Tapan Sinha was sublime in the film Sabuj Diper Raja.
Director Tapan Sinha was sublime in the film Sabuj Diper Raja. The film was made especially for children. Tapan Sinha experimented with Sunil Ganguly’s detective stories relating to Kakababu.
In the film, Samit Bhanja played the role of Kakababu. They travelled in a ship from Kolkata to Andaman and Nicobar Islands. Smuggler Panja employed Ramen Roy Choudhury, Biplab Chatterjee and Kalyan Chatterjee to steal a magnetic stone in one of the islands of Andaman. They travelled in the same ship. Samit Bhanja took his nephew Santu with him.
In Andaman, Arun Mukherjee came to attend Samit Bhanja. When a steamer was booked to go to one of the islands, Samit Bhanja jumped from it and swamp towards the island. One of his legs was disabled and that was why he walked on crutches. There he saw one of the Bengali freedom fighters talking with the jarowa tribe. The Bengali was send by the British Government to Andaman for swadeshi activities, then he ran and settled in the islands. He stayed there for another 30 years.
Panja told his men to get the magnetic stone, which always shed light, but the magnet attracted Ramen and he died due to the fire. At the end the police department came, Panja’s men were arrested and Samit Bhanja returned back with Santu to Kolkata. The freedom fighter became the king of the island, and that was why he used to be called Sabuj Diper Raja. He never wanted to return back to India.
Tapan Sinha did excellent shooting in the exotic locations of Andaman and Nicobar Islands. The performance of Samit Bhanja, Arun Mukherjee, Biplab Chatterjee, Kalyan Chatterjee and others were excellent. The film should be preserved.
Showing posts with label Arun Mukherjee. Show all posts
Showing posts with label Arun Mukherjee. Show all posts
Thursday, June 23, 2011
Tuesday, December 22, 2009
Satyajit Ray's Kanchenjungha could not reach the masses.
Satyajit Ray’s Kanchenjungha could not reach the masses.
Satyajit Ray experimented with an abstract subject in the film Kanchenjungha in 1962. Based on the story of Ray himself, the film was related to the greatness of Himalayas, especially Kanchenjungha. But Ray’s message was reflected through the reactions of the actors and actresses of the film and it was hardly understood by the common mass.
It was the first Bengali coloured film, and the entire shooting was done in Darjeeling, the greatest tourist destination of West Bengal. Chabi Biswas played the role of the Rai Bahadur of that time, who was awarded the title by the British Government. He was the Chairman of 5 Companies in West Bengal. He wanted his daughter Aloknanda Roy to get married to N. Viswanathan, a careerist. Chabi Biswas’s entire family came to visit Darjeeling.
Haridhan, a middle-class person brought Arun Mukherjee to Darjeeling. He introduced Arun Mukherjee, with Chabi Biswas, so that he could give him a job. Arun Mukherjee was jobless in Kolkata and earned livelihood through private tution. When Chabi Biswas discussed the contribution of British Colonial Government in shaping Darjeeling and his own life, Arun Mukherjee was not moved by the materialist outlook of Chabi Biswas.
Arun Mukherjee stood in front of the great Himalayas, and the greatness of the mountain range prevented him from praying for his minor material requirements. He told Chabi Biswas that he did not require any job. He said if he wanted to work in any organization he would qualify for the post through hard work, not by reference of an influential person. At the same time, Aloknanda Roy did not find N. Biswanathan’s materialist talks impressive, and did not consent about marriage due to the effect of the romantic location of the place and influence of Kanchenjungha. Even her elder sister Anubha Gupta disclosed the truth to her husband Subrata Sen Sharma about her affair with another person, and agreed to tear away the letters that were related to the affair. They agreed to strengthen their relationship in the interest of their small daughter.
In the serious level of communication, Pahari Sanyal, the brother of Karuna Banerjee, the wife of Chabi Biswas, and Anil Chatterji, the son of Chabi Biswas, were the two relief characters. Anil Chatterji was interested in maintaining relationship with beautiful women, while Pahari Sanyal searched for beautiful birds in the place.
Chabi Biswas probably provided his most majestic performance of his life in Kanchenjungha, and his dignity, personality and elegance set up the theme of the film. He found that a poor small child singing a son in Darjeeling was happy, and Chabi Biswas’s earthly achievements were overshadowed by the gigantic presence of the evergreen Himalayas. Satyajit Ray brought his philosophy in the film and it won a number of awards in India and abroad, but even then the message did not reach the ordinary common mass due to abstractness of the subject.
Satyajit Ray experimented with an abstract subject in the film Kanchenjungha in 1962. Based on the story of Ray himself, the film was related to the greatness of Himalayas, especially Kanchenjungha. But Ray’s message was reflected through the reactions of the actors and actresses of the film and it was hardly understood by the common mass.
It was the first Bengali coloured film, and the entire shooting was done in Darjeeling, the greatest tourist destination of West Bengal. Chabi Biswas played the role of the Rai Bahadur of that time, who was awarded the title by the British Government. He was the Chairman of 5 Companies in West Bengal. He wanted his daughter Aloknanda Roy to get married to N. Viswanathan, a careerist. Chabi Biswas’s entire family came to visit Darjeeling.
Haridhan, a middle-class person brought Arun Mukherjee to Darjeeling. He introduced Arun Mukherjee, with Chabi Biswas, so that he could give him a job. Arun Mukherjee was jobless in Kolkata and earned livelihood through private tution. When Chabi Biswas discussed the contribution of British Colonial Government in shaping Darjeeling and his own life, Arun Mukherjee was not moved by the materialist outlook of Chabi Biswas.
Arun Mukherjee stood in front of the great Himalayas, and the greatness of the mountain range prevented him from praying for his minor material requirements. He told Chabi Biswas that he did not require any job. He said if he wanted to work in any organization he would qualify for the post through hard work, not by reference of an influential person. At the same time, Aloknanda Roy did not find N. Biswanathan’s materialist talks impressive, and did not consent about marriage due to the effect of the romantic location of the place and influence of Kanchenjungha. Even her elder sister Anubha Gupta disclosed the truth to her husband Subrata Sen Sharma about her affair with another person, and agreed to tear away the letters that were related to the affair. They agreed to strengthen their relationship in the interest of their small daughter.
In the serious level of communication, Pahari Sanyal, the brother of Karuna Banerjee, the wife of Chabi Biswas, and Anil Chatterji, the son of Chabi Biswas, were the two relief characters. Anil Chatterji was interested in maintaining relationship with beautiful women, while Pahari Sanyal searched for beautiful birds in the place.
Chabi Biswas probably provided his most majestic performance of his life in Kanchenjungha, and his dignity, personality and elegance set up the theme of the film. He found that a poor small child singing a son in Darjeeling was happy, and Chabi Biswas’s earthly achievements were overshadowed by the gigantic presence of the evergreen Himalayas. Satyajit Ray brought his philosophy in the film and it won a number of awards in India and abroad, but even then the message did not reach the ordinary common mass due to abstractness of the subject.
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