Raj Kapoorsahab Dilip Kumarsahab Ashok Kumarji dominated biggest blockbusters of 1949.

The biggest Bollywood blockbusters of 1949. 1949 was a year in Bollywood films where a lot of transitions took place. Till that time majority of shooting of films used to take place in the studios. Directors started shooting the films outdoor. Barsaat was the biggest blockbuster in 1949. It was produced and directed by Raj Kapoor. This was the second film directed by Showman Raj Kapoor after Aag in 1947. Nargis, Raj Kapoor, Prem Nath and Nimmi played the lead roles. The pairs that were launched included Premnath and Nimmi together and Nargis and Raj Kapoor together. KN Singh played the role of a negative character in the film. It was the first time the composer duo Shankar Jaikishan was used by Raj Kapoor. Shailendra and Hasrat Jaipuri also contributed in the film. Raj Kapoor and Nargis fell in love with each other but due to resistance of Nargis’s father the marriage got obstructed. Nargis drowned in water and KN Singh, a fisherman found her. At the end of the film Nargis and Raj Kapoor were united. The music of the film rocked Bollywood. All the songs like “chod gaye balam” by Mukesh, “hawa mai udta jaye” and “jiya beqarar hai” by Lata stormed Bollywood. Andaz was the second biggest blockbuster of 1949. It was directed by Mehboob Khan. The music of the film was composed by Naushad Ali. Dilip Kumar loved Nargis in the film without knowing that he was already having affair with Raj Kapoor. Raj Kapoor came from abroad and married Nargis. When Dilip Kumar disclosed his love towards Nargis, she was shocked because she always considered Dilip Kumar as her friend and not a husband. Murad played the role of the father of Nargis. Cuckoo also played an important roles. The songs of the film were bumper hits like “tu kahe agar”, “toote na dil toote na” by Mukesh and “yun to aapas me bigadte hai” by Rafi and Lata. There were signs that Dilip Kumar and Raj Kapoor were going to rule Indian films for the next 30 years. Mahal was the third biggest blockbuster of 1949. Ashok Kumar played the lead role opposite Madhubala. It was directed by Kamal Amrohi. It was produced by Bombay Talkies. Khemchand Prakash composed the music of the film. The film was based on the story of reincarnation. Madhubala’s atma or soul was visualised by Ashok Kumar in the second birth. Lata’s song “ayega anewala” become a theme song for horror movies. The direction was excellent. Ashok Kumar came to a mahal or palace and the illusions made him horror –striken. It was one of the films which gave Lata her primary recognition with “ayega anewala”. Even Raj Kumari’s songs “ek teer chala dil ko laga” and “mai wo hansi hoon lab pe jo ane se reh gayi” became super hit. There were other successful films in 1949 like Dulari, Shabnam and other films. Naushad Ali, Shankar Jaikishan, Khemchand Prakash, Roshanlal Nagrath were the most dominating composers of that age. The world of singing was dominated by Mohammad Rafi, Mukesh, Talat Mehmood, Lata, Raj Kumari, Zohrabai Ambewali, Shamshad Begum, Noorjahan, Geeta Dutt and others. The most prominent directors included Raj Kapoor, Kamal Amrohi, Mehboob Khan, Bimal Roy, V Shantaram and others. While stars like Ashok Kumar continued their dream run, new stars like Dilip Kumar and Raj Kapoor showed promise. Actresses like Nargis, Madhubala, Suraiya became most prominent in the black and white age. The films require restoration.

Manoj Kumar's Upkar Dilip Kumar's Ram Aur Shyam were greatest blockbusters of 1967.

The biggest blockbusters of 1967. In 1967, different types of films were released in India with different storylines. While there were social films like Milan, but also there were other films like An Evening in Paris, where the entire film was shot in foreign location. The biggest blockbuster of the year was Upkar. Manoj Kumar played a village man 'Bharat', who sacrificesd everything to get his brother educated. His brother Puran (Prem Chopra) went abroad and came back a selfish man wanting his share of the property. But when India started a war with Pakistan, Bharat decided to enlist and head to the border; while his selfish brother, with the help of his greedy uncle, Charandas(Madan Puri) and some partners, tried to gain profit by selling drugs and black marketing in the market. In the end, Bharat returned as a demoralized soldier having lost the war and his brother repented as he was caught by the police (by the brother-in-law of Bharat). Hence, he vowed to be a good & hardworking brother just like his Indo-Pak war veteran brother Bharat. The movie also starred Asha Parekh as a doctor promoting family planning, Kamini Kaushal and Pran in his first positive character role. Madan Puri played the main villain with ease, full ability, and command. The film won several major awards. Manoj Kumar won the film award for the best director of the film. Mahendra Kapoor won the national award for best singer for the song “mere desh ki dharti”. The 2nd biggest blockbuster of the year was Ram Aur Shyam. This was the first double role of tragedy king Dilip Kumar. Ram (Dilip Kumar) lived with his sister Sulakshna (Nirupa Roy) and niece Kuku in his family estate. His brother-in-law Gajendra (Pran) looked after his factories and controlled his property with an iron hand. Ram was shy and coward in nature. He was always abused and brutally beaten by Gajendra. Sulakshna and Kuku tried to protect Ram from Gajendra whenever he whipped Ram. Everybody decided to get Ram married for his well being. Gajendra found a rich girl Anjana (Waheeda Rehman) with the aim of getting a huge dowry. Anjana disliked Ram after he spilled tea over her due to nervousness. Gajendra angry at Ram's behaviour, conspired with the support of his mother and cunning Munimji to kill Ram and take over his property. Ram overheard this and escapes to the city to save his life. Meanwhile, Ram's long lost twin brother Shyam (Dilip Kumar) lived in a village with his adopted mother Ganga whom he believed to be his birth mother. No one other than Ganga knew the truth about the twin brothers. Shyam was strong, brave and mischievous, unlike his brother. He had a love hate relationship with Shanta (Mumtaz). Shyam escaped to the city, after a mischievous conflict with Ganga, and met Anjana, who was impressed by his personality. Anjana and her father confused Shyam with Ram. Ram met Shanta who thought he was Shyam and took him forcefully to his mother. Ram and Shanta developed feelings for each other. Meanwhile, Shyam decided to take the place of Ram to face Gajendra. Shyam refused to sign his property after which angry Gajendra attacked him. Shyam retaliated and whipped Gajendra hard, shocking everybody. Sulakshna stopped her brother to protect her husband. Gajendra was startled after being beaten up by Shyam, whom everybody believed as Ram. Shanta and Anjana met and both claimed the picture of Ram as their fiancé. Gajendra learned that Shyam has taken the place of Ram. He abducted Ram and Shanta, and planned to kill Ram. He framed Shyam for the murder of Ram though Ram was alive. Shyam was arrested by police. Anjana and her father learned from Ganga that Ram and Shyam were twin brothers lost in a village fair. Shyam escaped from police custody and battled Gajendra and his henchmen. Gajendra tried to shoot them but both the brothers and Shanta manage to defeat him. At the end twin brothers were happily married and the family reunited. As usual the Naushad Ali, Rafisahab, Shakeel Badayani magic worked for Dilip Kumar and all the songs like “aaj ki raat mere”, “ayi hai bahar mite zulmo sitam”, “mai hoon saqi tu hai sharabi sharabi”, became super hit. Many films were later made with same storyline like Sita Aur Geeta, Chaalbaaz, etc. The 3rd biggest hit film was Farz. It was 1967 Hindi spy thriller film produced by Sunderlal Nahata Dundi on Vijaya Lakhshmi Pictures banner and directed by Ravikant Nagaich. The film starred Jeetendra and Babita in lead roles and music composed by Laxmikant Pyarelal. Jeetender’s career took a big turn with the success of the film. LP’s music for Rafisahab became bumper hit like “tujhse o haseena”, “baar baar din yeh aye”, “mast bahaaro ka mai aashiq” to name a few. The 4th biggest hit film was Humraaz. It was a 1967 Hindi film of the suspense thriller genre, produced and directed by B. R. Chopra, and written by Akhtar ul Iman. The film starred Sunil Dutt, Raaj Kumar, Mumtaz, Vimi, Sarika, Madan Puri, Iftekhar, Balraj Sahni, Jeevan and Helen. The film's music was composed by Ravi, while the lyrics were penned by Sahir Ludhianvi. Mahendra Kapoor received filmfare award for best singer for his song “neele gagan ke tale”. The 5th biggest hit film was Shagird. is a 1967 Indian Bollywood comedy film directed by Samir Gunguly. The film starred Joy Mukherjee and Saira Banu in lead roles. The LP Rafisahab magic worked in this film also with the songs “duniya pagal hai”, “bare miya deewane”, “wo hai zara khafa khafa” becoming big hits.

Ranbir Kapoor starrer Brahmastra with 250 crores business in India and 140 crores business abroad is heading towards greatest bollywood blockbuster of 2022

Ayan Mukherjee directed a fanstastic film Brahmastra. All the actors Ranbir Kapoor, Amitabh Bacchan, Alia Bhatt, Mouni Roy, Nagarjuna and others did fabulous acting. Brahmastra did 250 crore business in 15 days and 140 crores business in foreign markets. It is heading towards greatest bollywood blockbuster of 2022.

In ancient India, a group of sages in the Himalayas collide with the energy Brahm-shakti, which produces many celestial weapons of great power called astras. The strongest among them, the Brahmāstra, carries the capacity to destroy the world. The sages use their respective astras to control the Brahmāstra and become the Brahmānsh, a secret society to protect the world from the powers of astras. In present-day Mumbai, Shiva a disc jockey, falls in love at first sight with Isha Chatterjee, a London resident who is visiting India for the Durga Puja festival at her grandfather's pandal. Soon, Isha reciprocates his feelings for her. Shiva tells her that he is an orphan who never knew his father, and his mother died in an accident when he was a baby. Meanwhile, in Delhi, Mohan Bhargav is attacked by Zor and Raftar for a piece of Brahmāstra he owns. Mohan manages to disguise it inside his Mayāstra before escaping by using the Vanārastra. When he returns to retrieve the piece, he is captured by Junoon, who works for the mysterious Dev. Under Junoon's possession, Mohan reveals that the second piece is protected by an artist and archaeologist named Anish Shetty in Kashi. The third piece is with Guru, the current leader of the Brahmānsh. Before he can reveal the location of Brahmānsh (Āshram), Mohan commits suicide. Shiva sees a vision of Mohan's encounter with Junoon. He and Isha head for Kashi to warn and save Anish but are interrupted by Raftar, who now wields Vānarāstra. Anish defeats him using the Nandiāstra before escaping with Shiva and Isha. While going to Himachal Pradesh, where Āshram is located, they are chased by Junoon and Zor in a truck. Anish gives the second piece of the Brahmāstra to Shiva and stays to fight Junoon and Zor, only to be killed. Shiva and Isha are chased by Raftar to Āshram where Shiva kills him using the Agnyāstra after he tried to kill Isha. At Āshram, they learn about other astras and Shiva is forced to join Brahmānsh by Guru for the information of his parents. He meets other newly recruits Rani, Raveena, Sher and Tensing who are all trained by Guru on how to use their respective astras and Shiva also gains control over fire. As Junoon gets closes to them, Guru reveals that Shiva is the son of former Brahmānsh members, Dev and Amrita. Dev actually awoke the Brahmāstra as he was the only person, who was able to control multiple astrās at once. Amrita (pregnant with Dev's child), who wielded the Jalāstra defeated him in a battle on a remote island and both of them seemingly perished from the battle. Amrita's boat was found in the ruins of the battle, brought back from the island, with two broken pieces of the Brahmāstra. The pieces of the Brahmastra were given to both Mohan and Anish. The third piece was believed to be missing, with Amrita concluding that they both survived. The third piece of the Brahmāstra is in Amrita's Mayāstra disguised into a conch shell which Shiva unknowingly releases it after his blood drops on the conch. Junoon and her army arrive at Āshram for Brahmāstra and hostages everyone. Shiva defeats Junoon while also killing Roz, who wielded Nandi Astra and releases everyone. But Junoon managed to take the third piece from Isha. She seemingly sacrificed herself to activate Brahmāstra. The destruction starts to begin but Shiva gains control over the Brahmāstra with the 'power of love', reuniting with Isha. Before the credits, due to Junoon having activated the Brahmāstra, Dev, who was imprisoned as a statue on an unknown island, is released. Cast Amitabh Bachchan as Raghu, the current leader of the Brahmānsh, Guru of recruited members and wields the Prabhāstra. Ranbir Kapoor as Shiva, an orphan and newly recruit member of the Brahmānsh, who possesses the power of the Agnyastra, (the astra of fire) within himself. Nivaan Gupta as baby Shiva Alia Bhatt as Isha Chatterjee, an OCI from London who is Shiva's love interest. Mouni Roy as Junoon, who aims to revive the Brahmāstra and release Dev. Nagarjuna Akkineni as Anish Shetty, an artist and an archaeologist who is a member of the Brahmānsh and wielded the Nandi Astra. Saurav Gurjar as Zor, a henchman of Junoon.[12] Rohollah Ghazi as Raftaar, a henchman of Junoon. Aditi Joshi as Rani, a newly recruit of Brahmānsh. Lehar Khan as Raveena, a newly recruit of Brahmānsh who wields the Gajāstra. Gurfateh Pirzada as Sher, a newly recruit of Brahmānsh who wields the Nāg Dhanush[13] Stanzin Denek as Tensing, a newly recruit of Brahmānsh who wielded the Pawanāstra. Dimple Kapadia as unnamed member of Brahmānsh. Saqib Ayub as Ali, Shiva's friend. Chaitnya Sharma as Tiger, Shiva's friend. Rashi Mal as Shaina, Isha's cousin.[14][15][16] Shah Rukh Khan as Mohan Bhargav, a scientist and a member of the Brahmānsh who wielded Vanarāstra.[17] The name of the character is a nod to Khan's character in the 2004 film Swades.[18] Deepika Padukone as Amrita, Shiva's mother and a former member of the Brahmānsh who wielded Jalāstra (uncredited appearance)[19] Rohan Rustomji as Sunny, Isha's cousin. Farida Dadi as Aunty, Shiva's landlady. Riyaaz Makaney as Dadaji, Isha's grandfather. Production Development The idea of Brahmāstra: Part One – Shiva first came to Mukerji in 2011 while writing the script for his second film Yeh Jawaani Hai Deewani.[20] Mukerji first announced that he was working on a new project in July 2014.[21] At the time, the film was titled Dragon.[22] In October 2017, Brahmāstra was officially announced by producer Karan Johar. Mukerji was signed as the director while Ranbir Kapoor and Alia Bhatt were set to star. Initially, the film's title was rumoured to be Dragon but was later confirmed as Brahmāstra. Mukerji explained that the title Brahmāstra "resonates with the ancient wisdom, energies and power."[23] Mukerji also revealed that it is a "contemporary film with ancient elements."[24] In 2017, Johar revealed his plan to make the film into a film trilogy.[25][26] The preparation for the film started in January 2018.[27] In an interview, Kapoor stated that Mukerji "has spent six years of his life working really hard to make an original story" and that the trilogy would be made over a period of 10 years[28] and refuted rumours suggesting that it is a romantic superhero film. Instead, Kapoor confirmed that the film is a "romantic-fairytale in a supernatural format". and that the film is not something which "doesn't have truth to it, or which is unbelievable".[28] Nagarjuna Akkineni also confirmed that he would be playing a "pivotal" role.[29] Mouni Roy revealed in an interview that she is the "only antagonist" in the film.[30][31] In June 2022, Mukerji announced the film would be a part of a trilogy franchise – serving as the first instalment – under the Astraverse, a cinematic universe centered around various mystical astras.[32][33] In August 2022, Roy confirmed Shah Rukh Khan had a cameo appearance in the film.[34] Pre production Ayan Mukherjee started work nine years before the theatrical release. Pre-production work started in 2014, filming began in 2017.[35] In February 2018 Amitabh Bachchan, Kapoor did look tests in the presence of Mukerji.[36] Themes In July 2022, a video was released featuring Mukerji explaining the mystical universe of various astras.[37] He explained how from the Brahm-Shakti, astras were born, which compose all the different energies that are found in nature like Jalāstra (water), Pawanāstra (wind), and Agnyastra (fire). He also talked about astras that store the powers of different animals like the Vanarāstra, which can give the power of a "divine" monkey to the person who controls it, and the Nandiāstra, which contains the power and strength of a thousand bulls, within itself. The last āstra to emerge from the universe, carrying the collective power of the Brahm-Shakti – called the "lord of all the āstras" – is explained to be one of the most powerful celestial weapons of gods (or Devas) in Hindu mythology, the Brahmāstra.[38] Mukerji stated that the core idea was inspired by stories of Hindu mythology he heard in his childhood from his grandfather.[39] Characters Mukerji revealed that the inspiration behind actor Kapoor's character came from Rumi who also inspired the first look of his character. Mukerji also drew inspiration from Rumi's work: "love is the bridge between you and everything", to build the foundation of the film. Later, he revealed that the Rumi-inspired look was scrapped and Kapoor had gotten a haircut instead.[40] Kapoor revealed his experience with look tests for the film, expressing that it is a "tedious job: sticking, removing applying, de-applying, and applying again, until some decision is reached".[41] Filming Principal photography began in February 2018 with the commencement of the first schedule of the film on 24 February 2018. The first schedule of the film was wrapped up in Bulgaria on 24 March 2018.[42] The second schedule of filming continued in said country and then London on 8 July 2018,[43] in New York in late July,[44] and then back in Bulgaria by the end of the month.[45][46] Extensive shooting started on 1 February 2019 at Edinburgh, Scotland.[47] The 20-day schedule started in the Ramnagar Fort and Chet Singh Fort in Varanasi on 30 July 2019.[48] The filming was halted in March 2020 due to the COVID-19 pandemic,[49] and later resumed in November 2020.[50][51] Filming wrapped up on 29 March 2022 in Varanasi.[52] After S. S. Rajamouli's father, K.V. Vijayendra Prasad, proposed some changes in the film to Mukerji, reshoots were conducted for four days.[53] With a production budget of ₹410 crore (US$51 million), the film is one of the most expensive Indian films and the most expensive Hindi film ever at the time of its release.[7] Post-production In the post-production, it is estimated that 150 crore Indian rupees spent on VFX by makers.[54] The VFX work of this film is done by DNEG- Prime focus company. Editing was supervised by Prakash Kurup. Jam8 music and sound design studio lead by Pritam provided sound effects. VFX studio DNEG and ReDefine's foreign team created visual effects. Chiranjeevi gave the voice-over for the Telugu version.[55] Ranbir and Alia Bhatt did their dubbing portion in September 2020 in a studio in Bandra.[56] Music Main article: Brahmāstra: Part One – Shiva (soundtrack) The film score is composed by English composer Simon Franglen[57] while the soundtrack score is composed and written by Pritam and produced and mixed by British musician Steel Banglez,[58] with songs written by Amitabh Bhattacharya. The music album is set to release officially on October 5th, on the occasion of Dussehra

In a journey of 99 years Dilip Kumar Sahab had been the king of blockbusters diamond jubilee platinum and golden jubilee films.

The nation is shocked by demise of Tragedy King Dilip Kumar sahab's death at 99 years. The success rate of Dilip Kumar in Bollywood films is incomparable. Bollywood films had given superstars of different dimensions over the last 70 years. Right from Ashok Kumar to Rajender Kumar, Amitabh Bacchan to Shahrukh Khan, the superstars had entertained the audience and created records at box office over the years. These days viewers feel Salman Khan is the badshah of 100 crore, 200 crore, 300 crore club as his films Dabaang did business of 140 crores, Dabaang 2 158 crores, Ready 125 crores, Bodyguard 148 crores, Ek Tha Tiger 198 crores, Kick 232 crores, Prem Ratan Dhan Payo 219 crores, Sultan 300 crores and Bajrangi Bhaijaan 320 crores. Even after the records of these superstars are compared, there is incomparable record with one superstar of the millennium, that is Tragedy King Dilip Kumar. One of the reasons why the records are incomparable is due to the span of time that the records are spread over. Dilip Kumar was a superstar in the 1940s. He remained a superstar in 1950s. By the 1960s he became a legend. In the 1980s he became a phenonmenon. During Dilip Kumar’s time, success of films were measured in the context of number of weeks the films used to do business at box office. Now let us see the success in the context of the box office records. Dilip Kumar’s Mela in 1948 was a blockbuster hit doing business for more than 50 weeks and had been called a golden jubilee hit. SU Sunny directed the film. The music was composed by Naushad Ali. The legendary combination of Dilip Kumar, Naushad Ali, lyricist Shakeel Badayani and singer Rafisahab was created by that time. Dilip Kumar’s Andaz in 1949 was also a blockbuster hit and it remained the 2nd biggest blockbuster in 1949 after Raj Kapoor’s Barsaat. Andaz was directed by Mehboob Khan and had Dilip Kumar, Raj Kapoor and Nargis in the lead roles. The music was composed by Naushad Ali and the film was declared a golden jubilee hit which ran for more than 50 weeks. Dilip Kumar’s Babul in 1950 was a silver jubilee hit which ran for more than 25 weeks. It was directed by SU Sunny. Naushad Ali composed the music of the film. Dilip Kumar and Nargis played the lead roles in the film. Dilip Kumar’s Deedar in 1951 was again a blockbuster and golden jubilee hit running for more than 50 weeks. Dilip Kumar, Ashok Kumar and Nargis played the lead roles. Nitin Bose directed the film and the music was composed by Naushad Ali. Aan was Dilip Kumar’s first coloured and India’s first coloured film. In 1952, the blockbuster films was directed by Mehboob Khan. It was a multistarrer film with Dilip Kumar, Murad, Premnath, Nimmi and Nadira in the lead roles. The music was composed by Naushad Ali. By that time the equation was Dilip Kumar + Naushad Ali + Shakeel Badayani +Rafisahab = magic. The film did business of more than 50 weeks and became greatest blockbuster of the decade. Dilip Kumar’s Azad and Uran Khatola did business of more than 25 weeks in 1955 and were declared silver jubilees. Azad had Meena Kumari and Dilip Kumar in lead roles and music composed by C Ramchandran. Uran Khatola had Dilip Kumar and Nimmi in lead roles. SU Sunny directed the film and the music was composed by Naushad Ali. Dilip Kumar’s Naya Daur in 1957 was a golden jubilee hit running for more than 50 weeks. BR Chopra and Yash Chopra were involved in production and direction and the film was revolutionary one in the history of Indian films. OP Nayyar composed the music of the film. Dilip Kumar Vaijayantimala, Ajit and Johny Walker were in lead roles. Dilip Kumar’s Madhumati in 1958 was a golden jubilee hit running for more than 50 weeks. Bimal Roy directed the film and music was composed by Salil Choudhury. Dilip Kumar Vaijayantimala Johny Walker, Jayant were in lead roles. The film swept all the awards at filmfare in 1958 including best actor by Dilip Kumar, best composer by Salil Choudhury, best director by Bimal Roy. Dilip Kumar’s Paigham in 1959 was a silver jubilee hit running for more than 25 weeks. Dilip Kumar, Raj Kumar and Vaijayantimala were in lead roles. The music was composed by C Ramchandran. Dilip Kumar’s Kohinoor in 1960 was a golden jubilee hit running for more than 50 weeks. Dilip Kumar Meena Kumari, Kumkum and Jeevan were in lead roles. The music was composed by Naushad Ali, and Rafisahab’s “madhuban be radhika nachere” still is considered phenomenal rendition of raga style music in films. Dilip Kumar’s Mughal-i-Azam in 1960 was an all time blockbuster. It was a diamond jubilee hit running for more than 100 weeks. It created such a brilliant record at box office, that Sholay only broke the record in 1975. Dilip Kumar, Madhubala, Prithviraaj Kapoor, Durga Khote were in lead roles. The film was directed by K Asif and music composed by Naushad Ali. Dilip Kumar’s Ganga Jumna in 1961 was a golden jubilee hit running for more than 50 weeks. Nitin Bose directed the film. Dilip Kumar and Vaijayantimala were in the lead roles. The music was composed by Naushad Ali. Dilip Kumar’s Ram Aur Shyam in 1967 was a golden jubilee hit running for more than 50 weeks. T Chanakya directed the film. Dilip Kumar, Mumtaz, Pran and Wahida Rehman were in lead roles. The music was composed by Naushad Ali. Dilip Kumar for the first time acted in a double role. In the 1980s Dilip Kumar gave 2 golden jubilee hits, one was Shakti in 1982 and the other was Karma in 1986. Shakti had Dilip Kumar, Amitabh Bachan, Rakhee, Smita Patil, Amrish Puri in lead roles. The film was directed by Ramesh Sippy. Karma had Dilip Kumar, Nutan, Anil Kapoor, Jackie Shroff, Naseeruddin Shah, Anupam Kher in lead roles. Subhash Ghai directed the film and Laxmikant Pyarellal composed music of the film. So in a career of Dilip Kumar of 62 films, more than 25 films ending up as diamond jubilee, platinum jubilee, golden jubilee and silver jubilee is incomparable. India is indebted to Tragedy King for the business he gave over last 80 years. Only the record of Showman Raj Kapoor and in Bengal industry Mahanayak Uttam Kumar can come close to Dilip Kumar. Dilip Kumar always remained a phenomenon.

The golden jubilee and blockbuster list of Raj Kapoor sahab's films are unmatched.

The box-office success of Raj Kapoor films were amazing. Showman Raj Kapoor is considered to be the biggest superstar of Indian films for the last 100 years. Other than Dilip Kumar no other actor has box office success anywhere near Raj Kapoor. Credit goes to his own production, direction, music of Shankar Jaikishan, lyrics of Shailendra, Hasrat Jaipuri, camera work of Radhu Karmakar and brilliant singing by Mukeshji, Manna Dey Sahab, Lataji, Rafisahab and others and the entire team of Raj Kapoor. In 1948 Raj Kapoor directed his film Aag where he was the lead actor. But in 1949, Raj Kapoor’s Barsaat became the greatest blockbuster which was a golden jubilee hit running for more than 50 weeks. Raj Kapoor produced and directed the film with Nargis, Premnath, KN Singh, Nimmi playing important characters. It was the first time Shankar Jaikishan composed music for the film. Mukeshji’s song “chor gaye balam”, Lataji’s “hawa me udta jaye”, “jiya beqarar hai” became super hit. In the same year, Raj Kapoor and Dilip Kumar starrer Andaz was the 2nd biggest blockbuster. Nargis acted opposite the two titans Raj Kapoor and Dilip Kumar. Mehboob Khan directed the film and music was composed by Naushad Ali. In 1950, Raj Kapoor’s film Dastan was the 4th biggest hit of the year after Ashok Kumar’s Samadhi, Dilip Kumar’s Babul, and Ashok Kumar’s Sangram. Dastan was a silver jubilee hit running for more than 25 weeks. AR Kardar directed the film. Naushad Ali composed the music. Raj Kapoor, Suraiya, Veena played the lead roles. In 1951, Raj Kapoor’s Awaara became the biggest blockbuster. It was a golden jubilee hit and ran for more than 50 weeks. It became popular in Russia and Europe as well. Raj Kapoor produced and directed the film. The music was composed by Shankar Jaikishan. Nargis, Raj Kapoor, Prithviraj Kapoor, Leela Chitnis, KN Singh played the lead roles. Mukeshji’s song “awara hoon, yah gardish me hoon aasman ka tara hun”, Lataji’s “jab se balam ghar aye”, “ghar aya mere pardesi” became super hit. In 1952, Raj Kapoor’s Anhonee became the 5th biggest hit film. KA Abbas directed the film. Roshanlal Nagrath composed the music. Nargis, Raj Kapoor, Om Prakash played the lead roles. In the same year, Raj Kapoor’s Bewafa became the 8th biggest hit. Nargis, Raj Kapoor and Ashok Kumar played the lead roles. The film was directed by ML Anand. AR Qureshi composed the music. Talatji’s song “dil matwala lakh samhala”, “tumko phursat ho” became big hit. In that year Dilip Kumar Aan was the biggest blockbuster. In 1953, Raj Kapoor’s Aah became 9th biggest hit film. It was directed by Raja Nawathe and produced by Raj Kapoor. Music was composed by Shankar Jaikishan. Nargis, Raj Kapoor and Pran played the lead roles. Mukeshji’s song “aaja re”, “jane nan azar” and Lataji’s song “rajaki ayegi baraat” became superhit. In that year Pradeep Kumar’s Anarkali was the biggest blockbuster. In 1955, Raj Kapoor’s Shree 420 became the biggest blockbuster. It was a golden jubilee hit and ran for more than 50 weeks. Raj Kapoor produced and directed the film. The music was composed by Shankar Jaikishan. Rafisahab’s song “ramaiya vasta maiya”, Manna Deysahab’s song “dil ka haal sune dilwala”, “mur murke na dekh”, Lataji’s song “ichakdana” became super hit. In that year Dilip Kumar’s Azaad was the 2nd biggest hit. In 1956 Raj Kapoor’s Chori Chori was a silver jubilee hit running for more than 25 weeks. Nargis, Raj Kapoor, Pran played the lead role. The music was composed by Shankar Jaikishan. Manna Dey’s song “aaja sanam madhu chandni me hum”, “yeh raat bheegi bheegi”, Lataji’s “rasik balma” became super hit. In 1957 Raj Kapoor’s Sharda was a silver jubilee hit running for more than 25 weeks. Meena Kumari, Shyama acted opposite him. The music was composed by C Ramchandra. Mukeshji’s song “jap jap jap re”, Lataji’s song became super hit. In 1958, Raj Kapoor’s Phir Subah Hogi was a silver jubilee hit running for more than 25 weeks. Ramesh Saigal directed the film. The music was composed by Khayyam. Mala Sinha, Rehman acted opposite Raj Kapoor. Mukeshji’s songs “wo subah kabhi to ayegi”, “phir na kije meri gustakh nigahon ka gila” became super hit. In 1959, Raj Kapoor’s Anari was the biggest blockbuster and a golden jubilee hit. It ran for more than 50 weeks. Hrishikesh Mukherjee directed the film. Shankar Jaikishan composed music for the film. Nutan, Raj Kapoor, Lalita Power played the lead roles. Mukeshji’s song “sab kuch seekha humne”, “kisiki muskurahaton pe ho nisar”, Lataji’s song “yeh chand khilan”, became super hit. Raj Kapoor received the filmfare award for best actor for Anari in that year. In 1960, Raj Kapoor’s Jis Desh Me Ganga Behti Hai became the 4th biggest blockbuster and a golden jubilee hit running for more than 50 weeks. It was produced by Raj Kapoor and directed by Radhu Karmakar. Shankar Jaikishan composed the music of the film. Padmini, Pran acted opposite Raj Kapoor. Raj Kapoor again received filmfare award for best actor for the film. Lataji’s song “o maine pya kiya”, “o basanti pawanapawan”, Mukeshji’s song “aa ab laut chale”, “mera naam raju”, “hoton pe sacchai rehte hai” became super hit. In that year Dilip Kumar’s Mughal I Azam was the biggest blockbuster. In 1964, Raj Kapoor’s Sangam became the biggest blockbuster and a platinum jubilee hit. It ran for more than 75 weeks. Raj Kapoor produced and directed the film. Shankar Jaikishan composed the music of the film. Rajender Kumar, Vaijayantimala, Raj Kapoor played the lead roles. All the songs became super hit including Rafisahab’s “ki tum naaraaz na hona”, Mukeshji’s “bol radha bol”, “o mehbooba”, to name a few. Raj Kapoor’s other silver juvilee hits included Parvarish in 1958 opposite Mala Sinha, Mai Nashe Me Hoon opposite Mala Sinha in 1959, Chalia opposite Nutan in 1960, Shrimaan Satywadi opposite Shakila in 1960, Nazrana opposite Vaijayantimala, Usha Kiran in 1961, to name a few. The other films of Raj Kapoor which did better than average business included Bawre Nain opposite Geeta Bali in 1950, Do Ustad opposite Madhubala in 1959, Aashiq opposite Padmini in 1962, Dil Hi To Hai opposite Nutan in 1963, Diwana opposite Saira Banu and Around the World opposite Rajashree in 1967. After Mera Naam Joker’s failure in box office in 1970, Raj Kapoor did cast his son Rishi Kapoor from Bobby in his own films. So viewers saw actor Raj Kapoor in few films in the 1970s and 1980s. In a career of 67 films as actor, more than 25 films of Raj Kapoor ended up as golden jubilee, silver jubilee and platinum jubilee. It is an amazing record. Other than Tragedy King Dilip Kumar and Bengali superstar Uttam Kumar, no actor comes any close to the huge box office success of Showman Raj Kapoor.