RRR smash all box office records and emerges to do business above 800 crores in India

RRR smashed all box office records and emerges to do business above 800 crores in India: Only on the first 2 days RRR did business of more than 230 crores. It has smashed all Bollywood records of the century. It has the potential of destroying Bahubali 2 records of 510 crores business in India and is emerging as greatest blockbuster ever to reach 800 crores in India. RRR is a 2022 Indian Telugu-language epic period action drama film directed by S. S. Rajamouli who wrote the film with K. V. Vijayendra Prasad. It is produced by D. V. V. Danayya of DVV Entertainments. The film stars N. T. Rama Rao Jr., Ram Charan, Ajay Devgn, Alia Bhatt, Shriya Saran, Samuthirakani, Ray Stevenson, Alison Doody, and Olivia Morris. It is a fictional story about two Indian revolutionaries, Alluri Sitarama Raju (Charan) and Komaram Bheem (Rama Rao), who fought against the British Raj and Nizam of Hyderabad respectively. Rajamouli came across reading stories about the lives of Rama Raju and Bheem, and connected the coincidences between them, imagining what would have happened had they been friends. Set in 1920, the plot explores the undocumented period in their lives when both the revolutionaries choose to go into oblivion before they began the fight for their country. The film was formally announced in March 2018, with the launch and the principal photography of the film began in November 2018 in Hyderabad. The film was shot extensively across India, with a few sequences in Ukraine and Bulgaria. The film's soundtrack and background score is composed by M. M. Keeravani with cinematography by K. K. Senthil Kumar and editing by A. Sreekar Prasad. Sabu Cyril is the film's production designer whilst V. Srinivas Mohan supervised the visual effects. Made on a budget of ₹550 crore (US$72 million), RRR was initially scheduled for theatrical release on 30 July 2020, which has been deferred multiple times due to production delays and followed by the COVID-19 pandemic. The film was released theatrically on 25 March 2022, and opened to positive reviews from the critics with praise for the performances and screenplay. With ₹240 crore worldwide on its first day, RRR broke the record for the highest opening-day collection earned by an Indian film. In 1920, British governor Scott and his wife visit Adilabad district, and forcefully take away Malli, a Gond tribal girl to serve as their maidservant in Delhi. To rescue the girl, Komaram Bheem arrives in Delhi with his men. They capture a wild tiger in the forests to aid their mission. The Nizam of Hyderabad warns Scott's officer about Bheem's mission. Alluri Sita Rama Raju is a police officer who proves his ability to serve the Empire. When Lady Buxton offers a promotion to the officer who catches the leader of the Gond tribe alive, Ram comes forward. He attends a meeting of independence activists and proposes to assassinate Scott. As their goals seem to align, Bheem's aide, Lachhu, asks Ram to meet Bheem. However, Lachhu flees when he senses that Ram is a police officer. Lachhu tells Bheem about this who asks him to hide. Ram and Bheem accidentally meet and team up to save a boy. Bheem introduces himself as a Muslim named Akhtar while Ram hides his identity as a police officer. They become best friends. Bheem comes across Scott's niece Jennifer when they are trying to sneak into the governor's palace. Ram helps Bheem to get close to her. Jennifer invites Bheem to a party which the duo attend. Impressed by his dance, Jennifer invites Bheem to the palace. Bheem silently meets Malli, assuring her rescue. Ram captures Lachhu to ask whereabouts about their leader but in vain. Lachhu gets hold of a common krait and throws it onto Ram which bites him. Lacchu warns Ram that it can kill him within an hour without anti-venom, known only to the Gond people. Ram finds his way to Bheem who saves him. Bheem confesses to Ram by telling him about their mission. Bheem and his men barge into the palace with a truck full of wild animals. Bheem unleashes them onto the palace guards. However, Ram obstructs him as a police officer. Bheem pleads not to arrest him but Ram does not budge. Furious, Bheem fights off Ram, and goes on to climb the palace walls. Ram stops him while Scott holds Malli hostage at point-blank range. Bheem surrenders with no option left. Bheem is sentenced to death via a public execution. Scott offers mercy if he kneels but Bheem refuses despite heaving lashing by Ram. He sings a song which motivates the public to rebel. Bheem is taken away by the officers. Ram recalls that his father Venkat Ramaraju had rebelled and sacrificed his life against the British. Venkat takes a promise from Ram that he'd a deliver a weapon to every person who takes part in the rebellion. Venkat's friend Venkateswarulu informs Ram that his promise is going to be fulfilled since he is appointed as in charge of a shipment of arms. Ram, however, puts saving Bheem and the girl as his priority. He requests Scott to execute Bheem in the outskirts as a part of his plan. However, Scott recognizes the ploy, and injures him. Bheem frees himself and fights the guards off. Ram shoots and kills a guard over Malli's head to save her. Misunderstanding this as an attack, Bheem beats up Ram and escapes with Malli. Bheem and his men hide in Hathras but the British arrive there. Sita recognizes that they are in danger and drives away the British by lying that the place is experiencing a smallpox outbreak. Sita reveals that she is Ram's cousin and love interest. She adds that Ram is sentenced to death as he went against the British to save his best friend. Bheem regrets his actions and promises Sita to rescue Ram. Bheem sneaks into the Barracks with the help of blue print given by Jennifer. He frees Ram from the prison, taking him on his shoulder as the latter is unable to walk. Together, they fight the police and escape. Bheem treats Ram, however, the police attack them in the woods. Ram takes bow and arrows from a shrine of Lord Rama and retaliates. Bheem joins him with a javelin. They fight off the police and head towards the palace. They blast a motorcycle into a room full of TNT, and explode the building. Bheem retrieves guns and ammunition and delivers it to Ram. Lady Scott is killed in the chaos while Scott is killed by Ram and Bheem. They reunite with Sita, Jennifer and others. Upon Ram's insistence, Bheem requests to return the favour by educating him. Ram returns to his village and delivers the weapons as promised while Bheem returns to his hamlet, reuniting Malli with her mother. RRR opened to positive reviews from the critics, praising the performances and screenplay by Rajamouli. Taran Adarsh of Bollywood Hungama gave the film a rating of 4/5 and wrote "RRR is a teRRRific entertainer that’s meant for the big screen. The film has the merits to emerge massive hit. Don’t miss it!". Roktim Rajpal of Deccan Herald gave the film a rating of 4/5 and wrote "The action-packed climax again hits the right notes as the visuals do the talking, the hallmark of good storytelling". Neeshita Nyayapati of The Times Of India gave the film a rating of 3.5/5 and wrote "RRR is not perfection by any means (despite Rajamouli’s best efforts) because after the way he pulls off certain scenes, you wonder if he could’ve done a better job in certain others.

Manobendra Mukherjee compositions were as brilliant as his songs.

Manobendra Mukherjee compositions in Bengali films and modern songs. Manobendra Mukherjee had glorified the world of Bengali classical music for more than 35 years. The entire 50s, 60s and 70s was designated as the golden age of Bengali modern songs and Manobendra Mukherjee’s individual performance as vocal classical singer require no special introduction. But his contribution as composer requires to be highlighted. Manobendra’s composition for himself in the 50s was unique. The romantic songs composed by him included “emni kore porbe mone baki jibon dhore”, “ami eto je tomay bhalobesechi”, “koto asha niye tumi esechile”, etc. Most of these songs stand out as the most romantic songs in the entire history of Bengali modern songs. The lyrics of Shyamal Gupta took the listeners to a different world of plutonic love. In the 60s, Manobendra Mukherjee continued with his majestic tunes most of which did great business in Bengal. Some of them had classical appeal including “na jeona modhu jamini”, “ei moshumi mon”, “sangi bihongi tumi je amar”, etc. His composition in films like Chapadangar Bou in 1954, Sanjher Pradeep in 1955, Mayamrigo in 1960, Bodhu in 1962, Godhuli Belai in 1966, Joy Jayanti in 1970, created by that period of time. But Manobendra Mukherjee’s composition for other leading singers of Bengal, both male and female, created sensation in the 50s, 60s and 70s. His landmark composition for Supriti Ghosh titled “gane gane ami je khuji tomay”, composition for Bani Ghoshal titled “kuasha ghera nil pahare” created sensation in the 50s. Manobendra Mukherjee’s composition for Alpona Banerjee titled “mon bolche sandhay kichu bolte tumi aasbe ki” and “tumi sundor bole tai to bondhu”, created sensation in the 60s. Manobendra gave melodious tune to Shefali Chakravarty titled “kemone janabo bolo e pranero bedona” having both classical and romantic tune. Manobendra Mukherjee gave folk tune to Tarun Banerjee in the song “champakoli go koto name dekechi tomay”. The list can go on. Manobendra Mukherjee was a sensation in the world of Bengali film music. He started his career with Uttam Kumar’s film Chapadangar Bau. In that film his own song “shibo he shibo he” surprised the viewers with Mahadev’s Gajan. In Mayamrigo he composed the songs “metidiamericar kabyo”, “bidhi re” with elegance. The songs were sung by himself. Sandhya Mukherjee’s song “bak bak bakum bakum paira”. Manobendra Mukherjee was sublime in Chabi Biswas’s film Badhu. The kirtan “gunamanir kalo rupe” sung by Manobendra Mukherjee flabbergasted the Bengali audience. Manobendra Mukherjee received BFJA and other words for his composition in Uttam Kumar’s film Jay Jayanti. Sandhya Mukherjee’s songs “amader chuti chute”, “aamra kono kichu korle”, etc. Manobendra Mukherjee was sublime in other films like Bosonto Choudhury’s film Kosti Pathar, Biswajeet Chatterjee’s film Godhuli Belay, other films like Sadhok Bamakhepa, Joto Maat Toto Path, Nidhiram Sardar, Sudhur Niharika, Sanjher Pradeep, etc. Manobendra’s creation requires to be unearthed. There are many melodious compositions of Manobendra made in the 50s, which had not been reprinted by HMV. If displayed, they can attract the new generation and entertain them.

Tanujaji was successful both in hindi and bengali films

Tanuja’s success in bollywood films and Bengali films. Tanuja, the sister of dignified actress Nutan and the daughter of Sobhna Samarth created a unique place in bollywood films and Bengali films. Being the member of a family having legacy of contributing a lot in bollywood films, she had to face acid test. In the 60s, when bollywood industry was flooded with talented actresses, Tanuja stepped in bollywood films. She had faced Meena Kumari, Madhubala, Wahida Rehman, Sadhna, Vaijayantimala and other classic actresses and yet created her identity in that age. Tanuja’s prominent films in the 60s include Baharen Phir Bhi Ayegi, with Dharmender, Memdidi, Sapno Ka Saudagar, opposite Raj Kapoor, etc. Within 3 to 4 years, she was cast opposite leading actors of bollywood films. Her performance opposite Dev Anand, in the film Jewel Thief was appreciated by film-lovers. Jewel Thief was crime-thriller director by Vijay Anand. Tanuja’s innocence in the film and spontaneous presence impressed the viewers. Besides Tanuja’s lips in Ahsa Bhosle’s song “raat nashili hai” was very impressive. In the early 70s, Tanuja switched on to serious films like Basu Bhattacharya’s Anubhav opposite Sanjeev Kumar. Her lips in Geeta Dutt’s song “mera dil jo mera hota” and other songs showed the acting class of Tanuja. She did even better in Dharmender’s film Izzat. Dharmender had double role with one son being the illegitimate child of Balraj Sahani. Her performance in the song “loote dil pe diya jalta nahi hum kya Karen” sung by Lata and Rafi made viewers spellbound. She was equally impressive in the film Pabitra Papi. Tanuja was involved in super hit films like Haathi Mera Saathi opposite Rajesh Khanna, Mere Jeevan Saathi opposite Rajesh Khanna, Ek Paheli, opposite Feroz Khan, to name a few. In respect of Bengali films, Tanuja showed a great spirit in adapting Bengali language and adjusting herself opposite Uttam Kumar in the 60s and 70s. Deya Neya, Anthony Firingi and Raj Kumari stands out as the biggest hits of Tanuja opposite Uttam Kumar. All these films were musical blockbusters and the lips of Tanuja in leading songs in these films require special mention. Shyamal Mitra composed music for the super hit film Deya Neya. Tanuja was sublime in her lips in the song “madhabi madhute holo mitali”. She was brilliant in the two songs of Sandhya Mukherjee in the film Anthony Firingi, titled “ami je jalsaghare”, and “champa chameli golapero bage”, composed by Anil Bagchi. Raj Kumari marked the beginning of musical career of Bengali musical sensation RD Burman. Songs like “ki holo, kabe holo” creates shivers in the spines of many listeners even today. Tajuna was sublime in other successful films like Prothom Kodom Phool, Teen Bhubaner Pare, Madhuban, etc. She is considered more versatile than her daughter Kajol who got success by performing opposite Shahrukh Khan in hit films in the 90s. The viewers expect her to continue the great work in character roles in bollywood films in future.

Lara Duttaji deserved more stardom in bollywood.

April is the birthday month of Lara Dutta. She was born on 16th April, 1978. Lara Dutta is perhaps one of the most underrated actress of bollywood films in recent years. She possessed same amount of talent like that of Priyanka Chopra, yet could not attain the level that Priyanka attained within the short time. During the month of her birthday, viewers wonder whether any of new films will bring back the stardom of the attractive actress. She started her career with Priyanka and Akshay Kumar in Andaz

and showed a lot of promise. But after doing great job in films like Bardasht opposite Bobby Deol, Zinda opposite Sanjay Dutt, Bombai Se Aya Mera Dost with Abhishek Bacchan, some way or the other lost focus. She was also not as lucky in respect of bagging important roles like Priyanka Chopra. She showed her standard of smartness and comedy instincts in films like No Entry and Partner. No Entry is probably one of the greatest hits of Lara Dutta till now. She balanced the comedy instincts of Anil Kapoor and did outcast Bipasha Basu, Celina Jaitley and Esha Deol in the film. Her lips in the main songs in the film were also appreciated. She was sublime in Partner opposite Salman Khan. Her lips in the songs “maria maria” and others did attract the viewers. Her acting was equally realistic. In 2009, she even showed her daring nature in accepting a role of village girl opposite Irfan Khan in the film Billu Barber. She acted hardly without any make up and brought out the innocence of a village girl in the film. The big question lies in the minds of people whether Lara Dutta can get her stardom back with her performance in the film Housefull. She had learned scuva diving and showed acrobatic stunts which hardly any actress had done in Indian celluloid till now for the performance in the film Blue. Besides she had acted with Katrina Kaif, the reigning queen of bollywood in the same film. But inspite of her performance opposite her in that film being appreciated by the viewers, Blue was considered the biggest flop of Akshay Kumar and bollywood films released in 2009. After huge amount money being spend in underwater shooting the viewers could not appreciate the great pains taken by the entire team of Blue. Let us hope that Lara Dutta retains her popularity with the film No Entry Main Phir Entry and provide stiff competition to Priyanka Chopra and Katrina Kaif in future.

Happy birthday to sweet actress Rani Mukherjeeji

Happy birthday to Rani Mukherjee. The viewers of bollywood films wish happy birthday to Rani Mukherjee on 21st March, 2022. Born on 21st March, 1978, she started her career with the film Raja Ki Ayegi Baraat. She ruled bollywood films from 2002 to 2006. After that all of a sudden her stardom got affected. She rose to stardom with brilliant performance in Karan Johar’s film Kuch Kuch Hota Hai. She acted opposite Kajol and Shahrukh Khan and superseded both of them in the film. She received the filmfare best supporting actress award for her performance in the film Kuch Kuch Hota Hai. After reaching stardom she acted opposite all the leading stars of bollywood films. Her films Badal and Bichhu opposite Bobby Deol, which involved terrorism and narcotics respectively, did great business. Her film Ghulam opposite Aamir Khan was successful. Her lips in the song “aati kya khandala” were well appreciated. She got critical acclamation for powerful performance in the film Saathiya opposite Vivek Oberoi. All the songs composed by AR Rehman were super hit and film took Rani Mukherjee’s career to a different dimension. She played significant roles in other films like Nayak opposite Anil Kapoor, Chori Chori Chupke Chupke opposite Salman Khan, Chalte Chalte opposite Shahrukh Khan. She played the role of her life in Black. In the film she played the character of a blind girl. The entire process rediscovering herself earned her the filmfare award under the category of both best actress and best actress under critic’s choice. Then her combination with Abhishek Bacchan was well received by the viewers. Films like Bunty Aur Bably and Yuva was well received by the viewers. Rani Mukherjee started showing her versatility in any type of role, including the role of surrogate mother, aspiring model, etc. Her other successful films included Mujhse Dosti Karoge opposite Hrithik Roshan, Veer Zara opposite Shahrukh Khan, Har Dil Jo Pyar Karega opposite Salman Khan, to name a few. Her attachment with the Yash Raj Banner had led to downfall after 2007. None of the films like Thoda Pyar Thoda Magic, Ta Ra Rum Pum, did good business, and Rani Mukherjee lost out of competition with successful actresses of the present period like Katrina Kaif, Kareena Kapoor, Priyanka Chopra, Vidya Balan, etc. In 2011, her film No One Killed Jessica did well. She acted opposite Vidya Balan and the performance of both the actresses was well appreciated by the audience and the critics. She received awards also for the brilliant performance in the film No One Killed Jessica. In 2012 she acted two films. Her performance opposite Aamir Khan in the film Talaash was well appreciated. The other film Aiyyaa did mediocre business. In 2013 she acted in the film Bombay Talkies. In 2014 her film Mardaani did very well. The viewers expect Rani Mukherjee to make come back in character roles because a lot of acting is still left in

Salman Khansahab's film Bajrangi Bhaijaan in 2015 had great social message

Salman Khan’s Bajrangi Bhaijaan has very good humanitarian message.Salman Khan’s new film Bajrangi Bhaijaan released on 17th July, 2015, did business of more than 32 crores on the first day. The film has excellent humanitarian message. The film had been directed by Kabir Khan who had previously directed Salman Khan’s Ek Tha Tiger few years back. Salman Khan and Rockline Venkatesh produced the film. The music had been composed by Pritam. The film is all about a little girl played by Harshali Malhotra who got lost in India. She belonged to a hilly district of Pakistan. Salman Khan met her in Delhi but as she was dumb he could not make out her place of residence. He kept her in the house of Kareena Kapoor and her father Sharat Saxena. Sharat Saxena incidentally gave Salman place to stay when his father died some time back. After that Salman Khan entered Pakistan without Passport and Visa. He was a devotee of Hanumanji. So told the truth that he entered underneath the fencing in the deserts between India and Pakistan. He got beaten up by the Pakistani police. He got help from a Pakistani journalist played by Nawazuddin Siddique and Om Puri, a religious person. Ultimately he could reach Munni or Shahida, the child to her parents in Pakistan in Sultanpur district. The child at the end spoke out. The film gave the message that nature shares all the assets in both India and Pakistan. Human love and affection could have softened the relationship between the human beings of both the countries. It is the law enforcers and policy makers who had stemmed hatred between the two country men.

Salman Khan played his role in an outstanding way. His innocence and human feeling touched everyone. Kareena Kapoor and Sharat Saxena were brilliant in their roles. Om Puri did a cameo in his short role. Nawazuddin was again brilliant and very different from his villainish roles. The music of Pritam was outstanding. Atif Aslam’s song “tu chahiye”, Adnan Sami’s qawalli “bhar do jholi meri”, Mohit Chauhan and Palak Mucchal’s song “chicken” and Javed Ali’s song “tu jo mila” touched everyone. Salman Khan in the past had shown that he was the badshaah of eid.

In Raj Kapoor Studio holi was played with a lot of grandieur.

The holi festival has come again in 2022. The festival of colours brings a large section of the society together. These days holi is losing significance in the context of bollywood films and the stars involved with film-making. During the lifetime of Showman Raj Kapoor, holi was celebrated in RK Studio. It used to be a very prestigious affair. Other than members of the Kapoor family including Shammi Kapoor, Shashi Kapoor, Rishi Kapoor, Randhir Kapoor, Rajiv Kapoor and others, celebrities from the film industry used to play holi in the studio. These days Holi party is thrown by Raj Kundra and others. The event marked the strengthening of relationship of members of the bollywood film industry. The celebration included directors like Manmohan Desai, actors like Dilip Kumar, singers like Mukesh, composers like Shankar Jaikishan, to name a few. The enthusiasm was there even during the 80s, when most of the celebrities who were contemporaries of Raj Kapoor became old. Raj Kapoor himself stopped it in the late 80s as he started having physical discomfort while playing holi. He had asthma and the contact of colours basically aggravated the disease. The prestigious celebration of holi stopped after 1988, after the death of Raj Kapoor. After that time, a number of other celebrities started the tradition of inviting the film industry to play holi. But the pomp and grandiuer that was there in RK Studio could not be replicated. Holi forms an important festival for Indians and bollywood films had devoted a lot of space for holi. It was shown in films like Paraya Dhan, Sholay, Silsila, to name a few. The songs related to holi like “holi re holi” sung by Manna Dey, “holi ke rang” sung by Kishore Kumar, or “rang barse” sung by Big B had not lost their appeal even after 30 years of the release of the films. Modern producers and directors can also portray the festival of colours in modern films in their innovative style as holi is one of the most popular festivals of the country. Ranbir Kapoor is on the way to be the new superstar of bollywood films with successful performances in films like Bachna Aye Haseeno, Wake Up Sid, Ajab Prem Ki Gazab Kahani and Yeh Jawaani Hai Deewani. He can make an effort to revive the holi celebrations in RK Studio.

Happy birthday to Shreya Ghoshal

Happy birthday to Shreya Ghoshal. The viewers of bollywood films wish happy birthday to sweet singer Shreya Ghoshal on 12th March, 2022. From national awards, Zee Cine Awards, Starscreen awards and filmfare awards, she had remained a frequent recipient of the awards due to her sheer brilliance. Bollywood films in the 50s, 60s and 70s were dominated by Lata, Geeta Dutt, Shamshad Begum, Suraiya, Sudha Malhotra, Suman Kalyanpur, etc. In the 80s and 90s Alka Yagnik and Kavita Krishnamurty made a very notable contribution in bollywood films. Shreya Ghoshal had established herself the future singer of bollywood cinema for the last few years. Born in a Bengali family in Rawatbhata, in Kota district of Rajasthan, Shreya Ghoshal learnt classical music from Mahesh Chandra Sharma. She participated in the musical competition in the TV Channel titled Saregamapa, and when she reached the finals after defeating renowned female singers, the producers, directors and composers were moved by her performance. She made her presence felt with her song in the film Devdas, directed by Sanjay Leela Banshali, with the song “bairi piya” and after that she never had to look back. Just like Sonu Nigam had created a gharana by himself and composers agree about his versatility, similarly Shreya Ghoshal is undoubtedly the future of Indian playback singing. She received the filmfare award for the best female singer along with Kavita Krishnamurty for the song “dola re” from the film Devdas, picturised on Madhuri Dixit and Aiswariya Rai. Her other hits songs include “jadu hai nasha hai” from the film Jism. She also amazed the listeners with the song “piyu bole, piya bole” picturised on Vidya Balan, from the film Parineeta, where Sonu Nigam sang it for Saif Ali Khan. The sweetness of her voice matched the period (late 19th century) when singers of the Bengali traditional families used to present their talent in soft style She also the song “apne aansoo peene ke liye” from the film Paheli, very well, along with powerful performance from Rani Mukherjee and Shahrukh Khan in the film. She also received filmfare award for the best singer for her song in the film Guru, titled “barsdo re” composed by AR Rehman. She had song notable Bengali songs like “pagla hawa” in The Bong Connection, “mon diye mon niye” in Agnipath, etc. In 2010, her song “bahara bahara” in the film I Hate Luv Stories was striking. She was extremely sweet in the duet song “tu ne to palbhar me chori kiya re jiya” with Sonu Nigam, in the film Dabanng, which went to do a business worth 150 crores. She sang brilliant songs in 2012 in different films like Agneepath, Jab Tak Hai Jaan. In 2013 she received a number of awards for her song in the film Ashiqi 2. With a number of songs which are going to be released in different films in 2015, she is expected to continue her good work and the viewers and listeners expect her best in the years to come.

Legendary singer Manobendra Mukherjee sang romantic modern songs for more than 30 years.

Manobendra Mukherjee and stylish classical Bengali songs. Manobendra Mukherjee was one of the legendary classical singer of Bengal who had simplified classical ragas and used them in Bengali modern songs. His romantic song “ami eto je tomay bhalobesechi” written by Shyamal Gupta and composed by himself had classical touch embedded in it. His other own composed song “emni kore porbe mone baki jibon dhore” was also a masterpiece related to classical andaz. Manobendra Mukherjee’s pure classical numbers were even more melodious. One example is “ei moushumi mon shudhu rong bodlay”. In this song there was a small alaap or khanak taken at the place “mori je hay” where Manobendra had used the sargam by uttering in “aa aa” form. It was brilliant. There were other romantic songs like “boroshaklanto o duti nayan mele”. The song had been composed by Anal Chatterji. Manobendra Mukherjee had another master piece “bolo raat bolo se kothay”. The song was totally raga oriented. Manobendra Mukherjee was sublime in the song “ei nil nil jal sagore” composed by Probir Mojumdar and “tomar pather prante moner monidip jele rekhechi” composed by Satinath Mukherjee. Some of his own compositions like “ei ganga sei padda” and “sei bhalo ei bosonto noi” had absolute romantic andaz. Manobendra Mukherjee had given adequate expression to songs composed by Himangshu Dutta including “birohini chiro birohini”, “tumi je andhar”, “biroho barisha”, etc. The songs were difficult in nature and Manobendra was probably the most classically trained singer to do justice to them. Manobendra had also sung some of the songs created in thumri style. One example was “koto je soyechi betha” composed by Chinmoy Lahiri. One more classical number included “tumi to dariye acho”. Articles after articles can be devoted to Manobendra Mukherjee whose classical touch was as elegant and stylish as Neil Harvey’s wristy strokes.

Rafisahab sang super hit songs for handsome star Biswajeetji

Romantic film of Biswajeet’s had melodious songs of Mohammad Rafi sahab. Bengali actor Biswajeet Chatterjee after acting in hit films in Bengali namely Mayamrigo in 1960 and Dui Bhai in 1961 went to Mumbai to pursue his acting career there. He made his debut in the film Bees Saal Baad where Hemant Kumar was the producer of the film and also the music composer. In a short period of time Biswajeet got roles to play in films of different producers and directors namely Nasir Hussain, Satyen Bose, Hrishikesh Mukherjee and others. Mohammad Rafi Sahab played a very important role in the success story of Biswajeet’s films because most of the films ended up being musical blockbusters. In the film April Fool, released in 1964, Shankar Jaikishan’s composition for Rafi picturised on Biswajeet became super hit including “April Fool banaya”, and “aa gale lag ja”. In Shenai in 1964, Ravi’s composition for Rafi namely “na jhatko zulf se paani” became smash hit. Composer Hemant Kumar used Rafi in Biswajeet’s film Bin Badal Barsaat in 1963 in the song “dil me teri yaad sanam”. Mere Sanam released in 1965 was the greatest hit film of Biswajeet where Rafi was unparallel. OP Nayyar’s stylish westernized compositions were given expression by Rafi in the songs “pukarta chala hoon mai”, “hue hai tumpe aashiq hum”, “humdum mere maan bhi jayo”, “thukre hai mere dilki ay jaan teri aansoon”, “haji baba”, “humne to dilko aapke kadmo pe rakh diya”, “roke kaibaar maine dilki umangko”, to name a few. After that Rafi and Biswajeet went on giving hits after hits. In Do Dil, composer Hemant Kumar composed a soft romantic song for Rafi namely “tera husn rahe mera ishq rahe”, which touched the souls of music lovers. All the songs in the film Yeh Raat Phir Na Ayegi in the year 1966 became super hit. OP Nayyar’s composition in the song “phir milogi kabhi is baat ka yaada karlo” stands out. It was a duet where Rafi was as romantic as Asha Bhosle. Ravi composed excellent music in the film Sagaai, in 1966, where Rafi’s song “nay eh zameen thin a aasman tha” became immortal. LP composed super hit song in the film Aasra, in 1966, where Rafi’s romantic song “sokhiyan nazar me hai” stands out. Laxmikant Pyarellal made the musiclovers spell bound in Night in London in 1967, with Rafi’s songs “night in London”, “o my love” and “bahosh –o –awaz me diwana”. Rafi was sublime in all the songs. LP continued the dream run in the film Jaal in 1967 with Rafi’s songs “akela hoon mai humsafar”, “mizaaz-e-garami”, etc. Shankar Jaikishan composed excellent music in the film Hare Kaanch Ki Churiya in 1967 with hit Rafi number namely “aye janeman” and “panchi re panchi”. Madanmohan was excellent in the film Ghar Ka Chirag in 1967, where Rafi’s song “aaj rota hai kyun” stands out. In the film Vaasna in 1968, all the songs of Rafi composed by Chitragupt became super hit including “itni nazuk nabano”, “yeh parbaton ke dayre”, “aaj is darja pila do”. The Chitragupt and Rafi magic continued in Biswajeet’s next film Pyar Ka Sapna in 1969 in songs like “ay meri zindagi”, “tere chehere se haten ankh to”. Rafisahab

was the major contributor in Biswajeet’s other films like Do Kaliyan, Ishq Par Zor Nahi, Mai Sunder Hoon, Shararat, etc. In the 70s with the advent of action films Biswajeet faded away from the industry. All the giant composers of golden age namely Shankar Jaikishan, OP Nayyar, Ravi, Chitrgupt, Madanmohan, Laxmikant Pyarellal, Hemant Kumar and other composed music in the films of Biswajeet. Rafi’s songs in Biswajeet’s films require recognition and restoration Mohammad Rafi Sahab was a blessing in the career of Biswajeet Chatterjee. Actor Biswajeet Chatterjee made his debut in bollywood films in the film Bees Saal Baad in 1961. After for the next 15 years his films became crowd-pullers for the romantic stories and brilliant songs. All the songs sung by Mohammad Rafi for Biswajeet became everlasting hits. In Biswajeet’s film April Fool, SJ composed beautiful tunes for Mohammad Rafi including the songs “aa gale lag ja” and “april fool banaya”, “tujhe chaha” etc. OP Nayyar stormed bollywood with the music of film Mere Sanam where Biswajeet was the hero. All the songs of Rafi including “pukarta chala hoon mai”, “humdum mere maan bhi jayo”, “hue hai tumpe aashiq hum”, etc. Laxmikant Pyarellal made the musiclovers spell bound in Night in London in 1967, with Rafi’s songs “night in London”, “o my love” and “bahosh –o –awaz me diwana”. Rafi was sublime in all the songs. LP continued the dream run in the film Jaal in 1967 with Rafi’s songs “akela hoon mai humsafar”, “mizaaz-e-garami”, etc. Shankar Jaikishan composed excellent music in the film Hare Kaanch Ki Churiya in 1967 with hit Rafi number namely “aye janeman” and “panchi re panchi”. Madanmohan was excellent in the film Ghar Ka Chirag in 1967, where Rafi’s song “aaj rota hai kyun” stands out. In the film Vaasna in 1968, all the songs of Rafi composed by Chitragupt became super hit including “itni nazuk nabano”, “yeh parbaton ke dayre”, “aaj is darja pila do”. The Chitragupt and Rafi magic continued in Biswajeet’s next film Pyar Ka Sapna in 1969 in songs like “ay meri zindagi”, “tere chehere se haten ankh to”. Rafi was the major contributor in Biswajeet’s other films like Do Kaliyan, Ishq Par Zor Nahi, Mai Sunder Hoon, Shararat, etc. In the 70s with the advent of action films Biswajeet faded away from the industry. All the giant composers of golden age namely Shankar Jaikishan, OP Nayyar, Ravi, Chitrgupt, Madanmohan, Laxmikant Pyarellal, Hemant Kumar and other composed music in the films of Biswajeet. Rafi’s songs in Biswajeet’s films require recognition and restoration

Happy birthday to Mr Perfectionist Aamir Khansahab

Happy birthday to Mr. Perfectionist Star Amir Khan. The viewers of bollywood films wish happy birthday to Mr. Perfectionist and Committed Star Amir Khan on 14th of March, 2022. He has proved himself as one of the most committed actors of modern bollywood films. He also carried on the legacy of Tragedy King Dilip Kumar of acting in less number of films and meaningful films. In 2016 his film Dangal broke all records and did business of more than 380 crores. These days whenever Amir Khan’s films are released they end up being blockbusters.

He started his career with the hit film Qayamat Se Qayamat Tak in 1988 opposite Juhi Chawla. His film had brought back the era of romantic films, after bollywood was loaded with action films for more than 20 years. The music of Qayamat Se Qayamat Tak composed by Anand Milind and majority of songs sung by Udit Narayan and Alka Yagnik created history. The popular songs included “aye mere humsafar”, “papa kehte hai”, etc. The film did excellent business and Amir Khan became a star at the early part of his career. From that time onwards Amir Khan acted in many romantic films like Hum Hai Rahi Pyar Ke, opposite Juhi Chawla, Ishq opposite Juhi Chawla, Dil opposite Madhuri Dixit, Mann opposite Manisha Koirala. Being a relative of Nasir Hussain, Amir Khan showed his acting skills from the beginning of his career. He gave able lips in most of the songs of Udit Narayan and with passage of time showed his versatility in different types of films. He did extremely well in Ashutosh Gowarikar’s film Lagaan. Lagaan was based on the story of Indian farmers entering into a challenge with the British Govt. during the colonial rule. A cricket match was held between the British team and the Indian peasants. The condition was that if the Indians won it, the farmers would be excused of the share of produce that they supposed to give the landlords and the British Govt. of such. Amir Khan gave training to the rural Indians and ultimately won the match amidst odds. Amir Khan was sublime in his performance in patriotic film based on the life Mangal Pandey and he did an excellent job in the film Sarfarosh. Even as a director he showed innovative vision by making a film on the subject related to children. The film Taren Zameen Par showed that every child in the world is special. They have their innovative qualities. The job of the teachers and the academicians should be to unearth their skills The songs in the film composed by Shankar Ehsaan Loy were also sensational. Even in 2008, Amir Khan’s film Ghajini was remarkable in nature. He played the role of a person who lost his memory every 20 minutes. He took revenge against the murder of his girlfriend, but he did it with his limitation in respect of the lost memory. He had played probably the role of his career. He came out with even greater hit film in 2009, The 3 idiots. The film had done more than 200 crores business till now. Even more than that the film directed by Raj Kumar Hirani, had a serious social message to give. The message is that the parents should not overburden the students with their own choices. Students should be allowed to specialize in the line they love and enjoy. Although filmfare awards had not been fare to Amir Khan, it does not matter for Amir Khan at all. He is the actor of the refined section of audience and will remain there for periods to come. In 2010, his venture Peepli Live had been ably appreciated by the critics and the audience as a whole. In 2011, his film Dhobi Ghaat did well in most part of India. He had acted well in the film. He also requested hall owners not to give break in the film, because it takes away the concentration in the film. Talash released in 2012 showed the intensity with which Amir Khan played the role of investigating officer who lost his own son who drowned in water. Amir Khan’s Dhoom 3 released in 2013 did business of more than 280 crores. In 2014 his film PK destroyed all records and did business of more than 330 crores. Raj Kumar Hirani directed the film, and Aamir Khan did a brilliant job in the film. He is a very cultured actor and the viewers have lot of hope on the thoughtful personality for innovative ventures in the years to come.

Legendary actress Nandaji is remembered on death anniversary

It is a shocking news for the lovers of Indian films that Nanda had died today, on 25th March, 2014, at the age of 75 years. She suffered a massive heart attack. Her friend Mala Sinha shared her experiences with the press and media about acting with Nanda. Both of them acted in the film Dhool Ka Phool. Nanda having huge amount of acting potentials never received her dues. Born in a Maharashtrian family she learned acting from childhood. Eminent director V Shantaram gave her a prominent role in the film Toofan Aur Diya in 1956. She was brilliant in the film Bhabhi in 1957. She played the role of the younger sister of Pandari Bai, the wife of Balraj Sahani in the film. She became widow at a very early age and the information was not given to her by Pandari Bai. She played a very juvenile role in the first part of the film and in the second part became serious. She received the nomination for best supporting actress in 1957 for her role in Bhabhi but did not win it. She was sublime in the role of the wife of Rajender Kumar in the film Dhool Ka Phool in 1959. She followed it up by a brilliant performance in the film Choti Behen. Again she had the challenge of acting with Balraj Sahani. She did a great job. In 1960s, Nanda became a stylish heroine and acted in glamour oriented roles. With Manoj Kumar she had a fantastic combination. She did a great job in the film Bedaag. Gumnaam was the blockbuster film of Nanda which did fabulous business. Shankar Jaikishan’s music stormed Bollywood in 1965 with Gumnaam. Nanda gave soft lips in the song “jaane chaman sholabadan” which was sung by Sharda and Mohammad Rafi. The she was paired opposite Shashi Kapoor in more than 7 films. The romantic pair started their journey in the film Jab Jab Phool Khilen. It was a music oriented film which created magic. Kalyanji Anandji’s music was appreciated by the audience. Rafi and Suman Kalyanpur’s duet song “nanakarte pyar humhi to kar baite” became bumper hit. The combination just gave hits after hits. The other notable films included Neend Hamari Khwab Tumhari, Muhobbat Is Ko Kehte Hai, to name a few. The movies were shot in romantic locations of Jammu Kashmir and Himachal Pradesh. The music created magic and the audiences admired the films. In the 1970s and 1980s, Nanda shifted to character roles. There also she showed excellence. In Manoj Kumar’s film Shor she played a compassionate character. In Dilip Kumar’s film Mazdoor she played the role of his wife. She also gave a landmark performance in Raj Kapoor’s film Prem Rog in 1982. Her character role of the mother of Padmini Kolhapuri caught the attention of the viewers. In her career around 40 years, she had acted in diverse roles. But neither was she honoured, nor recognized for the great callibre shown over the years. Her films should be preserved.

Happy birth anniversary to Pransahab.

The viewers of bollywood films wish happy birth anniversary to Pran Sikand, the legendary actor on 12th February, 2022. He expired few years ago but kept a great legacy of villain over a decade of 50 years. He was one of indispensable personality in bollywood films without whom most of the films of the 50s and 60s could not be thought about. He also was a big star who was as popular as an antihero as the leading stars of 50s and 60s including Showman Raj Kapoor and Tragedy King Dilip Kumar. Pran had acted in more than 300 films in his career which spanned over 60 years. He was a notorious dacoit in Raj Kapoor’s Jis Desh Me Ganga Behti Hai, who was reformed and persuaded to surrender before the police at the end of the film. He hammered Dilip Kumar all along the film Dil Diya Dard Liya, not knowing his identity. It was later known that Dilip Kumar was the king of the princely estate after the locket in his body was discovered. Dilip Kumar forgave him even after knowing that his affair with Wahida Rehman never blossomed into marriage due to Pran only. Among romantic songs of Rafi and Lata like “sawan aye ya na aye”, “dilruba main ne tere”, “koi sagar dil ko behlata nahi”, Pran kept a balance with his villanish pursuits. In Ram Aur Shyam, Pran tortured one of the Dilip Kumars who played the role of his brother-in-law. When Dilip Kumar’s twin brother came to his wife he took revenge against the evil deeds of Pran. Both the sequences when Pran whipped Dilip Kumar and when Dilip Kumar whipped Pran remained sensational. The film was serio-comic in nature with Dilip Kumar playing a double role for the first time in Ram Aur Shyam. In the mid-60s, Pran changed his image by playing positive roles like the one he played in the film Upkar. In that film he played the role of a handicapped person but he was an observer who witnessed the good deeds of Manoj Kumar who was a farmer and the bad deeds of his own brother played by Prem Chopra. Pran’s lips in Manna Dey’s songs “kasme wade” is still remembered by cinematic audience today. Pran was sublime in most of the hit films of the 60s like Shammi Kapoor’s Raj Kumar, Kashmir Ki Kali, An Evening in Paris, etc., Joy Mukherjee’s Love in Tokyo, Phir Wohi Dil Laya Hoon, Biswajeet’s Mere Sanam, Rajender Kumar’s Ganwar, Raj Kumar’s Maryada, Manoj Kumar’s Gumnaam, to name a few. In the 70s he even matched himself with the action heroes of the other generation like Dharmender and Big B. His performance in Big B’s film Zanjeer in the role of a Pathan requires special mention. He gave excellent lips in Manna Dey’s song “yari hai imaan mera yaar mera zindagi” in the same film. In Amar Akbar Anthony, he was the father of Big B, Vinod Khanna and Rishi Kapoor and he faced the evil operations of Jeevan and his men all along the film. He kept his fitness to such an extent that in action sequences, he never looked out of place in a film where Big B, Vinod Khanna who were much younger than him showed their own skills. Pran continued his villainish performances in films of 80s including Dilip Kumar’s Duniya and Big B and Rajnikant’s Andha Kanoon. With notable actors coming in bollywood industry in the 80s like Amrish Puri, Danny, Paresh Rawal, Kader Khan, Anupam Kher, etc., Pran slowly faded away from the industry. By that time he had performed in more than 300 films. Viewers remember him for his unique style of dialogue delivery, unique mannerisms and fantastic body. His viewers pay respect to the old actor on his birth anniver

sary who had already received lifetime achievement award from Filmfare for his unique contribution to bollywood cinema.

Happy birth anniversary to Shashi Kapoorji.

Happy birth anniversary to Shashi Kapoor. The viewers of bollywood films wish happy birth anniversary to Shashi Kapoor on 18th March, 2022

. He died sometimes back but he is alive in his works. In 2011 he received the filmfare lifetime achievement award. In 2011, he received Padmabhushan, the civilian award for his excellence in bollywood films. His sickness prevents him from freely walking, but he receives most of his awards on wheel chair. Born in 1938, Shashi Kapoor started his acting career in the film Aag in 1948 directed by his elder brother Raj Kapoor. He also showed his acting skills as a child artist in the film Awara in 1951. The film won different awards in international film festivals and ended up being super hit. Shashi Kapoor acted in off-beat films at the beginning of his career like Prempatra opposite Sadhna. He entertained the audience with the film Jab Jab Phool Khilen in 1965. All the songs of Rafi composed by Kalyanji Anandji in the film became super hit like “pardesiyon se na”, “yahan mai ajnabee hoon”, “na na karke pyar”, etc. From that time Shashi Kapoor acted with Nanda in a number of films like Muhabbat Is Ko Kehte Hai, Neend Hamari Khwab Tumhari, etc. Rafi’s songs in many Shashi Kapoor films did magic including “o dilbar janiye”, “dilbar dilbar”, “bekhudi me sanam”, to name a few. Shankar Jaikishan gave notable tunes to Shashi Kapoor in the film Kanyadan. Madanmohan gave notable tunes to Shashi Kapoor in the film Neend Hamari Khwab Tumhari. In the late 60s Shashi Kapoor acted in many romantic films like Pyar Kiye Jaa, Kanyadaan, Abhinetri, Ek Shriman Ek Shrimati, etc. In Pyar Kiye Ja, he acted opposite actress Nanda, in Kanyadan he acted opposite Asha Parekh, in Abhinetri he acted opposite Hema Malini, in Ek Shriman Ek Shrimati he acted opposite Babita. In the 70s, Shashi Kapoor acted in action films along with Amitabh Bacchan, at a time when action films dominated either types of films in bollywood. His dialogue in the film Dewaar opposite Big B titled “mere paas ma hai” became immortal over the years. He acted in many films opposite Big B like Shaan, Do Aur Do Paanch, Iman Dharam, Namakhalal, Suhaag, Kala Pathhar, Kabhi Kabhi,Trishul, Silsila, etc., and most of those films ended up being blockbusters. Some of these films were multi-starred in nature. For example in Shaan and Kala Patthar he acted opposite Big B and Shatrughun Sinha. It was his sheer talent, that he could adapt himself in the new regime of anti-establishment films in the 70s, starting from Dewaar, which were quite different from the society shown in the romantic films of the 60s. He acted with other bollywood actors like Shatrughun Sinha in films like Gautam Govinda. He was a close friend of Ismail Merchant and featured in many of his English films like Siddharta. He produced impressive films like Junoon directed by Shyam Benegal and Vijeta directed by Govind Nihalini. His sons Kunal Kapoor and Karan Kapoor acted in many films. In the 1990s, Shashi Kapoor put on a lot of weight and stopped acting. He was in tears to receive the filmfare lifetime achievement award. The viewers pay homage to the veteran actor and wish him good health.