tripathi, where lips were given by Manher Desai and Nirupa Royji. In 1960 Rafisahab song "zindagi bhar nahi bhulegi woh barsaat ki raat" from film Barsaat Ki Raat topped Binace Geetmala. Roshansahab composed the song and Sahir Ludhianviji wrote the lyrics. Bharat Bhushanji and Madhubalaji were the lead actors of the film. In 1961, Rafisahab song "teri pyari pyari soorat ko" from film Sasural topped Binaca Geetmala. Shankar Jaiishanji composed the song and Hasrat Jaipurisahab wrote the lyrics. Rajender Kumarsahab and Sarojadeviji gave lips the songs. In 1962, Rafisahab song "ehsaan tera hoga mujhpar" from film Junglee topped Binaca Geetmala. Shankar Jaikishanji composed the song and Hasrat Jaipuriji wrote the lyrics. Shammi Kapoorsahab and Saira Banuji gave lips. In 1963, Rafisahab song "jo wada kiya woh nibhana parega" from film Taj Mahal topped Binaca Geetmala. Roshanji composed the song and Sahir Ludhiyanvi wrote the lyrics. Pradip Kumarji and Beena Royji gave lips in the song which was sung by Lataji also. In 1966, Rafisahab song "baharon phool barsao" from film Suraj topped Binaca Geetmala. Shankar Jaikishanji composed the song and Hasrat Jaipuriji wrote the lyrics. Rajender Kumarji and Vyjayantimalaji gave lips. In 1980, Rafisahab song "dafliwale dafli baja" from film Sargam topped Binaca Geetmala. Laxmikant Pyarellalji composed the song and Anand Bakshiji wrote the lyrics. Rishi Kapoorsahab and Jaya Pradaji gave lips and Lataji sang the song with Rafisahab. So till 1980, Rafisahab song topped Binaca Geetmala 8 times. The Male and female version songs of Rafisahab with Lataji and other singers were masterpieces. By: Dr Souvik Chatterji During the 1950s and 1960s there were many landmark male and female version songs created by composers and poets. The version songs of Rafisahab were masterpieces. Shankar Jaikishanji used Rafisahab in the song “ehsan tera hoga mujhpar” for Shammi Kapoorji in film Junglee in 1961. The same song had Lataji effect for Saira Banuji in the film. Roshanji used Rafisahab in the version song in film Barsaat Ki Raat, where the title song composed by Bharat Bhushanji became blockbuster hit. Lataji sang the version song for Madhubalaji in the film. Naushadji used Rafisahb in Rajender Kumarji song “mere mehboob tujhe meri muhabbat ka kasam” in film Mere Mehboob in 1963. Lataji sang the version song for Sadhnaji in the film. Shankar Jaikishanji used Rafisahab for Dharmenderji version of song “gar tum bhula na doge” where Lataji sang the Sharmilaji version. Rafisahab sang Pradip Kumarji song “dil jo na keh saka” composed by Roshanji in film Bheegi Raat in 1965. Meena Kumariji version was sung by Lataji in the film. In film Mamta in 1966, Suchitra Senji song “rahe na rahe hum” was sung by Lataji. The same song in a different version for Ashok Kumarji was sung by Rafisahab and Suman Kalyanpurji. In Shammi Kapoorji film Pagla Kahin Ka, Rafisahab song “tum mujhe bhula na payoge” was very brilliant where Lataji sang the Asha Parekhji version. In Balraj Sahaniji film Bhabhi, Rafisahab song “chal ur ja re pachi” was created was theme song in film Bhabhi composed by Chitraguptji in 1958. Talatji also sang the same song recorded for Bhabhi. In Joy Mukherjeeji film Love in Tokyo, in 1966, Shankar Jaikishanji composed “o mere shahe khuba” sung by Rafisahab. Lataji sang the version song for Asha Parekhji. In Sunil Duttji film Chirag, Rafisahab sang the song “teri ankhon ke siwa” composed by Madanmohansahab. Lataji sang the version song for Asha Parekhji. In Guru Duttji film Aar Paar, in 1954, Rafisahab sang duet song “sun sun sun sun zalima” composed by OP Nayyarji. Geeta Duttji sang the version song for Shyamaji in the same film. The list goes on. The songs really matched the sequences in the films and the composers also utilized the brilliance of Rafisahab and other singers very well.

On Rafisahab death anniversary it can be said that he gave the greatest hits in the lives of music directors.

On Rafisahab death anniversary it can be said he gave the biggest hits in the lives of composers. By: Dr Souvik Chatterji Rafisahab is remembered all over the world on his death anniversary on 31st July 2024. Every music director and composer between 1940s to 1970s rose to fame due to their association with Rafisahab. Naushad Ali Sahab’s greatest hit song was “o duniya ke rakhwale” in the film Baiju Bawra sung by Rafisahab in 1952. Bharat Bhushanji gave lips in the cult song. Incidentally Naushad Alisahab received filmfare award once in 1953 for the film Baiju Bawra. Naushad sahib received BFJA award for Dilip Kumar film music in Ganga Jumna. Rafisahab sang landmark songs like “nain lad jaihe o manwama”, “o chalia re chalia re man mei hamaar” to name a few. Shankar Jaikishansahab received 9 filmfare awards. Out of that they received filmfare award in film Dil Apna Aur Preet Parayi with lead role of Raj Kumarsahab in 1961 due to Rafisahab song “jane kahan gaye”. In 1963 SJ received filmfare award in film Professor. There were many landmarks songs of Rafisahab for Shammi Kapoorji like “awaaz deke hume tum bulayo”, “ae gulbadan ae gulbadan”, to name a few. In 1967 SJ received filmfare award in Rajender Kumar film Suraj. Rafisahab sang many landmark songs like “baharon phool barsao”, “itna hai tumse pyar mujhe”, “kaise samjhayun”, “gustaqi maaf” to name a few. Rafisahab won best filmfare male playback singer award for Rajender Kumar film Sasural for the song “teri pyari pyari surat ko” composed by Shankar Jaikishansahab. The biggest hit song composed by Shankar Jaikishanji was “ki tum naraaz na hona” in film Sangam sung by Rafisahab for Rajender Kumarsahab. Roshanlal Nagrath sahab received filmfare award for Pradeep Kumar film Taj Mahal in 1964. Rafisahab many landmark songs like “jo wada kiya ho”, “jo baat tujh me hai” “pao chul lene do” to name a few in the film. Rafisahab received Sur Singer award in 1964 for Pradip Kumar film Chitralekha. The music director was Roshansahab and song was “man re tu kahe na dhir dhare” The biggest hit song composed by Roshanlal Nagrathji for Rafisahab was “man re tu kahe na dhir dhare” in film Chitralekha where Pradip Kumarsahab gave lips. OP Nayyarsahab received filmfare award in 1958 for Dilip Kumar film Naya Daur. Rafisahab sang many landmark songs in the film like “ure jab jab zulfen teri”, “maang ke saath tumhara”, “aana ho to aa”, “saathi haath barana” to name a few. The biggest hit song composed by OP Nayyarsahab was “pukarta chala hoon mai” sung by Rafisahab in 1965 where Biswajeetji gave lips. Salil Choudhurysahab received filmfare award in 1959 for Dilip Kumar film Madhumati. Rafisahab sang the landmark song “tute hue khwabon me” and “jangal me mor nacha” in the film. Ravi Shankar Sharma sahab received filmfare award in 1962 for Rajender Kumar film Gharana. Rafisahab sang the landmark song “husnwale tera jawab nahi”. Rafisahab also won best male playback singer award for the song “chaudavi ka chand” composed by Ravisahab in Guru Dutt film Chaudavi Ka Chand. The biggest hit song of Ravi Shankar Sharmaji for Rafisahab was “Chaudavi ka chand ho” in film Chaudavi ka chand where Guru Duttsahab gave lips. Madanmohansahab received national award for Sanjeev Kumar film Dastak in 1970. Rafisahab sang the song “tumse kahoon ek baat”. The biggest hit song composed by Madanmohansahab for Rafisahab included “kar chale hum fida jaan o tan saathiyo” in film Haqeekat in 1964. Laxmikant Pyarellalji received filmfare award in film Dosti in 1965. Rafisahab sang landmark songs like “chahunga mai tujhe”, “rahi manwa dukh ki chinta”, “koi jab raah nap aye”. Rafisahab son best male playback singer award for the song “chahunga mai tujhe”. Rafisahab received national award in Rishi Kapoor film Hum Kisi Se Kam Nahi. The song was “kya hua tera wada” composed by RD Burmansahab. Khayyamsahab shot to fame with Rafisahab song “jane kya dhoonti rehti yeh ankhe mujhme” in film Shola Aur Shabnam. Jaidevsahab rose to fame with Rafisahab song “mai zindagi ka saath nibhata chala gaya”in film Hum Dono. Chitraguptji rose to fame with Rafisahab song “chal ur ja re panchi” in film Bhabhi. Kalyanji Anandji rose to fame with Rafisahab song “pardesiyon se na ankhiya milana” in film Jab Jab Jab Phool Khilen. Ghulam Mohammadsahab rose to fame with Rafisahab song “chalo dildar chalo” in film Pakizaa. Iqbal Qureshi sahib rose to fame with Rafisahab song “subah na ayi” in film Cha Cha Cha. GS Kohlisahab rose to fame with Rafisahab song “agar mai puchu jawab doge” in film Shikari. Sonik Omi sahib rose to fame with Rafisahab song “dil ne phir yaad kiya” in film Dil Ne Phir Yaad Kiya. Usha Khannaji rose to fame with Rafisahab song “dil deke dekho” in film Dil Deke Dekho. Rafi's Baharon Phool Barsao was voted the most popular Hindi song in a BBC Asia Network poll commemorating 100 years of Hindi Cinema. In a CNN-IBN survey in 2013, he was voted the greatest voice of Hindi Cinema. In 2001, Rafi was named as the "best singer of the millennium" by Hero Honda and Stardust magazine. Rafisahab films and songs require restoration.

Rafisahab made magic in Rajender Kumarji and Saira Banuji films

Rajender Kumarji and Saira Banuji Rajender Kumar, better known as Jubilee Kumar, had acted in memorable films in the 60s, ranging from Mere Mehboob, to Sangam, Aarzoo to Suraj, etc. During that span he had acted with all the leading actresses of bollywood films including Vaijayantimala, Sadhna, Meena Kumari, Wahida Rehman, etc. His combination with Saira Banu was well accepted by the viewers. Most of their films became successful and did very good business during the 60s. Their film Ayee Milan Ki Bela was a romantic film with melodious songs composed by Shankar Jaikishan. The memorable songs sung by Rafi and Lata include “to bura man gaye”, “o sanam tere ho gaye hum”, “aha aye Milan ki bela dekho aye”, “tum khamseen ho”, “mai pyar ka diwana”, to name a few. Dharmender got a supporting role in the form of brother of Rajender Kumar. He also did well in the film. Their film Jhuk Gaya Aasman was based on reincarnation. Rajender Kumar met with an accident and took the place another person who had huge property. The other Rajender Kumar was subject to conspiracy Prem Chopra and others who were interested to take his property. Music again played a notable role with Shankar Jaikishan providing westernized tunes for Rafi and Lata. The hit songs sung by Rafi and Lata included “o priya, kaun hai jo sapno me aya”, “saccha hai ghar”, “kahan chal diye”, to mention a few. The popularity of Rajender Kumar and Saira Banu contributed a lot for the success of the film. Rajender Nath, the brother of Prem Nath did well as a relief character. The film which was less known involving Rajender Kumar and Saira Banu, included Aman. The film was based on the victims of Second World War. Rajender Kumar was a doctor and went to Hiroshima and Nagasaki to treat the victims who got infected due to hurling of Atom Bomb during the Second World War. Rajender Kumar went there against the wishes of his father played by Balraj Sahani. There he met Saira Banu and got involved with her. The film depicted the damage that caused in most parts of Japan including the population and their property. It was not a romantic film in that sense. But the music of Shankar Jaikishan again appreciated by the audience. The notable songs included “surahidar garden, koel si hi awaaz”, “aaj ki raat”, etc. Rajender Kumar died at the end of the film. The films of Jubilee Kumar and Saira Banu should be restored for the next generation as their romantic pair provided entertaining performances in the 60s.

On Rafisahab birth anniversary it can be said he gave the biggest hits in the lives of biggest stars of bollywood.

On Rafisahab birth anniversary it can be said he gave the biggest hits in the lives of biggest stars of bollywood. By: Dr Souvik Chatterji Rafisahab is remembered all over the world on his birth anniversary on 24th December 2023. All the heroes of Indian film industry rose to fame due to their combination with Rafisahab. Mughal –I –Azam was the greatest blockbuster of Tragedy King Dilip Kumar Sahab in 1960. Rafisahab sang the song “zindabad zindabad aye muhabbat zindabad”. Kohinoor was the second biggest hit of Dilip Kumar sahib where Rafisahab sang “madhuban me radhika nachere” and “do sitaron ka zameen par hai Milan aaj ki raat” Baiju Bawra and Barsaat Ki Raat were the greatest blockbuster of Bharat Bhushanji in 1952 and 1960. Rafisahab sang the songs “man tarpat hari darshan ko aaj” and “zindagi bhar nahi bhulegi wo barsaat ki raat”. Sangam and Mere Mehboob were the greatest blockbusters of Rajender Kumarsahab in 1964 and 1963. Rafisahab sang the songs “ki tum naraaz nahi hona” and “mere mehboob tuhe meri muhabbat ki kasam”. Ek Musafir Ek Haseena was the biggest hit film of Joy Mukherjee sahib in 1962. Rafisahab sang the song “phir tere shahar me” and “bahut shukhriya bari meherbani”. Taj Mahal was the biggest hit film of Pradeep Kumar sahib in 1963. Rafisahab sang the song “jo wada kiya wo nibhana parega” and “jo baat tujh me hai”. Chaudavi Ka Chand was the biggest hit film of Guru Dutt sahib in 1960. Rafisahab sang the song “chaudavi ka chand ho yaa aftaab ho”. Jungli was the greatest hit film of Shammi Kapoorsahab in 1961. Rafisahab sang the song “ehsaan tera hoga mujhpar” Mere Sanam was the greatest hit film of Biswajeetji in 1965. Rafisahab sang the song “pukarta chala hoon ma” and “humdum mere maan bhi jayo”. Guide was the greatest hit film of Dev Anandsahab in 1965. Rafisahab sang the song “din dhal jaye” and “tere mere sapne”. Jab Jab Phool Khile was the greatest hit film of Shashi Kapoorji in 1965. Rafisahab sang the song “pardesiyon se na ankhiyan milana”. Farz was the greatest hit film of Jeetenderji in 1967. Rafisahab sang the song “baar baar din ye aye” and “mast baharon ka mai aashiq”. Mera Saya was the greatest hit film of Sunil Duttsahab in 1966. Rafisahab sang the song “aap ke pehlu me aakar ro liye”. Mera Gaon Mera Desh was the greatest hit film of Dharmenderji in 1971. Rafisahab sang the song “kuch kehta yeh sawan”. Neelkamal was the greatest hit film of Raj Kumarji in 1968. Rafisahab sang the song “tujhko pukare mera pyar”. Gumnaam was the greatest hit film of Manoj Kumarji in 1965. Rafisahab sang the songs “jaane chaman shola badan” and “ek larki hai jisne jeena mushkil kar diya” Rafisahab is remembered all over the world on his death anniversary on 31st July 2023. Every music director and composer between 1940s to 1970s rose to fame due to their association with Rafisahab. Naushad Ali Sahab’s greatest hit song was “o duniya ke rakhwale” in the film Baiju Bawra sung by Rafisahab in 1952. Bharat Bhushanji gave lips in the cult song. Incidentally Naushad Alisahab received filmfare award once in 1953 for the film Baiju Bawra. Naushad sahib received BFJA award for Dilip Kumar film music in Ganga Jumna. Rafisahab sang landmark songs like “nain lad jaihe o manwama”, “o chalia re chalia re man mei hamaar” to name a few. Shankar Jaikishansahab received 9 filmfare awards. Out of that they received filmfare award in film Dil Apna Aur Preet Parayi with lead role of Raj Kumarsahab in 1961 due to Rafisahab song “jane kahan gaye”. In 1963 SJ received filmfare award in film Professor. There were many landmarks songs of Rafisahab for Shammi Kapoorji like “awaaz deke hume tum bulayo”, “ae gulbadan ae gulbadan”, to name a few. In 1967 SJ received filmfare award in Rajender Kumar film Suraj. Rafisahab sang many landmark songs like “baharon phool barsao”, “itna hai tumse pyar mujhe”, “kaise samjhayun”, “gustaqi maaf” to name a few. Rafisahab won best filmfare male playback singer award for Rajender Kumar film Sasural for the song “teri pyari pyari surat ko” composed by Shankar Jaikishansahab. The biggest hit song composed by Shankar Jaikishanji was “ki tum naraaz na hona” in film Sangam sung by Rafisahab for Rajender Kumarsahab. Roshanlal Nagrath sahab received filmfare award for Pradeep Kumar film Taj Mahal in 1964. Rafisahab many landmark songs like “jo wada kiya ho”, “jo baat tujh me hai” “pao chul lene do” to name a few in the film. Rafisahab received Sur Singer award in 1964 for Pradip Kumar film Chitralekha. The music director was Roshansahab and song was “man re tu kahe na dhir dhare” The biggest hit song composed by Roshanlal Nagrathji for Rafisahab was “man re tu kahe na dhir dhare” in film Chitralekha where Pradip Kumarsahab gave lips. OP Nayyarsahab received filmfare award in 1958 for Dilip Kumar film Naya Daur. Rafisahab sang many landmark songs in the film like “ure jab jab zulfen teri”, “maang ke saath tumhara”, “aana ho to aa”, “saathi haath barana” to name a few. The biggest hit song composed by OP Nayyarsahab was “pukarta chala hoon mai” sung by Rafisahab in 1965 where Biswajeetji gave lips. Salil Choudhurysahab received filmfare award in 1959 for Dilip Kumar film Madhumati. Rafisahab sang the landmark song “tute hue khwabon me” and “jangal me mor nacha” in the film. Ravi Shankar Sharma sahab received filmfare award in 1962 for Rajender Kumar film Gharana. Rafisahab sang the landmark song “husnwale tera jawab nahi”. Rafisahab also won best male playback singer award for the song “chaudavi ka chand” composed by Ravisahab in Guru Dutt film Chaudavi Ka Chand. The biggest hit song of Ravi Shankar Sharmaji for Rafisahab was “Chaudavi ka chand ho” in film Chaudavi ka chand where Guru Duttsahab gave lips. Madanmohansahab received national award for Sanjeev Kumar film Dastak in 1970. Rafisahab sang the song “tumse kahoon ek baat”. The biggest hit song composed by Madanmohansahab for Rafisahab included “kar chale hum fida jaan o tan saathiyo” in film Haqeekat in 1964. Laxmikant Pyarellalji received filmfare award in film Dosti in 1965. Rafisahab sang landmark songs like “chahunga mai tujhe”, “rahi manwa dukh ki chinta”, “koi jab raah nap aye”. Rafisahab son best male playback singer award for the song “chahunga mai tujhe”. Rafisahab received national award in Rishi Kapoor film Hum Kisi Se Kam Nahi. The song was “kya hua tera wada” composed by RD Burmansahab. Khayyamsahab shot to fame with Rafisahab song “jane kya dhoonti rehti yeh ankhe mujhme” in film Shola Aur Shabnam. Jaidevsahab rose to fame with Rafisahab song “mai zindagi ka saath nibhata chala gaya”in film Hum Dono. Chitraguptji rose to fame with Rafisahab song “chal ur ja re panchi” in film Bhabhi. Kalyanji Anandji rose to fame with Rafisahab song “pardesiyon se na ankhiya milana” in film Jab Jab Jab Phool Khilen. Ghulam Mohammadsahab rose to fame with Rafisahab song “chalo dildar chalo” in film Pakizaa. Iqbal Qureshi sahib rose to fame with Rafisahab song “subah na ayi” in film Cha Cha Cha. GS Kohlisahab rose to fame with Rafisahab song “agar mai puchu jawab doge” in film Shikari. Sonik Omi sahib rose to fame with Rafisahab song “dil ne phir yaad kiya” in film Dil Ne Phir Yaad Kiya. Usha Khannaji rose to fame with Rafisahab song “dil deke dekho” in film Dil Deke Dekho. Rafi's Baharon Phool Barsao was voted the most popular Hindi song in a BBC Asia Network poll commemorating 100 years of Hindi Cinema. In a CNN-IBN survey in 2013, he was voted the greatest voice of Hindi Cinema. In 2001, Rafi was named as the "best singer of the millennium" by Hero Honda and Stardust magazine. Rafisahab films and songs require restoration.

Immortal combination of Rafisahab with musical giants Shankar Jaikishanji are remembered in death anniversary and birth anniversary.

Immortal combination of Shankar Jaikishan with Mohammad Rafi sahab. Great composer Shankar Singh Raghubvanshi is remembered on his birth anniversary on 15th October, 2022. He was also remembered on death anniversary on 26th April, 2023

. He was one of the genius composers of the famous duo Shankar Jaikishan. In the 1940s, 1950s and 1960s a number of composers dominated Bollywood films. Naushad Ali, Roshanlal Nagrath, Madanmohan Kohli, OP Nayyar, all had the class of their own. Shankar Jaikishan composed music in almost 195 films in that golden age. One of the great reasons of Shankar Jaikishan’s huge success was due to the great combination with immortal singer Mohammad Rafi Sahab. If Rafi’s stylish andaz relating to westernized compositions are adequately it is Shankar Jaikishan who had used it to perfection. They had used Rafi for singing romantic songs with Japanese orchestration in Love in Tokyo, released in 1966 including songs like “aja re aa zara aa”, “Japan, Love in Tokyo”, “ o mere shahekhuba”, etc. In Biswajeet’s April Fool, released in 1964 SJ’s composition for Rafi including “aa gale lag ja” had westernized background. At the same time Rafi’s song “tumhe chaha” with Suman Kalyanpur was a great rendition in pensive mood. SJ’s composition for Rafi in Shammi Kapoor’s An Evening in Paris, in 1967, like “akele akele kahan ja rahe ho”, “raat ke humsafar”, had loud French music with echo effect and Rafi’s intonation was also westernized. Shankar Jaikishan gave a completely different style of music to Rafi in Rajender Kumar’s Aarzoo, released in 1965 with songs like “aji ruth kar ab”, “chalke teri aankho se”, “ai nargisi mastana”, etc. SJ had given songs addressing children to Rafi including “nanne munne bache teri mutthi me kya hai” in Boot Polish which was produced by Raj Kapoor and released in 1954, “hai na bolo bolo”, “re mamma re mamma re” in Shammi Kapoor’s Andaz, released in 1971 and “chakke p chakka” in Brahmchari, in 1969. Rafi pronounced the words with childish accent and SJ used the orchestration to attract children. There were ghazals also given by SJ for Rafi including “rukh se zara nakab”, “kya kya na kahe” in Jeetender’s Mere Huzoor, “unke khayal aye to” in Raj Kumar’s Lal Patthar, “saaze dil ched de” in Pradeep Kumar’s Rajhaath, etc. Besides SJ’s creation involving Rafi in somber mood had created great impact including songs like “teri zulfon ki judai to nahi maangi thi” in Dev Anand’s Jab Pyar Kisi Se Hota Hai, “ehsaan tera hoga mujhpar” in Shammi Kapoor’s Junglee, “yaad na aye” in Rajender Kumar’s Dil Ek Mandir. Shankar Jaikishan had used Rafi’s classical andaz in the songs “radheke tune bansoori churai”, “ajahu na aye”, etc., and combined the ragas with devotional andaz. SJ has given music in almost 200 films within the span from 1949 to 1971, and at least each year they composed music for approximately 10 films. As Rafi was given predominance over other male singers SJ had use him in regular intervals even without doing injustice to Mukesh, Manna Dey, Kishore Kumar, Talat Mehmood and others. Songs like “kaun hai jo sapno me aya” from Jhuk Gaya Aasman, “to bura maan gaye” from Ayee Milan Ki Bela, “yeh ankhen” from Jab Pyar Kisi Se Hota Hai, “tujhe jeevan ki dor se” from Aasli Nakli, “dheere dheere chal” from Love Marriage, “badan pe sitaren lapete hue” from Prince, “mai kahin kavi na banjayun” from Pyar Hi Pyar, “mai gayun tum so jao” from Brahmchari, had not lost their flavour even 40 years after their creation due to sheer brilliance of Shankar Jaikishan. It is really tragic neither Shankar Jaikishan had received the accolades that they deserved nor Rafi’s association with them had been glorified but history says that the combination of Rafi with Shankar Jaikishan had produced invaluable creations which had become immortal over the period of time.

The Rafisahab version songs were as masterpieces as the female versions of Geetaji, Lataji, Sumanji.

The Male and female version songs of Rafisahab with Lataji and other singers were masterpieces. By: Dr Souvik Chatterji During the 1950s and 1960s there were many landmark male and female version songs created by composers and poets. The version songs of Rafisahab were masterpieces. Shankar Jaikishanji used Rafisahab in the song “ehsan tera hoga mujhpar” for Shammi Kapoorji in film Junglee in 1961. The same song had Lataji effect for Saira Banuji in the film. Roshanji used Rafisahab in the version song in film Barsaat Ki Raat, where the title song composed by Bharat Bhushanji became blockbuster hit. Lataji sang the version song for Madhubalaji in the film. Naushadji used Rafisahb in Rajender Kumarji song “mere mehboob tujhe meri muhabbat ka kasam” in film Mere Mehboob in 1963. Lataji sang the version song for Sadhnaji in the film. Shankar Jaikishanji used Rafisahab for Dharmenderji version of song “gar tum bhula na doge” where Lataji sang the Sharmilaji version. Rafisahab sang Pradip Kumarji song “dil jo na keh saka” composed by Roshanji in film Bheegi Raat in 1965. Meena Kumariji version was sung by Lataji in the film. In film Mamta in 1966, Suchitra Senji song “rahe na rahe hum” was sung by Lataji. The same song in a different version for Ashok Kumarji was sung by Rafisahab and Suman Kalyanpurji. In Shammi Kapoorji film Pagla Kahin Ka, Rafisahab song “tum mujhe bhula na payoge” was very brilliant where Lataji sang the Asha Parekhji version. In Balraj Sahaniji film Bhabhi, Rafisahab song “chal ur ja re pachi” was created was theme song in film Bhabhi composed by Chitraguptji in 1958. Talatji also sang the same song recorded for Bhabhi. In Joy Mukherjeeji film Love in Tokyo, in 1966, Shankar Jaikishanji composed “o mere shahe khuba” sung by Rafisahab. Lataji sang the version song for Asha Parekhji. In Sunil Duttji film Chirag, Rafisahab sang the song “teri ankhon ke siwa” composed by Madanmohansahab. Lataji sang the version song for Asha Parekhji. In Guru Duttji film Aar Paar, in 1954, Rafisahab sang duet song “sun sun sun sun zalima” composed by OP Nayyarji. Geeta Duttji sang the version song for Shyamaji in the same film. The list goes on. The songs really matched the sequences in the films and the composers also utilized the brilliance of Rafisahab and other singers very well.

Almost all songs of Rafisahab for Guru Dutt sahab in 15 films had remained landmark hits.

Melody in Guru Dutts films and combination with Mohammad Rafi. 9th July is the birth anniversary

of noted Director Guru Dutt. He was born in 1925 on this day. Rafi became a living legend in the mid-50s after dominating bollywood films over ten years and singing for nearly all the giant productions and leading actors of bollywood. He had very strong combination with thinking actor Guru Dutt. Guru Dutt had created his image in bollywood films in different categories being a thoughtful director and producer, dynamic actor, good choreographer. One of the numerous reasons for which his films became super hit in the 50s and 60s include the brilliant songs sung by Rafi during the golden age. Rafi’s songs in Guru Dutt’s Aar Paar, composed by OP Nayyar became super hit. It was followed by Mr and Mrs. 55 released in 1955. Songs picturized on both Guru Dutt and Johnny Walker had melody and sweetness. Rafi’s songs like “dil pe kiya aisa jaadu”, “muhobbat karlo aji karlo”, “sun sun sun sun zaalima”, composed by OP Nayyar, created landmark in the mid-50s and Rafi emerged as the greatest singer of bollywood films during that time. The same combination of Guru Dutt, OP Nayyar and Rafi gave everlasting hit in the film 12 O Clock with songs like “mai kho gaya”. When Guru Dutt used SD Burman for composing songs in the film Pyaasa and Kaagaz Ka Phool, Rafi was used brilliantly for the legendary music of those films. Both the films won national and international awards and remain a landmark in the field of story-telling. Rafi’s songs “sar jot era chakrae” picturised on Johnny Walker and “hum aapke aankho me” and “yeh mahalon yeh takhton yeh taajon ki duniya” picturised on Guru Dutt had emotions, passions, comedy, tragedy everything embedded in them. Rafi’s duet combination with Geeta Dutt was bolstered in the film. The lyrics were outstanding as well. The films marked the best music given by SD Burman in his entire lifetime. Guru Dutt can boast himself to have given lips in one of Rafi’s best ghazals sung in the history of bollywood films titled “chaudavi ka chaand”. Guru Dutt picturised the song sequence with colour, showing his passionate relationship with Wahida Rehman in the film Chaudavi Ka Chand. Ravi’s music in the film showed the pardanashin culture of muslims in India during the early 60s. Rafi also sang songs for Guru Dutt in the film Saanjh Aur Sawera, composed by Shankar Jaikishan. The title song “yehi hai who saanjh aur sawera” sung by Rafi became very popular. Meena Kumari balanced the powerful performance of Guru Dutt in the film. The other films where Rafi had contributed for Guru Dutt include Bharosa where Ravi composed melodious tunes including “yeh jhuki jhuki naina” picturised on Guru Dutt and Asha Parekh. Guru Dutt’s music in the film Baharen Phir Bhi Aayegi composed by OP Nayyar, created sensation in the mid -60s. It was a tragedy, that Guru Dutt died before the release of the film and could not see the success of the film. The songs sung by Rafi and picturised on Dharmender mesmerized the audience and still haunts people all over the world. One of those brilliant songs include “aap ki haseen rukh me aaj naya nur hai, mera dil machal gaya to mera kya kasoor hai”. The uniqueness of Guru Dutt’s relationship with Rafi lies in the fact that whether the composer was OP Nayyar or Shankar Jaikishan or SD Burman or Ravi, the music composed for whom had philosophical thoughts embedded in them and Rafi gave expression to the mesmerizing lyrics of evergreen tunes which had become immortal over a period of time. The films and the songs should be preserved and restored.

The romantic songs of Rafisahab created gold for handsome matinee idol Biswajeetji.

Romantic film of Biswajeet’s had melodious songs of Mohammad Rafi sahab. Bengali actor Biswajeet Chatterjee after acting in hit films in Bengali namely Mayamrigo in 1960 and Dui Bhai in 1961 went to Mumbai to pursue his acting career there. He made his debut in the film Bees Saal Baad where Hemant Kumar was the producer of the film and also the music composer. In a short period of time Biswajeet got roles to play in films of different producers and directors namely Nasir Hussain, Satyen Bose, Hrishikesh Mukherjee and others. Mohammad Rafi Sahab played a very important role in the success story of Biswajeet’s films because most of the films ended up being musical blockbusters. In the film April Fool, released in 1964, Shankar Jaikishan’s composition for Rafi picturised on Biswajeet became super hit including “April Fool banaya”, and “aa gale lag ja”. In Shenai in 1964, Ravi’s composition for Rafi namely “na jhatko zulf se paani” became smash hit. Composer Hemant Kumar used Rafi in Biswajeet’s film Bin Badal Barsaat in 1963 in the song “dil me teri yaad sanam”. Mere Sanam released in 1965 was the greatest hit film of Biswajeet where Rafi was unparallel. OP Nayyar’s stylish westernized compositions were given expression by Rafi in the songs “pukarta chala hoon mai”, “hue hai tumpe aashiq hum”, “humdum mere maan bhi jayo”, “thukre hai mere dilki ay jaan teri aansoon”, “haji baba”, “humne to dilko aapke kadmo pe rakh diya”, “roke kaibaar maine dilki umangko”, to name a few. After that Rafi and Biswajeet went on giving hits after hits. In Do Dil, composer Hemant Kumar composed a soft romantic song for Rafi namely “tera husn rahe mera ishq rahe”, which touched the souls of music lovers. All the songs in the film Yeh Raat Phir Na Ayegi in the year 1966 became super hit. OP Nayyar’s composition in the song “phir milogi kabhi is baat ka yaada karlo” stands out. It was a duet where Rafi was as romantic as Asha Bhosle. Ravi composed excellent music in the film Sagaai, in 1966, where Rafi’s song “nay eh zameen thin a aasman tha” became immortal. LP composed super hit song in the film Aasra, in 1966, where Rafi’s romantic song “sokhiyan nazar me hai” stands out. Laxmikant Pyarellal made the musiclovers spell bound in Night in London in 1967, with Rafi’s songs “night in London”, “o my love” and “bahosh –o –awaz me diwana”. Rafi was sublime in all the songs. LP continued the dream run in the film Jaal in 1967 with Rafi’s songs “akela hoon mai humsafar”, “mizaaz-e-garami”, etc. Shankar Jaikishan composed excellent music in the film Hare Kaanch Ki Churiya in 1967 with hit Rafi number namely “aye janeman” and “panchi re panchi”. Madanmohan was excellent in the film Ghar Ka Chirag in 1967, where Rafi’s song “aaj rota hai kyun” stands out. In the film Vaasna in 1968, all the songs of Rafi composed by Chitragupt became super hit including “itni nazuk nabano”, “yeh parbaton ke dayre”, “aaj is darja pila do”. The Chitragupt and Rafi magic continued in Biswajeet’s next film Pyar Ka Sapna in 1969 in songs like “ay meri zindagi”, “tere chehere se haten ankh to”. Rafisahab

was the major contributor in Biswajeet’s other films like Do Kaliyan, Ishq Par Zor Nahi, Mai Sunder Hoon, Shararat, etc. In the 70s with the advent of action films Biswajeet faded away from the industry. All the giant composers of golden age namely Shankar Jaikishan, OP Nayyar, Ravi, Chitrgupt, Madanmohan, Laxmikant Pyarellal, Hemant Kumar and other composed music in the films of Biswajeet. Rafi’s songs in Biswajeet’s films require recognition and restoration Mohammad Rafi Sahab was a blessing in the career of Biswajeet Chatterjee. Actor Biswajeet Chatterjee made his debut in bollywood films in the film Bees Saal Baad in 1961. After for the next 15 years his films became crowd-pullers for the romantic stories and brilliant songs. All the songs sung by Mohammad Rafi for Biswajeet became everlasting hits. In Biswajeet’s film April Fool, SJ composed beautiful tunes for Mohammad Rafi including the songs “aa gale lag ja” and “april fool banaya”, “tujhe chaha” etc. OP Nayyar stormed bollywood with the music of film Mere Sanam where Biswajeet was the hero. All the songs of Rafi including “pukarta chala hoon mai”, “humdum mere maan bhi jayo”, “hue hai tumpe aashiq hum”, etc. Laxmikant Pyarellal made the musiclovers spell bound in Night in London in 1967, with Rafi’s songs “night in London”, “o my love” and “bahosh –o –awaz me diwana”. Rafi was sublime in all the songs. LP continued the dream run in the film Jaal in 1967 with Rafi’s songs “akela hoon mai humsafar”, “mizaaz-e-garami”, etc. Shankar Jaikishan composed excellent music in the film Hare Kaanch Ki Churiya in 1967 with hit Rafi number namely “aye janeman” and “panchi re panchi”. Madanmohan was excellent in the film Ghar Ka Chirag in 1967, where Rafi’s song “aaj rota hai kyun” stands out. In the film Vaasna in 1968, all the songs of Rafi composed by Chitragupt became super hit including “itni nazuk nabano”, “yeh parbaton ke dayre”, “aaj is darja pila do”. The Chitragupt and Rafi magic continued in Biswajeet’s next film Pyar Ka Sapna in 1969 in songs like “ay meri zindagi”, “tere chehere se haten ankh to”. Rafi was the major contributor in Biswajeet’s other films like Do Kaliyan, Ishq Par Zor Nahi, Mai Sunder Hoon, Shararat, etc. In the 70s with the advent of action films Biswajeet faded away from the industry. All the giant composers of golden age namely Shankar Jaikishan, OP Nayyar, Ravi, Chitrgupt, Madanmohan, Laxmikant Pyarellal, Hemant Kumar and other composed music in the films of Biswajeet. Rafi’s songs in Biswajeet’s films require recognition and restoration

Happy birthday to Biswajeetji and remembering his everlasting bond with Rafisahab.

Happy birthday to romantic star Biswajeetji on 14th December 2022. Romantic film of Biswajeet’s had melodious songs of Mohammad Rafi. Bengali actor Biswajeet Chatterjee after acting in hit films in Bengali namely Mayamrigo in 1960 and Dui Bhai in 1961 went to Mumbai to pursue his acting career there. He made his debut in the film Bees Saal Baad where Hemant Kumar was the producer of the film and also the music composer. In a short period of time Biswajeet got roles to play in films of different producers and directors namely Nasir Hussain, Satyen Bose, Hrishikesh Mukherjee and others. Mohammad Rafi played a very important role in the success story of Biswajeet’s films because most of the films ended up being musical blockbusters. In the film April Fool, released in 1964, Shankar Jaikishan’s composition for Rafi picturised on Biswajeet became super hit including “April Fool banaya”, and “aa gale lag ja”. In Shenai in 1964, Ravi’s composition for Rafi namely “na jhatko zulf se paani” became smash hit. Composer Hemant Kumar used Rafi in Biswajeet’s film Bin Badal Barsaat in 1963 in the song “dil me teri yaad sanam”. Mere Sanam released in 1965 was the greatest hit film of Biswajeet where Rafi was unparallel. OP Nayyar’s stylish westernized compositions were given expression by Rafi in the songs “pukarta chala hoon mai”, “hue hai tumpe aashiq hum”, “humdum mere maan bhi jayo”, “thukre hai mere dilki ay jaan teri aansoon”, “haji baba”, “humne to dilko aapke kadmo pe rakh diya”, “roke kaibaar maine dilki umangko”, to name a few. After that Rafi and Biswajeet went on giving hits after hits. In Do Dil, composer Hemant Kumar composed a soft romantic song for Rafi namely “tera husn rahe mera ishq rahe”, which touched the souls of music lovers. All the songs in the film Yeh Raat Phir Na Ayegi in the year 1966 became super hit. OP Nayyar’s composition in the song “phir milogi kabhi is baat ka yaada karlo” stands out. It was a duet where Rafi was as romantic as Asha Bhosle. Ravi composed excellent music in the film Sagaai, in 1966, where Rafi’s song “nay eh zameen thin a aasman tha” became immortal. LP composed super hit song in the film Aasra, in 1966, where Rafi’s romantic song “sokhiyan nazar me hai” stands out. Laxmikant Pyarellal made the musiclovers spell bound in Night in London in 1967, with Rafi’s songs “night in London”, “o my love” and “bahosh –o –awaz me diwana”. Rafi was sublime in all the songs. LP continued the dream run in the film Jaal in 1967 with Rafi’s songs “akela hoon mai humsafar”, “mizaaz-e-garami”, etc. Shankar Jaikishan composed excellent music in the film Hare Kaanch Ki Churiya in 1967 with hit Rafi number namely “aye janeman” and “panchi re panchi”. Madanmohan was excellent in the film Ghar Ka Chirag in 1967, where Rafi’s song “aaj rota hai kyun” stands out. In the film Vaasna in 1968, all the songs of Rafi composed by Chitragupt became super hit including “itni nazuk nabano”, “yeh parbaton ke dayre”, “aaj is darja pila do”. The Chitragupt and Rafi magic continued in Biswajeet’s next film Pyar Ka Sapna in 1969 in songs like “ay meri zindagi”, “tere chehere se haten ankh to”. Rafi was the major contributor in Biswajeet’s other films like Do Kaliyan, Ishq Par Zor Nahi, Mai Sunder Hoon, Shararat, etc. In the 70s with the advent of action films Biswajeet faded away from the industry. All the giant composers of golden age namely Shankar Jaikishan, OP Nayyar, Ravi, Chitrgupt, Madanmohan, Laxmikant Pyarellal, Hemant Kumar and other composed music in the films of Biswajeet. Rafi’s songs in Biswajeet’s films require recognition and restoration

Rafisahab sang more than 150 songs in the films of Jubilee Kumar Rajender Kumarji.

There can be a big debate which actor did benefit the most out of Mohammad Rafi’s singing Dilip Kumar or Rajender Kumar. Mohammad Rafi, the eternal singer had sung more than 150 songs for Jubilee Kumar Rajender Kumar. Superstar Rajender Kumar had a deadly combination with Mohammad Rafi and Shankar Jaikishan. Whenever the three combined together they created history. In Dil Ek Mandir, Rafi’s song “jahan koi nahi” and “yaad na jaye” were created in two different moods. Both the compositions of Shankar Jaikishan were marvelous. Rafi was as outstanding as Rajender Kumar. The film was released in 1963. Rajender Kumar became Jubilee Kumar for having all his films doing business of more than 25 weeks between 1963 and 1966. Shankar Jaikishan was the leading composer composing majority of his songs. In the film Ayee Milan Ki Bela, released in 1964, all the songs sung by Rafi and picturized on Rajender Kumar became smash hits like “mai pyar ka diwana”, “aha aye Milan ki bela”, “to bura maan gaye”, “tum khamseen ho nadaan ho”, to name a few. In the same year, Rajender Kumar’s Sangam had a masterpiece of Shankar Jaikishan namely “yeh mera prempatra parkar”. The song became the greatest hit of 1964. The film Zindagi was also released in 1964. Shankar Jaikishan’s brilliant composition for Rafi namely “pehele mile the sapno me” mesmerized the viewers. In 1965, Shankar Jaikishan created magic in Rajender Kumar’s film Aarzoo. All the songs of Rafi touched the souls of the audience including “chalke teri ankhon se”, “aji humse bachkar kahan jayiyega”, “ai phoolon ki raani”, “aye nargise mastana”, to name a few. The exotic locations of Kashmir, the brilliant costumes of Rajender Kumar and Sadhna, elegant singing of Rafi and brilliance of Shankar Jaikishan created magic. The deadly combination continued in the film Suraj in 1966. All the songs of Rafi became smash hits like “baharon phool barsao”, “gustaqi maaf”, “kaise samjhaun”, “itna hai tujhse pyar mujhe”, to name a few. Rafi was brilliant in the duet songs as well where Suman Kalyanpur complimented Rafi. In 1967 and 1968, Rajender Kumar’s films Aman and Jhuk Gaya Aasman became hit due to the brilliant music of Shankar Jaikishan. Rafi’s songs in these films like “surahidar garden”, “aaj ki raat”, “o priya”, “saccha hai agar pyar mera sanam”, “kahan chal diye” stormed bollywood. Shankar Jaikishan composed music in the other films of Rajender Kumar as well including Aas Ka Panchi, where the title song was sung by Subir Sen, Dharti; where Rafi’s song “khuda bhi aaman se” became smash hit, etc. Rafi contributed in other films Rajender Kumar also where Shankar Jaikishan composed music including Shatranj. The songs and the films should be regularly telecast in the private channels to reach the excellent music to the younger generations. A big section of music lovers agree that had Jaikishan not died in 1971, Rafi’s dominance in bollywood music not suffered at all. In fact SJ’s tunes were brilliant and were specifically catered towards the likings of common mass. They were not that technical which could not reach the audience. Besides SJ gave tunes in around 10 films per years all along the 50s and 60s, the era when Rafi was unbeatable. RD Burman’s domination in the 70s would have got very strong resistence had Jaikishan survived few years more. The immortal lyrics of Shailendra and Hasrat Jaipuri also ended with the sad expiry of Jaikishan in 1971. In the case of Naushad, his gharana was so classically oriented, that his composition for an actor had changed the destiny of the actor. Although Naushad and Rafi’s combination was associated mainly with respect to Tragedy King Dilip Kumar, he preserved a huge treasure of music for Rajender Kumar as well. Mere Mehboob, stands out as probably one of the greatest creations of Naushad ever in the history of bollywood music. All the songs of Rafi for Rajender Kumar, including “mere mehboob tujhe meri muhobbat ki kasam“, “tumse izhaar-e-haal kar baithe“, “ai husn zara jag tujhe ishq jagaye” had revealed the royal elite culture of Aligarh and Lucknow in the form of shayri and ghazals. Rajender Kumar and Sadhna were at their best in the film.Naushad and Rafi were sublime in Rajender Kumar’s film Palki. The song “dil-e-betaab ko sine se lagana hoga” shows the class of Naushad. Although Naushad utilized Rafi to perfection in Rajender Kumar’s Ganwar, he used Mukesh in major songs of the film Saathi due to pressure of the producer and director. Rafi and Rajender Kumar were blessed with the immortal creations of Shankar Jaikishan and Naushad in the 60s and the films and the songs should be preserved as rich assets of the nation which can be cherished for generations after generations.

Suman Kalyanpurji and Rafisahab sang landmark classial songs for composers Shankar Jaikishanji Naushadsahab and Rohansahab.

Suman Kalyanpur had her birthday on 28th January, 2021. The media during the last 60s years had been too kind towards some of the celebrities while remained silent about the others. For example during the golden age 50s, 60s and 70s, other than Lata and Rafi there were other combinations who had given everlasting hits. Lata Mangeshkar always got the focus of attention and as such her duets with Rafi which covers more than 440 in number always stole the attention. Yet Suman Kalyanpur during the same age of competition had sung almost 170 duets with Rafi most of which became super hit, yet could not get the lime light which they deserved. The song “ajahu na aye balma” from Saanjh Aur Sawera, picturised on Mehmood and Subha Khote and composed by Shankar Jaikishan showed the compatibility of Rafi with Suman Kalyanpur in classical songs. Rafi could adapt his style of singing with any singer. But Suman Kalyanpur also did a great job with the giant. The song “dil-e-betaab ko seene se lagana hoga” from the film Palki, picturised on Rajender Kumar and Wahida Rehman and composed by Naushad had the ghazal andaz embedded in them and Suman Kalyanpur was unblemmish aside Rafi. SJ used the same Suman Kalyanpur aside Rafi in fast numbers like “aaj kal tere mere pyar ke charche” from Brahmchari picturised on Shammi Kapoor and Mumtaz, “dil use do jo jaan de de” picturised on Shammi Kapoor and Hema Malini in the film Andaz. The biggest tragedy is that the songs did great business and the films became super hit, yet the message relating to Rafi’s combination with Suman Kalyanpur did not reach most of the viewers and the media too did not play a neutral role in that aspect. Half of the people thought the duets were sung by Rafi and Lata as Suman Kalyanpur’s singing style matched with that of Lata. Khayyam’s composition “thereiye hosh me aaloon to chale jayiega” from the film Mohabbat is ko kehte hai” picturised on Shashi Kapoor and Nanda had another romantic number of Rafi and Suman. Madan Mohan’s tune “baad muddat se yeh ghari aye” sung by Rafi and Suman stunned many listeners of ghazals, as the urdu words were pronounced in style in the film Jahan –ara. Bharat Bhushan and Mala Sinha were sublime in the film. Rafi as usual was unblemish in respect of ghazals. But Suman too had adapted her style of singing which suited the songs of the Mughal period. Even the fast numbers composed by LP like “tumse o haseena” sung by Rafi and Suman did not get the hype of media which it deserved inspite of Farz ending up as a run away hit of Jeetender. Roshan’s meritorious composition like “maine aye jaane wafa” from the film Bedaag, “chand takda hai idhar” from the film Doojh Ka Chaand remained unnoticed. Besides there were other hits like “parbaton ke paron par sham ka basera hai” from the film Shagun composed by Khayyam, “tumne pukara aur hum chale aye” from the film Raj Kumar composed by Shankar Jaikishan, “dil ek mandir hai” from the film Dil Ek Mandir composed by Shankar Jaikishan, “tujhe dekha tujhe chaha” from the film Choti Si Mulakat composed by Shankar Jaikishan, “tujhe pyar karte karte” from the film April Fool composed by Shankar Jaikishan, “mujhe yeh phool na den” from the film Ghazal composed by Madan Mohan. The factor of Suman Kalyanpur being chosen to sing duets with legendary Rafi Sahab by giant composers like Shankar Jaikishan, Naushad, Madan Mohan, Khayyam, Laxmikant Pyarellal, Kalyanji Anandji, proved another fact that she was not any particular composer’s singer. She did a great job with Rafi, but due to passive attitude of the media the songs got recognition with no information relating to the singer. Even in many films when the names of the singers were written Suman Kalyanpur’s name was mentioned at the end without any particular reason for it. Rafi had proved in his entire life that he was a greater human being than a singer. That was the reason why he could match his singing style with any fellow female artist including Lata, Geeta Dutt, Sumna Kalyanpur, Sharda, Mubarak Begum, Asha Bhosle, Shamshad Begum, and others. His combination with Suman Kalyanpur should be preserved and restored.

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Romantic films of Biswajeetji and majestic combination with Rafisahab.

Romantic film of Biswajeet’s had melodious songs of Mohammad Rafi. Bengali actor Biswajeet Chatterjee after acting in hit films in Bengali namely Mayamrigo in 1960 and Dui Bhai in 1961 went to Mumbai to pursue his acting career there. He made his debut in the film Bees Saal Baad where Hemant Kumar was the producer of the film and also the music composer. In a short period of time Biswajeet got roles to play in films of different producers and directors namely Nasir Hussain, Satyen Bose, Hrishikesh Mukherjee and others. Mohammad Rafi played a very important role in the success story of Biswajeet’s films because most of the films ended up being musical blockbusters. In the film April Fool, released in 1964, Shankar Jaikishan’s composition for Rafi picturised on Biswajeet became super hit including “April Fool banaya”, and “aa gale lag ja”. In Shenai in 1964, Ravi’s composition for Rafi namely “na jhatko zulf se paani” became smash hit. Composer Hemant Kumar used Rafi in Biswajeet’s film Bin Badal Barsaat in 1963 in the song “dil me teri yaad sanam”. Mere Sanam released in 1965 was the greatest hit film of Biswajeet where Rafi was unparallel. OP Nayyar’s stylish westernized compositions were given expression by Rafi in the songs “pukarta chala hoon mai”, “hue hai tumpe aashiq hum”, “humdum mere maan bhi jayo”, “thukre hai mere dilki ay jaan teri aansoon”, “haji baba”, “humne to dilko aapke kadmo pe rakh diya”, “roke kaibaar maine dilki umangko”, to name a few. After that Rafi and Biswajeet went on giving hits after hits. In Do Dil, composer Hemant Kumar composed a soft romantic song for Rafi namely “tera husn rahe mera ishq rahe”, which touched the souls of music lovers. All the songs in the film Yeh Raat Phir Na Ayegi in the year 1966 became super hit. OP Nayyar’s composition in the song “phir milogi kabhi is baat ka yaada karlo” stands out. It was a duet where Rafi was as romantic as Asha Bhosle. Ravi composed excellent music in the film Sagaai, in 1966, where Rafi’s song “nay eh zameen thin a aasman tha” became immortal. LP composed super hit song in the film Aasra, in 1966, where Rafi’s romantic song “sokhiyan nazar me hai” stands out. Laxmikant Pyarellal made the musiclovers spell bound in Night in London in 1967, with Rafi’s songs “night in London”, “o my love” and “bahosh –o –awaz me diwana”. Rafi was sublime in all the songs. LP continued the dream run in the film Jaal in 1967 with Rafi’s songs “akela hoon mai humsafar”, “mizaaz-e-garami”, etc. Shankar Jaikishan composed excellent music in the film Hare Kaanch Ki Churiya in 1967 with hit Rafi number namely “aye janeman” and “panchi re panchi”. Madanmohan was excellent in the film Ghar Ka Chirag in 1967, where Rafi’s song “aaj rota hai kyun” stands out. In the film Vaasna in 1968, all the songs of Rafi composed by Chitragupt became super hit including “itni nazuk nabano”, “yeh parbaton ke dayre”, “aaj is darja pila do”. The Chitragupt and Rafi magic continued in Biswajeet’s next film Pyar Ka Sapna in 1969 in songs like “ay meri zindagi”, “tere chehere se haten ankh to”. Rafi was the major contributor in Biswajeet’s other films like Do Kaliyan, Ishq Par Zor Nahi, Mai Sunder Hoon, Shararat, etc. In the 70s with the advent of action films Biswajeet faded away from the industry. All the giant composers of golden age namely Shankar Jaikishan, OP Nayyar, Ravi, Chitrgupt, Madanmohan, Laxmikant Pyarellal, Hemant Kumar and other composed music in the films of Biswajeet. Rafi’s songs in Biswajeet’s films require recognition and restoration

Rafisahab is remembered on death anniversary and all the composers between 1940s to 1970s rose to fame due to association with Rafisahab

Rafisahab is remembered on death anniversary and all the composers between 1940s to 1970s rose to fame due to association with Rafisahab. By: Dr Souvik Chatterji (Associate Professor in Law and Head of Department, JIS University, Kolkata) Rafisahab is remembered all over the world on his death anniversary on 31st July 2022. Every music director and composer between 1940s to 1970s rose to fame due to their association with Rafisahab. Shankar Jaikishansahab received 9 filmfare awards. Out of that they received filmfare award in film Dil Apna Aur Preet Parayi with lead role of Raj Kumarsahab in 1961 due to Rafisahab song “jane kahan gaye”. In 1963 SJ received filmfare award in film Professor. There were many landmarks songs of Rafisahab for Shammi Kapoorji like “awaaz deke hume tum bulayo”, “ae gulbadan ae gulbadan”, to name a few. In 1967 SJ received filmfare award in Rajender Kumar film Suraj. Rafisahab sang many landmark songs like “baharon phool barsao”, “itna hai tumse pyar mujhe”, “kaise samjhayun”, “gustai maaf” to name a few. Rafisahab won best filmfare male playback singer award for Rajender Kumar film Sasural for the song “teri pyari pyari surat ko” composed by Shankar Jaikishansahab. Naushad sahib received filmfare award in 1954 for composition of music in Bharat Bhushan film Baiju Bawara. Rafisahab showed over all excellence in classical oriented songs like “o duniya ke rakhwale”, “man tarapata hari darshan ko aaj” to name a few. Naushad sahib received BFJA award for Dilip Kumar film music in Ganga Jumna. Rafisahab sang landmark songs like “nain lad jaihe o manwama”, “o chalia re chalia re man mei hamaar” to name a few. Roshanlal Nagrath sahab received filmfare award for Pradeep Kumar film Taj Mahal in 1964. Rafisahab many landmark songs like “jo wada kiya ho”, “jo baat tujh me hai” “pao chul lene do” to name a few in the film. Rafisahab received Sur Singer award in 1964 for Pradip Kumar film Chitralekha. The music director was Roshansahab and song was “man re tu kahe na dhir dhare” OP Nayyarsahab received filmfare award in 1958 for Dilip Kumar film Naya Daur. Rafisahab sang many landmark songs in the film like “ure jab jab zulfen teri”, “maang ke saath tumhara”, “aana ho to aa”, “saathi haath barana” to name a few. Salil Choudhurysahab received filmfare award in 1959 for Dilip Kumar film Madhumati. Rafisahab sang the landmark song “tute hue khwabon me” and “jangal me mor nacha” in the film. Ravi Shankar Sharma sahab received filmfare award in 1962 for Rajender Kumar film Gharana. Rafisahab sang the landmark song “husnwale tera jawab nahi”. Rafisahab also won best male playback singer award for the song “chaudavi ka chand” composed by Ravisahab in Guru Dutt film Chaudavi Ka Chand. Madanmohansahab received national award for Sanjeev Kumar film Dastak in 1970. Rafisahab sang the song “tumse kahoon ek baat”. Laxmikant Pyarellalji received filmfare award in film Dosti in 1965. Rafisahab sang landmark songs like “chahunga mai tujhe”, “rahi manwa dukh ki chinta”, “koi jab raah nap aye”. Rafisahab son best male playback singer award for the song “chahunga mai tujhe”. Rafisahab received national award in Rishi Kapoor film Hum Kisi Se Kam Nahi. The song was “kya hua tera wada” composed by RD Burmansahab. Khayyamsahab shot to fame with Rafisahab song “jane kya dhoonti rehti yeh ankhe mujhme” in film Shola Aur Shabnam. Jaidevsahab rose to fame with Rafisahab song “mai zindagi ka saath nibhata chala gaya”in film Hum Dono. Chitraguptji rose to fame with Rafisahab song “chal ur ja re panchi” in film Bhabhi. Kalyanji Anandji rose to fame with Rafisahab song “pardesiyon se na ankhiya milana” in film Jab Jab Jab Phool Khilen. Ghulam Mohammadsahab rose to fame with Rafisahab song “chalo dildar chalo” in film Pakizaa. Iqbal Qureshi sahib rose to fame with Rafisahab song “subah na ayi” in film Cha Cha Cha. GS Kohlisahab rose to fame with Rafisahab song “agar mai puchu jawab doge” in film Shikari. Sonik Omi sahib rose to fame with Rafisahab song “dil ne phir yaad kiya” in film Dil Ne Phir Yaad Kiya. Usha Khannaji rose to fame with Rafisahab song “dil deke dekho” in film Dil Deke Dekho. Rafi's Baharon Phool Barsao was voted the most popular Hindi song in a BBC Asia Network poll commemorating 100 years of Hindi Cinema. In a CNN-IBN survey in 2013, he was voted the greatest voice of Hindi Cinema. In 2001, Rafi was named as the "best singer of the millennium" by Hero Honda and Stardust magazine.