Chabi Biswas is remembered on his birth anniversary.
The viewers of Indian cinema remembered Chabi Biswas, the towering actor on his birth anniversary on 12th July, 2009. The legend had been considered the greatest actor ever to grace Indian celluloid by Oscar Winning director Satyajit Ray. Had he not met with a fatal accident in 1962 and died, Ray could have experimented much more with the dignified actor.
Firstly Chabi Biswas was the pivot around whom the entire Bengali film industry revolved. Tapan Sinha relied on the majestic actor in playing the role of Kabuliwala in Tagore’s classic Kabuliwala. Ajoy Kar asked Chabi Biswas to present his dignity in the film Saptapadi where he played the role of the father of Uttam Kumar who could not accept his change of religion from being Hindu to Christian. At the end of the film Chabi Biswas acknowledged the greatness of Suchitra Sen who loved Uttam Kumar, yet sacrificed her affair as she gave word to Chabi Biswas about not meeting him in her entire life.
Chabi Biswas was equally majestic in Ajoy Kar’s classic Suno Boro Nari. His character of Udashin had the right combination of dignity, aristocracy and discipline. He was barrister of reputation who did not allow his daughter Supriya Choudhury to marry Uttam Kumar who was assumed to be a poor homeopathy doctor. But he was left speechless when the actual identity of Uttam Kumar was revealed as a renouned Professor of Literature.
Satyajit Ray’s Jalsaghar tested the range of performance of Chabi Biswas and delivered blood and flesh in the character of Biswambar Roy who was a feudal lord of West Bengal. In fact Chabi Biswas was an unparallel figure in the roles of zamindars during colonial regime. His performance in Karthik Chatterji’s Saheb Bibi Ghulam, Rajen Tarafdar’s Antarikha was equally brilliant, where critics argued that Chabi Biswas even did more than the expectation of the directors in portraying the aristocracy of the zamindars.
Chabi Biswas had acted in more than 250 films during a span of 25 years and articles after articles can be devoted on his different andaz that was displayed in celluloid. His performance in Shambhu Mitra’s film Manik could have brought him Oscar, had the film being send by India abroad. He played the role of a paralytic patient with such diction that the viewers and the directors thought the character from Charles Dicken’s Oliver Twist had come out the pages of the book and appeared onscreen.
Raj Kapoor was astonished to see Chabi Biswas’s performance in his film Ekdin Ratre. The lips given by Chabi Biswas in Manna Dey’s song “ei duniyay bhai sabi hoi” compelled Raj Kapoor to agree that he was the greatest actor Raj Kapoor had seen in Indian films. He in fact regretted the absence of Chabi Biswas in bollywood films which could raised the standard of those films to another dimension.
Viewers still search Chabi Biswas in his unforgettable performances in films like Shashibabur Sangsar, Dada Thakur, Sabar Opore, Head Master, to name a few and never consider his death as a reality. His films should be preserved for the next generation to mark the level of excellence created by the greatest actor of Indian films ever.
The viewers of Indian cinema remembered Chabi Biswas, the towering actor on his birth anniversary on 12th July, 2009. The legend had been considered the greatest actor ever to grace Indian celluloid by Oscar Winning director Satyajit Ray. Had he not met with a fatal accident in 1962 and died, Ray could have experimented much more with the dignified actor.
Firstly Chabi Biswas was the pivot around whom the entire Bengali film industry revolved. Tapan Sinha relied on the majestic actor in playing the role of Kabuliwala in Tagore’s classic Kabuliwala. Ajoy Kar asked Chabi Biswas to present his dignity in the film Saptapadi where he played the role of the father of Uttam Kumar who could not accept his change of religion from being Hindu to Christian. At the end of the film Chabi Biswas acknowledged the greatness of Suchitra Sen who loved Uttam Kumar, yet sacrificed her affair as she gave word to Chabi Biswas about not meeting him in her entire life.
Chabi Biswas was equally majestic in Ajoy Kar’s classic Suno Boro Nari. His character of Udashin had the right combination of dignity, aristocracy and discipline. He was barrister of reputation who did not allow his daughter Supriya Choudhury to marry Uttam Kumar who was assumed to be a poor homeopathy doctor. But he was left speechless when the actual identity of Uttam Kumar was revealed as a renouned Professor of Literature.
Satyajit Ray’s Jalsaghar tested the range of performance of Chabi Biswas and delivered blood and flesh in the character of Biswambar Roy who was a feudal lord of West Bengal. In fact Chabi Biswas was an unparallel figure in the roles of zamindars during colonial regime. His performance in Karthik Chatterji’s Saheb Bibi Ghulam, Rajen Tarafdar’s Antarikha was equally brilliant, where critics argued that Chabi Biswas even did more than the expectation of the directors in portraying the aristocracy of the zamindars.
Chabi Biswas had acted in more than 250 films during a span of 25 years and articles after articles can be devoted on his different andaz that was displayed in celluloid. His performance in Shambhu Mitra’s film Manik could have brought him Oscar, had the film being send by India abroad. He played the role of a paralytic patient with such diction that the viewers and the directors thought the character from Charles Dicken’s Oliver Twist had come out the pages of the book and appeared onscreen.
Raj Kapoor was astonished to see Chabi Biswas’s performance in his film Ekdin Ratre. The lips given by Chabi Biswas in Manna Dey’s song “ei duniyay bhai sabi hoi” compelled Raj Kapoor to agree that he was the greatest actor Raj Kapoor had seen in Indian films. He in fact regretted the absence of Chabi Biswas in bollywood films which could raised the standard of those films to another dimension.
Viewers still search Chabi Biswas in his unforgettable performances in films like Shashibabur Sangsar, Dada Thakur, Sabar Opore, Head Master, to name a few and never consider his death as a reality. His films should be preserved for the next generation to mark the level of excellence created by the greatest actor of Indian films ever.
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