On Mahalaya Bengalies all over the world listen to Mahishashur Mordini in All India Radio.

For Bengalies the greatest festival of the year include Durga Puja. The flavor of the festival is set up by Mahalaya which occurs seven days before the occasion. Mohishahshur Mordini had not lost its appeal even after 60 years of its creation. It is played in All India Radio on the morning of every Mahalaya each year. In 2013 it was also played and it enchanted numerous bengalies all across the world. The mantra in the entire play was uttered by Birendra Krishna Bhadra who became a living legend in the early 50s. He conducted all the important programs in All India Radio from Kolkata at a time when Television did not appear in India and Radio was the only medium of entertainment. From Mahalaya the Petripaksha ends and Devipaksha begins. Hindus all over the world worship Goddess Durga and the occasion lies for four days including Shashti, Saptami, Ashtami and Navami. On Dashami Goddess Durga is immersed in holy Ganges. Mahalay is the day when Hindus do tarpan in the Ganges to remember the ancestors who had died but were still attached with the next generation. When Birendra Bhadra directed Mohishashur Mordini, the tale relating to Goddess Durga defeating the devil powers under the name of Mohishahur, Singer Pankaj Mallick and Bani Kumar also made notable contribution to bring in all the legendary singers of Bengal and made them sing significant songs. For example Manobendra Mukherjee sang “tabo achinto”, Dijen Mukherjee sang “jago tumi jago”. The other singers included Supriti Ghosh, Suprava Sarkar, Sandhya Mukherjee, Shaymal Mitra, Utpala Sen and others. Supriti Ghosh sang the song “bajlo tomar alor benu”, Shipra Bose sang the song “ogo amar agomoni alo”, Tarun Banerjee sang the song “he chinmoyi”, Sandhya Mukherjee sang the song “bimane bimane”, Krishna Dasgupta sang the song “akhilo bimane taba jayogatha”, Pratima Banerjee sang the song “amala kirane tribhubane”, Shyamal Mitra, Arati Mukherjee and Ashima Bhattacharya sang the chorus song “shubhra shankha rabe”, Utpala Sen sang the song “shanti dile bhari”, Pankaj Mullick sang the song “rupang dehi jayang dehi”. Birendra Bhadra was unparallel in the manner in which he pronounced the Sanskrit sloks, which could not be replicated and when Uttam Kumar that greatest superstar of Bengal tried to do it, he was criticized and All India Radio again displayed the Mohishashur Mordini directed by Birendra Bhadra. Even Hindus across India celebrate Navratri and Dussehra based on the success of God in defeating evil powers. Even today Bengalies feel that it creates a Godly atmosphere and gives the feeling that Goddess Durga had really arrived on earth. These days a lot of programs are held in television to depict mohishashur mordini in television. For example in Zee Bangla channel on 15th October, 2012, Srabanti Chatterjee and Shubhashree played the role of Sati in Satir Ekanno Peeth in the play related to Mahishashur Mordini. In 2013 Zee Bangla came up with another musical program on Maa Durga where Arindam Mukherjee did the narration. But the importance of mohishashur mordini in All India Radio cannot be replaced. It is a historical piece of creation and should be restored.

Manabendra Mukherjee classical andaz had made bengali songs modern.

Manobendra Mukherjee was one of the legendary classical singer of Bengal who had simplified classical ragas and used them in Bengali modern songs. His romantic song “ami eto je tomay bhalobesechi” written by Shyamal Gupta and composed by himself had classical touch embedded in it. His other own composed song “emni kore porbe mone baki jibon dhore” was also a masterpiece related to classical andaz. Manobendra Mukherjee’s pure classical numbers were even more melodious. One example is “ei moushumi mon shudhu rong bodlay”. In this song there was a small alaap or khanak taken at the place “mori je hay” where Manobendra had used the sargam by uttering in “aa aa” form. It was brilliant. There were other romantic songs like “boroshaklanto o duti nayan mele”. The song had been composed by Anal Chatterji. Manobendra Mukherjee had another master piece “bolo raat bolo se kothay”. The song was totally raga oriented. Manobendra Mukherjee was sublime in the song “ei nil nil jal sagore” composed by Probir Mojumdar and “tomar pather prante moner monidip jele rekhechi” composed by Satinath Mukherjee. Some of his own compositions like “ei ganga sei padda” and “sei bhalo ei bosonto noi” had absolute romantic andaz. Manobendra Mukherjee had given adequate expression to songs composed by Himangshu Dutta including “birohini chiro birohini”, “tumi je andhar”, “biroho barisha”, etc. The songs were difficult in nature and Manobendra was probably the most classically trained singer to do justice to them. Manobendra had also sung some of the songs created in thumri style. One example was “koto je soyechi betha” composed by Chinmoy Lahiri. One more classical number included “tumi to dariye acho”. Articles after articles can be devoted to Manobendra Mukherjee whose classical touch was as elegant and stylish as Neil Harvey’s wristy strokes.