Blockbuster Chaava did 165 crores business in India in 5 days and 200 crores business worldwide

In 3 days Vicky Kaushal's Chaava did 112 crores business in India and 150 crores business worldwide. Due to brilliant acting of Vicky Kaushal and Ashay Khanna the film Chaava did 70 crores business in India in 2 days and 25 crores in other countries to do 95 crores worldwide. It is going to be a blockbuster film.Chhaava (lit. transl. Lion's Cub) is a 2025 Indian Hindi-language historical action film based on the life of Sambhaji, the second ruler of the Maratha kingdom, played by Vicky Kaushal. It is an adaptation of the Marathi novel Chhava by Shivaji Sawant. Directed by Laxman Utekar and produced by Dinesh Vijan under Maddock Films, the film also stars Rashmika Mandanna and Akshaye Khanna. Pre-production began in April 2023 and filming commenced in October 2023 and ended in May 2024. The film score and soundtrack album are composed by A. R. Rahman while the lyrics are written by Irshad Kamil and Kshitij Patwardhan. It was theatrically released on 14 February 2025 in standard and IMAX formats. Plot Following the death of Chhatrapati Shivaji Maharaj, news reaches Aurangzeb’s court. His advisers anticipate the collapse of Maratha resistance, while Aurangzeb, though acknowledging the loss of a formidable enemy, orders a celebration. However, leadership has already passed to Sambhaji, Shivaji’s son. Burhanpur, a key Mughal administrative and commercial center, faces a sudden Maratha attack. The defenders, unprepared, are overwhelmed by the onslaught. In the midst of battle, Sambhaji falls into a pit where he faces a lion. Overpowering the beast, he kills it with his bare hands. The Marathas seize the Mughal treasury, directly challenging imperial authority. As reports arrive in Delhi, Aurangzeb realizes that the Maratha resistance remains intact. He initiates a vast military campaign to crush them. Meanwhile, factional intrigue grows within the Maratha court, with conspirators attempting to install Rajaram, Sambhaji’s stepbrother, as ruler. Aurangzeb’s forces advance, and the atrocities committed under his command are briefly noted. Diplomatic negotiations unfold as Mughal prince Mirza Akbar seeks Sambhaji’s assistance in rebelling against Aurangzeb. While skeptical, Sambhaji uncovers covert communications between the prince and his stepmother. A conspiracy to overthrow him is revealed, and the traitors are executed beneath an elephant’s crushing weight. Recognizing the superior numbers of the Mughal army, Sambhaji employs guerrilla tactics. The Deccan’s challenging terrain proves disastrous for the Mughals, causing heavy losses. Aurangzeb, having vowed to remain uncrowned until Sambhaji is defeated, faces increasing difficulty. His daughter, Zinat-un-Nissa, attempts to capture her estranged brother Mirza Akbar, but the Marathas foil the ambush. Internal dissent weakens Sambhaji’s ranks as jagirdars defect to the Mughals. Betrayed by his brothers-in-law, his location is exposed. The Mughals launch a surprise assault, encircling the Marathas. Despite fierce resistance, Sambhaji is captured. Taken before Aurangzeb, he refuses to submit. He is brutally tortured but does not renounce his ideals. Aurangzeb, facing mounting revolts, offers him a chance to surrender. Sambhaji remains defiant, declaring that the struggle for Swaraj has spread across the empire. As he perishes, Rajaram ascends, and the resistance continues. The film ends with the Marathas’ eventual triumph, as the Mughal Empire collapses within three decades, leading to the establishment of Indian Swaraj. Cast Vicky Kaushal as Chhatrapati Sambhaji Maharaj Rashmika Mandanna as Yesubai Bhonsale Akshaye Khanna as Aurangzeb Ashutosh Rana as Hambirrao Mohite Diana Penty as Zinat-un-Nissa Begum Divya Dutta as Soyarabai Vineet Kumar Singh as Kavi Kalash Santosh Juvekar as Rayaji Malge Alok Nath as Somaji Kiran Karmarkar as Annaji Datto Sachiv Balaji Manohar as Mhaloji Anil George as Muqarrab Khan Neelkante Patekar as Dharau Sarang Sathaye as Ganoji Shirke Suvrat Joshi as Kanhoji Shirke Ankit Anil Sharma as Santaji Ghorpade Ashish Pathode as Antaji Mankeshwar Gandhe Shubhankar Ekbote as Dhanaji Jadhav Siraj Mustafa as Bahadur Khan Shivraj Walvekar as Bahirji Naik Manoj Kolhatkar as Balaji Avaji Chitnis Danish Pandor as Ikhlas Khan Rohit Pathak as Kakkad Khan Sanjeev Jaiswal as Jhaalad Sukwinder Singh as Khan Zamaan Lavi Pajni as Shaubuddin Firozjang Trishan Singh as Shehzaada Ajjam Ruffy Khan as Shehzaada Maujjam Rakesh Theraja as Sarja Khan Akshay Anand Kohli as Rahulla Khan Ajay Devgn as the narrator (voice)[5] Production Development and pre-production "Everyone knows about Chhatrapati Shivaji Maharaj, but no one knows about Chatrapati Sambhaji Maharaj. He had such great courage and was a great warrior, but sadly no one knows about it. During the pandemic [COVID-19], when I read about Sambhaji Maharaj, I realised he is such a big character, and why are we not talking about his life? That's when I started writing and the idea of Chhaava came to me." — Laxman Utekar, during an interview with India Today[6] In 2021, Laxman Utekar told Dinesh Vijan that he wanted to make a film with Vicky Kaushal and Rashmika Mandanna.[7] In December 2022, it was reported that Utekar was working on a historical biopic,[8] based on the Marathi novel Chhava by Shivaji Sawant.[1] After completing script in January 2023, pre-production for the film began in April, and principal photography starting in October.[9][10][11] Utekar and his team spent a year researching the 17th-century Maratha era, travelling to historical towns like Chhatrapati Sambhaji Nagar, Ratnagiri, Pune, Nashik, and Paithan.[12] Costume designer Sheetal Sharma sourced authentic Paithani sarees and restored 500-year-old borders for Rashmika Mandanna's character, Yesubai. The sourcing process included visits to Paithan and Narayanpeth to obtain authentic Pathani and Narayanpeth sarees. Additional accessories were gathered from Kolhapur, Sawantwadi, and Ratnagiri.[13] Subrata Chakraborty and Amit Ray recreated jewellery and the sword Bhavani, drawing references from museums in London. Vicky Kaushal's portrayal of Sambhaji was based on historical busts and statues to ensure accuracy.[14] A. R. Rahman was roped in to compose the score.[15] The film was officially announced on 3 October 2023, when Maddock Films revealed its upcoming slate of theatrical releases, including the release date for Chhaava.[16][17] Casting and filming Laxman Utekar discussed his upcoming film with Vicky Kaushal during the shoot of Zara Hatke Zara Bachke (2023).[18] In January 2023, Utekar confirmed that Kaushal would portray Sambhaji, marking their second collaboration following Zara Hatke Zara Bachke.[19] Kaushal would be reportedly receiving a ₹10 crore (US$1.2 million) remuneration.[20] Utekar mentioned that Kaushal would undergo four months of training in sword fighting, horse riding, and that shooting would begin once they were satisfied with his preparation.[19] In August 2023, it was reported that Marathi actor Santosh Juvekar would play a pivotal role in the film.[21] He was originally cast as Ganoji Shirke, but later, director Laxman Utekar met with him in his office and offered him the role of Rayaji Malge instead.[22] During the same month, Juvekar and Kaushal underwent horse riding training in the Mumbai suburbs.[21] During trailer launch, Kaushal revealed that he was trained in sword, stick, and spear fighting for 6-7 months. He also gained 25 kg weight for the role.[23] During shooting in Raigad a set was constructed for the scene depicting Chhatrapati Sambhaji's ascension to the throne, featuring an eight-sided throne.[24] By October 2023, it was reported that Kaushal had started his preparations for the film alongside co-star Rashmika Mandanna.[25] Mandanna would be reportedly receiving ₹4 crore (US$460,000) remuneration.[26] The same month, Ashutosh Rana and Divya Dutta join cast as Hambirrao Mohite and Soyarabai, respectively.[27] Rana would be reportedly receiving ₹80 lakh (US$92,000) remuneration.[20] Dutta later discussed her portrayal in an interview with Mid-Day in December 2024.[28][29] On 4 December 2023, Pradeep Rawat joined the film's cast.[30] Mandanna wrapped up her portion of filming in January 2024, while Kaushal resumed filming in Wai on 9 March 2024, continuing until 6 April 2024.[31][32] On 23 April 2024, Santosh Juvekar completed his portions.[33][34] Earlier in the production process, the team had approached Anil Kapoor for the role of Aurangzeb,[35] but in October 2023, Akshaye Khanna joined the cast in the role instead.[36] He would be reportedly receiving ₹2 crore (US$230,000) for his remuneration.[20] Diana Penty joined the film in the role of Zinat-un-Nissa Begum.[37] Principal photography for the film wrapped in May 2024.[38][39] Initially, Utekar had approached Marathi actor Ashok Shinde for a negative role, but Shinde declined the offer due to a scheduling conflict with his existing contract with Zee, as he revealed in a November 2024 interview with ItsMajja.[40] Post-production After filming concluded in May 2024, the movie entered post-production.[15] On 11 February 2025, Pinkvilla reported that Ajay Devgn was hired to provide a voiceover for the film, completing his dubbing in the final week.[41] On 1 February 2025, the film was granted a U/A 16+ certification by the Central Board of Film Certification (CBFC), with a runtime of 161 minutes and 50 seconds. The CBFC required certain modifications, including the replacement of dialogues in the first half and the removal of a scene featuring Maratha warriors in sarees. Additionally, the CBFC requested the inclusion of an audio-text disclaimer, mentioning the book the film is adapted from and clarifying that it does not aim to defame anyone or distort historical facts.

In 3 days Vicky Kaushal's Chaava did 112 crores business in India and 150 crores business worldwide.

In 3 days Vicky Kaushal's Chaava did 112 crores business in India and 150 crores business worldwide. Due to brilliant acting of Vicky Kaushal and Ashay Khanna the film Chaava did 70 crores business in India in 2 days and 25 crores in other countries to do 95 crores worldwide. It is going to be a blockbuster film.Chhaava (lit. transl. Lion's Cub) is a 2025 Indian Hindi-language historical action film based on the life of Sambhaji, the second ruler of the Maratha kingdom, played by Vicky Kaushal. It is an adaptation of the Marathi novel Chhava by Shivaji Sawant. Directed by Laxman Utekar and produced by Dinesh Vijan under Maddock Films, the film also stars Rashmika Mandanna and Akshaye Khanna. Pre-production began in April 2023 and filming commenced in October 2023 and ended in May 2024. The film score and soundtrack album are composed by A. R. Rahman while the lyrics are written by Irshad Kamil and Kshitij Patwardhan. It was theatrically released on 14 February 2025 in standard and IMAX formats. Plot Following the death of Chhatrapati Shivaji Maharaj, news reaches Aurangzeb’s court. His advisers anticipate the collapse of Maratha resistance, while Aurangzeb, though acknowledging the loss of a formidable enemy, orders a celebration. However, leadership has already passed to Sambhaji, Shivaji’s son. Burhanpur, a key Mughal administrative and commercial center, faces a sudden Maratha attack. The defenders, unprepared, are overwhelmed by the onslaught. In the midst of battle, Sambhaji falls into a pit where he faces a lion. Overpowering the beast, he kills it with his bare hands. The Marathas seize the Mughal treasury, directly challenging imperial authority. As reports arrive in Delhi, Aurangzeb realizes that the Maratha resistance remains intact. He initiates a vast military campaign to crush them. Meanwhile, factional intrigue grows within the Maratha court, with conspirators attempting to install Rajaram, Sambhaji’s stepbrother, as ruler. Aurangzeb’s forces advance, and the atrocities committed under his command are briefly noted. Diplomatic negotiations unfold as Mughal prince Mirza Akbar seeks Sambhaji’s assistance in rebelling against Aurangzeb. While skeptical, Sambhaji uncovers covert communications between the prince and his stepmother. A conspiracy to overthrow him is revealed, and the traitors are executed beneath an elephant’s crushing weight. Recognizing the superior numbers of the Mughal army, Sambhaji employs guerrilla tactics. The Deccan’s challenging terrain proves disastrous for the Mughals, causing heavy losses. Aurangzeb, having vowed to remain uncrowned until Sambhaji is defeated, faces increasing difficulty. His daughter, Zinat-un-Nissa, attempts to capture her estranged brother Mirza Akbar, but the Marathas foil the ambush. Internal dissent weakens Sambhaji’s ranks as jagirdars defect to the Mughals. Betrayed by his brothers-in-law, his location is exposed. The Mughals launch a surprise assault, encircling the Marathas. Despite fierce resistance, Sambhaji is captured. Taken before Aurangzeb, he refuses to submit. He is brutally tortured but does not renounce his ideals. Aurangzeb, facing mounting revolts, offers him a chance to surrender. Sambhaji remains defiant, declaring that the struggle for Swaraj has spread across the empire. As he perishes, Rajaram ascends, and the resistance continues. The film ends with the Marathas’ eventual triumph, as the Mughal Empire collapses within three decades, leading to the establishment of Indian Swaraj. Cast Vicky Kaushal as Chhatrapati Sambhaji Maharaj Rashmika Mandanna as Yesubai Bhonsale Akshaye Khanna as Aurangzeb Ashutosh Rana as Hambirrao Mohite Diana Penty as Zinat-un-Nissa Begum Divya Dutta as Soyarabai Vineet Kumar Singh as Kavi Kalash Santosh Juvekar as Rayaji Malge Alok Nath as Somaji Kiran Karmarkar as Annaji Datto Sachiv Balaji Manohar as Mhaloji Anil George as Muqarrab Khan Neelkante Patekar as Dharau Sarang Sathaye as Ganoji Shirke Suvrat Joshi as Kanhoji Shirke Ankit Anil Sharma as Santaji Ghorpade Ashish Pathode as Antaji Mankeshwar Gandhe Shubhankar Ekbote as Dhanaji Jadhav Siraj Mustafa as Bahadur Khan Shivraj Walvekar as Bahirji Naik Manoj Kolhatkar as Balaji Avaji Chitnis Danish Pandor as Ikhlas Khan Rohit Pathak as Kakkad Khan Sanjeev Jaiswal as Jhaalad Sukwinder Singh as Khan Zamaan Lavi Pajni as Shaubuddin Firozjang Trishan Singh as Shehzaada Ajjam Ruffy Khan as Shehzaada Maujjam Rakesh Theraja as Sarja Khan Akshay Anand Kohli as Rahulla Khan Ajay Devgn as the narrator (voice)[5] Production Development and pre-production "Everyone knows about Chhatrapati Shivaji Maharaj, but no one knows about Chatrapati Sambhaji Maharaj. He had such great courage and was a great warrior, but sadly no one knows about it. During the pandemic [COVID-19], when I read about Sambhaji Maharaj, I realised he is such a big character, and why are we not talking about his life? That's when I started writing and the idea of Chhaava came to me." — Laxman Utekar, during an interview with India Today[6] In 2021, Laxman Utekar told Dinesh Vijan that he wanted to make a film with Vicky Kaushal and Rashmika Mandanna.[7] In December 2022, it was reported that Utekar was working on a historical biopic,[8] based on the Marathi novel Chhava by Shivaji Sawant.[1] After completing script in January 2023, pre-production for the film began in April, and principal photography starting in October.[9][10][11] Utekar and his team spent a year researching the 17th-century Maratha era, travelling to historical towns like Chhatrapati Sambhaji Nagar, Ratnagiri, Pune, Nashik, and Paithan.[12] Costume designer Sheetal Sharma sourced authentic Paithani sarees and restored 500-year-old borders for Rashmika Mandanna's character, Yesubai. The sourcing process included visits to Paithan and Narayanpeth to obtain authentic Pathani and Narayanpeth sarees. Additional accessories were gathered from Kolhapur, Sawantwadi, and Ratnagiri.[13] Subrata Chakraborty and Amit Ray recreated jewellery and the sword Bhavani, drawing references from museums in London. Vicky Kaushal's portrayal of Sambhaji was based on historical busts and statues to ensure accuracy.[14] A. R. Rahman was roped in to compose the score.[15] The film was officially announced on 3 October 2023, when Maddock Films revealed its upcoming slate of theatrical releases, including the release date for Chhaava.[16][17] Casting and filming Laxman Utekar discussed his upcoming film with Vicky Kaushal during the shoot of Zara Hatke Zara Bachke (2023).[18] In January 2023, Utekar confirmed that Kaushal would portray Sambhaji, marking their second collaboration following Zara Hatke Zara Bachke.[19] Kaushal would be reportedly receiving a ₹10 crore (US$1.2 million) remuneration.[20] Utekar mentioned that Kaushal would undergo four months of training in sword fighting, horse riding, and that shooting would begin once they were satisfied with his preparation.[19] In August 2023, it was reported that Marathi actor Santosh Juvekar would play a pivotal role in the film.[21] He was originally cast as Ganoji Shirke, but later, director Laxman Utekar met with him in his office and offered him the role of Rayaji Malge instead.[22] During the same month, Juvekar and Kaushal underwent horse riding training in the Mumbai suburbs.[21] During trailer launch, Kaushal revealed that he was trained in sword, stick, and spear fighting for 6-7 months. He also gained 25 kg weight for the role.[23] During shooting in Raigad a set was constructed for the scene depicting Chhatrapati Sambhaji's ascension to the throne, featuring an eight-sided throne.[24] By October 2023, it was reported that Kaushal had started his preparations for the film alongside co-star Rashmika Mandanna.[25] Mandanna would be reportedly receiving ₹4 crore (US$460,000) remuneration.[26] The same month, Ashutosh Rana and Divya Dutta join cast as Hambirrao Mohite and Soyarabai, respectively.[27] Rana would be reportedly receiving ₹80 lakh (US$92,000) remuneration.[20] Dutta later discussed her portrayal in an interview with Mid-Day in December 2024.[28][29] On 4 December 2023, Pradeep Rawat joined the film's cast.[30] Mandanna wrapped up her portion of filming in January 2024, while Kaushal resumed filming in Wai on 9 March 2024, continuing until 6 April 2024.[31][32] On 23 April 2024, Santosh Juvekar completed his portions.[33][34] Earlier in the production process, the team had approached Anil Kapoor for the role of Aurangzeb,[35] but in October 2023, Akshaye Khanna joined the cast in the role instead.[36] He would be reportedly receiving ₹2 crore (US$230,000) for his remuneration.[20] Diana Penty joined the film in the role of Zinat-un-Nissa Begum.[37] Principal photography for the film wrapped in May 2024.[38][39] Initially, Utekar had approached Marathi actor Ashok Shinde for a negative role, but Shinde declined the offer due to a scheduling conflict with his existing contract with Zee, as he revealed in a November 2024 interview with ItsMajja.[40] Post-production After filming concluded in May 2024, the movie entered post-production.[15] On 11 February 2025, Pinkvilla reported that Ajay Devgn was hired to provide a voiceover for the film, completing his dubbing in the final week.[41] On 1 February 2025, the film was granted a U/A 16+ certification by the Central Board of Film Certification (CBFC), with a runtime of 161 minutes and 50 seconds. The CBFC required certain modifications, including the replacement of dialogues in the first half and the removal of a scene featuring Maratha warriors in sarees. Additionally, the CBFC requested the inclusion of an audio-text disclaimer, mentioning the book the film is adapted from and clarifying that it does not aim to defame anyone or distort historical facts.

Manobendra Mukherjee remained the monarch of romantic classical songs

Manobendra Mukherjee and stylish classical Bengali songs. Manobendra Mukherjee was one of the legendary classical singer of Bengal who had simplified classical ragas and used them in Bengali modern songs. His romantic song “ami eto je tomay bhalobesechi” written by Shyamal Gupta and composed by himself had classical touch embedded in it. His other own composed song “emni kore porbe mone baki jibon dhore” was also a masterpiece related to classical andaz. Manobendra Mukherjee’s pure classical numbers were even more melodious. One example is “ei moushumi mon shudhu rong bodlay”. In this song there was a small alaap or khanak taken at the place “mori je hay” where Manobendra had used the sargam by uttering in “aa aa” form. It was brilliant. There were other romantic songs like “boroshaklanto o duti nayan mele”. The song had been composed by Anal Chatterji. Manobendra Mukherjee had another master piece “bolo raat bolo se kothay”. The song was totally raga oriented. Manobendra Mukherjee was sublime in the song “ei nil nil jal sagore” composed by Probir Mojumdar and “tomar pather prante moner monidip jele rekhechi” composed by Satinath Mukherjee. Some of his own compositions like “ei ganga sei padda” and “sei bhalo ei bosonto noi” had absolute romantic andaz. Manobendra Mukherjee had given adequate expression to songs composed by Himangshu Dutta including “birohini chiro birohini”, “tumi je andhar”, “biroho barisha”, etc. The songs were difficult in nature and Manobendra was probably the most classically trained singer to do justice to them. Manobendra had also sung some of the songs created in thumri style. One example was “koto je soyechi betha” composed by Chinmoy Lahiri. One more classical number included “tumi to dariye acho”. Articles after articles can be devoted to Manobendra Mukherjee whose classical touch was as elegant and stylish as Neil Harvey’s wristy strokes.

Ayesha Takiaji was a good contributor in bollywood films

Actress Ayesha Takia left films after few successful ones otherwise she had a very bright future in bollywood films. There are two categories of actresses who perform in bollywood films. The first category includes the daughters of celebrities who make their debut in films made by their parents. Examples include Sonam Kapoor, Kareena Kapoor, Deepika Padukone, whose first films had lot of curiousness created in respect of the performance. The second category includes the other actresses who prove their capability by performing in films over a period of time. Ayesha Takia fall in that category. She was born on 10th April, 1986. Her father Nisith or mother Faridah were not celebrities to the stature of Jeetender, or Feroz Khan or Hema Malini whose children joined bollywood films. Ayesha did advertisement relating to complain girl and acted in music video of Falguni Pathak titled “meri chunari ur ur jaye”. She received the filmfare award for best debutant for the performance in the film Tarzan, The Wonder Car. After that few average films like Socha Na Tha, Dil Mange Mor followed. She created attention in the film Shaadi No. 1, where Esha Deol and Soha Ali Khan acted with her. All three of them had husbands like Fardeen Khan, Sharman Joshi, etc., who were addicted towards other ladies. Sanjay Dutt came over there and disclosed the truth relating to the affairs of their husbands with other girls like Riya Sen. At the end of the film Ayesha’s husband and the husbands of Esha Deol and Soha Ali Khan understood their mistake and followed the right path. Ayesha Takia was sublime in the film Salaam-e-Ishq opposite Akshay Khanna. Initially Akshay Khanna did not wanted to marry her for not taking up responsibilities of husband. But later he got convinced and married her. Ayesha gave able lips in the songs “salaam –e-ishq”, “dekho to dekho aisa hota to”, etc. Although the film did mediocre business the songs of the film became super hit. In 2008 and early part of 2009 her films De Taali, Sunday and 8*10 Tasveer did mediocre business. In 2009, Ayesha Takia acted in super hit film Wanted opposite Salman Khan. Her romantic performance opposite Salman Khan was appreciated by all sections of the crowd. Her softness and submissiveness is liked by different sections of audience. The song “love me love me” became hit in the film. The film did business of more than 75 crore and established Ayesha Takia as a leading actress along with Priyanka Chopra, Kareena Kapoor and Katrina Kaif. The viewers expect her to make a comeback.

Uttam Kumar and Arundhuti Debi films showed majestic royal aristocracy

Uttam Kumar in the 50s and 60s acted opposite different actresses, some who were beautiful, like Sumitra Debi, Suchitra Sen, Sharmila Tagore, etc., while others who had wide ranging acting conceptions like Manju Dey, Sabitri Chatterji and others. Arundhuti Debi was one of the highly educated characters whose qualifications were expressed in the characters she had played in a long career spanning over 25 years. With Uttam Kumar Arundhuti Debi acted in approximately 8 films including Bokul, Shiulibari, Jhinder Bandi, Jotugriha, Nabajanma, Manmayi Girls School, Pushpodhonu and Bicharak. While in Bicharak, she expressed the feelings of a confused sister whose elder sister was married to Uttam Kumar. Uttam Kumar was attracted to Arundhuti Debi and when fire broke out in the house and his first wife Deepti Ray required his help, he declined to help her and allowed her to die. A similar type of case was adjudicated by Uttam Kumar when he was a judge, when Chabi Biswas, the Public Prosecutor talked about the liability of the accused who could have saved the life of his brother, but he did not do so. Uttam Kumar was asked by Arundhuti Debi to examine his own conscience about his liability towards Deepti Roy in Prabhat Mukherjee’s classic film. Arundhuti Debi and Uttam Kumar showed their comedy conception in the film Manmayi Girl’s School, where they had to pretend to be spouses, because their landlord rented his house to them only on the condition of marriage. But their playacting resulted in an affair with one another. In Pushpadhanu, Arundhuti Debi brought up her husband’s child after he deserted her and got attached with Uttam Kumar who understood the feelings of an established dancer who got recognition but was a loner. Jhinder Bandi was made with the historical touch of Prisoner of Zenda and Tapan Sinha astonished the viewers with his treatment in the Indian context. The royal style of living of Rajputs was well demonstrated by both Uttam Kumar and Arundhuti Debi. Shiulibari was directed by Pijus Bose, who utilized the talent of Uttam Kumar and Arundhuti in a story based on the life of villagers of West Bengal. Jotugriha, directed by Tapan Sinha, was probably the most successful film of Uttam Kumar and Arundhuti Debi. In that film lack of begetting a child led to disharmony of the married couple. Both Uttam Kumar and Arundhuti Debi got separated and even after separation never lost the respect of each other. The story ends with both the spouses travelling in to trains which crossed each other. The level of performance of both Uttam Kumar and Arundhuti Debi, was such that there were no Indian actor or actress who could match the standard of performance. Uttam Kumar was the greatest superstar of Bengali cinema and became one-man industry in the 70s. Critics argue that no Indian star other than Dilip Kumar and Raj Kapoor had the individual charishma which Uttam Kumar had and if his Hindi films clicked he could have created serious competition for the stars of 60s. But Arundhuti Debi’s films with Uttam Kumar were so rich in literature, script and performance that critics argue that the combination addressed the concerns of intellectual audience of the country more than any other combination. The films should be restored for their aesthetic value.

Vicky Kaushal's Chaava in 2 days crossed 70 crores business in India and 95 crores worldwide

Due to brilliant acting of Vicky Kaushal and Ashay Khanna the film Chaava did 70 crores business in India in 2 days and 25 crores in other countries to do 95 crores worldwide. It is going to be a blockbuster film.Chhaava (lit. transl. Lion's Cub) is a 2025 Indian Hindi-language historical action film based on the life of Sambhaji, the second ruler of the Maratha kingdom, played by Vicky Kaushal. It is an adaptation of the Marathi novel Chhava by Shivaji Sawant. Directed by Laxman Utekar and produced by Dinesh Vijan under Maddock Films, the film also stars Rashmika Mandanna and Akshaye Khanna. Pre-production began in April 2023 and filming commenced in October 2023 and ended in May 2024. The film score and soundtrack album are composed by A. R. Rahman while the lyrics are written by Irshad Kamil and Kshitij Patwardhan. It was theatrically released on 14 February 2025 in standard and IMAX formats. Plot Following the death of Chhatrapati Shivaji Maharaj, news reaches Aurangzeb’s court. His advisers anticipate the collapse of Maratha resistance, while Aurangzeb, though acknowledging the loss of a formidable enemy, orders a celebration. However, leadership has already passed to Sambhaji, Shivaji’s son. Burhanpur, a key Mughal administrative and commercial center, faces a sudden Maratha attack. The defenders, unprepared, are overwhelmed by the onslaught. In the midst of battle, Sambhaji falls into a pit where he faces a lion. Overpowering the beast, he kills it with his bare hands. The Marathas seize the Mughal treasury, directly challenging imperial authority. As reports arrive in Delhi, Aurangzeb realizes that the Maratha resistance remains intact. He initiates a vast military campaign to crush them. Meanwhile, factional intrigue grows within the Maratha court, with conspirators attempting to install Rajaram, Sambhaji’s stepbrother, as ruler. Aurangzeb’s forces advance, and the atrocities committed under his command are briefly noted. Diplomatic negotiations unfold as Mughal prince Mirza Akbar seeks Sambhaji’s assistance in rebelling against Aurangzeb. While skeptical, Sambhaji uncovers covert communications between the prince and his stepmother. A conspiracy to overthrow him is revealed, and the traitors are executed beneath an elephant’s crushing weight. Recognizing the superior numbers of the Mughal army, Sambhaji employs guerrilla tactics. The Deccan’s challenging terrain proves disastrous for the Mughals, causing heavy losses. Aurangzeb, having vowed to remain uncrowned until Sambhaji is defeated, faces increasing difficulty. His daughter, Zinat-un-Nissa, attempts to capture her estranged brother Mirza Akbar, but the Marathas foil the ambush. Internal dissent weakens Sambhaji’s ranks as jagirdars defect to the Mughals. Betrayed by his brothers-in-law, his location is exposed. The Mughals launch a surprise assault, encircling the Marathas. Despite fierce resistance, Sambhaji is captured. Taken before Aurangzeb, he refuses to submit. He is brutally tortured but does not renounce his ideals. Aurangzeb, facing mounting revolts, offers him a chance to surrender. Sambhaji remains defiant, declaring that the struggle for Swaraj has spread across the empire. As he perishes, Rajaram ascends, and the resistance continues. The film ends with the Marathas’ eventual triumph, as the Mughal Empire collapses within three decades, leading to the establishment of Indian Swaraj. Cast Vicky Kaushal as Chhatrapati Sambhaji Maharaj Rashmika Mandanna as Yesubai Bhonsale Akshaye Khanna as Aurangzeb Ashutosh Rana as Hambirrao Mohite Diana Penty as Zinat-un-Nissa Begum Divya Dutta as Soyarabai Vineet Kumar Singh as Kavi Kalash Santosh Juvekar as Rayaji Malge Alok Nath as Somaji Kiran Karmarkar as Annaji Datto Sachiv Balaji Manohar as Mhaloji Anil George as Muqarrab Khan Neelkante Patekar as Dharau Sarang Sathaye as Ganoji Shirke Suvrat Joshi as Kanhoji Shirke Ankit Anil Sharma as Santaji Ghorpade Ashish Pathode as Antaji Mankeshwar Gandhe Shubhankar Ekbote as Dhanaji Jadhav Siraj Mustafa as Bahadur Khan Shivraj Walvekar as Bahirji Naik Manoj Kolhatkar as Balaji Avaji Chitnis Danish Pandor as Ikhlas Khan Rohit Pathak as Kakkad Khan Sanjeev Jaiswal as Jhaalad Sukwinder Singh as Khan Zamaan Lavi Pajni as Shaubuddin Firozjang Trishan Singh as Shehzaada Ajjam Ruffy Khan as Shehzaada Maujjam Rakesh Theraja as Sarja Khan Akshay Anand Kohli as Rahulla Khan Ajay Devgn as the narrator (voice)[5] Production Development and pre-production "Everyone knows about Chhatrapati Shivaji Maharaj, but no one knows about Chatrapati Sambhaji Maharaj. He had such great courage and was a great warrior, but sadly no one knows about it. During the pandemic [COVID-19], when I read about Sambhaji Maharaj, I realised he is such a big character, and why are we not talking about his life? That's when I started writing and the idea of Chhaava came to me." — Laxman Utekar, during an interview with India Today[6] In 2021, Laxman Utekar told Dinesh Vijan that he wanted to make a film with Vicky Kaushal and Rashmika Mandanna.[7] In December 2022, it was reported that Utekar was working on a historical biopic,[8] based on the Marathi novel Chhava by Shivaji Sawant.[1] After completing script in January 2023, pre-production for the film began in April, and principal photography starting in October.[9][10][11] Utekar and his team spent a year researching the 17th-century Maratha era, travelling to historical towns like Chhatrapati Sambhaji Nagar, Ratnagiri, Pune, Nashik, and Paithan.[12] Costume designer Sheetal Sharma sourced authentic Paithani sarees and restored 500-year-old borders for Rashmika Mandanna's character, Yesubai. The sourcing process included visits to Paithan and Narayanpeth to obtain authentic Pathani and Narayanpeth sarees. Additional accessories were gathered from Kolhapur, Sawantwadi, and Ratnagiri.[13] Subrata Chakraborty and Amit Ray recreated jewellery and the sword Bhavani, drawing references from museums in London. Vicky Kaushal's portrayal of Sambhaji was based on historical busts and statues to ensure accuracy.[14] A. R. Rahman was roped in to compose the score.[15] The film was officially announced on 3 October 2023, when Maddock Films revealed its upcoming slate of theatrical releases, including the release date for Chhaava.[16][17] Casting and filming Laxman Utekar discussed his upcoming film with Vicky Kaushal during the shoot of Zara Hatke Zara Bachke (2023).[18] In January 2023, Utekar confirmed that Kaushal would portray Sambhaji, marking their second collaboration following Zara Hatke Zara Bachke.[19] Kaushal would be reportedly receiving a ₹10 crore (US$1.2 million) remuneration.[20] Utekar mentioned that Kaushal would undergo four months of training in sword fighting, horse riding, and that shooting would begin once they were satisfied with his preparation.[19] In August 2023, it was reported that Marathi actor Santosh Juvekar would play a pivotal role in the film.[21] He was originally cast as Ganoji Shirke, but later, director Laxman Utekar met with him in his office and offered him the role of Rayaji Malge instead.[22] During the same month, Juvekar and Kaushal underwent horse riding training in the Mumbai suburbs.[21] During trailer launch, Kaushal revealed that he was trained in sword, stick, and spear fighting for 6-7 months. He also gained 25 kg weight for the role.[23] During shooting in Raigad a set was constructed for the scene depicting Chhatrapati Sambhaji's ascension to the throne, featuring an eight-sided throne.[24] By October 2023, it was reported that Kaushal had started his preparations for the film alongside co-star Rashmika Mandanna.[25] Mandanna would be reportedly receiving ₹4 crore (US$460,000) remuneration.[26] The same month, Ashutosh Rana and Divya Dutta join cast as Hambirrao Mohite and Soyarabai, respectively.[27] Rana would be reportedly receiving ₹80 lakh (US$92,000) remuneration.[20] Dutta later discussed her portrayal in an interview with Mid-Day in December 2024.[28][29] On 4 December 2023, Pradeep Rawat joined the film's cast.[30] Mandanna wrapped up her portion of filming in January 2024, while Kaushal resumed filming in Wai on 9 March 2024, continuing until 6 April 2024.[31][32] On 23 April 2024, Santosh Juvekar completed his portions.[33][34] Earlier in the production process, the team had approached Anil Kapoor for the role of Aurangzeb,[35] but in October 2023, Akshaye Khanna joined the cast in the role instead.[36] He would be reportedly receiving ₹2 crore (US$230,000) for his remuneration.[20] Diana Penty joined the film in the role of Zinat-un-Nissa Begum.[37] Principal photography for the film wrapped in May 2024.[38][39] Initially, Utekar had approached Marathi actor Ashok Shinde for a negative role, but Shinde declined the offer due to a scheduling conflict with his existing contract with Zee, as he revealed in a November 2024 interview with ItsMajja.[40] Post-production After filming concluded in May 2024, the movie entered post-production.[15] On 11 February 2025, Pinkvilla reported that Ajay Devgn was hired to provide a voiceover for the film, completing his dubbing in the final week.[41] On 1 February 2025, the film was granted a U/A 16+ certification by the Central Board of Film Certification (CBFC), with a runtime of 161 minutes and 50 seconds. The CBFC required certain modifications, including the replacement of dialogues in the first half and the removal of a scene featuring Maratha warriors in sarees. Additionally, the CBFC requested the inclusion of an audio-text disclaimer, mentioning the book the film is adapted from and clarifying that it does not aim to defame anyone or distort historical facts.

Ghazal king Jagjit Singhji's great works are revisited on birth anniversary

Jagjit Singh’s excellent compositions will remain immortal forever. The listeners of music all over the world wish happy birth anniversary to Ghazal Maestro Jagjit Singh on 8th February, 2025. Listeners of ghazals remember the king of ghazals Jagjit Singh on 10th October every year. Ghazal King Jagjit Singh passed away on 10th October, 2011. In respect of his excellent ghazals his listeners have remained speechless. His voice had been used to heal sadness and sickness. He had been the only singer who had composed and sung songs on the poetry of legendary Prime Minister Atal Bihari Vajpayee titled “Nayidisha” in 1999 and “Samvedna” in 2002. Along with his wife Chitra Singh, he was the first Indian composer to have used digital multi-track recording for the album “Beyond Time” in 1987. His original name was Jagpreet Singh. He learned khayal, dhrupad, thumri from Ustaad Jamaal Khan. His album “The unforgetables” in 1976, mesmerized the audience. His baritone voice made everyone enchanted. He departed from classical ghazals to a more refined romantic rendition, by keeping the soul of the lyrics intact. He created a different gharana, a bit different from the other legends of ghazals like Mehedi Hassan, Talat Mehmood, Mohammad Rafi, Noor Jahan, Begum Akhtar, etc. His compositions in the duet albums “Ecstasies”, “A Sound Affair”, “Passions”, with Chitra Singh were unparallel. Jagjit Singh’s excellent bass was balanced by Chitra Singh’s high notes in most of the ghazals. Duet ghazals like”duniya jise kehte hai jadoo ka khilouna hai”, “kaun keheta hai muhobbat ka zuban hoti hai”, etc., will remain immortal for ever. After the death of his son Vivek at the age of 21 years, Chitra Singh left singing. But Jagjit Singh’s later albums were full of pathos, but the excellent lyrics of the shayar’s or poets or given adequate expression by the legendary Ghazal King. The titles of his music albums were also thoughtful including Hope, Insight, Mirage, Kahkashan (Galaxy), etc., to name a few. Jagjit Singh probably had sung with the best poets of the country in the 80s and 90s including Nida Fazli, Qateel Shifai, Firaq Gorakhpuri, Sudarshaan Fakir, Zaka Siddiqi, Nazir Bakri, Faiz Ratlami and others. It required huge talent and innovation to do justice to the thoughtful words shown in the poem. In whichever field of music Jagjit Singh had ventured he had struck gold, whether his albums in bhajans or gurbani. Jagjit Singh enriched hindi film music with his excellent compositions in the film Saath Saath and others. His film songs like “tumko dekha to ye khayal aya”, “tum itna jo muskura rahi ho”, “hoton se chulo tum” had remained historical masterpieces. His songs in TV Serial Mirza Ghalib had enchanted numerous listeners. A Padmabhushan being awarded to the musical maestro was not enough to reward his brilliance. One article is too small to highlight his achievements. His immortal works should be preserved and restored.

Happy birthday to Tina Munimji

Happy birthday to Tina Munim. The viewers of bollywood films wish happy birthday to Tina Munim on 11th February, 2025

. She is better known as Tina Ambani after marrying Anil Ambani who is one of Indian’s leading business magnets. She was discovered by Dev Anand and cast in the film Desh Pardesh in 1978. She also acted in the films Lootmaar and Manpasand. She was most successful opposite Rishi Kapoor, who was the greatest romantic actor in the late 70s and early 80s. Subhash Ghai’s Karz stormed bollywood in the late 70s, where Rishi Kapoor and Tina Munim combination was well accepted by the audience. All the songs composed by LP and picturised on Rishi Kapoor and Tina Munim became super hit including “mai sola baraski”, “ek haseena thi”, “darde dil”, “om shanty om”, etc. Karz was remade few years back with Himesh Reshammiya playing the role of Rishi Kapoor in the new version. She also acted in the super hit film Aap Ke Diwane opposite Rishi Kapoor. Rakesh Roshan did cast her in the film Akhir Kyon opposite Rishi Kapoor. She was sublime in Basu Chatterjee’s film Baaton Baaton Me opposite Amol Palekar, and Man Pasand. She acted in a number of films opposite Rajesh Khanna including Souten, Bewafai, Insaaf Mai Karunga, most of which did excellent business. Souten did good business in the early 1980s. Padmini Kolhapuri played an important role in that film. She had acted opposite other actors also but viewers remember her combination the most with Rishi Kapoor. Her performances opposite Rishi Kapoor in the films Bade Dilwale, Deedar-E-Yaar and Aap Ke Deewane are remembered by the viewers. Aap Ke Deewane did great business in 1980. Rakesh Roshan also acted opposite Tina Munim where Rishi Kapoor played the main role. The music of Rajesh Roshan became super hit including Rafi’s songs “aap ke dewaane hai”, “tum ko khush dekhkar mai bahut khush hua”, etc. Sunil Dutt launched his son Sanjay Dutt in the film Rocky opposite Tina Munim. The film did good business in the early 80s. In 1987 she left bollywood films. Later she settled down after marrying Anil Ambani. She had been involve

On death anniversary Geetasri Sandhya Mukherjee and her combination with Mahanayika Suchitra Sen is remembered

Geetashree Sandhya Mukherjeeji

the legendary bengali singer died on 15th February 2022. Her demise ended the golden era of bengali music. Her brilliant combination with greatest bengali actress Suchitra Sen has remained immortal. From prime minister of India and chief minister of West Bengal all the dignitories mourned the death of the legendary singer. She has sung more than 100 songs in the films of Suchitra Sen and Uttam Kumar. Her landmark songs for Suchitra Sen included "ke tumi amare dako" in Agniparikka "gane more indradhanu" in film Agniparikkha, "ghum ghum chand" in film Sabar Opore, "e sudhu ganer din" in film Pathe Holo Deri, "ei to amar pratham phaguna bela" in film Sagarika, "klantir poth buhiba phurale mor" in film Bipasha, "moner madhuri mishaye" in film Sriti Tuku Thak, to mention a few. The list just goes on and on. Uttam Kumar and Suchitra Sen acted in 30 films and are considered the biggest romantic pair of stars in entire Asia. Sandhya Mukherjee contributed the most in the super hit films and blockbusters of Suchitra Sen and Uttam Kumar which includes Agni Parikkha, Sagarika, Pathe Holo Deri, Bipasha, Saptapadi, Kamallata, Shap Mochon, Surjo Toron, to mention a few. Articles after articles can be devoted to the greatest female singer of Bengali Sandhyaji who will remain immortal in her songs. She also sang duet song with Lataji in film Tarana, where Anil Biswas composed her song for Shyamaji and Lataji sang for Madhubalaji. She sang around 17 songs in bollywood films. Suchitra Sen was remembered on her death anniversary. Bengal’s Mahanayika Suchitra Sen had become immortal in her works. She had been remembered on 6th April, 2019. Suchitra Sen died on 17th January, 2014, at an age of 83 years. The entire film fraternity and her numerous lovers had become speechless to hear her death news. She was admitted in Belview Nursing Home more than 2 weeks. Chief Minister Mamta Banerjee mourned her death. Legendary actress Suchitra Sen had been remembered on her 84th birth anniversary on 6th April, 2014. In Star Ananda Channel veteran actress Sabitri Chatterjee had been invited to speak about Suchitra Sen. She acted with the legend in many films like Annapurnar Mondir, Grihadaha, etc. Suchitra Sen started her career with the film Saat Number Qaidi in 1953 and ended up with the film Pranay Pasha in 1978. After that she retired from film acting. Within the span of 25 years she acted in 3 films opposite Uttam Kumar making the romantic pair immortal over the last 60 years. She also acted in bollywood films including Devdas opposite Dilip Kumar, Bombai Ka Babu opposite Dev Anand, Mamta opposite Dharmender and Ashok Kumar, Aandhi opposite Sanjeev Kumar, to name a few. Suchitra Sen had a tremendous combination with singer Geeta Dutt and their understanding both in Bengali films and bollywood films had created history during the golden age, that is the 50s and 60s. In the film Indrani, all the songs sung by Geeta Dutt for Suchitra Sen including “jhanak jhanak madhur badan”, “nir choto khoti nei”, “ogo sundoro”, etc., all became super hit. Suchitra Sen provided hit films one after the other with Uttam Kumar, during that age and Indrani also falls in that category. Even in films where Geeta Dutt had sung only one song for Suchitra Sen, even in those films, the songs had a great impact in the success of the films. The song in the Ajoy Kar’s epic film Harano Sur, in 1957, titled “tumi je amar” had a unique appeal for the audience. Uttam Kumar lost his memory due to meeting with an accident and Suchitra Sen sang the song a number of times in the film. It haunted the viewers and touched the souls of numerous admirers of Bengali films. Geeta Dutt’s song for Suchitra Sen also in the film Hospital also became extremely successful. Ashok Kumar acted opposite Suchitra Sen in the film and the song was “ei shundar sharnali sondhae”. In bollywood films, SD Burman used Geeta Dutt for Suchitra Sen in the film Bombai Ka Babu. Dev Anand acted opposite Suchitra Sen in the film and all the songs were super hits. The main songs included “dekhne me bhola hai”, “pa ma ga”, etc., out of which some of them were duet songs with Mohammad Rafi and their romantic by every musical standard. As Suchitra Sen made memorable contribution in bollywood films for more than 30 years, a lot of legendary singers contributed for her during that period. There were hit songs sung by Sandhya Mukherjee in landmark films like Sagarika, Pathe Holo Deri, Sriti Tuku Thak, Uttar Falguni, Bipasha, etc. At the same time in bollywood films Lata had sung landmark songs for Suchitra Sen including “rahe na rahe hum” composed by Roshan in the film Mamta, “is mor se jate hai”, “tere bina zindagi me shikwa” composed by RD Burman in the film Aandhi. Even then Geeta Dutt was probably the only singer who sang songs for Suchitra Sen both in the Bengali films as well as the bollywood films. As Suchitra Sen’s hindi films were restricted to only Devdas, Champakali, Musafir, Bombai Ka Babu, Mamta, Aandhi, etc, Geeta Dutt got a limited scope of contributing in Suchitra Sen’s hindi films. Even then, the songs are still remembered by many generations and for those reasons the films should also be preserved.

The demise of Bappi Lahiriji ended a big decade of innovative music

Sad demise of great composer and singer Bappi Lahiriji. The entire country is shocked with demise of Bappi Lahiriji who died out of cardiac arrest on 15th February 2022. The viewers of bollywood films wished happy birthday to Bappi Lahiri on 25th November, 2023. He had huge contribution in bollywood music during the 70s and 80s and his compositions are remembered even today. He is the son of famous Bengali singer and composer Aparesh Lahiri. Aparesh Lahiri had very impressive basic discs and the songs like “takka tare”, “jhar” stormed the Bengali audience in the 50s. His composition for Lata Mangeshkar, titled “ekbar bidae de ma” in Bengali films should his capability of using powerful resources successfully. Bappi Lahiri emerged in the bollywood film arena, when composers like Shankar Jaikishan, Roshan, Madan Mohan, SD Burman, died and composers like Laxmikant Pyarellal, RD Burman, Kalyanji Anandji were the main competitors in the late 70s. Bappi created an impression before the audience with his compositions for the film Zakhmee where Sunil Dutt and Asha Parekh were the main performers. The music of his film Namakhalal became super hit. Big B’s lips and Kishore Kumar’s song “ki pag ghungru”, made Bappi Lahiri a big star in the early 80s. He also gave ppular music in the film Sharabi, where again the Big B, KK combination stormed bollywood. The song “imtehan ho gayi intezr ki” became super hit. Bappi Lahiri and KK combination did work also in the films of Mithun Chakravarthy. All the songs of the film Disco Dancer became super hit where Bappi Lahiri himself sang hit songs like “yaad aa rahai”, etc. The other hit films where Bappi Lahiri contributed well include Thanedaar, with Sanjay Dutt and Madhuri Dixit, where the song “tama tama loge” became very popular. Bappi Lahiri was very successful in his composition of music for Bengali films as well. His music in Uttam Kumar’s last film Ogo Bodhu Sundari became super hit. KK’s songs “ami ekjon santoshito”, “shikte tomai hobe”, etc., became very successful. The other hit Bengali films where Bappi Lahiri made valuable contribution include Guru Dakhina and Amar Sangi. The hit songs include “o amar gurudakhina”, “prithibi hariye geche”, “sangi, sangi”, “jekhanei thako”, etc. He sang the song “u lala u lala” in the film Dirty Picture. The film had reciprocated the great music trend of 1980s when Bappi himself composed music in films like Himmatwala. Bappi Lahiri had been often criticized for copying music from international films and other sources, as his tunes were very similar to others tunes. But that controversy is faced by lot of modern composers as well. The big thing is Bappi Lahiri had entertained audience of bollywood films for more than 15 years. His admirers salute his east west blend of music will cherish his happy memories for ever.

Nadiraji was a sizzling star of the golden age

Nadira – the sizzling star of golden age. Nadira used to be considered a sizzling star of the 50s and 60s, the golden age of bollywood cinema. Her beauty was different than the traditional stars like Nargis or Madhubala, and her charishmatic intonation had created a separate place in the minds of viewers. She acted in the first coloured film of bollywood that is Aan, made in the early 50s opposite Dilip Kumar. From Aan itself, the smartness of Nadira reflected in her acting as the film required horse-riding and adventurous acts which were difficult for other actresses of the same era. In 1955, Raj Kapoor gave the role of her lifetime in the film Shree 420. Her villainish performance in the film did outcast Nargis in the same film. The song “mur murke na dekh” composed by Shankar Jaikishan and sung by Asha Bhosle and Manna Dey was picturised on Nadira and Raj Kapoor. The lips of Nadira created a lasting impact in the minds of the viewers and Shree 420 became a super hit film. The good part of Shree 420 in the career of Nadira was that it made her a rising star. But the bad part was that from that film her image in negative characters got bolstered and producers and directors started casting her in negative roles. In Dil Apna Aur Preeti Parayi, she acted opposite Raj Kumar and Meena Kumari. Raj Kumar had affair with Meena Kumari, a nurse in the film, and after marriage with Nadira, the weakness towards Meena Kumari led to disharmony in the family. Nadira matched Meena Kumari in acting in a musical blockbuster, where once again Shankar Jaikishan amazed the viewers with songs like “ajeeb dastan hai yeh”. Nadira’s strong command over urdu had earned her majestic roles in films like Pakiza, where the muslim pardanashin community was shown. Nadira’s performance in the film was appreciated by the critics who consider the epic film of Kamal Hamrohi, as one of the greatest films of all times. In the mid-70s, with advent of action films, characterization of negative personalities underwent a change. Even in those films Nadira contributed in her own way. Her performance as a step-mother of Shabana Azmi in the film Amar Akbar Anthony created special attraction. Her torture towards Shabana’s family was detected by Vinod Khanna, who was police officer in the film and she was arrested. In the mid-80s, she made valuable contribution in Ramesh Sippy’s romantic film Saagar. She was associated with Kamal Hassan, who made the viewers cry at the end of the film when his romance ended in failure. She loved Dimple Kapadia who was addicted towards Rishi Kapoor. When Rishi Kapoor was attacked by his relatives Kamal Hassan saved at the cost of his own life. Kamal Hassan had special relation with Nadira and he used to disclose his private matters to her. Nadira was compassionate towards Kamal Hassan when she came to know about his sacrifice. In the 90s, Nadira’s performance in the TV serials directed by Gulzar, where Om Puri interviewed her about her film career, was equally impressive. Kamini Kaushal also acted in the serial and matched Nadira in the special role. Nadira’s films should be preserved to grace her remote style of performance having sizzling effect and also lasting appeal.

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Rafisahab had majestic combination with romantic star Biswajitji

Romantic film of Biswajeet’s had melodious songs of Mohammad Rafi sahab. Bengali actor Biswajeet Chatterjee after acting in hit films in Bengali namely Mayamrigo in 1960 and Dui Bhai in 1961 went to Mumbai to pursue his acting career there. He made his debut in the film Bees Saal Baad where Hemant Kumar was the producer of the film and also the music composer. In a short period of time Biswajeet got roles to play in films of different producers and directors namely Nasir Hussain, Satyen Bose, Hrishikesh Mukherjee and others. Mohammad Rafi Sahab played a very important role in the success story of Biswajeet’s films because most of the films ended up being musical blockbusters. In the film April Fool, released in 1964, Shankar Jaikishan’s composition for Rafi picturised on Biswajeet became super hit including “April Fool banaya”, and “aa gale lag ja”. In Shenai in 1964, Ravi’s composition for Rafi namely “na jhatko zulf se paani” became smash hit. Composer Hemant Kumar used Rafi in Biswajeet’s film Bin Badal Barsaat in 1963 in the song “dil me teri yaad sanam”. Mere Sanam released in 1965 was the greatest hit film of Biswajeet where Rafi was unparallel. OP Nayyar’s stylish westernized compositions were given expression by Rafi in the songs “pukarta chala hoon mai”, “hue hai tumpe aashiq hum”, “humdum mere maan bhi jayo”, “thukre hai mere dilki ay jaan teri aansoon”, “haji baba”, “humne to dilko aapke kadmo pe rakh diya”, “roke kaibaar maine dilki umangko”, to name a few. After that Rafi and Biswajeet went on giving hits after hits. In Do Dil, composer Hemant Kumar composed a soft romantic song for Rafi namely “tera husn rahe mera ishq rahe”, which touched the souls of music lovers. All the songs in the film Yeh Raat Phir Na Ayegi in the year 1966 became super hit. OP Nayyar’s composition in the song “phir milogi kabhi is baat ka yaada karlo” stands out. It was a duet where Rafi was as romantic as Asha Bhosle. Ravi composed excellent music in the film Sagaai, in 1966, where Rafi’s song “nay eh zameen thin a aasman tha” became immortal. LP composed super hit song in the film Aasra, in 1966, where Rafi’s romantic song “sokhiyan nazar me hai” stands out. Laxmikant Pyarellal made the musiclovers spell bound in Night in London in 1967, with Rafi’s songs “night in London”, “o my love” and “bahosh –o –awaz me diwana”. Rafi was sublime in all the songs. LP continued the dream run in the film Jaal in 1967 with Rafi’s songs “akela hoon mai humsafar”, “mizaaz-e-garami”, etc. Shankar Jaikishan composed excellent music in the film Hare Kaanch Ki Churiya in 1967 with hit Rafi number namely “aye janeman” and “panchi re panchi”. Madanmohan was excellent in the film Ghar Ka Chirag in 1967, where Rafi’s song “aaj rota hai kyun” stands out. In the film Vaasna in 1968, all the songs of Rafi composed by Chitragupt became super hit including “itni nazuk nabano”, “yeh parbaton ke dayre”, “aaj is darja pila do”. The Chitragupt and Rafi magic continued in Biswajeet’s next film Pyar Ka Sapna in 1969 in songs like “ay meri zindagi”, “tere chehere se haten ankh to”. Rafisahab

was the major contributor in Biswajeet’s other films like Do Kaliyan, Ishq Par Zor Nahi, Mai Sunder Hoon, Shararat, etc. In the 70s with the advent of action films Biswajeet faded away from the industry. All the giant composers of golden age namely Shankar Jaikishan, OP Nayyar, Ravi, Chitrgupt, Madanmohan, Laxmikant Pyarellal, Hemant Kumar and other composed music in the films of Biswajeet. Rafi’s songs in Biswajeet’s films require recognition and restoration Mohammad Rafi Sahab was a blessing in the career of Biswajeet Chatterjee. Actor Biswajeet Chatterjee made his debut in bollywood films in the film Bees Saal Baad in 1961. After for the next 15 years his films became crowd-pullers for the romantic stories and brilliant songs. All the songs sung by Mohammad Rafi for Biswajeet became everlasting hits. In Biswajeet’s film April Fool, SJ composed beautiful tunes for Mohammad Rafi including the songs “aa gale lag ja” and “april fool banaya”, “tujhe chaha” etc. OP Nayyar stormed bollywood with the music of film Mere Sanam where Biswajeet was the hero. All the songs of Rafi including “pukarta chala hoon mai”, “humdum mere maan bhi jayo”, “hue hai tumpe aashiq hum”, etc. Laxmikant Pyarellal made the musiclovers spell bound in Night in London in 1967, with Rafi’s songs “night in London”, “o my love” and “bahosh –o –awaz me diwana”. Rafi was sublime in all the songs. LP continued the dream run in the film Jaal in 1967 with Rafi’s songs “akela hoon mai humsafar”, “mizaaz-e-garami”, etc. Shankar Jaikishan composed excellent music in the film Hare Kaanch Ki Churiya in 1967 with hit Rafi number namely “aye janeman” and “panchi re panchi”. Madanmohan was excellent in the film Ghar Ka Chirag in 1967, where Rafi’s song “aaj rota hai kyun” stands out. In the film Vaasna in 1968, all the songs of Rafi composed by Chitragupt became super hit including “itni nazuk nabano”, “yeh parbaton ke dayre”, “aaj is darja pila do”. The Chitragupt and Rafi magic continued in Biswajeet’s next film Pyar Ka Sapna in 1969 in songs like “ay meri zindagi”, “tere chehere se haten ankh to”. Rafi was the major contributor in Biswajeet’s other films like Do Kaliyan, Ishq Par Zor Nahi, Mai Sunder Hoon, Shararat, etc. In the 70s with the advent of action films Biswajeet faded away from the industry. All the giant composers of golden age namely Shankar Jaikishan, OP Nayyar, Ravi, Chitrgupt, Madanmohan, Laxmikant Pyarellal, Hemant Kumar and other composed music in the films of Biswajeet. Rafi’s songs in Biswajeet’s films require recognition and restoration

Happy birthday to sweet star Preeti Zintaji

Happy birthday to Preity Zinta. The viewers wish happy birthday to Preity Zinta on 31st January, 2025. Her age and the success of upcoming stars like Katrina Kaif and Priyanka Chopra create eyebrows in the faces of most of her fans. In 2013 she had acted in the film Har Pal opposite Shiney Ahuja. The film will be her next release after 3 years. In 2009 she had acted in a challenging role in Deepa Mehta’s film Videsh which was made in the background of the life of Indians in Canada. Although her performance was extraordinary and the film is destined to win a number of awards just like any other film of Deepa Mehta, the film cannot determine the destiny of Preeti Zinta in bollywood films, as such type of films are seen by mainly intellectual audience. She also played an item number in Salman Khan’s film Mr. and Mrs. Khanna titled “amen”. But apart from them she had shown her substantial presence in bollywood films. If her success in bollywood films is examined, it will be seen that the films related to Australia had always stormed bollywood. Her first film Soldier opposite Bobby Deol became superhit. She was sublime in Farhan Akhtar’s super hit film Dil Chahta Hai, where again her romance with Amir Khan in the film was associated with Australia. Her super hit film Salaam Namaste with Saif Ali Khan was based in Australia. Even Rakesh Roshan’s mega project Koi Mil Gaya was also based in Australia and Preeti Zinta’s career was given new turn along with Hrithik Roshan. Besides earlier her acceptance of any role was backed her age and popularity amongst viewers. Her film Kya Kehna was accepted by the viewers, her role in Kabhi Alvida Ne Kehna opposite Shahrukh Khan was also accepted. She was sublime in Salman Khan’s film Chori Chori Chupke Chupke, Har Dil Jo Pyar Karega, etc. , where Rani Mukherjee also played major part. Even last year her performance in the film The Heroes opposite Salman Khan was appreciated by the viewers. Her record in bollywood films show that she had achieved name, recognition and identity in bollywood films. The test of popularity is under scanner as the new actresses had created fierce competition in the recent years. Besides, the role of smart tall models like the ones played by Priyanka Chopra in Dostana or Katrina Kaif in Race or Lara Dutta in Partner cannot suit Preeti Zinta. From the time she acted in the film Jhoom Barabar Jhoom her fortune started going in the other direction. She had been busy playing the role of franchisee in the context IPL Cricket League. Her team Kings Eleven Punjab had faced a lot of hurdles and she got involved in keeping her team alive in IPL League. If it had brought smiles in the faces of cricket lovers, it had raised eyebrows in the minds of audience of bollywood films. Her presence in recent films is decreasing day by day. In 2012 her film Ishq in Paris was re-scheduled and could not be released at the deserved time. It was released in 2014 but did not do great business. In 2013 she acted in the film Bhaiyyaji Superhit opposite Sunny Deol. Viewers expect her to face the odds and still make valuable contribution in bollywood films as there is no doubt that she is still beautiful, fare, talented and crowdpuller. If the age comes in the way, she can look forward to character roles where her immense maturity can make the difference.

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Nandaji one of the most dignified actress is remembered on birth anniversary

The country remembers the great actress Nandaji on her birth anniversary on 8th January, 2025. Last year she died and made the viewers of realistic films very sad. Nanda, is known for her soft performance in notable bollywood films of the 60s and 70s. She acted as the wife of military major played by Dev Anand in the film Hum Dono, where the major died, and another military officer, having resemblance with the major came to her house to give the news of his death. As her mother-in-law was blind and had no other bread-earner, Nanda asked the officer to pretend to be her son, as she was not strong enough to bear the news of his death. It was a very landmark film, with unique story having resemblance with Uttamkumar’s film Uttarayan. Nanda gave very impressive lips in Lata’s bhajan “allah tero naam”, composed by Jaidev in raag gour-sarang. Nanda made the viewers spellbound with her performance in the film Bedaag opposite Manoj Kumar. Her sacrificing role touched the souls of viewers. Nanda was outstanding in Balraj Sahani’s film Bhabhi in 1957. Even before becoming a stylish actress she brought tears in everyone’s eyes in a role relating to joint family where she was always at the mercy of the family members. In the 60s, Nanda had acted in successful films opposite Shashi Kapoor, including Jab Jab Phool Khile, Neend Humari Khwab tumhari, Mohabbat is ko kehte hai, etc. The songs composed in these films by Kalyanji Anandji, Khayyam, and sung by Rafi, Lata, Suman Kalyanpur, were very unique, including “pardesiyon se na aankhiya milana”, “mai yaha ek ajnabi hun”, “theheriye hosh me aalun, to chale jaiyega”, etc. In the film Gumman, in 1965, she transformed her docile image into stylish image and provided landmark performance opposite Manoj Kumar. It was crime-thriller, with 7 murders, and the actual criminal played by Tarun Bose, was detected at the end of the film. Shankar Jaikishan, as usual, had given memorable tunes including “gumnaam hai koi”, “ek ladki ne”, “jaan pehchaan ho”, “is duniya me jeena ho to”, “o mere maan”, etc. Nanda had balaned the strong performance of Helen, Pran, Mehmood and others in the film. In the 70s, she was sublime in the serene performance in the film Shor, opposite Manoj Kumar, where she died, and her son was nurtured with her memory, although the film. The song “ek pyar ka nagma hai”, sung by Lata and Mukesh, composed by Laxmikant Pyarellal has become immortal with passage of time. Jaya Bachhan also performed well in the film. Nanda’s other notable films include The Train, and Joru ka ghulam, opposite Rajesh Khanna, and a familydrama titled Bhabi. She showed her metal even in the eyes in excellent character roles in Raj Kapoor’s film Prem Rog and opposite Tragedy King Dilip Kumar in the film Masdoor. If the films of the 60s and 70s involving soft romantic stories are remembered, Nanda’s performance will be adored as well, as the style of dialogue delivery was soft, unique and impressive.