Sunday, December 25, 2022
Deepika Padukoneji will make a comeback in film Pathan opposite Shahrukh Khanji.
Happy birthday to Deepika Padukone.
The viewers of bollywood films wish happy birthday to Deepika Padukone on 5th January, 2023. Deepika Padukone, the daughter of renowned badminton player Prakash Padukone, started her career in the fashion world from where the producers and directors got impressed. 2021 has been good for her as film 83 where she played wife of cricketer Kapil Devji was well appreciated. 2013 had been a great year for her. Her film Chennai Express opposite Shahrukh Khan had done business of more than 230 crores. Her film Yeh Jawaani Hai Deewani opposite Ranbir Kapoor did business of 189 crores. Her film Race 2 opposite Saif Ali Khan did business of 95 crores. 2014 also had been great year for her. Her film Happy New Year did business of more than 202 crores. She also received best actress award for her performance in the film Ramlila in 2014. In 2015 Deepika’s films Piku and Bajirao Mastani had been super hit. In 2017 Deepika's film Padmavat did business of 300 crores.
She made a dream debut in the film Om Shanti Om, opposite Shahrukh Khan. Shahrukh Khan was one of the biggest icons of bollywood films till 2007. Akshay Kumar had shaken up the box-office domination of Shahrukh Khan after giving many blockbusters in the last few years. It was a dream which came true for Deepika Padukone to act opposite Shahrukh Khan in the romantic blockbuster. Farah Khan and Shahrukh Khan searched a new face for the film. Deepika Padukone answered their query.
The film was related to reincarnation. Deepika Padukone and Shahrukh Khan had double roles in the film. Deepika was killed by breaking out of fire in a grand studio. The entire story of her death was recreated to bring the perpetrators of crime before the people at large. The soul of Deepika Padukone did the rest.
The film had similar story line like that of Karz. But the excellent music of the film and decent performance from Deepika Padukone and Shahrukh Khan had converted a decent film into a commercially successful mission. The songs of Sonu Nigam and others like “tumko paya hai to jaise”, “om shanty om”, “ankho me teri”, etc., became landmark hits in 2007.
Deepika Padukone bagged the best debutant award in the filmfare and Om Shanti Om bagged filmfare awards under different categories. As Deepika Padukone created a huge expectation from the performance in the first film the viewers started believing in her capability in the following films as well.
She did well again in 2008 in the film Bacchna Aye Haseeno opposite Ranbir Kapoor, Minissha Lamba and Bipasha Basu. The film was related to the story of how Ranbir Kapoor met three girls namely Bipasha Basu, Deepika Padukone and Minissha Lamba and how their interaction created an impact in the life of Ranbir Kapoor.
Again the fabulous locations and quality music composed by Vishal Shekhar impressed the viewers. The hit songs included “bacchna aye haseeno”, “ki mujhe pyar hai”, etc. Deepika Padukone probably matched Ranbir Kapoor the best if compared with the other performers in the same film.
In 2009, Deepika’s much awaited film Chandni Chowk To China was released in January. She had acted opposite superstar Akshay Kumar who had shown his action skills and comedy skills as well in the film. For the requirement of the film Deepika Padukone had learned martial art as well which was done by Priyanka Chopra in the past. But the film did mediocre business.
The other film of Deepika Padukone that was released in 2009 was Love Aaj Kaal. It was the film of Saif Ali Khan and he acted opposite Deepika Padukone. The film became a big hit and the romantic combination of Saif Ali Khan and Deepika Padukone was accepted by the audience. The music of Pritam was well appreciated by the audience including the song “chor bazari”.
After that Deepika Padukone had acted in many films in 2010, including Billo Barbar, Lafange Parindey, Larenge Hum Ji Jaanse, etc., and acted opposite many actors including Farhan Akshtar, Abhishek Bacchan (where he played the role of Masterda Surjo Sen in Ashutosh Gowarikar’s flm), etc.
2011 had been a successful year for Deepika Padukone. Her performance opposite Saif Ali Khan and Big B in the film Aarakshan had been appreciated by the viewers. The film did excellent business too. In 2012 her film Cocktail opposite Saif Ali Khan did good business. The viewers expect Deepika Padukone to revive her position in 2016 with the success of the films Race 2, Chennai Express and Yeh Jawaani Hai Deewani, Happy New Year and continue her great work in the years to come in bollywood films and other films. Her Padmmavat in 2018 did business of 300 crores. She is expected to do well in future.
Happy birthday to Sonali Bendreji.
Happy birthday to Sonali Bendre.
The viewers of bollywood films wish happy birthday to Sonali Bendre on 1st January, 2023
. Sonali Bendre showed a lot of promise in the 90s when she joined bollywood films. She had spontaneity in her performance and did not imitate any star. She was sublime in Aamir Khan’s film Sarfarosh.
Sarfarosh was the film based on the story of an honest police officer who addressed the corruption existing in the police department itself and the other wings of the Govt. Sonali Bendre ably assisted Aamir Khan in his noble mission. Jagjit Singh’s song “husnwale” became very successful.
Her performance in Sunil Shetty’s film Bhai requires special mention. Although she loved Sunil Shetty like Pooja Batra but when she knew that Pooja Batra was also attached to him, she sacrificed her love. She died at the end of the film while fighting for the cause of Sunil Shetty. In fact she helped Sunil Shetty to learn urbanized style of living as he came from the hills and was uneducated.
She acted in completely different role opposite Shahrukh Khan in the film Duplicate. Shahrukh Khan played a double role in the film, one having an affair with Juhi Chawla while the other having an affair with Sonali Bendre. She acted opposite Shahrukh Khan who played the role of the smuggler. From the time the two characters interchanged Sonali Bendre expressed the astonishment in style. Her lips in the song “mere mehboob mere sanam” require special mention. Although the film had mainly comedy element in it, the powerful performance of Sonali Bendre and Juhi Chawla helped the film to be successful.
Her other hit films include Hum Saath Saath Hai, opposite Salman Khan, Zakhm with Ajay Devgan, to name a few. She received the star-screen best supporting actress award for her brilliant performance in the film Hamara Dil Aapke Paas Hai. Her performance in the film was as outstanding as Anil Kapoor and Aishwarya Rai.
After success in films like Jis Desh Me Ganga Rehta Hai with Govinda, Major Sahab, etc., she left films in 2002. She appeared in many TV programs in a number of private channels, in some of them being the judges of those programs. But she was not found in prominent roles in the films released in the last few years. She also acts in a number of TV serials in Private Channel. The viewers expect her to make a comeback in character roles in future.
Friday, December 23, 2022
Happy birthday to Deepika Padukoneji
Happy birthday to Deepika Padukone.
The viewers of bollywood films wish happy birthday to Deepika Padukone on 5th January, 2023. Deepika Padukone, the daughter of renowned badminton player Prakash Padukone, started her career in the fashion world from where the producers and directors got impressed. 2021 has been good for her as film 83 where she played wife of cricketer Kapil Devji was well appreciated. 2013 had been a great year for her. Her film Chennai Express opposite Shahrukh Khan had done business of more than 230 crores. Her film Yeh Jawaani Hai Deewani opposite Ranbir Kapoor did business of 189 crores. Her film Race 2 opposite Saif Ali Khan did business of 95 crores. 2014 also had been great year for her. Her film Happy New Year did business of more than 202 crores. She also received best actress award for her performance in the film Ramlila in 2014. In 2015 Deepika’s films Piku and Bajirao Mastani had been super hit. In 2017 Deepika's film Padmavat did business of 300 crores.
She made a dream debut in the film Om Shanti Om, opposite Shahrukh Khan. Shahrukh Khan was one of the biggest icons of bollywood films till 2007. Akshay Kumar had shaken up the box-office domination of Shahrukh Khan after giving many blockbusters in the last few years. It was a dream which came true for Deepika Padukone to act opposite Shahrukh Khan in the romantic blockbuster. Farah Khan and Shahrukh Khan searched a new face for the film. Deepika Padukone answered their query.
The film was related to reincarnation. Deepika Padukone and Shahrukh Khan had double roles in the film. Deepika was killed by breaking out of fire in a grand studio. The entire story of her death was recreated to bring the perpetrators of crime before the people at large. The soul of Deepika Padukone did the rest.
The film had similar story line like that of Karz. But the excellent music of the film and decent performance from Deepika Padukone and Shahrukh Khan had converted a decent film into a commercially successful mission. The songs of Sonu Nigam and others like “tumko paya hai to jaise”, “om shanty om”, “ankho me teri”, etc., became landmark hits in 2007.
Deepika Padukone bagged the best debutant award in the filmfare and Om Shanti Om bagged filmfare awards under different categories. As Deepika Padukone created a huge expectation from the performance in the first film the viewers started believing in her capability in the following films as well.
She did well again in 2008 in the film Bacchna Aye Haseeno opposite Ranbir Kapoor, Minissha Lamba and Bipasha Basu. The film was related to the story of how Ranbir Kapoor met three girls namely Bipasha Basu, Deepika Padukone and Minissha Lamba and how their interaction created an impact in the life of Ranbir Kapoor.
Again the fabulous locations and quality music composed by Vishal Shekhar impressed the viewers. The hit songs included “bacchna aye haseeno”, “ki mujhe pyar hai”, etc. Deepika Padukone probably matched Ranbir Kapoor the best if compared with the other performers in the same film.
In 2009, Deepika’s much awaited film Chandni Chowk To China was released in January. She had acted opposite superstar Akshay Kumar who had shown his action skills and comedy skills as well in the film. For the requirement of the film Deepika Padukone had learned martial art as well which was done by Priyanka Chopra in the past. But the film did mediocre business.
The other film of Deepika Padukone that was released in 2009 was Love Aaj Kaal. It was the film of Saif Ali Khan and he acted opposite Deepika Padukone. The film became a big hit and the romantic combination of Saif Ali Khan and Deepika Padukone was accepted by the audience. The music of Pritam was well appreciated by the audience including the song “chor bazari”.
After that Deepika Padukone had acted in many films in 2010, including Billo Barbar, Lafange Parindey, Larenge Hum Ji Jaanse, etc., and acted opposite many actors including Farhan Akshtar, Abhishek Bacchan (where he played the role of Masterda Surjo Sen in Ashutosh Gowarikar’s flm), etc.
2011 had been a successful year for Deepika Padukone. Her performance opposite Saif Ali Khan and Big B in the film Aarakshan had been appreciated by the viewers. The film did excellent business too. In 2012 her film Cocktail opposite Saif Ali Khan did good business. The viewers expect Deepika Padukone to revive her position in 2016 with the success of the films Race 2, Chennai Express and Yeh Jawaani Hai Deewani, Happy New Year and continue her great work in the years to come in bollywood films and other films. Her Padmmavat in 2018 did business of 300 crores. She is expected to do well in future.
Happy birthday to realistic actor Nana Patekarji
Sunday, December 18, 2022
Happy birth anniversary to royal actor Pradip Kumarji and remembering his royal combination with Rafisahab and Roshanji
Happy birthday to Biswajeetji and remembering his everlasting bond with Rafisahab.
Happy birthday to romantic star Biswajeetji on 14th December 2022.
Romantic film of Biswajeet’s had melodious songs of Mohammad Rafi.
Bengali actor Biswajeet Chatterjee after acting in hit films in Bengali namely Mayamrigo in 1960 and Dui Bhai in 1961 went to Mumbai to pursue his acting career there. He made his debut in the film Bees Saal Baad where Hemant Kumar was the producer of the film and also the music composer.
In a short period of time Biswajeet got roles to play in films of different producers and directors namely Nasir Hussain, Satyen Bose, Hrishikesh Mukherjee and others. Mohammad Rafi played a very important role in the success story of Biswajeet’s films because most of the films ended up being musical blockbusters.
In the film April Fool, released in 1964, Shankar Jaikishan’s composition for Rafi picturised on Biswajeet became super hit including “April Fool banaya”, and “aa gale lag ja”. In Shenai in 1964, Ravi’s composition for Rafi namely “na jhatko zulf se paani” became smash hit. Composer Hemant Kumar used Rafi in Biswajeet’s film Bin Badal Barsaat in 1963 in the song “dil me teri yaad sanam”.
Mere Sanam released in 1965 was the greatest hit film of Biswajeet where Rafi was unparallel. OP Nayyar’s stylish westernized compositions were given expression by Rafi in the songs “pukarta chala hoon mai”, “hue hai tumpe aashiq hum”, “humdum mere maan bhi jayo”, “thukre hai mere dilki ay jaan teri aansoon”, “haji baba”, “humne to dilko aapke kadmo pe rakh diya”, “roke kaibaar maine dilki umangko”, to name a few. After that Rafi and Biswajeet went on giving hits after hits.
In Do Dil, composer Hemant Kumar composed a soft romantic song for Rafi namely “tera husn rahe mera ishq rahe”, which touched the souls of music lovers. All the songs in the film Yeh Raat Phir Na Ayegi in the year 1966 became super hit. OP Nayyar’s composition in the song “phir milogi kabhi is baat ka yaada karlo” stands out. It was a duet where Rafi was as romantic as Asha Bhosle. Ravi composed excellent music in the film Sagaai, in 1966, where Rafi’s song “nay eh zameen thin a aasman tha” became immortal. LP composed super hit song in the film Aasra, in 1966, where Rafi’s romantic song “sokhiyan nazar me hai” stands out.
Laxmikant Pyarellal made the musiclovers spell bound in Night in London in 1967, with Rafi’s songs “night in London”, “o my love” and “bahosh –o –awaz me diwana”. Rafi was sublime in all the songs. LP continued the dream run in the film Jaal in 1967 with Rafi’s songs “akela hoon mai humsafar”, “mizaaz-e-garami”, etc. Shankar Jaikishan composed excellent music in the film Hare Kaanch Ki Churiya in 1967 with hit Rafi number namely “aye janeman” and “panchi re panchi”.
Madanmohan was excellent in the film Ghar Ka Chirag in 1967, where Rafi’s song “aaj rota hai kyun” stands out. In the film Vaasna in 1968, all the songs of Rafi composed by Chitragupt became super hit including “itni nazuk nabano”, “yeh parbaton ke dayre”, “aaj is darja pila do”. The Chitragupt and Rafi magic continued in Biswajeet’s next film Pyar Ka Sapna in 1969 in songs like “ay meri zindagi”, “tere chehere se haten ankh to”.
Rafi was the major contributor in Biswajeet’s other films like Do Kaliyan, Ishq Par Zor Nahi, Mai Sunder Hoon, Shararat, etc. In the 70s with the advent of action films Biswajeet faded away from the industry. All the giant composers of golden age namely Shankar Jaikishan, OP Nayyar, Ravi, Chitrgupt, Madanmohan, Laxmikant Pyarellal, Hemant Kumar and other composed music in the films of Biswajeet. Rafi’s songs in Biswajeet’s films require recognition and restoration
Thursday, December 15, 2022
Happy birthday to Twinkle Khannaji
Happy birthday to Twinkle Khanna.
The viewers of bollywood films wish happy birthday to Twinkle Khanna on 29th December, 2022. She has left films after marrying Akshay Kumar, but her performances in the recent past still haunts the viewers of bollywood films.
She was very successful in the film Barsaat opposite Bobby Deol. Bobby Deol started his career with that film and it was produced by Dharmender. The music was impressive. Twinkle Khanna expressed her romantic feelings very well in the film. The viewers accepted the pair of Bobby Deol and Twinkle Khanna. With the success of the film in the early 90s, Twinkle Khanna became a readymade choice for any type of film.
She acted with Shahrukh Khan in the film Badshah. Just like other films of Shahrukh Khan the film was based on fantasy and funny acts. Twinkle Khanna played her part very well in the film. The song “humto diwane hue yaar” became superhit. Twinkle Khanna also acted in the comedy film Joru Ka Ghulam with Govinda. As the name suggested, the film was related to the story of how a groom became obsessed with the bride and almost became her servant. Although the term was used in the literal sense, Govinda’s character proved the title of the film. Johnny Lever did well in the film. Twinkle Khanna gave able lips in the song “mai joru ka ghulam banke rahunga” with Govinda.
Twinkle Khanna got a challenging role in Amir Khan’s film Mela. The story was related a girl being chased by dacoits and how she was saved. Amir Khan’s own brother acted in the film. The film had action sequences as well. Sonu Nigam’s song in the film “mela dilon ka aya hai” became super hit. The other challenge was matching Amir Khan’s acting performance in the film as in most of his films he had strived to reach perfection in the respective roles. The viewers accepted Twinkle Khanna’s performance opposite Amir Khan in the film.
Probably Jab Pyar Kisi Se Hota Hai with Salman Khan was the most successful film of her career. The film was shot in UK, Switzerland and other European Countries. All the songs of the film were super hit including “o jana”, “is dil me kya hai”, “pehli pehli baar”, etc. In the film the love of Salman Khan for her reformed Salman Khan’s character, who was a playboy before that. Twinkle Khan looked gorgeous in the film.
Twinkle Khan in a number of films opposite Ajay Devgan also in the late 90s. She had acting in her blood, as her mother Dimple Kapadia is considered one of the greatest actresses of bollywood films with landmark performances in films like Lekin, Prahar, Krantiveer, Sagar, Rudali, to name a few. Besides her father Rajesh Khanna was a superstar of the 70s.
When Twinkle Khanna looked like dethroning Juhi Chawla, Preeti Zinta or Kajol in bollywood films, she married Akshay Kumar and ended her career. She must have been a proud wife as Akshay Kumar had proved himself to be the greatest entertainer of 2007 and 2008, with majority of his films becoming blockbusters.
But a lot of acting was still left in Twinkle Khanna. The viewers of bollywood films expect Twinkle Khanna to make a comeback and contribute in character roles where there are not many matured actresses at the moment.
Wednesday, December 14, 2022
Rafisahab sang very landmark songs between 1971 to 1975
Rafisahab sang very landmark songs between 1971 to 1975.
By: Dr Souvik Chatterji (Associate Professor in Law and Head of Department, JIS University, Kolkata)
Rafisahab is remembered on his death anniversary in December 2022. It is 42 years since he left the world, yet his popularity increased and increased. Some group addressed the media that mid 1970s was the phase when Rafisahab sang less number of songs.
Here are some of the landmark songs Rafisahab sang between 1971 to 1975.
In 1971, Rafisahab sang landmark songs for Rajender Kumarsahab film Aap Aye Bahar Aye. He sang “mujhe teri muhabbat ka sahara”, “ pooch jo koi mujhse”, “aap aye bahaar aye”, composed by Laxmikant Pyarelalji all became super hit.
In 1971 Rafisahab sang landmark songs for Shammi Kapoorji film Andaaz. He sang “hai na bolo bolo”, “remamma remamma re”, “dil use do jo jaan de de” composed by Shankar Jaikishanji all became super hit.
In 1971, Rafisahab song “kuch keheta yeh sawan” in Dharmenderji film Mera Gaon Mera Desh composed by Laxmikant Pyarellalji became big hit.
In 1971, Rafisahab song “tubhi aaja ki ay gayi” in Raj Kumarji film Maryada composed by Kalyanji Anandji became a big hit.
In 1971, Rafisahab song “chirag kis ke ghar ka” in Jeetenderji film Ek Nari Ek Brahmachari composed by Shankar Jaikishanji became super hit.
In 1972, Rafisahab song “chalo dildar chalo” in Raj Kumarji film Pakeeza composed by Ghulam Muhammadji became super hit.
In 1972, Rafisahab song “ek na ek din yeh kahani banegi” in Rajender Kumarji film Gora Aur Kala composed by Laxmikant Pyarelalji became super hit.
In 1972, Rafisahab song “bol mere sathiya” and “aaj gaalo muskurayo” in Rajender Kumarji Dharmenderji film Lalkar composed by Kalyanji Anandji became super hit.
In 1972, Rafisahab song “bari bewafa hai yeh husnwale” in Jeetenderji film Roop Tera Mastana composed by Laxmikant Pyarelalji became a big hit.
In 1973, Rafisahab song “chura liya hai tumne jo dilko” in Dharmenderji film Yaadon Ki Baraat composed by RD Burmanji became a big hit.
In 1973, Rafisahab song “aaj mausam bara beimaan hai” in Dharmenderji film Loafer composed by Laxmikant Pyarelalji became a super hit.
In 1973, Rafisahab song “tum jo mil gaye ho” in Navin Nischalji film Hanste Zakhm composed by Madanmohanji became a super hit.
In 1974, Rafisahab song “ek daal par tota bole” in Shashi Kapoorji film Chor Machaye Shor composed by Ravindra Jainji became super hit.
In 1974, Rafisahab song “teri galiyon me na rakhenge kadam” in Anil Dhawanji film Hawas composed by Usha Khannaji became super hit.
In 1974, Rafisahab song “phir wohi wohi baat” in Sanjeev Kumarji film Naya Din Nayi Raat composed by Laxmikant Pyarelalji became super hit.
In 1975, Rafisahab song “jat yamla pagla diwana” in Dharmenderji film Pratigya composed by Laxmikant Pyarelalji became super hit.
In 1975, Rafisahab song “ chari re chari kaise gale me pari” in Sanjeev Kumarji film Mausam composed by Madanmohanji became super hit.
In 1975, Rafisahab song “ek mahal ho sapno ka” in Dharmenderji film Ek Mahal Ho Sapno Ka, composed by Raviji became superhit.
The list goes on. In the later years Rafisahab sang landmark songs Rishi Kapoorji films like Laila Majnu, Amar Akbar Anthony to mention a few.
So this shows Rafisahab songs were significant in the mid 1970s as well. The songs require restoration and preservation.
Happy birth anniversary to superstar Rajesh Khannaji
Happy birth anniversary to Rajesh Khanna
The viewers of bollywood films wish happy birth anniversary to Rajesh Khanna on 29th December, 2022
. He died in 2012 and the death was mourned by numerous numbers of Indians. He had remained one of the most popular actors of 70s, before Amitabh Bacchan entered the film arena and gave birth to action films. The other reason why Rajesh Khanna is remembered even today was for the melodious music that he got from Kalyanji Anandji, RD Burman, Salil Choudhury, Laxmikant Pyarellal and other composers.
Although he started his career with films like Akhri Khat, Raaz, etc., in the late 60s, he got recognition with Shakti Shamanta’s super hit film Aradhana which was released in 1969. In the 70s, Rajesh Khanna had a dream run with films of different directors including Hrishikesh Mukherjee, Asit Sen, Shakti Samanta and others.
Most of his films from 1971 to 1973, were super hit. And the music of these films created history. The songs of the film Anand, composed by Salil Choudhury were super hit, including “kahin door jab din dhal jaye”, “maine tere liye hi saat rang” sung by Mukesh and “zindagi kaisi hai peheli” sung by Manna Dey. The songs of the film Aan Milo Sajna composed by LP became super hit including Rafi’s song “aan milo sajna” and Kishore’s song “accha to hum chalte hai”.
The songs of the film Amar Prem composed by RD Burman became super hit including KK’s song “chingari koi bharke”, “kuch to log kahenge”, etc. Amar Prem was the hindi version of Uttam Kumar’s famour Bengali film Nishipadda. Similarly the songs of the film Kati Patang composed by RD Burman became super hit including songs of KK like “ai shaam mastani”, Mukesh’s song “jis gali me”, etc.
Similarly songs of the film Safar composed by Kalyanji Anandji became super hit. Kishore’s song “zindagi ka safar” can be considered as one of the best songs that he sang during his long career. The songs of the film Namak Haram composed by RD Burman, Roti composed by LP, Raaz composed by Kalyanji Anandji, Bawarchi composed by Madanmohan, were all very successful.
Rajesh Khanna created a romantic image and his films opposite various actresses like Sharmila Tagore in films like Aradhana, Amar Prem, Mumtaz in Aap Ki Kasam, Asha Parekh in Kati Patang, Aan Milo Sajna, Tanuja in Mere Jeevan Saathi, Hema Malini in Mehbooba, and others created an era of romantic films. He became a role model for the younger generation.
Rajesh Khanna was remembered as the next door neighbour’s character. Other than the commercial films he acted in Asit Sen’s Safar, Hrishikesh Mukherjee’s Anand, Shakti Shamanta’s Amar Prem, where the central character was a human being having human feelings.
But from the time Amitabh Bacchan entered the film arena he not only dethroned Rajesh Khanna but more than that changed the dimension of bollywood films. He played anti-establishment characters and persuaded other superstars like Vinod Khanna, Shatrughun Sinha, Dharmender, Firoz Khan, Sunil Dutt and others to play similar type of roles.
Action films dominated bollywood industry and films like Sholay, Deewar, Kalicharan, Burning Train, Jugnu, Zakhmee, Dharmatma faded away Rajesh Khanna’s romantic films like Soutan, Prem Nagar and other films.
Rajesh Khanna’s wife Dimple Kapadia established herself into one of the most powerful actresses of bollywood films with success in Saagar, Jaanbaaz, Rudaali, Lekin, Krantiveer, etc.
Even then Rajesh Khanna continued acting for another 20 years and was even seen in recent films in roles of old person. Even Rishi Kapoor did cast him in his directorial venture title A ab laut chale. He had received filmfare best actor award a number of times and also received lifetime achievement award. His films should be restored.
Happy birth anniversary to superstar Rajesh khannaji
Happy birth anniversary to Rajesh Khanna
The viewers of bollywood films wish happy birth anniversary to Rajesh Khanna on 29th December, 2022. He died in 2012 and the death was mourned by numerous numbers of Indians. He had remained one of the most popular actors of 70s, before Amitabh Bacchan entered the film arena and gave birth to action films. The other reason why Rajesh Khanna is remembered even today was for the melodious music that he got from Kalyanji Anandji, RD Burman, Salil Choudhury, Laxmikant Pyarellal and other composers.
Although he started his career with films like Akhri Khat, Raaz, etc., in the late 60s, he got recognition with Shakti Shamanta’s super hit film Aradhana which was released in 1969. In the 70s, Rajesh Khanna had a dream run with films of different directors including Hrishikesh Mukherjee, Asit Sen, Shakti Samanta and others.
Most of his films from 1971 to 1973, were super hit. And the music of these films created history. The songs of the film Anand, composed by Salil Choudhury were super hit, including “kahin door jab din dhal jaye”, “maine tere liye hi saat rang” sung by Mukesh and “zindagi kaisi hai peheli” sung by Manna Dey. The songs of the film Aan Milo Sajna composed by LP became super hit including Rafi’s song “aan milo sajna” and Kishore’s song “accha to hum chalte hai”.
The songs of the film Amar Prem composed by RD Burman became super hit including KK’s song “chingari koi bharke”, “kuch to log kahenge”, etc. Amar Prem was the hindi version of Uttam Kumar’s famour Bengali film Nishipadda. Similarly the songs of the film Kati Patang composed by RD Burman became super hit including songs of KK like “ai shaam mastani”, Mukesh’s song “jis gali me”, etc.
Similarly songs of the film Safar composed by Kalyanji Anandji became super hit. Kishore’s song “zindagi ka safar” can be considered as one of the best songs that he sang during his long career. The songs of the film Namak Haram composed by RD Burman, Roti composed by LP, Raaz composed by Kalyanji Anandji, Bawarchi composed by Madanmohan, were all very successful.
Rajesh Khanna created a romantic image and his films opposite various actresses like Sharmila Tagore in films like Aradhana, Amar Prem, Mumtaz in Aap Ki Kasam, Asha Parekh in Kati Patang, Aan Milo Sajna, Tanuja in Mere Jeevan Saathi, Hema Malini in Mehbooba, and others created an era of romantic films. He became a role model for the younger generation.
Rajesh Khanna was remembered as the next door neighbour’s character. Other than the commercial films he acted in Asit Sen’s Safar, Hrishikesh Mukherjee’s Anand, Shakti Shamanta’s Amar Prem, where the central character was a human being having human feelings.
But from the time Amitabh Bacchan entered the film arena he not only dethroned Rajesh Khanna but more than that changed the dimension of bollywood films. He played anti-establishment characters and persuaded other superstars like Vinod Khanna, Shatrughun Sinha, Dharmender, Firoz Khan, Sunil Dutt and others to play similar type of roles.
Action films dominated bollywood industry and films like Sholay, Deewar, Kalicharan, Burning Train, Jugnu, Zakhmee, Dharmatma faded away Rajesh Khanna’s romantic films like Soutan, Prem Nagar and other films.
Rajesh Khanna’s wife Dimple Kapadia established herself into one of the most powerful actresses of bollywood films with success in Saagar, Jaanbaaz, Rudaali, Lekin, Krantiveer, etc.
Even then Rajesh Khanna continued acting for another 20 years and was even seen in recent films in roles of old person. Even Rishi Kapoor did cast him in his directorial venture title A ab laut chale. He had received filmfare best actor award a number of times and also received lifetime achievement award. His films should be restored.
Asha Parekhji felt proud to get Dada Sahab Phalke award.
Happy birthday to Asha Parekh.
It was great honour for Asha Parekhji to receive Dada Saheb Phalke Award. Previously Raj Kapoor sahab and Dilip Kumar sahab received the award. The viewers of bollywood films wish happy birthday to Asha Parekh on 2nd October, 2022. She had been a dancing legend of the 60s. Bollywood industry is indebted to her for her brilliant performance in various films.
She started her career opposite Shammi Kapoor in the film Dil Deke Dekho in 1959. The film did great business with hit songs composed by Usha Khanna including “dil deke dekho” sung by Rafi. After that she acted in musical blockbusters most of which were directed by Nasir Hussain. She was sublime in the film Jab Pyar Kisi Se Hota Hai opposite Dev Anand. The songs in the film composed by Shankar Jaikishan like “sau saal pehle”, “yeh ankhe uff yumma”, “teri zulfon ki”, “jiya ho” became rich assets of history.
Asha Parekh had a fantastic combination with Joy Mukherjee. Her films Ziddi, Phir Wohi Dil Laya Hoon and Love in Tokyo became superhit. Phir Wohi Dil Laya Hoon, released in 1963 was shot in Kashmir, while Love in Tokyo, released in 1966 was shot in Japan. The romantic scenery entertained the viewers. The songs in most of these films composed by OP Nayyar and Shankar Jaikishan stormed box-office. The most famous songs included “banda parwar”, “lakhon hai nigahon me”, “raton ka sila”, “nazneen bara rangin hai wada tera”, “japan, love in Tokyo”, “hume tum mil gaye humdum”, “o mere shahekhuba”, etc. Similarly Asha Parekh’s combination with Biswajeet and Shammi Kapoor was very grand. Her film Mere Sanam with Biswajeet, released in 1965 was another musical blockbuster. All the songs of the film like “pukarta chala hoon mai”, “humdum mere maan bhi jayo”, “hue hai tumpe aashiq hum bhala mano bura mano” sung by Rafi stormed box-office in the mid-60s.
Asha Parekh played many serious roles in films like Chirag opposite Sunil Dutt, Kati Patang opposite Rajesh Khanna, Upkaar opposite Manoj Kumar, etc. She got critical acclamation for performance in the film Chirag. Asha Parekh dancing skills gave her a separate recognition during an age when actresses like Vaijayantimala, Rajashree, Mumtaz, Padmini were already created sensation in bollywood.
Asha Parekh’s performance in the film Carwan opposite Jeetender requires special mention. She proved her dancing skills opposite other renowned dancers in the film like Helen and Aruna Irani. She also acted in character roles in films like Bulandi, Kaalia, etc., in the 80s.
Asha Parekh had headed the Indian Censor Board for some time. As a member of the Board she did a great job in ensuring decency in the entertainment industry specifically films. Recently she was invited as guest judge in the Sony TV Indian Idol Program in 2012, where Sunidhi Chauhan, Anu Malik, Salim Merchant and Asha Bhosle were the other judges. The viewers expect her to continue the great work in character roles in the years to come.
Happy birthday to superstar Salman Khanji
Happy birthday to Salman Khan.
The viewers of bollywood films wish happy birthday to Salman Khan on 27th December, 2022. In 2019 his film Bharat did business of 211 crores and was a hit film. The other film Dabaang 3 crossed 100 crores and will also be a hit. In 2018 his film Race did business of 173 crores, so was above average. In 2019 Salman Khan is looking forward to film Bharat. He had been the other superstar other than Shahrukh Khan who had ruled bollywood films for the last 23 years. Although he had mixed results in respect of success of his films released in 2009 and 2008, his popularity and box-office had remained intact. In 2010, he had given the greatest hit Dabanng, which had done business of more than Rs 150 crores. From that time he had proved himself as the greatest cash generator of bollywood films. His film Ready released in summer 2011 did business worth 125 crores and his film Bodyguard had broken the record of Dabanng and did business worth 160 crores. In 2012 his film Ek Tha Tiger had been the greatest grosser with business of 200 crores. His other film Dabaang 2 had already done business of more than 158 crores. In 2013 he did not act in any film. In 2014 his film Jai Ho did medium business with 115 crores. But his other film Kick became a blockbuster with business of 235 crores. His film Bajrangi Bhaijaan in 2015 did business worth Rs 320 crores. His other film Prem Ratan Dhan Payo on the first day of release itself did business of 40 crores.
He created an impression before the viewers with his romantic film Maine Pyar Kiya in 1989. After that he had acted in every type of film including comedy films, action films etc. His musical blockbusters include Khamoshi with Manisha Koirala, Andaz Apna Apna with Amir Khan, Karishma Kapoor and Ravina Tandon, Jab Pyar Kisi Se Hota Hai opposite Twinkle Khanna, Har Dil Jo Pyar Karega opposite Preeti Zinta, to name a few.
He build a manly body from the early part of his career and from that time became the role model of many youngstars of the country. His action films included Auzaar with Shilpa Shetty, Tumko Na Bhool Payenge with Diya Mirza, Tere Naam, Karan Arjun opposite Mamta Kulkarni, to name a few. His recent action film in 2009 titled Wanted opposite Ayesha Takia did brilliant business. Although he did not shape his career as an action hero like Sunny Deol or Sanjay Dutt, his performance in action films were very impressive.
He acted in landmark comedy films during his career, which included Maine Pyar Kyun Kiya opposite Katrina Kaif and Sushmita Sen, Mujhse Shaadi Karoge opposite Priyanka Chopra, Partner opposite Lara Dutta, God Tussi Great Ho opposite Priyanka Chopra, to name a few. In 2009, he acted in romantic films Mai Aur Mrs Khanna, opposite Kareena Kapoor, and also London Dreams with Ajay Devgan and Asin. Although Mai Aur Mrs. Khanna did average business, London Dreams became hit.
If his films in 2008 can be analyzed it can be said that his film Heroes with Sunny Deol, Bobby Deol and Preeti Zinta, had done best business so far. The films God Tussi Great Ho did average business and the film Yuvvraaj could not rise up to the hype that was created by strong promotion of Subhash Ghai. Salman Khan and Katrina Kaif’s performance had been well appreciated by the film-lovers and the film had created aesthetic values with innovative music and good locations. In 2010 his film Veer has both romantic elements and action elements as well but the huge cost that was put up was not recovered at all.
His television show Dus Ka Dum in Sony Channel got fantastic response in 2009. The leading actors of bollywood films including Akshay Kumar, Priyanka Chopra, Katrina Kaif, Jeetender, Tusshar Kapoor, Amir Khan, Ranbir Kapoor, Deepika Padukone, all appeared in that show and Salman Khan helped all of them for the promotion of their films that were released this year. In 2011 his show Big Boss got excellent viewership with Sanjay Dutt also sharing the role of anchoring.
Salman Khan had been extremely popular for the viewers of TV Channels for his straight forward communications. He appeared in Saregamapa Music Competition in Zee TV with Katrina Kaif and asked Aditya Narayan, Himesh Reshammiya, Pritam, Shankar Mahadevan and others about the fate of Aneek, Raja and others who had won the competition before. He enquired whether they had got chance in bollywood films or whether they were still struggling. No other bollywood actor would have ever been concerned about the fate of upcoming talents including singers, dancers, actors, etc. In 2011 he came during Zee Saregamapa Little Champs program and encouraged child participants like Azmat Hussain, Niladri Chatterjee, Salman Ali, Nitin Kumar, and others. In 2012 and 2013 he did a great job in the TV Program Big Boss. The viewers expect him to break records after records as it is proved in the recent 3 years that he is the greatest crowdpuller in the country.
Salman Khan had always been involved with controversies and his good deeds got neutralized due to the killing of deers in Jodhpur, offense relating to rash and negligent driving, etc. But those who had behaved well with Salman Khan know that he is a gem of a human being.
2010 had been a year with mixed fortunes for Salman Khan. While Veer did mediocre business, Dabanng ended up being blockbuster. He had also hosted the show Big Boss with huge success. 2011 had been excellent for Salman Khan with 2 of his films Ready and Bodyguard giving business of more than 125 crores each. The viewers expect Salman Khan to give an even better performance in the film Radhe, Kick 2 which are going to be made in future.
Ajay Devganji blockbuster film Drishyam 2 did business of more than 210 crores in 24 days.
Blockbuster film Drishyam 2 did business of more than 210 crores in 24 days. It did business of 190 crores in 16 days. Drishyam 2 with Ajay Devgan and Tabooji earned more than 175 crores in 13 days. It has ended up being a blockbuster. After being charged with murder, a man named David Braganza flees from authorities on the night of October 4, 2014. While hiding behind an under-construction police station, he sees Vijay exiting it. He then attempts to apologise to his wife, but ends up getting arrested.
Seven years later
Vijay and his family are living contentedly in Pondolem, Goa. Vijay has fulfilled his dream of opening a movie theater and still operates a cable company. He aspires to make a film of his own and is in frequent contact with screenwriter Murad Ali to develop the script. On the other hand, Vijay's elder daughter, Anju, suffers from PTSD and epilepsy as a result of her involvement in Sam's death. Envious of the family, numerous locals have turned to spreading false rumours about Anju being in a relationship with Sam, much to Nandini's distress. Nandini's only confidante is her friendly neighbor, Jenny, who is often abused by her alcoholic husband, Shiv.
On Sam's death anniversary, Vijay has an encounter with Sam's father, Mahesh, who vainly asks him to hand over Sam's remains. Meanwhile, Nandini spends more time with Jenny and incidentally reveals that Anju killed Sam. Unknown to her, Jenny and Shiv are married undercover cops, assigned by newly-appointed Inspector General, Tarun Ahlawat, who is a close friend and colleague of Meera.
Around the same time, David is released from jail. After struggling to create amends with his now-estranged wife, he yearns to find employment. Whereas coming to know that Vijay’s case is still progressing, he recalls the latter's presence at the then-under-construction police station and realises that Vijay was in fact complicit in the murder. He tips Tarun, who in turn summons Meera and Mahesh from London. After the trio bribes him with a entirety of Rs. 25,00,000, David divulges what he saw, leading to the newly-built police station being excavated. The police inevitably find a human skeleton. Vijay, having learned of this through his CCTV cameras (which he had set up around the police station), supposedly gives up.
Tarun summons Vijay's family for questioning. Vijay, Nandini, Anu, and Anju manage to maintain their alibi; however, Meera uncovers a voice recording of Nandini's prior confession to Jenny; the police bugged the family residence prior, exposing the family. Tarun allows Gaitonde to use brute drive against Vijay's family, causing Anju to have one of her fits. A distraught Vijay falsely confesses to killing Sam. With the police satisfied, the family is let go, and Vijay ends up getting arrested, although Meera isn't fulfilled and demands that Vijay's family be punished as well.
Vijay is put on trial for Sam's murder. Coincidentally, Murad, having learned of Vijay's arrest, pays a visit to Tarun, Meera, and Mahesh. He reveals that during one of his business collisions with Vijay, the latter had created a script for a future crime thriller, loosely based on Sam's murder. He further uncovers that Vijay had published a novel, titled Drishyam, based on the film script (although it was published under Murad's name for copyright protection). Vijay pleads not guilty, with his lawyer claiming that the police used Drishyam's plot as a means to frame him. Tarun concludes that Vijay created the confession as a scheme to avoid punishment. Furthermore, the judge reveals the DNA tests conducted on the skeleton don't match Sam's DNA, much to everyone's shock.
Murad unveils that Vijay had created an alternative ending for his film in which the hero (Vijay), knowing his original plan might fail, would obtain the remains of another individual of the same age and sex who had died of similar injuries to those of the villain, by become friends with a gravedigger at the local cemetery. The hero would keep the skeletal remains with him for three years before befriending the security guard of the district medical college morgue under the pretext of offering him a chance within the film industry. The same night that the remains that were exhumed from the police station arrived at the morgue, the hero would swap the bodies before the DNA analysis took place.
Vijay is released on bail due to a lack of evidence, and the police are temporarily prohibited from investigating the family. The judge calls Tarun to his chambers and tells him to stop all procedures against Vijay and his family, as he believes both families deserve justice but the legal system is incapable to provide it to them. The judge moreover tells him that such cases are not new to the system. Outside the courthouse, Murad uncovers to Meera and Mahesh that Vijay's alternative climax had a twist in which the hero would hand over the villain's cremated remains to the bereaved parents. Simultaneously, Vijay has Sam's cremated remains anonymously given over to Meera and Mahesh.
Mahesh immerses Sam's ashes in the river and persuades Meera to let go of her envy towards Vijay and his family, as he believes they have found closure which they thought they were keeping an eye on him, but it was Vijay who was observing their each move the entire time. Vijay, who was observing from afar, solemnly leaves.
Drishyam 2 earned ₹15.38 crore at the domestic box office on it's opening day. On the second day the film collected ₹21.59 crore, while on the third day it collected ₹27.17 crore taking the domestic weekend collection to ₹64.14 crore.[16]
As of 2 December 2022 the film earned ₹167.93 crore (US$21 million) net in india.[17] India overall gross collection is 199.92 crore and, overseas gross is 42.15 crores taking worldwide collection to ₹242.07 crore (US$30 million).[16]
Critical response
Drishyam 2 received positive reviews from critics.[18] Bollywood Hungama rated the film 4 out of 5 stars and termed the film a "paisavasool experience" and also praised the performances and climax.[19] Archika Khurana of The Times of India rated the film 3.5 out of 5 stars and wrote: "Drishyam 2 dishes out plenty of twists and turns to keep you hooked throughout, just like its predecessor. And the story of the Salgaokars will continue to remain in public memory"
Monday, December 12, 2022
The blockbuster films and golden jubilee films of Showman of the Milennium Raj Kapoorsahab are unmatched.
The box-office success of Raj Kapoor films were amazing.
Showman Raj Kapoor is considered to be the biggest superstar of Indian films for the last 100 years. Other than Dilip Kumar no other actor has box office success anywhere near Raj Kapoor. Credit goes to his own production, direction, music of Shankar Jaikishan, lyrics of Shailendra, Hasrat Jaipuri, camera work of Radhu Karmakar and brilliant singing by Mukeshji, Manna Dey Sahab, Lataji, Rafisahab and others and the entire team of Raj Kapoor.
In 1948 Raj Kapoor directed his film Aag where he was the lead actor. But in 1949, Raj Kapoor’s Barsaat became the greatest blockbuster which was a golden jubilee hit running for more than 50 weeks. Raj Kapoor produced and directed the film with Nargis, Premnath, KN Singh, Nimmi playing important characters. It was the first time Shankar Jaikishan composed music for the film. Mukeshji’s song “chor gaye balam”, Lataji’s “hawa me udta jaye”, “jiya beqarar hai” became super hit. In the same year, Raj Kapoor and Dilip Kumar starrer Andaz was the 2nd biggest blockbuster. Nargis acted opposite the two titans Raj Kapoor and Dilip Kumar. Mehboob Khan directed the film and music was composed by Naushad Ali.
In 1950, Raj Kapoor’s film Dastan was the 4th biggest hit of the year after Ashok Kumar’s Samadhi, Dilip Kumar’s Babul, and Ashok Kumar’s Sangram. Dastan was a silver jubilee hit running for more than 25 weeks. AR Kardar directed the film. Naushad Ali composed the music. Raj Kapoor, Suraiya, Veena played the lead roles.
In 1951, Raj Kapoor’s Awaara became the biggest blockbuster. It was a golden jubilee hit and ran for more than 50 weeks. It became popular in Russia and Europe as well. Raj Kapoor produced and directed the film. The music was composed by Shankar Jaikishan. Nargis, Raj Kapoor, Prithviraj Kapoor, Leela Chitnis, KN Singh played the lead roles. Mukeshji’s song “awara hoon, yah gardish me hoon aasman ka tara hun”, Lataji’s “jab se balam ghar aye”, “ghar aya mere pardesi” became super hit.
In 1952, Raj Kapoor’s Anhonee became the 5th biggest hit film. KA Abbas directed the film. Roshanlal Nagrath composed the music. Nargis, Raj Kapoor, Om Prakash played the lead roles. In the same year, Raj Kapoor’s Bewafa became the 8th biggest hit. Nargis, Raj Kapoor and Ashok Kumar played the lead roles. The film was directed by ML Anand. AR Qureshi composed the music. Talatji’s song “dil matwala lakh samhala”, “tumko phursat ho” became big hit. In that year Dilip Kumar Aan was the biggest blockbuster.
In 1953, Raj Kapoor’s Aah became 9th biggest hit film. It was directed by Raja Nawathe and produced by Raj Kapoor. Music was composed by Shankar Jaikishan. Nargis, Raj Kapoor and Pran played the lead roles. Mukeshji’s song “aaja re”, “jane nan azar” and Lataji’s song “rajaki ayegi baraat” became superhit. In that year Pradeep Kumar’s Anarkali was the biggest blockbuster.
In 1955, Raj Kapoor’s Shree 420 became the biggest blockbuster. It was a golden jubilee hit and ran for more than 50 weeks. Raj Kapoor produced and directed the film. The music was composed by Shankar Jaikishan. Rafisahab’s song “ramaiya vasta maiya”, Manna Deysahab’s song “dil ka haal sune dilwala”, “mur murke na dekh”, Lataji’s song “ichakdana” became super hit. In that year Dilip Kumar’s Azaad was the 2nd biggest hit.
In 1956 Raj Kapoor’s Chori Chori was a silver jubilee hit running for more than 25 weeks. Nargis, Raj Kapoor, Pran played the lead role. The music was composed by Shankar Jaikishan. Manna Dey’s song “aaja sanam madhu chandni me hum”, “yeh raat bheegi bheegi”, Lataji’s “rasik balma” became super hit.
In 1957 Raj Kapoor’s Sharda was a silver jubilee hit running for more than 25 weeks. Meena Kumari, Shyama acted opposite him. The music was composed by C Ramchandra. Mukeshji’s song “jap jap jap re”, Lataji’s song became super hit.
In 1958, Raj Kapoor’s Phir Subah Hogi was a silver jubilee hit running for more than 25 weeks. Ramesh Saigal directed the film. The music was composed by Khayyam. Mala Sinha, Rehman acted opposite Raj Kapoor. Mukeshji’s songs “wo subah kabhi to ayegi”, “phir na kije meri gustakh nigahon ka gila” became super hit.
In 1959, Raj Kapoor’s Anari was the biggest blockbuster and a golden jubilee hit. It ran for more than 50 weeks. Hrishikesh Mukherjee directed the film. Shankar Jaikishan composed music for the film. Nutan, Raj Kapoor, Lalita Power played the lead roles. Mukeshji’s song “sab kuch seekha humne”, “kisiki muskurahaton pe ho nisar”, Lataji’s song “yeh chand khilan”, became super hit. Raj Kapoor received the filmfare award for best actor for Anari in that year.
In 1960, Raj Kapoor’s Jis Desh Me Ganga Behti Hai became the 4th biggest blockbuster and a golden jubilee hit running for more than 50 weeks. It was produced by Raj Kapoor and directed by Radhu Karmakar. Shankar Jaikishan composed the music of the film. Padmini, Pran acted opposite Raj Kapoor. Raj Kapoor again received filmfare award for best actor for the film. Lataji’s song “o maine pya kiya”, “o basanti pawanapawan”, Mukeshji’s song “aa ab laut chale”, “mera naam raju”, “hoton pe sacchai rehte hai” became super hit. In that year Dilip Kumar’s Mughal I Azam was the biggest blockbuster.
In 1964, Raj Kapoor’s Sangam became the biggest blockbuster and a platinum jubilee hit. It ran for more than 75 weeks. Raj Kapoor produced and directed the film. Shankar Jaikishan composed the music of the film. Rajender Kumar, Vaijayantimala, Raj Kapoor played the lead roles. All the songs became super hit including Rafisahab’s “ki tum naaraaz na hona”, Mukeshji’s “bol radha bol”, “o mehbooba”, to name a few.
Raj Kapoor’s other silver juvilee hits included Parvarish in 1958 opposite Mala Sinha, Mai Nashe Me Hoon opposite Mala Sinha in 1959, Chalia opposite Nutan in 1960, Shrimaan Satywadi opposite Shakila in 1960, Nazrana opposite Vaijayantimala, Usha Kiran in 1961, to name a few. The other films of Raj Kapoor which did better than average business included Bawre Nain opposite Geeta Bali in 1950, Do Ustad opposite Madhubala in 1959, Aashiq opposite Padmini in 1962, Dil Hi To Hai opposite Nutan in 1963, Diwana opposite Saira Banu and Around the World opposite Rajashree in 1967. After Mera Naam Joker’s failure in box office in 1970, Raj Kapoor did cast his son Rishi Kapoor from Bobby in his own films. So viewers saw actor Raj Kapoor in few films in the 1970s and 1980s.
In a career of 67 films as actor, more than 25 films of Raj Kapoor ended up as golden jubilee, silver jubilee and platinum jubilee. It is an amazing record. Other than Tragedy King Dilip Kumar and Bengali superstar Uttam Kumar, no actor comes any close to the huge box office success of Showman Raj Kapoor.
The maximum number of jubilee hit films between 1940s and 1960s were given by Shankar Jaikishanji
Jubilee hit films of Shankar Jaikishan.
Shankar Jaikishan are the musical duo who became immortal with their music.
Between 1949 to 1971 they became a phenomenon. Their music really enchanted the listeners.
Here is the list of jubilee hits of SJ.
1949 - Barsaat - Raj Kapoor - Golden jubilee
1951 - Awaara - Raj Kapoor - Golden jubilee
1952 - Daag - Dilip Kumar - Silver jubilee
1955 - Shree 420 - Raj Kapoor - Golden jubilee
1956 - Chori Chori - Raj Kapoor - Silver jubilee
1956 - Basant Bahar - Bharat Bhushan - Silver jubilee
1958 - Yahudi - Dilip Kumar - Silver jubilee
1959 - Anari - Raj Kapoor - Golden Jubilee
1960 - Jis Desh me Ganga Behti Hai - Raj Kapoor - Golden Jubilee
1960 - Dil Apna Prit Parayi - Raj Kumar - Silver Jubilee
1961 - Junglee - Shammi Kapoor - Silver Jubilee
1961 - Sasural - Rajender Kumar - Silver Jubilee
1962 - Professor - Shammi Kapoor - Silver Jubilee
1962 - Hariyali Aur Raasta - Manoj Kumar - Silver Jubilee
1963 - Dil Ek Mandir - Rajender Kumar - Silver Jubilee
1964 - Sangam - Raj Kapoor, Rajender Kumar - Platinum Jubilee
1964 - Ayee Milan Ki Bela - Rajender Kumar - Silver Jubilee
1964 - Zindagi - Rajender Kumar - Silver Jubilee
1964 - April Fool - Biswajeet - Silver Jubilee
1965 - Aarzoo - Rajender Kumar - Golden Jubilee
1965 - Janwar - Shammi Kapoor - Silver Jubilee
1965 - Gumnaam - Manoj Kumar - Silver Jubilee
1966 - Suraj - Shammi Kapoor - Silver Jubilee
1966 - Love in Tokyo - Joy Mukherjee - Silver Jubilee
1967 - An Evening in Paris - Shammi Kapoor - Silver Jubilee
1968 - Brahmchari - Shammi Kapoor - Silver Jubilee
1968 - Shikar - Dharmender - Silver Jubilee
1969 - Yakeen - Dharmender - Silver Jubilee
1969 - Kanyadaan - Shashi Kapoor - Silver Jubilee
1969 - Prince - Shammi Kapoor - Silver Jubilee
1972 - Beimaan - Manoj Kumar - Silver Jubilee
In 1949, Raj Kapoor rose to Stardom with Barsaat. Raj Kapoor’s Barsaat became the greatest blockbuster which was a golden jubilee hit running for more than 50 weeks. Mukesh’s “chor gaye balam”, Lataji’s “hawa me urta jaye” and “jiya beqarar hai” became super hit.
In 1951, Raj Kapoor’s Awaara became the biggest blockbuster. It was a golden jubilee hit and ran for more than 50 weeks. It became popular in Russia and Europe as well. Raj Kapoor produced and directed the film. The music was composed by Shankar Jaikishan. Nargis, Raj Kapoor, Prithviraj Kapoor, Leela Chitnis, KN Singh played the lead roles. Mukeshji’s song “awara hoon, yah gardish me hoon aasman ka tara hun”, Lataji’s “jab se balam ghar aye”, “ghar aya mere pardesi” became super hit.
In 1952, Dilip Kumar’s Daag was a silver jubilee hit film. Talatji’s song “koi nahi mera is duniya me” and “ei mere dil kahin aur chal” became super hit.
In 1955, Raj Kapoor’s Shree 420 became the biggest blockbuster. It was a golden jubilee hit and ran for more than 50 weeks. Raj Kapoor produced and directed the film. The music was composed by Shankar Jaikishan. Rafisahab’s song “ramaiya vasta maiya”, Manna Deysahab’s song “dil ka haal sune dilwala”, “mur murke na dekh”, Lataji’s song “ichakdana” became super hit. In that year Dilip Kumar’s Azaad was the 2nd biggest hit.
In 1956 Raj Kapoor’s Chori Chori was a silver jubilee hit running for more than 25 weeks. Nargis, Raj Kapoor, Pran played the lead role. The music was composed by Shankar Jaikishan. Manna Dey’s song “aaja sanam madhu chandni me hum”, “yeh raat bheegi bheegi”, Lataji’s “rasik balma” became super hit.
In 1956, Bharat Bhushan’s Basant Bahar also became a silver jubilee hit. Manna Dey’s song “sur na saje”, Bhim Sen Joshi’s “Ketaki gulab”, Rafisahab’s “duniya na bhaye mohe” became big hit.
In 1959, Raj Kapoor’s Anari was the biggest blockbuster and a golden jubilee hit. It ran for more than 50 weeks. Hrishikesh Mukherjee directed the film. Shankar Jaikishan composed music for the film. Nutan, Raj Kapoor, Lalita Power played the lead roles. Mukeshji’s song “sab kuch seekha humne”, “kisiki muskurahaton pe ho nisar”, Lataji’s song “yeh chand khilan”, became super hit. Raj Kapoor received the filmfare award for best actor for Anari in that year.
In 1960, Raj Kapoor’s Jis Desh Me Ganga Behti Hai became the 4th biggest blockbuster and a golden jubilee hit running for more than 50 weeks. It was produced by Raj Kapoor and directed by Radhu Karmakar. Shankar Jaikishan composed the music of the film. Padmini, Pran acted opposite Raj Kapoor. Raj Kapoor again received filmfare award for best actor for the film. Lataji’s song “o maine pya kiya”, “o basanti pawanapawan”, Mukeshji’s song “aa ab laut chale”, “mera naam raju”, “hoton pe sacchai rehte hai” became super hit. In that year Dilip Kumar’s Mughal I Azam was the biggest blockbuster.
In 1960, Raj Kumar’s Dil Apna Aur Preet Parayi became silver jubilee hit. Lataji’s songs ‘sheesha-e-dil itna na uchalo”, “dil apna aur preet parayi” became big hit.
In 1961, Shammi Kapoor’s Junglee became silver jubilee hit. Rafisahab’s songs “ehsaan tera hoga mujhpar”, “meri yaar shabba khair” became super hit.
In 1961, Rajender Kumar’s Sasural became silver jubilee hit. Rafisahab’s song “ek sawal tum karon”, “teri pyari pyari surat ko” became super hit.
In 1963, Rajender Kumar, Raj Kumar’s film Dil Ek Mandir became silver jubilee hit. Lataji’’s song “ruk ja raat”, “hum tere pyar me sara alam” and Rafisahab’s “jahan koi nahi”, “dil ek mandir hai” and “yaad na jaye” became super hit.
In 1964, Raj Kapoor’s Sangam became the biggest blockbuster and a platinum jubilee hit. It ran for more than 75 weeks. Raj Kapoor produced and directed the film. Shankar Jaikishan composed the music of the film. Rajender Kumar, Vaijayantimala, Raj Kapoor played the lead roles. All the songs became super hit including Rafisahab’s “ki tum naaraaz na hona”, Mukeshji’s “bol radha bol”, “o mehbooba”, to name a few. In 1964, Sangam was Rajender Kumar’s biggest blockbuster in entire career ending up as platinum jubilee running for more than 75 weeks. Raj Kapoor and Vaijayantimala’s performances were as brilliant as Rajender Kumar’s performance. Rafisahab’s song composed by Shankar Jaikishan “ki tum naraaz na hona” haunted the viewers. In the same year, Rajender Kumar’s Ayee Milan Ki Bela and Zindagi ended up as silver jubilee hits running for more than 25 weeks. Again Rafisahab and Shankar Jaikishan’s combination created gold for Rajender Kumar including the songs “tum khamseen ho”, “tu bura maan gaye”, “o sanam tere ho gaye hum”, “aha aye milan ki bela”, “pehele mile the sapno me”, to name a few. Vaijayantimala acted opposite Rajender Kumar in Zindagi, while Saira Banu acted opposite Rajender Kumar in Ayee Milan Ki Bela.
In 1965, Rajender Kumar’s film Aarzoo became silver jubilee hit running for more than 25 weeks. Again the Rafisahab, Shankar Jaikishan produced gold, the landmark songs being “aye nargisi mastana”, “chalke teri ankhon se”, “aji humse bachkar kahan jayiega”. Sadhna’s performance opposite Rajender Kumar was brilliant and the film ended up being the 4th biggest hit of the year.
In 1966, Rajender Kumar’s film Suraj became silver jubilee hit running for more than 25 weeks. Again it was magic combination of Rafisahab and Shankar Jaikishan which created gold. The landmark songs included “gustaqi maaf”, “kaise samjhayun bari nasamajh ho”, “itna hai tumse pyar mujhe mere raazdaar”, to name a few. Vaijayantimala acted opposite Rajender Kumar in the film.
In 1965, Manoj Kumar’s Gumnaam became silver jubilee hit. Rafisahab’s songs “jaan pehchaan ho”, “jaane chaman shola badan” and Lataji’s “gumnaam hai koi” became super hit.
In 1965, Shammi Kapoor’s Janwar became silver jubilee hit. Rafisahab’s songs “lal chari maidaan khari”, “tum se accha kaun hai”, Suman Kalyanpur’s “mere sang ga gunguna” became super hit.
In 1966, Joy Mukherjee’s Love in Tokyo became silver jubilee hit. Rafisahab’s songs “Japan, Love in Tokyo”, “aaja re aa zara aa” became super hit.
In 1967, Shammi Kapoor’s An Evening in Paris became silver jubilee hit. Rafisahab’s songs “akele akele kahan ja rahe ho”, “aasman se aya farishta”, raat ke humsafar” became big hits.
In 1967, Dharmender’s Shikar became silver jubilee hit. Rafisahab’s song “shikar karne ko aye” and Ashaji’s song “parde me rahene do” became a big hit.
In 1968, Shammi Kapoor’s Brahmchari became silver jubilee hit. Rafisahab’s songs “mai gayun tum so jayo”, “aajkal tere mere pyar ke charche” became super hit.
In 1971, Jaikishan’s death brought a big blow to marathon innings of Shankar Jaikishan in the 1940s, 1950s and 1960s. The songs require restoration and preservation as they are still young and immortal.
Whose combination with Rafisahab was the best was it Shankar Jaikishanji or Naushadsahab or Roshanji?
Mohammad Rafi sahib had remained one of the greatest singers of all times and it is difficult to infer which composer had the best combination with Rafisahab.
By: Dr Souvik Chatterji
On his death anniversary on 31st July, 2017, great Rafisahab is remembered all across the world. He is considered one of the greatest singers of all times. If we look back at his combination with best composers of all times it is difficult to infer which composer had the best combination with Rafisahab.
Relationship with Shankar Jaikishan.
Shankar Jaikishan composed music in almost 195 films in that golden age.
One of the great reasons of Shankar Jaikishan’s huge success was due to the great combination with immortal singer Mohammad Rafi Sahab. If Rafi’s stylish andaz relating to westernized compositions are adequately it is Shankar Jaikishan who had used it to perfection. They had used Rafi for singing romantic songs with Japanese orchestration in Love in Tokyo, released in 1966 including songs like “aja re aa zara aa”, “Japan, Love in Tokyo”, “ o mere shahekhuba”, etc. In Biswajeet’s April Fool, released in 1964 SJ’s composition for Rafi including “aa gale lag ja” had westernized background. At the same time Rafi’s song “tumhe chaha” with Suman Kalyanpur was a great rendition in pensive mood.
SJ’s composition for Rafi in Shammi Kapoor’s An Evening in Paris, in 1967, like “akele akele kahan ja rahe ho”, “raat ke humsafar”, had loud French music with echo effect and Rafi’s intonation was also westernized. Shankar Jaikishan gave a completely different style of music to Rafi in Rajender Kumar’s Aarzoo, released in 1965 with songs like “aji ruth kar ab”, “chalke teri aankho se”, “ai nargisi mastana”, etc.
SJ had given songs addressing children to Rafi including “nanne munne bache teri mutthi me kya hai” in Boot Polish which was produced by Raj Kapoor and released in 1954, “hai na bolo bolo”, “re mamma re mamma re” in Shammi Kapoor’s Andaz, released in 1971 and “chakke p chakka” in Brahmchari, in 1969. Rafi pronounced the words with childish accent and SJ used the orchestration to attract children.
There were ghazals also given by SJ for Rafi including “rukh se zara nakab”, “kya kya na kahe” in Jeetender’s Mere Huzoor, “unke khayal aye to” in Raj Kumar’s Lal Patthar, “saaze dil ched de” in Pradeep Kumar’s Rajhaath, etc. Besides SJ’s creation involving Rafi in somber mood had created great impact including songs like “teri zulfon ki judai to nahi maangi thi” in Dev Anand’s Jab Pyar Kisi Se Hota Hai, “ehsaan tera hoga mujhpar” in Shammi Kapoor’s Junglee, “yaad na aye” in Rajender Kumar’s Dil Ek Mandir.
Shankar Jaikishan had used Rafi’s classical andaz in the songs “radheke tune bansoori churai”, “ajahu na aye”, etc., and combined the ragas with devotional andaz. SJ has given music in almost 200 films within the span from 1949 to 1971, and at least each year they composed music for approximately 10 films. As Rafi was given predominance over other male singers SJ had use him in regular intervals even without doing injustice to Mukesh, Manna Dey, Kishore Kumar, Talat Mehmood and others. Songs like “kaun hai jo sapno me aya” from Jhuk Gaya Aasman, “to bura maan gaye” from Ayee Milan Ki Bela, “yeh ankhen” from Jab Pyar Kisi Se Hota Hai, “tujhe jeevan ki dor se” from Aasli Nakli, “dheere dheere chal” from Love Marriage, “badan pe sitaren lapete hue” from Prince, “mai kahin kavi na banjayun” from Pyar Hi Pyar, “mai gayun tum so jao” from Brahmchari, had not lost their flavour even 40 years after their creation due to sheer brilliance of Shankar Jaikishan. It is really tragic neither Shankar Jaikishan had received the accolades that they deserved nor Rafi’s association with them had been glorified but history says that the combination of Rafi with Shankar Jaikishan had produced invaluable creations which had become immortal over the period of time.
Relationship with OP Nayyar.
Whenever the name of OP Nayyar appeared in the minds of the audience, the name of immortal singer Mohammad Rafi had come together, without whom OP Nayyar was incomplete. The relationship between the two greats can be compared as tea and milk. OP Nayyar started his career with the film Kaneej in 1949.
Guru Dutt had created his image in bollywood films in different categories being a thoughtful director and producer, dynamic actor, good choreographer. One of the numerous reasons for which his films became super hit in the 50s and 60s included the brilliant songs sung by Rafi during the golden age.
Rafi’s songs in Guru Dutt’s Aar Paar, released in 1954 and composed by OP Nayyar became super hit. It was followed by Mr and Mrs. 55 released in 1955. Songs picturized on both Guru Dutt and Johnny Walker had melody and sweetness. Rafi’s songs like “dil pe kiya aisa jaadu”, “muhobbat karlo aji karlo”, “sun sun sun sun zaalima”, composed by OP Nayyar, created landmark in the mid-50s and Rafi emerged as the greatest singer of bollywood films during that time. In many of the songs Geeta Dutt did a great job in duets sung along with Mohammad Rafi.
The same combination of Guru Dutt, OP Nayyar and Rafi gave everlasting hit in the film 12 O Clock with songs like “mai kho gaya”. Also in CID, OP Nayyar and Rafi combination created gold with songs like “aye dil mushkil jeena yahan”, “leke pehla pehla pyar”, “ankhon hi ankhon me”, etc.
The magic combination of Rafi and OP Nayyar mesmerized the audience in Dilip Kumar’s Naya Daur. The super hit songs “saathi hath barana”, “mangke saath tumhara”, “mai bombai ka babu”, contributed a lot in the absolute success of the film. OP Nayyar received the filmfare award for the best music director only once in his career. Credit goes to Rafisahab for the great rendition of each songs of Naya Daur.
The brilliant combination of OP Nayyar and Rafi continued in Raj Kapoor’s film Do Ustad. All the songs in the film became extremely popular including “tu ladki mai ladka”, “ruk ruk ruk, chor na de diwane”, “nazron ke teer mare kas kas kas”, etc. Rafisahab was the first choice of OP Nayyar, and inspite of Raj Kapoor’s voice having closeness with Mukesh and Manna Dey. OP Nayyar gave all the songs of Do Ustad released in 1959 to Mohammad Rafi Sahab.
Even in Bharat Bhushan’s Phagun, OP Nayyar composed all the songs for great Rafi Sahab. So of the most super hit songs included “kaun se pardesi mera dil le gaya”, “tum rooth ke mat jana”, “mai soya ankhiya miche”. Qamar Jalalabadi’s words were as brilliant as Rafisahab’s velvety voice.
Joy Mukherjee’s film Ek Musafir Ek Hasina did brilliant business in the early 60s. Raj Khosla’s musical thriller released in 1962 addressed every section of the society with romantic performance of Joy Mukherjee and Sadhna. All the songs of Rafi and Asha picturized on Joy Mukherjee and Sadhna became super hit. It includes songs like “aap yuhin agar humse milte rahe”, “mujhe dekhkar aapka muskurana”, “phir tere shahar me”, “mai pyar ka rahi hoon”, “bahut shukhriya, bari meherbani”, “humko tumhari isqh ne”, to name a few. Rafi was elegant as ever in the songs “phir tere shahar me” and “humko tumhare ishq ne”. OP Nayyar was probably at his best in the film and his blend of eastern and western music created the romantic mood for the film.
Joy Mukherjee, Rafi and OP Nayyar’s magical combination continued in the film Phir Wohi Dil Laya Hoon. Most part of the film released in 1963 was shot at picturesque locations of Jammu & Kashmir and the landscape was as romantic as the songs sung by Rafi and Asha in the film. The prominent songs included “banda parwar, thamlo jigar”, “lakho hai nigahon me”, “nazneen bara rangeen hai wada tera”, “aanchal me sajalena kaliyan”, “zulf ke chayon me chehere ka ujala lekar”, to name a few. Rafi had shown his excellent classical skills in the songs “zulf ke chayon me”, and “aancal me sajalena kaliyan”. Asha Parekh showed her dancing skills to perfection in the film. Rajender Nath played the role of the relief character in the film. In fact OP Nayyar maintained the same standard of music in Shammi Kapoor’s film Kashmir Ki Kali and Biswajeet’s film Mere Sanam which were made after Phir Wohi Dil Laya Hoon.
Joy Mukherjee’s combination with OP Nayyar continued in the film Humsaya. In that film Sharmila Tagore got the lead role opposite Joy Mukherjee. By that time due to emergence on new actors and actresses in bollywood films, Joy Mukherjee’s popularity declined and the film also did moderate business. In respect of the songs, Rafi’s song “dil ki awaaz bhi sun” became hit. But OP Nayyar gave a number of songs to Mahendra Kapoor was well which did not strike gold in the box –office.
Besides Rafi’s western romantic mood is utilized by OP Nayyar in a very stylish way in the songs “Diwana hua badal, sawan ki ghata chayi” and “Yeh Chand Sa Roshan Chehera” in the film Kashmir Ki Kali, 1964 picturised on Shammi Kapoor and “Humne to dilko aap ke kadmome rakh diya, is dil ka kya karenge yeh ab aap sochiye” in the film Mere Sanam, 1965 and “Phir Miloge Kabhi is baat ka wada karlo, humse ek aur mulakat ka wada karlo” in the film Yeh Raat Phir Na Ayegi, picturised on Biswajeet. In all these songs the sarengi and santoor had played a very pivotal role accompanied by the intoxicating appeal of Rafi’s voice.
In the film Baharen Phir Bhi Aayegi, Rafi’s ghazal “aap ki haseen rukh” composed by OP Nayyar and picturised on Dharmender was extremely romantic and made the audience spellbound in the early 60s. OP Nayyar composed peppy numbers for Rafi Sahab in Dharmender’s film Muhobbat Zindagi Hai in 1966. Rafisahab’s song “na jaane kyun” was as brilliant as “tumhari mulakat se” and “yeh purnur chehra yeh dilkash ada”. The list of films where OP Nayyar and Rafi’s magic flabbergasted the listeners just goes on including films like Tumsa Nahi Dekha, Basant, Phagun, Kismat, etc.
One article is too small to explain the domination of OP Nayyar and Mohammad Rafi in bollywood films of the 50s and 60s. But the songs and the films had not become obsolete and listeners can listen to them again and again. The songs and the films should be restored.
Relationship with Naushad Ali.
Naushad Ali is remembered for his brilliant tunes over a period of 50 years down the memory lane. In the 40s, he composed music in many films including Anmol Ghari, but he stormed bollywood with romantic songs in Dulari, including “suhani raat dhal chuki” sung by Rafi, all the songs of Andaz, where he composed Rafi’s songs for Raj Kapoor and Mukesh’s songs for Dilip Kumar.
In the 50s, Naushad’s composition in Baiju Bawra made the listeners speechless. He won filmfare award for the best composer for his brilliant classical presentation in songs like “o duniya ke rakhwale”, “man tarapata”, “tu gangi ki mauj”, etc., sung by Rafi and Lata. Rafi’s range was used to perfection and from that time the Rafi Naushad combination provided gems after gems. The different ragas and their timings were explained by Naushad in the film. Bharat Bhushan and Meena Kumari gave able lips in the songs composed by Naushad. Songs of Uran Khatula, like “wo dur ke musafir” sung by Rafi for Dilip Kumar also shook bollywood in the mid-50s.
In the 60s Naushad was unstoppable. His composition in Kohinoor for Rafi titled “madhuban me radhika nachere” and “do sitaron ka zameen” picturised on Dilip Kumar displayed the brilliance of Hindustani ragas. Naushad’s composition in Rajender Kumar’s Mere Mehboob, Naushad displayed the ghazal culture of Lucknow and Aligarh. The songs “mere mehboob tujhe meri muhobbat ki kasam”, “ai husn zara jag”, etc. sung by Rafi and picturised on Rajender Kumar was per se excellent. Naushad composed light songs in Mughal-i-azam for Lata including “pyar kiya to darna kya”, “mohe panghat ke nandlal”, and again composed thumri sung by Bare Ghulam Ali Khan in the same film.
Naushad also composed Bhojpuri music for Dilip Kumar in the film Ganga Jumna. The songs “nain lar jaihe” sung by Rafi was one of the examples of Naushad’s control of Bihari folk tune. Naushad was at his best in Dilip Kumar’s Leader. All the songs in the film sung by Rafi and Lata flabbergasted the listeners, including “ek shahenshah ne banwake haseen tajmahal”, “teri husn ki kya tareef karun”, “mujhe duniya walon”, etc. Naushad was excellent in Dilip Kumar’s Ram Aur Shyam. All the songs sung by Rafi and Lata in the film including “aye hai baharen dekho”, “yeh raat dulhan bangayi”, “mai hoon saki”, etc.
Critics consider Dil Diya Dard Liya as one of the best creations of Naushad. All the songs in the film became superhit including Rafi’s “dilruba maine tere”, “koi sagar dil ko behlata nahi”. Naushad Rafi and Dilip Kumar continued with their level of excellence in the film Aadmi, with Rafi’s songs like “na aadmi ka koi bharosa”, “aaj purani rahon se”, etc. Besides, Naushad composed excellent music in Rajender Kumar’s Palki, Saathi, Ganwar, etc. Rafi’s hit songs in those films included “dil-e-betaab ko seene se lagana hoga” sung with Suman Kalyanpur.
Naushad faded away from film music in the 70s, causing huge loss to the film industry. The classical gharana related to thumris, kajris, ghazals, etc., faded away with Naushad. Music became popular, but lost its class. Naushad received Dadasahab Phalke for his excellent contribution to bollywood music. His songs and the films should be preserved and restored.
Relationship with Roshanlal Nagrath.
Whenever any reference relating to everlasting singer Mohammad Rafi comes, the attention goes to the big budget films and songs for big banners. Rafi is known the most for singing catchy numbers for Shammi Kapoor under the composition of Shankar Jaikishan and classical songs for Dilip Kumar under the composition of Naushad Ali. Although Rafi had sung brilliant songs for all the leading actors of 40s, 50, and 60s, much had been written about the successful films where both the songs and the films did excellent business.
But Rafi had sung excellent songs for Pradeep Kumar under the composition of Roshanlal Nagrath, where even if the mass was not touched, the class was addressed and the royal andaz of singing showed the range of Rafi to suit his voice for any form of playback singing. The magic of Roshanlal Nagrath, Pradeep Kumar and Mohammad Rafi started in Aarti released in 1962. Phani Majumdar directed the film. Four of the songs of Rafi stand out, “aapne yaad dilaya”, “ab kya misaal doon”, “baar baar tohe kya” and “tere bin lage na jiya”. Some of them were solo songs, while others were duet songs sung with Lata Mangeshkar. There were other duet songs of Rafi with Asha Bhosle, but the ones in pathos andaz like “aapne yaad dilaya” mesmerized the audience. The lyrics of Majrooh Sultanpuri, the composition of Roshanlal Nagrath, the voice of Mohammad Rafi and lips of Pradeep Kumar made the viewers spellbound. None of the songs had lost their charm even today.
The magic continued in the film Tajmahal in 1963. M. Sadiq directed the film. Pradeep Kumar played the role of Shahjahan while Beena Roy played the role of Mumtaz Mahal. Here the combination was different with Sahir Ludhiyanvi writing the songs for Roshan which were sung by Mohammad Rafi. Four of Rafi’s songs were masterpieces including “jo wada kiya wo nibhana parega”, “paon chulene do phulonko inayat hogi”, “chandi ka badan”, and “jo baat tujhme hai”. Roshanlal Nagrath won the filmfare award for the best composer only once in his life, that was for the composition of the music of the film Tajmahal. He deserved it many more number of times. Sahir Ludhiyanvi won the best lyricist award for the lyrics of the film. Rafi was as outstanding as Pradeep Kumar in the role of Shahjahan.
The magic continued in the film Chitralekha in 1964. Kidar Sharma directed the film. Pradeep Kumar, Meena Kumari and Ashok kumar played the main roles. Rafi’s song “man re tu kahe na dheer dhare” is still considered one of the 10 best bhajans Rafi had sung. Sahir Ludhiyanvi wrote the songs of the film. Rafi’s other song “cha gaye badal” was equally impressive.
The Roshan, Rafi, Pradeep Kumar combination continued in the film Bheegi Raat in 1965. It was directed by Kalidas. Rafi’s songs in the film “dil jo na keh saka”, “aise to na dekho”, “jane wo kaun hai kya naam hai”, “mohabbat se dekha” all were masterpieces. Some were duets with Suman Kalyanpur, while the others were solo songs sung by Mohammad Rafi. Lyrics were written by Majrooh Sultanpuri. The words were excellent. Rafi was unparallel in all the songs.
The combination continued in the film Bahu Begum in 1967. It was directed by M. Sadiq. Rafi’s songs “hum intezar karenge tera qawamat tak”, “dhoond ke layun kahan se”, “vakiv hoon ishqgade” were all masterpieces. While some had ghazal andaz, the others were stand out qawallies with Manna Dey. Roshan was as brilliant as Mohammad Rafi as Sahir Ludhyianvi. In the same year, the combination was sublime in the film Noorjahan. Rafi sang the songs “aap jab se kareeb aye hain” and “wo mohabbat wo wafayen” in style. For a change the lyrics were written by Shakeel Badayani.
The unfortunate death of Roshanlal Nagrath in 1967, ended the journey of Rafi with Roshan and Pradeep Kumar. Otherwise masterpieces after masterpieces could be created. Rafi’s archive should preserve the songs of Pradeep Kumar and Roshan, which showed the royal andaz of music existing in the courts of Mughals, Pathans and Sultans in India.
Relationship with Madanmohan Kohli.
If any composer had utilised the ghazal andaz of Mohammad Rafi to the best of his potentiality it is Madanmohan whose name appears in the minds of the lovers of music across the nation. Madanmohan’s father Rai Bahadur chunnilal send his son to Dehradun to join the army. Instead he left the army and joined All India Radio in Lucknow. He came in contact with Ustad Faizz Khan, Ustad Ali Akbar Khan and carried on their legacy in the compositions he made for 30 years which can be classified as masterpieces.
As Madanmohan was not associated with the Big Banners like RK or Navketan, he was not categorised with any star of bollywood during 50s, 60s, 70s. Further he never wanted to balance the popular test of music and excellent class of classical compositions he created. But the compositions were so rich in lyrics and tunes that the musical pandits had no way but to admire them.
The golden age of bollywood music was categorised with the excellence of Mohammad Rafi and as such if any composer neglected Rafi and tried to reach the summit of popularity they have invited their own downfall. Madanmohan did not make such a mistake. He started his career with the film Ankhen in 1950. He also composed music for Raj Kapoor’s film Ashiana in 1952. His notable songs for Rafi in the film Railway Platform, 1956, include “basti basti parbat parbat”. In Gateway of India, 1957, Madanmohan used Mohammad Rafi for the song “do ghari woh jo pass aa baithe” picturised on Bharatbhushan. It was very successful and strengthened the everlasting bond of Rafi with Madanmohan. Rafi’s intoxicating appeal in the song “kabhi na khabhi kahin na kahin koi na koi toi ayega” in the film Sharabi, 1964, composed by Madanmohan can be classified one of the best songs in sombre mood.
The most majestic ghazals of Rafi composed by Madanmohan include “kisiki yaad me apnako hai bhulaye huye” and “baad muddat ke yeh ghari ayi” from the film Jahan ara, 1964, picturised on Bharat Bhushan. Talat Mehmood’s song in the same film “phir wohi sham wohi gham wohi tanhai hai” was also based on ghazal andaz. The classic lyrics were written by Rajinder Kishan. The film titled Ghazal, in 1964, was based on ghazals and Rafi was outstanding by every standard in the song “rang aur noor ki baraat kise pesh karun.” In the same year Rafi’s patriotic flavour was bolstered in the song “kar chale hum fida jan-o-tan sathiyon” in the film Haqeeqat, where Rafi’s ghazal titled “hoke majboor usne bulaya hoga” shared with Bhupinder Singh, Manna Dey and Talat Mehmood was sensational. The majestic lyrics were written by Kaifi Azmi. In the film Neela Akash, 1965, picturised on Dharmender, Rafi’s song “akhri geet muhobbat ka sunayun to chalun” showed the tragic note of Madanmohan. In the film Need Hamari Khwab Tumkhari, all the songs were sung by Rafi including “husn ne jab isq se takraya tha”.
Returning back to ghazals, Rafi’s song “aap ke pehlu me akar” in the film Mera Saya, 1966, was as outstanding as Lata’s title song “tu jahan jahan chalega mera saya saath hoga”. The lyrics were written by Raja Mehendi Ali Kahan. Raj Khosla’s crime thriller ended up becoming a musical blockbuster just like Woh Kaun Thi, in 1964, where Madanmohan’s composition “naina barse,” “lagja gale”, etc. for Lata Mangeshkar was probably the most immortal creation in the history of film music, with Sadhna giving life time performances in ghostly characters in both these films.
The landmark ghazal “tumhari zulf ke saye me sham karlunga” in the film Naunihal, in 1967, is probably one of the five best ghazals Rafi did sing in his life. Experts in music realise that ages will pass, but no second singer can provide blood and flesh in the superlative ghazal of Madanmohan the way Rafi had done in this song. Kaifi Azmi has written sensational lyrics for the abovementioned song. People started thinking that Rafi and Madanmohan were made for each other. The belief was put to action in the next film Dulhan Ek raat ki, in 1967, picturised on Dharmender in the song “ek haseen sham ko dil mera kho gaya. In the film Chirag, 1969, “teri aakhon ke siwa duniya me rakkha kya hai” Madanmohan combined ghazal with light orchestration to try to inspire the common listeners in understanding these type of songs.
In the film Heer Ranjha, 1971, picturised on Rajkumar, Rafi’s song “yeh duniya yeh mehfil” was well acclaimed by music lovers. Rafi was outstanding by every standard in the song “tum jo mil gaye ho” in the film Hanste Zakhm, 1973, where Madanmohan synchronised lightning with his own orchestration. Madanmohan also gave a tremendous break to Bhupinder Singh in the song “dil dhoonta hai, phir wohi, fursat ke raat din” written by Gulzar in Sanjeev Kumar’s Mausam in 1975. Rafi had the song “chari re chari kaise gale me pari.”
Madanmohan’s last performance with Jaidev brought out Rafi’s Himalayan range in the film Laila Majnu in 1977. Rafi’s songs “tere dar pe aya hoon,” “barbad muhobat ka duya saath liye ja”, picturised on Rishi Kapoor showed his master spirit of adapting to tunes of middle east which was the geographical location where the story was based. Madanmohan died in 1975, without even seeing the success of Laila Majnu, it appeared like out of seven sur in every octave one sur had gone, because, the majestic combination of Madanmohan with Rafi cannot be forgotten through ages. Rafi’s archive should restore Madanmohan’s combination to let the next generation know about the high esteem with which Madanmohan addressed Mohammad Rafi during the golden age of film music.
Articles after articles can be written to show the indispensability of Rafisahab during the golden age. For listeners the intoxication still continues. Rafisahab’s voice sunke lagta hai sunte jay bas suntey hi jay. His admirers pay their respect and homage to the noble soul.
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