Monday, February 25, 2008

Helen – the elegant dancer of bollywood.

Helen – the elegant dancer of bollywood.

Helen
Helen had contributed a lot in bollywood films from 50s to 70s with her powerful dancing. In the early 50s, most of the actresses did not learn specialised dancing and as such the films required Cuckoo, and other dancers to fill up the vacuum. But Helen, encouraged composers to create music in the manner which suited her dancing style.

Helen
In Gumnam, in 1965, she got a positive role, being one of the many members who were trapped in an unknown island and killed one after the other. In that film also Shankar Jaikishan had composed the song “is duniya me jeena hai to sunlo meri baat” in a typical manner which suited her choreographic skills. She also acted well in the film showing the anxiety of the character. She also performed in the mujra composed by Roshan, titled “nikele the kahan jane ke liye” in the film Bahu Begum, which was sung by Asha. In Teesri Manzil, in 1966, her dance number opposite Shammi Kapoor, titled “woh haseena zulfowali” composed by RD Burman, and sung by Asha and Rafi, became an everlasting hit.

She also acted in prominent roles like the partner of Mehmood, in the film Pyar hi Pyar, where the central characters included Dharmender and Vaijayantimala. Shankar Jaikishan, even procided the orchestration in the song “muqabla humse na karo’ in the film Prince, where Helen performed the western dance number against Vaijayantimala who performed the eastern dance number. Shammi Kapoor complimented both of them with his rock and roll style of dancing.

Helen
In the 70s, Helen performed in mostly dance numbers, like “piya tu ab to aja” in the film Karwan, sung by Asha, composed by RD Burman, “mehmooba, mehbooba, in Sholay, etc. Very significantly the acting skills of Helen were not exploited to that extent by most producers and directors. But whenever she got good roles she had done well. For example she performed the role of the mother of Meenakshi in Big B’s Akela, and done well. At the same time she acted mostly in negative roles, including the role opposite Rajesh Khanna in Mere Jeevan Saathi. Viewers expect Helen to act in character roles in the films made in the years to come, as it is evident that she had not lost her acting potentiality and still can contribute in recent films.

By: Rumi Chatterji.

53rd Indian Filmfare awards.

53rd Indian Filmfare awards.



The 53rd Indian filmfare awards had been declared. These days awards are also given after ascertaining the popular choice. Shahrukh Khan received the award for the best actor for his performance in the film Chak De. Kareena Kapoor won the award for the best actress. Amir Khan got the award for best director for the film Taren Zameen Par. The best supporting actor and actress award went to Irfan Khan and Konkona Sen Sharma, for their performance in the film Life in a Metro. AR Rehman won the best music director award for his composition of music for the film Guru. Shaan won the best male singer award while Shreya Ghoshal won the best female singer award.

At the same time there were critics choice awards where Tabu won the best actress award for her performance in the film Cheeni Kum. Rishi Kapoor won the lifetime achievement award, while his son Ranbir Kapoor won the best male debutant award. Deepika Padukone won the best female debutant award.

There are few indications from the 53rd filmfare awards, which show that the male actor category is still dominated by Sharukh Khan. He had won the best actor award 6 times before, and as such it significantly conveys the message that the other actors who had provided hits in 2007, still are not his competitors, for example Akshay Kumar’s films Bhool bhulaiya, Namaste London, which had done well in the Box Office, yet he did not pose any threat on Shahrukh. Kareena also is a known actress for sometime and the new actresses had failed to create any impression. AR Rehman had won the best composer award many times, and the new composers have shown their incompetence with creating new tunes which had not reached any level of excellence.

Another thing that is evident with these awards is that the viewers are still interested to see good stories, not cheap entertainment. That is the reason why the story of Taren Zameen Par had been liked so much. It is not necessary that every film should have useless songs including item numbers and B-grade comedy and unnecessary action. If good stories are portrayed with powerful direction and decent acting, viewers always will positively respond to them.

By: CR Chatterji.

Saturday, February 23, 2008

Lata and SD Burman.

Lata and SD Burman.

sd burman
SD Burman had experimented with different singers during his tenure in bollywood films including Geeta Dutt, Asha Bhosle. Among them he had special respect towards Lata due to her melodious voice. Lata had sung the songs “piya to se naina lage re” and “aaj phir jeene ki tamanna hai” composed by SD Burman, extraordinarily which gave a new dimension to the film Guide in 1965, picturised on Wahida Rehman. Her song “rulake gaya sapna mera” brought tears in the eyes of listeners in the film Jewel Thief, in 1967, picturised on Vaijayantimala.

Lata was sublime in her performance in Tere Ghar Ke Saamne in the song “yeh tanhai haie re hai”, and the duet song “dekho rutha na karo” with Rafi, composed by SD Burman wchih was picturised on Nutan. The film Abhimaan in 1973, was based on music and Lata’s performance in each of the songs were unique, including the songs “tere mere milan ki”, “teri bindiya re” which were sung by Kishore and Rafi also. Jaya Bacchan gave immortal lips in the legendary songs in the film.

SD Burman had given landmark songs to Lata also in Hrishikesh Mukherjee’s film Chupke Chupke in 1975. the film was based on the story portrayed in Uttamkumar’s Choddobeshi, and the bengali actresses Jaya Bacchan and Sharmila Tagore tried to maintain the Bengali flavour in the film. Lata’s song “chupke chupke” was very big hit.

lata mangeshkar
In Bimal Roy’s Sujata and Bandini, SD gave folk tunes to Lata and in both these films the songs played a significant role for their success. Songs like “mora gora anng laile”, sung by Lata had not lost its appeal even today. SD Burman had lot of love and respect for Geeta Dutt as he gave songs like “jane kya tune kiya”, “waqt ne kiya kya haseen sitam”, picturised on Wahida Rehman which became very famous during the 50s. Similarly SD had given landmark songs to Asha including “raat nashili hai”, in Jewel Thief, picturised on Tanuja, “acchaji mai hari” the duet song of Asha and Rafi in Kala Pani, 1958.

But whenever he thought about the song which would mark his identity Lata’s name automatically came in his mind. His songs in Milli, like “maine kaha phoolon se”, or the song “dil pukare are are are” from Jewel Thief, shows that SD Burman also believed that Lata was indispensable in the golden age of Indian film music. The songs composed by SD Burman and sung by Lata should be restored and preserved.

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