Station Hollywood: November 2018

Friday, November 23, 2018

Happy birthday to Shotgun Shatrughun Sinha.

Happy birthday to Shatrughun Sinha. The viewers of bollywood films wish happy birthday to successful actor Shatrughun Sinha on 9th December, 2018. He was considered to be one of the leading angry young man of the 70s after Big B. Although he started his career as anti-hero in films like Khilouna, where the central characters were played by Jeetender and Sanjeev Kumar, within short time, he showed his metal as an action star and ruled bollywood films for another 20 years. He also did well in the film Ek Nari Ek Brahmchari. He was successful in films like Gaye Aur Gauri opposite Jaya Bacchan, Bombay To Goa, etc., in the early 70s. Shatrughun Sinha learned acting Pune Film and Television Institute and his lessons went a long way in his illustrious career. He had seen other giants in the Pune Film and Television Institute like Hritik Ghatak, Subhash Ghai, etc. Viewers remember his combination with Reena Roy as both played romantic pair in numerous films. Kalicharan was one of the most popular films amongst them. Whenever Shatrughun Sinha faced Amitabh Bacchan both the actors tried to supersede the other. The viewers enjoyed the rift between the two actors in contemporary films. Both did a fantastic job in Ramesh Sippy’s film Shaan. Shatrughun Sinha’s charishma in the role of a shooter was as elegant as Big B’s angry young image in killing Goga Kapoor’s men in the film. The other films where Big and Shotgun (Shatrughun Sinha was called by this name) met included Kala Patthar, Dostana, Naseeb, to mention a few. In Kala Patthar there was an encounter scene with Amitabh Bacchan, which was as popular as the encounter of Vinod Khanna with Amitabh Bacchan in Amar Akbar Anthony. In all those films both the actors complimented each other. Even in comedy films like Naram Garam, Shotgun showed his comedy elements and was appreciated. Shatrughun Sinha was given an off-beat role by Goutam Ghosh in Bengali film Antarjali Jatra where he played the role of a cremator. He played a marathon innings in films which include commercial success like Goutam Govinda, Dillagi, etc. Even in political career he achieved a lot by working for the people under the BJP banner. He was member of Rajya Sabha and won elections also under BJP ticket. He is called the stylish Bihari Babu by his admirers. He must be a proud father after his daughter Sonakshi Sinha had stormed bollywood with her superhit debut opposite Salman Khan in the film Dabanng released this year. Both Shatrughun Sinha and Vinod Khanna are considered the greatest competitors with Big B and had succeeded in portraying the role of action heroes in India. Their height, voice and stature helped a lot in portraying those characters. The viewers expect Shotgun to continue the great work in films in future.

The romantic films of Shashi Kapoor remained immortal with the lovely songs.

It is very sad that romantic star Shashi Kapoor passed away on the 4th December, 2017. He died at the age of 79 years. He remained immortal in more than 150 films that he had acted in. The viewers of bollywood films wish happy birthday to Shashi Kapoor on 18th March, 2017. In 2011 he received the filmfare lifetime achievement award. In 2011, he received Padmabhushan, the civilian award for his excellence in bollywood films. His sickness prevents him from freely walking, but he receives most of his awards on wheel chair. Born in 1938, Shashi Kapoor started his acting career in the film Aag in 1948 directed by his elder brother Raj Kapoor. He also showed his acting skills as a child artist in the film Awara in 1951. The film won different awards in international film festivals and ended up being super hit. Shashi Kapoor acted in off-beat films at the beginning of his career like Prempatra opposite Sadhna. He entertained the audience with the film Jab Jab Phool Khilen in 1965. All the songs of Rafi composed by Kalyanji Anandji in the film became super hit like “pardesiyon se na”, “yahan mai ajnabee hoon”, “na na karke pyar”, etc. From that time Shashi Kapoor acted with Nanda in a number of films like Muhabbat Is Ko Kehte Hai, Neend Hamari Khwab Tumhari, etc. Rafi’s songs in many Shashi Kapoor films did magic including “o dilbar janiye”, “dilbar dilbar”, “bekhudi me sanam”, to name a few. Shankar Jaikishan gave notable tunes to Shashi Kapoor in the film Kanyadan. Madanmohan gave notable tunes to Shashi Kapoor in the film Neend Hamari Khwab Tumhari. In the late 60s Shashi Kapoor acted in many romantic films like Pyar Kiye Jaa, Kanyadaan, Abhinetri, Ek Shriman Ek Shrimati, etc. In Pyar Kiye Ja, he acted opposite actress Nanda, in Kanyadan he acted opposite Asha Parekh, in Abhinetri he acted opposite Hema Malini, in Ek Shriman Ek Shrimati he acted opposite Babita. In the 70s, Shashi Kapoor acted in action films along with Amitabh Bacchan, at a time when action films dominated either types of films in bollywood. His dialogue in the film Dewaar opposite Big B titled “mere paas ma hai” became immortal over the years. He acted in many films opposite Big B like Shaan, Do Aur Do Paanch, Iman Dharam, Namakhalal, Suhaag, Kala Pathhar, Kabhi Kabhi,Trishul, Silsila, etc., and most of those films ended up being blockbusters. Some of these films were multi-starred in nature. For example in Shaan and Kala Patthar he acted opposite Big B and Shatrughun Sinha. It was his sheer talent, that he could adapt himself in the new regime of anti-establishment films in the 70s, starting from Dewaar, which were quite different from the society shown in the romantic films of the 60s. He acted with other bollywood actors like Shatrughun Sinha in films like Gautam Govinda. He was a close friend of Ismail Merchant and featured in many of his English films like Siddharta. He produced impressive films like Junoon directed by Shyam Benegal and Vijeta directed by Govind Nihalini. His sons Kunal Kapoor and Karan Kapoor acted in many films. In the 1990s, Shashi Kapoor put on a lot of weight and stopped acting. He was in tears to receive the filmfare lifetime achievement award. The viewers pay homage to the veteran actor and revisit his films for their huge success.

Happy birthday to Helen.

Happy birthday to Helen. The viewers of bollywood films wish happy birthday to Helen on 19th Nov., 2018. She had remained an exceptional dancer and featured in majority of bollywood fllms in the 60s and 70s. She was probably one of the most indispensable figures in bollywood during 60s and 70s. Without her films like Gumnaam, Teesri Manzil, Jewel Thief, Inteqam, Carwan, Night in London, etc. would have been incomplete. She had acted opposite leading stars of the 60s and 70s, for example, in Gumnaam she acted opposite Pran, In Teesri Manzil she acted opposite Shammi Kapoor, in Jewel Thief she acted opposite Dev Anand, in Night in London opposite Johnny Walker to name a few. She in fact filled in the empty space created by prominent dancer Cuckoo in the 50s. One of her most memorable films included Gumnaam, which was released in 1965, where she played the role of one of the few persons who were taken to an isolated island. She was killed along with a number her friends by Tarun Bose in the film who was identified by Manoj Kumar at the end of the film. Her dance number in the songs “hum kale hai to kya hua dilwale hai” and “is duniya me jeena ho to” composed by Shankar Jaikishan were brilliant by every judging standards. She was put to test in her dance no. in the song “muqabla hum se na karo” in the film Prince along with Shammi Kapoor and Vaijayantimala. She did the western part while Vaijayantimala did the eastern part. Whenever she got a scope of performing opposite Shammi Kapoor her performance used to get a different dimension as he was the only male star in the 60s to dominate bollywood films with rock and roll dance performances. Both of them did well in the film Teesri Manzil. The song “o haseena zulfonwali” is remembered for the dance of both Helen and Shammi Kapoor. Helen got a villainish role in the film and trapped Shammi Kapoor in a murder case where the actual murderer was Prem Nath. Helen even got few roles of heroines in the 60s including the role in the film Pyar Hi Pyar where she acted opposite Mehmood, where the main roles were played by Dharmender and Vaiyantimala. Her prominent roles continued in the 70s, including her cameo in the song “piya tu ab tu aja” composed by RD Burman in the film Carwan, her role in the film Sholay, where her dance number in the song “mehbooba mehbooba” amazed the viewers. The villainish roles continued like the one in Big B’s film Don, where her song “yeh mera dil” became a runaway hit. Kareena Kapoor danced in the same item number as that of Helen when the film was remade by Farhan Akhtar, with Shahrukh Khan. Her other notable films include Mere Jeevan Saathi, Hindustani, Half Ticket, etc. She even acted in character roles in the 90s in films like Akela and Khamoshi. Her performance in the film Khamoshi had been appreciated by all section of viewers. In one article it is not possible to cover the contribution of Helen, who had dominated bollywood films of 60s and 70s. The admirers of Helen expect her to make more contribution in bollywood films in character roles as she has a lot acting still left in her.

Helen was indispensable in 1950s, 1960s, 1970s.

Helen was an indispensable figure of bollywood industry in 1950s, 60s and 70s. She had remained an exceptional dancer and featured in majority of bollywood fllms in the 60s and 70s. She was probably one of the most indispensable figures in bollywood during 60s and 70s. Without her films like Gumnaam, Teesri Manzil, Jewel Thief, Inteqam, Carwan, Night in London, etc. would have been incomplete. She had acted opposite leading stars of the 60s and 70s, for example, in Gumnaam she acted opposite Pran, In Teesri Manzil she acted opposite Shammi Kapoor, in Jewel Thief she acted opposite Dev Anand, in Night in London opposite Johnny Walker to name a few. She in fact filled in the empty space created by prominent dancer Cuckoo in the 50s. One of her most memorable films included Gumnaam, which was released in 1965, where she played the role of one of the few persons who were taken to an isolated island. She was killed along with a number her friends by Tarun Bose in the film who was identified by Manoj Kumar at the end of the film. Her dance number in the songs “hum kale hai to kya hua dilwale hai” and “is duniya me jeena ho to” composed by Shankar Jaikishan were brilliant by every judging standards. She was put to test in her dance no. in the song “muqabla hum se na karo” in the film Prince along with Shammi Kapoor and Vaijayantimala. She did the western part while Vaijayantimala did the eastern part. Whenever she got a scope of performing opposite Shammi Kapoor her performance used to get a different dimension as he was the only male star in the 60s to dominate bollywood films with rock and roll dance performances. Both of them did well in the film Teesri Manzil. The song “o haseena zulfonwali” is remembered for the dance of both Helen and Shammi Kapoor. Helen got a villainish role in the film and trapped Shammi Kapoor in a murder case where the actual murderer was Prem Nath. Helen even got few roles of heroines in the 60s including the role in the film Pyar Hi Pyar where she acted opposite Mehmood, where the main roles were played by Dharmender and Vaiyantimala. Her prominent roles continued in the 70s, including her cameo in the song “piya tu ab tu aja” composed by RD Burman in the film Carwan, her role in the film Sholay, where her dance number in the song “mehbooba mehbooba” amazed the viewers. The villainish roles continued like the one in Big B’s film Don, where her song “yeh mera dil” became a runaway hit. Kareena Kapoor danced in the same item number as that of Helen when the film was remade by Farhan Akhtar, with Shahrukh Khan. Her other notable films include Mere Jeevan Saathi, Hindustani, Half Ticket, etc. She even acted in character roles in the 90s in films like Akela and Khamoshi. Her performance in the film Khamoshi had been appreciated by all section of viewers. In one article it is not possible to cover the contribution of Helen, who had dominated bollywood films of 60s and 70s. The admirers of Helen expect her to make more contribution in bollywood films in character roles as she has a lot acting still left in her.

Saturday, November 17, 2018

Mukeshji had unique relationship with Shankar Jaikishan.

Shankar Jaikishan had composed more than 350 songs for Mohammad Rafisahab and around 400 songs for Lata Mangeshkarji. But with Mukeshji also they had a great partnership. One of the primary reasons of Shankar Jaikishan association with Mukesh was because both were part of the same team of Raj Kapoor. Raj Kapoor’s films were musical in nature and wherever the 3 met, Raj Kapoor, Mukesh and Shankar Jaikishan they created magic. In Awaara in 1951, Mukesh’s song for Raj Kapoor “awara hoon” created havoc in India and Russia. Shankar Jaikishan’s tune enchanted the audience. Mukesh’s duet song with Lata “dam bhar jo udhar muh phere” became smash hit. In Raj Kapoor’s film Aah, SJ created the successful song for Mukesh and Lata ‘aaja re”. In Shree 420 both the songs of Mukesh “mera juta hai japaani” and “ramaiya vasta maiya” became super hit. Again credit goes to Shankar Jaikishan. In the film Anari in 1959, all the songs of Raj Kapoor sung by Mukesh touched the souls of the audience including “kisiki muskurahato pe ho nisaar”, “sab kuch sikha humne na sikhi hoshiari”, “dil ki nazar se”, to name a few. In Jis Desh Me Ganga Behti Hai, all the songs of Mukesh became super hit including “mera naam raju gharana anar”, “hoton pe sachai rehti hai”, “hum bhi hai tum bhi ho”, “pyar kar le”, to name a few. The magic combination continued in other hit films of Raj Kapoor including Sangam, Deewana, Teesri Kasam, Around the World, Mera Naam Joker. In Sangam Mukesh’s song ‘dost dost na raha”, “o mehbooba” and “mere man ki ganga” really thrilled the audiences. All the songs of the film Deewana were run away hits like “deewana mujhko log kahe”, “pate ka baat kahega”, “tumhare bhi ja jai”, “ae sanam jisne tujhe chand sa surat di hai”, to nam a few. In Mera Naam Joker, Shankar Jaikishan’s composition were in melancholy mood. Mukesh’s song “jeena yahan marna yaha” and “jane kahan gaye wo din’ touched the hearts of the audience. While Mukesh enchanted the audience in Raj Kapoor’s films, in other films also Shankar Jaikishan composed beautiful tunes. In Dilip Kumar’s film Yaahudi the song “yeh mera deewanapan hai” touched the souls of viewers. In Manoj Kumar’s film Hariyali Aur Raasta, Mukesh’s song “ifteda-e-ishq me hum” really mesmerized the audience. The list can go on. Mukesh had sung around 200 songs under the composition Shankar Jaikishan and majority of them became immortal. The songs and the films required restoration.

Happy birthday to Amol Palekar.

Happy birthday to Amol Palekar. The viewers of bollywood films wish happy birthday to Amol Palekar, on 24th November, 2018. He had been an invaluable asset of realistic films of the 70s and 80s. Directors like Basu Chatterji, Hrishikesh Mukherjee and others had displayed stories relating to the common man due through the performances of Amol Palekar in the related films. He caught the attention of the viewers with his performance in the film Rajnigandha, directed by Basu Chatterji, where he acted opposite Vidya Sinha, the successful actress of the 70s. Salil Choudhury’s music in the film including songs sung by Lata, Yesudas and others like “janeman janeman”, “ranjigandha”, etc., created special impact on the viewers. Amol Palekar’s performance in the other film of Basu Chatterji, titled Chitchor also impressed the viewers. In that film a new pair of Zareena Wahab was created with Amol Palekar who was accepted by the viewers. The film revolved around the romantic story of Amol Palekar that took place in forest locations. The performance of Master Raju in the role of a child artist was also impressive. The music of the film composed by Ravindra Jain including songs like “gori tera gaon”, “tu jo mere sang me”, etc., sung by Hemlata and Yedudas was very impressive. Amol Palekar also gave brilliant performances in serious films like Gharonda, where he expressed the agony of a jobless person in Mumbai and other complication of life. Zarina Wahab again did well opposite him in the film. The music given by Jaidev and the lyrics written by Gulzar in the film was of very high standard. The notable songs sung by Bhupinder Singh and Runa Laila like “do diwane shahar me”, “ek akela is shahar me”, “tume ho na ho”, etc., are important landmarks of Indian film music and Amol Palekar should his capability of giving able lips even in compositions catered to the intellectual commodity. If the serious films of Amol Palekar gave variety to bollywood films in the 70s, the comedy films made every section of the society laugh. His combination with Utpal Dutta was considered one of the most successful combinations in the 70s and 80s, especially in respect of films which had intellectual humour in them. Golmaal and Naram Garam are two films where Amol Palekar and Utpal Dutta complimented each other with their distinct style of acting. In Golmaal, Amol Palekar had to play double role to impress Utpal Dutta and marry his daughter Vindya Goswami. In Naram Garam, he worked in the estate of Utpal Dutta, and after all the preparations being made Utpal Dutta instead of marrying Swaroop Sampad, asked Amol Palekar to marry her. Amol Palekar also did well in films like Baton Baton Me, opposite Tina Munim. His contribution to bollywood films was also wide in respect of direction. His directed film Paheli was critically acclaimed by the critics. He used Shahrukh Khan and Rani Mukherjee very well in the film. Viewers want Amol Palekar to make a comeback in bollywood films, as his face is wanted more infront of the camera than behind it as director. He can still contribute in character roles in modern bollywood films.

Thursday, November 15, 2018

Aamir Khan, Amitabh Bacchan's acting was outstanding in Thugs of Hindostan.

Aamir Khan, Amitabh Bacchan’s acting was outstanding in Thugs of Hindustan. The acting of Aamir Khan, Amitabh Bacchan and other artists in the film The Thugs of Hindustan was outstanding. The main message was the cheating of the British East Indian Company in 1790 onwards and capturing estates by treachery. Khuda Baksh played by Amitabh Bacchan and Firangi played by Aamir Khan helped the estates to get back control from the British East India company. Aamir Khan always had put up great efforts to portray his character. It happened in this film as well. Amitabh Bacchan also did a great job at his age. Yet due to negative publicity, the film struggled in getting box office success. Presently it has collected around 140 crores. It is sad that the audience could not get the historical message of the period drama. A lot of effort was put up in building the ships that were captured in the original story. The action stunts were also mindblowing. Music was good. Photography was good. Viewers instead of reading the negative reviews should go and watch the film. Thugs of Hindostan is a 2018 Indian Hindi-language epic action-adventure film, written and directed by Vijay Krishna Acharya, and produced by Aditya Chopra under his banner Yash Raj Films. The film stars Amitabh Bachchan, Aamir Khan, Katrina Kaif, Fatima Sana Shaikh and Lloyd Owen. Set in 1795, the film follows a band of Thugs led by Khudabaksh Azaad, who aspires to free Hindostan (the Indian subcontinent) from the rule of the expanding British East India Company. Alarmed, British commander John Clive sends a small-time Thug from Awadh, Firangi Mallah, to infiltrate and counter the threat.[5] Produced on an estimated budget of ₹300 crore (US$42 million), Thugs of Hindostan is the most expensive Bollywood film. Initially titled Thug, the film marked the first time Khan and Bachchan featured together as leads, and was the second collaboration between Khan, Acharya and Kaif, after Dhoom 3 (2013). Principal photography commenced on 5 June 2017 in Malta; the film was also shot in Thailand and Mehrangarh. It was put on a short hiatus after Bachchan was injured on set. Filming concluded in March 2018, the final schedule being completed in Rajasthan. The soundtrack was composed by Ajay-Atul, with lyrics written by Amitabh Bhattacharya.

Thugs of Hindostan was released during the week of the Diwali festival, on 8 November 2018. Upon release, the film received generally negative reviews; while critics praised the performances of Bachchan and Khan, Acharya's direction and screenplay were criticized. The film recorded the highest first-day collection and highest two-day collection for any Hindi film in India, and the fourth biggest opening weekend in India. As of 13 November 2018, Thugs of Hindostan has grossed ₹218.07 crore ($33.49 million) at the worldwide box office.[4] It has also recovered approximately ₹170 crore ($26.11 million) from satellite, digital and music rights. In 1795, when the Indian subcontinent was known as Hindustan or Hindostan, king Mirza Sikander Baig was killed by John Clive. The residents of his kingdom are massacred, and the land is annexed by the British. The only surviviors are his daughter, Zafira Baig, and general, Khudabaksh. Khudabaksh defeats the retreating enemy soldiers, and raises Zafira as his daughter, training her in the arts of warfare. Years later, Khudabaksh, now known as Jahaazi, leads a band of Indian bandits known as Thugs, who specialize in sea-based warfare and expose a serious challenge to the expanding British East India Company which had, by then, seized control of large parts of India. John Clive is alarmed, and assigns his right-hand to counter the rising threat posed by the Thugs. Firangi Mallah, a good-for-nothing, small-time Thug who makes his living by stealing necessary accessories, is recruited by the British to meet this challenge. He appears before Jahaazi and asks him for his refuge. Jahaazi accepts, and Firangi turns into a routine informer for the Company. He finds solace with a dancer named Suraiyya. Firangi aims to be an English-man himself, and hence dresses up as one in many circumstances. Firangi betrays the Thugs on many occasions. Jahaazi, who wishes to straighten the wayward Firangi and bring him into the Thug life, gets suspicious and realizes the truth. He confronts Firangi and they have a duel. Jahaazi looses, and concedes defeat to Firangi, while expressing hope that he will change his ways. At the final encounter with the British at an abandoned fort, Jahaazi and Zafira fight the British and find themselves outnumbered and their ranks falling. Firangi and his cronies suddenly appear and turn the tide of the battle. Zafira defeats Clive, and justice is served. Jahaazi looks to the sky and realizes the unfertile land has now borne fruit, suggesting that Firangi has now become an empathetic human capable of greatness.

Tuesday, November 13, 2018

Revisiting SD Burman and Rafisahab in realistic films.

Sachin Dev Burman as a composer had a liking for folk tunes and the softness of sounds of nature was captured in his compositions. Whenever his compositions were studied in the commercial films there was limitation relating to the immense musical talent because there were preferences of the producers, actors and other groups of people. But when it came to realistic films, probably SD Burman’s best tunes were created. Mohammad Rafi as a singer had the greatest range and modulation in respect of singing. So SD Burman’s songs in realistic films with Mohammad Rafi created magic. In Dilip Kumar and Bimal Roy’s Devdas, SD Burman used Talat Mehmood for the song “mitwa”. It was probably one of the best tragic songs Talat Mehmood had ever sung. SD Burman was successful in extracting the pathos in a rural background. Lajwanti, Bandini and Sujata were female-centric films. So SD Burman composed songs for the female singers. Talat Mehmood’s “jalte hai jiske liye” was impressive in Sujata. Guru Dutt’s Pyaasa was a landmark film where SD Burman and Mohammad Rafi combination touched the souls of people. “yeh mahalaon yeh takhton yeh taajon ki duniya” sung by Rafi and written by Sahir Ludiyanvi had philosophical dimension. Rafi’s s other songs in the film were masterpieces like “hum aapki aankho me”, “yeh hanste hue phool”, etc. Rafi SD Burman combination followed the pathos andaz in Guru Dutt’s Kagaz Ke Phool. Rafi’s song “dekhi zamaane ki yaari, bichre sabhi baari baari” was one of the best songs speaking about the reality of life. Philosophy, pathos and passion got merged into one. The other songs “hum tum jise kehten hai”, “ulte seedhe dao lagae” were equally impressive. In Bimal Roy’s Benazir, all the songs of Rafi SD Burman combination were very impressive including “dil me ek jaane tamanna”, “aaj shishe me baar baar”, “le gayi ek haseena”, “mai shola hoon”, etc. Ashok Kumar and Shashi Kapoor were very impressive in the film and Rafi’s songs were brilliant by musical standards. Meri Surat Teri Ankhen was another film where SD Burman could display his classical talent. Rafi and Manna Dey were used to their potentials. Songs like “pucho na kaise maine rain bitayi” in ahir bhairav, “naache man mowra”, “tere bin sune” were masterpieces which showed the pathos andaz of Ashok Kumar in the film. Rafi was used in immense numbers of films of Dev Anand, in Dharmender’s Ishq Par Zor Nahi, Joy Mukherjee’s Ziddi, Vinod Mehra’s Anurag and majority of them dominated the chartbusters in the 1950s and 1960s. Many listeners must have Rafi’s rendition of SD Burman compositions “yeh dil diwana hai”, “mehbooba teri tasveer”, “teri surat se na milti hai kisiki surat”, “janu kya mera dil ab kahan kho gaya”. The songs were very melodious. References had not been made in the article because the article was devoted to the realistic andaz of Rafi and SD Burman. All the films and the songs mentioned above require publicity and restoration.

In Shyamasangeet Pannalal Bhattacharya and Dhananjoy Bhattacharya were the best ever.

Pannalal Bhattacharya and Dhananjay Bhattacharya sang the best Shyamasangeet. Shyamasangeet is one form of devotional song devoted to Goddess Kali, the Goddess of empowerment. It is called Bhaktigeeti in Bengali. Pannalal Bhattacharya and Dhananjay Bhattacharya were probably the best singers of Shyamasangeet. Dhananjay Bhattacharya was the medjda, the middle brother of Bhattacharya family. He used to be called Samrat, meaning the king of music. He was very handsome and got chance in Bengali films like Pasher Bari, Ladies Seat, Nababidhan to name a few. His basic discs created havoc in 1950s like “shilpi moner”, “jhanana jhanana baje”, “kobir kheyale premomoy tumi samrat shajahan”, etc. Even his songs “e maya proponchomoy” made the viewers spellbound. In recent interview given by his son Dipankar Bhattacharya in Anandabazar Patrika it was said that Lataji requested Dhananjay Bhattacharya to come to Mumbai for hindi songs, which he refused. Composer Salil Choudhury told Dhananjoy that his voice was at par with Rafisahab and Talat Sahab. But beyond modern songs his inclination was towards devotional songs, especially that of Goddess Kali. Pannalal Bhattacharya learned music from Dhananjay Bhattacharya. He also had classical control and sang very well. When he came to that his friends Manabendra Mukherjee, Shyamal Mitra and Sanat Singha acted in the film Sare Chuattor, he wanted to act in the film also. But Dhananjay Bhattacharya stopped him. Sare Chuattor was the first superhit film of Uttam Kumar and Suchitra Sen released in 1953. But Dhananajay Bhattacharya understood that Pannalal had excellent control in Shyamsangeet. So he allowed his brother to concentrate in those songs. Some of her brilliant songs included “amar sadhna mitilo ashana phurilo”, “chai na mago raja hote”, “opar sangsar nahi parabar, ma o ma, ma”. His other hit songs included “de ma pagol kore bhramamaye”, “amar mayer payer jobe hoye”, to name a few. All were devoted to Goddess Kali. Both Dhananjoy Bhattacharya and Pannalal Bhattacharya had the hobby of catching fishes. Whoever had ponds in West Bengal, used to call both the brothers, first for fishing and then in the evening ask them to sing songs. Dhananjoy Bhattacharya’s son Dipankar Bhattacharya had said in Anandabazar Patrika that once Pannalal was travelling in train with friends Manabendra Mukherjee, Nirmala Mishra, Tarun Banerjee. He visualized that in Dakshineshwar Kalibari, the idol of Kali was dressed in Tunte sari. All his friends were shocked. He took them to Dhakineshwar. Everyone saw the truth that yes, Idol of Kali was dressed in tunte saree. Once Pannalal was recording in HMV the song “chai na ami raja hote”. Manobendra Mukherjee waited outside the room. He allowed Pannalal to finish his song and then said he was going to sing the song “ami eto je tomae bhalobesechi” in 1958. Pannalal gave Manabendra Jaba flower which he brought from Kali Temple in Dhakineshwar. He gave the flower to Manabendra saying it was going to give him good luck. Manobendra sang the song and it became a bumper hit. In the later years, Pannalal lost interest in life and only sang devotional songs for Goddess Kali. He committed suicide at the age of 36 years. Music experts feel that Pannalal Bhattacharya and Dhananjay Bhattacharya sang the best shyamasangeet ever in Bengal’s history.

Thursday, November 8, 2018

Happy birthday to Meenakshi Sheshadri.

Happy birthday to Meenakhi Sheshadri. The viewers of bollywood films wish happy birthday to Meenakshi Sheshadri on 16th November, 2018. She had been one of the leading actresses of bollywood films of the 80s. She entered the film industry at a time when there was serious competition amongst the actresses in bollywood. Jaya Prada and Sri Devi established themselves as lead actresses and new stars like Madhuri Dixit and Juhi Chawla entered bollywood. The same period was famous for action films and stars like Anil Kapoor, Jackie Shroff, Sunny Deol became famous in action roles. She started her career in Subhash Ghai’s film Hero. Meenakshi acted opposite Jackie Shroff in the film who also started his career with the film Hero. After that Meenakshi acted opposite all the leading actors of bollywood films. She was very successful in the film Meri Jung opposite Anil Kapoor. In that film Anil Kapoor being a lawyer contested against Amrish Puri in a keenly contested case. Meenakshi was successful opposite Big B in the film Shahenshah. Big B played the role of a police officer who did his duty during the day and attached criminals at night with the name of Shahenshah. Meenakshi gave able lips in the song “jane do jane do mujhe jana hai”. Meenakshi acted in successful films of Raj Kumar Santoshi one after the other. She was at her best in the film Damini. In that film she had seen a girl being raped. When she went and gave her testimony before the court about the happening she was considered to be an insane person. But she did not care about the allegation and testified before the court about the happening. Sunny Deol and Rishi Kapoor also did extremely well in the film opposite her. Meenakshi could have won a national award for the brilliant performance in the film, had Dimple Kapadia not won it for Rudaali. Sunny Deol and Meenakshi formed a deadly combination especially in the films of Raj Kumar Santoshi. Their other hit films included Ghayal and Ghatak which did fantastic business. In Ghayal Meenakshi played the role of a dare devil character, the journalist who did not fear to write the truth related to a corrupted businessman played by Amrish Puri. Sunny Deol was falsely implicated in a case and fled from the jail to kill Amrish Puri. Meenakshi also acted opposite other actors like Vinod Khanna. Even in less known films like Joshiley, Meenakshi Sheshadri did extremely well opposite Anil Kapoor. She had very successful opposite all the leading stars of the 80s and 90s including Rishi Kapoor, Anil Kapoor, Jackie Shroff, Sunny Deol, Big B and others. Meenakshi also acted in South Indian films and was successful there too. She left films at a time when she was very matured. The viewers expect her to make a comeback in character roles in future.

Happy birthday to style icon Zeenat Aman.

Happy Birthday to style –queen Zeenat Aman. The viewers of bollywood films wish happy birthday to style – queen Zeenat Aman on 19th November, 2018. She had dominated bollywood films in the 70s. She created attention with her successful performance in Dev Anand’s film Hare Rama Hare Krishna. Hare Rama Hare Krishna was released in the year 1971. She played the role of a girl who became addicted to drugs. She became a style icon during the period when European Hippies and other communities influenced fashion all over the world. She had acted opposite all the leading stars of bollywood films in the mid-70s. Her successful films opposite Big B included Don, Dostana, Lawaarish, etc. In Don, she had shown martial art and the ability to adapt herself in action films. She was extremely successful in Raj Kapoor’s film Satyam Shivam Sundaram. She played the role of a village girl whose face got burned and disfigured. The film was related to the romantic relationship of Zeenat with Shashi Kapoor, who was an urbanized youth. Lata’s songs in the film including “satyam shivam sundaram” composed by Laxmikant Pyarellal require special mention. Zeenat gave able lips in the songs. In the early 80s Feroz Khan gave a stylish image to Zeenat in the film Qurbani. She played the role of a hotel singer and stormed bollywood with her performance. Her lips in the songs “aap jaisa koi mere zindagi me aye”, “laila ho laila”, etc., in the film Qurbani created sensation. Feroz Khan and Vinod Khanna also gave memorable performances in the film. The film ended up being blockbuster. She also acted in serious films like Insaaf Ki Taraazu. In the 80s she acted opposite other stars as well. Her film Abdullah opposite Sanjay Khan did great business. The songs of Abdullah composed by RD Burman like “maine pucha chaand se” sung by Mohammad Rafi also became super hit. Zeenat was also known for contributing in action films like Shalimaar opposite Dharmender, Don opposite Big B, Ram Balram opposite Dharmender. In all those films the roles required action stunts. Zeenat did show her martial art stunts in the film Don. Her roles are idolized and reworked by Priyanka Chopra in Don – the Chase Begins. Zeenat gave good lips in qawallis as well. One example was in the film Hum Kisi Se Kum Nahi. It was released in 1977. She gave lips in Asha Bhosle’s song “hai agar dushman zamana” opposite Rishi Kapoor. Rishi Kapoor gave lips in Rafi’s portion with his own brilliance. Zeenat Aman left films in the mid -80s when she was at the summit of her career. Her films should be preserved.

Wednesday, November 7, 2018

Singer Tarun Banerjee's Chalo Rina and O Suleman haunted bengalies.

Tarun Banerjee’s Chalo Rina and O Suleman haunted bengalies. Singer Tarun Banerjee had sung everlasting songs during the golden age of Bengali music; that is the 50s and 60s. He had a deep voice with good pitch. Two of his songs “chalo Rina” and “o suleman” haunted the bengalies. “chalo rina” was composed by Abhijeet Banerjee. The song spoke about the singer calling his girlfriend to travel with him along the red village road, and red flowers blossom and the rural life unfolds itself. “o suleman” was written by Pulak Banerjee and composed by Prasanta Bhattacharya. “o suleman” had Arabian tunes embedded in them. So it talks about a girl who was seen by a seller, who could not find her again. The romantic appeal of both the songs “chalo rina” and “o suleman” haunted the bengalies for generations. His song “mor malanche bosonto nai” was very popular during the 60s. He was sublime in the song “champakoli go koto name dekechi tomae” composed by classical singer Manobendra Mukherjee. The song “konokchapa dhan” composed by Prabir Mojumdar and sung by Tarun Banerjee was equally popular. He was excellent in the songs he had sung for poet and composer Salil Choudhury. One of his legendary songs included “eso kache eso, kono kotha bolo” which became immensely popular during the 60s. His song “ankhi cholocholiya keno gele choliya” composed by Nikhil Chatterji also became very popular during that period. His other hit songs during that period included “tolpar tolpar moner kotha”, “magnelia aar kamelia phool”, etc. He also sang songs which were compositions made out of rhymes. One of the examples included “ek ekdin megh kore mon bole hariye jai”. He also sang the song “champa amar ogo jago” which was written by Salil Choudhury and composed by Sudhin Dasgupta. Very rarely the two highly talented lyricist and composer Salil Chodhury and Sudhin Dasgupta came together to compose the legendary songs. “champa amar ogo” was one of them. He had sung songs which were in the form of ballads. Some of them included “modhumati jay boye jay”, “cholo Rina”, “kajol nodir jole”, “aar deri nei”, to mention a few. He equally sublime in other modern songs like “alta payer”, “elona se elona”, etc. He also made valuable contribution in Bengali film music. His song “haridasher bulbulbhaja tatka taja khete moja” in the film Shriman Prithviraj was very popular. The song was composed by Hemant Kumar and the film was directed by eminent director Tarun Majumdar. It is not possible to highlight the contribution of Tarun Banerjee in Bengali modern songs in a small article, who had contributed during the 50s, 60s and 70s. His songs and films should be preserved and restored.

Singer Arati Mukherjee was given first break by Composer Robin Chatterjee.

Singer Arati Mukherjee was given the first break by eminent Bengali composer Robin Chatterjee. Arati Mukherjee gave an exclusive interview in Anandabazar Patrika before Pathik Pandit, and it was published on 9th October, 2011. Arati Mukherjee lost her father at an early age. She lived in a joint family. She learned classical singing from different gurus including Sushil Banerjee. He was the judge of a music competition, where Arati Mukherjee participated. Eminent singer Dhanonjoy Bhattacharya was the chief judge in that competition and he was impressed by Arati Mukherjee’s singing. He asked Sushil Banerjee, whether Arati Mukherjee is interested to sing a duet song with him in the film Mamlar Fol. The film was based on the story of kathasahityik Sarat Chandra Chatterjee. Robin Chatterjee was the leading composer of Bengali films of the 50s and composed excellent music in films like Sagarika, Pathe Holo Deri, etc. In the 60s Arati Mukherjee got scope of singing in hit films like Deya Neya, Shankha Bela. Her song “madhabi madhute holo mitali” in the film Deya Neya became very successful. Her pet name was Alo. Arati Mukherjee married famous solicitor Shreyas Manim. In the flat in Mumbai famous singer and composer Hemanta Mukherjee came. He asked her to make a cake. She started making the cake. Then she and husband played a song of Ustad Amir Khan. The cake became overcooked. Hemanta Mukherjee ate that cake and said that it added taste due to the music. Her journey in the hindi film world started with the film Geet Gata Chal. She received filmfare award for her song in the film Masoom, where RD Burman composed music. Arati Mukherjee talked about a number of composers including Nochiketa Ghosh and Sudhin Dasgupta. She talked about director Hrithik Ghatak who was looking for a new voice for his film Subarnarekha. Hrithik Ghatak met Arati Mukherjee’s guru Sagiruddin Khan and he introduced Arati Mukherjee to Hrithik Ghatak. Tapan Sinha composed the song “choti si panchi” sung by Arati Mukherjee. Arati Mukherjee’s humbleness had amazed the readers and listeners of music.

Who was a bigger phenonmenon Showman Raj Kapoor or Tragedy King Dilip Kumar?

Raj Kapoor versus Dilip Kumar. Raj Kapoor and Dilip Kumar had remained the greatest legends of hindi cinema for the last 100 years. Ranbir Raj Kapoor, also known as Raj Kapoor, was the son of legendary actor Prithviraj Kapoor. Muhammad Yusuf Khan, also known as Dilip Kumar was the son of Fruit tycoon Lala Ghulam Sarwar. Raj Kapoor was born on 14th December, 1924, while Dilip Kumar was born on 11th December, 1922. They acted together only in one film titled Andaz in 1949, which was directed by Mehboob Khan. There were a lot of striking points of the two superstars who ruled bollywood films during the 40s, 50s and 60s. Raj Kapoor was awarded Padmabhushan in 1971, while Dilip Kumar was awarded Padmabhushan in 1991. Raj Kapoor was awarded Dadasaheb Phalke in 1987 and Dilip Kumar was awarded Dadasaheb Phalke award in 1994. In 1947, Raj Kapoor acted opposite Madhubala and Begum Para in the film Neel Kamal. In 1947, Dilip Kumar acted in the successful film Jugnu, although he started his career with the film Jwar Bhatta in 1944. While Raj Kapoor got the title of showman, with his projection of larger than life romantic stories in films like Barsaat, 1949, Awaara, 1951, Shree 420, 1955, Sangam, 1964, etc; Dilip Kumar got the title of Tragedy King with his projection of the sad personality in films like Devdaas, 1955, Musafir, 1957, Madhumati, 1958, Mughal –i-Azam, 1960, etc. Both the actors acted opposite leading actresses of the golden age including Nimmi, Nargis, Meena Kumari, Madhubala, Wahida Rehman, Vaijayantimala, to name a few, although Raj Kapoor acted in 17 films opposite Nargis, while Dilip Kumar acted in 7 films opposite Vaijayantimala. While Raj Kapoor at an age of 22 years married Krishna Kapoor at an age of 16 years who was his maternal cousin in 1944; Dilip Kumar at an age of 44 years married Saira Banu at an age of 22 years in 1966. Both Raj Kapoor and Dilip Kumar supported the Congress, but although Raj Kapoor did not join active politics, Dilip Kumar became Member of Rajya Sabha and also Sheriff of Mumbai. While Raj Kapoor had marathon combination with composer Shankar Jaikishan, lyricists Shailendra and Hasrat Jaipuri and singers Mukesh, Lata and Manna Dey, who worked with him in more than 15 films; Dilip Kumar had immortal bond with composed Naushad, lyricist Shakeel Badayani and singer Mohammad Rafi who had contributed in more than 15 films of the legend. While Raj Kapoor won filmfare awards in different categories including best actor, best director, best producer, etc; Dilip Kumar won the filmfare award for best actor for record 8 times. Raj Kapoor had died in 1988 and Dilip Kumar had retired from films after acting in the film Qila, many years ago. Their works should be preserved and restored.

Happy birthday to superstar Shahrukh Khan.

Happy birthday to superstar Shahrukh Khan. The viewers of bollywood films wish happy birthday to superstar Shahrukh Khan on 2nd November, 2018. He was the ruler of bollywood industry in the 90s. Right from Baazigar, Shahrukh Khan gave blockbusters one after the other. After Amitabh Bacchan, he is the next superstar, whose screen presence had carried through many big budget films. 2011 had been a great year for Shahrukh Khan. He had produced the costliest film in Indian history Ra One. The film in the first week had already done business of more than 50 crores. Although the film had not broken the record of Salman Khan’s film Bodyguard this year which had done business of 150 crores, the film had created a new trend, and Shahrukh Khan’s excellent acting, stunts and enthusiasm had been praised a lot by the viewers. In 2012, Shahrukh Khan’s romantic film Jab Tak Hai Jaan was released on Diwali, on 13th November. It was the last film of Yash Chopra. He died recently. This was the first time Shahrukh Khan had acted opposite Katrina Kaif. AR Rehman composed the music of the film. The film did business of 115 crores. 2013 had been even more successful year for Shahrukh Khan. His film Chennai Express released in August, 2013, did business of more than 210 crores. The film broke the record of Amir Khan’s The Three Idiots and stands as the biggest blockbuster ever. 2014 had been a bigger year. Shahrukh Khan’s film Happy New Year did business of more than 150 crores in the 1st weeks. It has the potential of doing business of more than 200 crores. Shahrukh Khan had a grand combination with Director Karan Johar, and most of the films directed by him ended up being super hit. The notable films include Kabhi Khushi Kabhi Gham, Kuch Kuch Hota Hai, etc. Shahrukh Khan also gave able lips in hit songs of these films including “kuch kuch hota hai”, “suraj hua madhyam”, etc. In 2010, their grand combination gave another hit titled My Name is Khan. Shahrukh Khan played the lead role in the film and did a great job opposite Kajol. Shahrukh Khan also succeeded in negative roles. The greatest example includes Darr. There he played a negative character opposite Sunny Deol and Juhi Chawla. On one hand he gave good lips in the songs “tu mere samne”, on the other hand his attack on Juhi Chawla made the viewers understand that he could act in any type of films. He received filmfare award for the negative category as well. He was played a challenging role in Mani Ratnam’s film Dil Se. The film was related to terrorism in North East India and Shahrukh Khan died with Manisha Koirala in the film. Shahrukh Khan has the record of bagging 7 filmfare awards for best actor, which is the second best record after Dilip Kumar who had won it 8 times. Shahrukh Khan, better known as King Khan, had acted in the films of almost all the leading directors of the country, including Amol Palekar’s Paheli with Rani Mukherjee. Besides he had acted opposite different actresses like Kajol in the film Dilwale Dulhania Le Jayenge, Preeti Zinta in the film Veer Zara, Anushka Sharma in the film Rab Ne Bana Di Jori, to name a few. Shahrukh Khan opened own production house titled Dreams Unlimited with Juhi Chawla, and the films produced by such combination like Phir Bhi Dil Hai Hindustani also did good business. Shahrukh Khan had ruled the industry for more than 15 years. Shahrukh Khan is also known for high level of energy. He had sponsored the Kolkata Knight Riders IPl team which had been captained by Sourav Ganguly. Although the team had performed is a disastrous manner, Shahrukh Khan had always encouraged his players. Shahrukh Khan’s team under the captainship of Gautam Gambhir had also won the IPL Trophy this year. The viewers are waiting for his next film that is going to be released in 2018. He is breaking his own records. So there are more surprises in future. Viewers are waiting for his new film Zero.