Friday, September 11, 2026

On birth anniversary of Dev Anandji it can be said he remained evergreen star for last 100 years

Dev Anand will be remembered by the nation for generations. Dev Sahab was remembered on his 100th birth anniversary and he has remained evergreen. Dev Sahab was remembered on 100th birth anniversary on 26th September 2022. Dev Anand was remembered on his birth anniversary on 26th September, 2022. Romantic star Dev Anand died in London on 4th December, 2011, at the age of 88 years. Everyone in India mourned his death right from Prime Minister Manmohan Singh to superstar Shahrukh Khan, actress Hema Malini to actor Rishi Kapoor. He was staying in London and died out of cardiac arrest as had been said by his son. Most of his fans all across the world had said that they Dev Anand never looked back at life, but looked forward and for that reason became the inspiration for every optimistic film personality. It was the end of an era, as Dev Anand represented Indian films for more than 60 years, right from 1946, when he started his career. His hit films included CID, Kala Pani, Hum Dono, Guide, Jewel Thief, to mention a few. He received filmfare award for best actor for his performance in the films Kala Pani and Guide. He received Dadasaheb Phalke award for immense contribution to bollywood films. He had also being remembered for his brilliant songs of Mohammad Rafi, Geeta Dutt and Lata Mangeshkar like “din dhal jaye”, “kabhi khud pe kabhi halat pe rona hoga”, “piya tose naina lage re”and brilliant compositions of Shankar Jaikishan, Sachin Dev Burman, and others. His songs sung by Rafisahab had been masterpieces like "kya se kya ho gaya", "kabhi khud pe", "aise to na dekho", "ankhon hi ankhon me", "tujhe jeevan ki dor se", "dil ka bhawar kare pukar", "teri zulfon ki judaai", "khoya khoya chand", "hum bekhudi me tuk ko pukare", "mai zindagi ka saath". The list goes on. Evergreen star Dev Anand had this year gave an interview to journalist Gautam Bhattacharya which had been published in Anandabazar Patrika on 25th June, 2011. He had said that he had been busy working with his new film Charge Sheet. He had crossed 88 years and still showed the enthusiasm to work on the sequel of the film Hare Rama Hare Krishna, which he made in 1971. When he was asked about Raj Kapoor and Dilip Kumar, he said, if Raj Kapoor would have taken care of his health he would have survived for more time and made more films. Dilip Kumar was happy to be an actor and never showed the interest of directing films. Dev Anand missed his team of performers like Vijay Anand, Kishore Kumar, Sachin Dev Burman, but he said that death was also a reality which people should face.

Wednesday, September 9, 2026

Happy birthday to Mahima Choudhury

Happy birthday to Mahima Choudhury. The viewers of bollywood films wish happy birthday to Mahima Choudhury on 13th September, 2026. She had been a big asset of bollywood films in the 90s. She had been given a great break by Subhash Ghai in the film Pardesh opposite Shahrukh Khan. All the songs in the film became super hit like “do dil mil rahe hai”, sung by Kumar Shanu or “yeh dil diwana” sung by Sonu Nigam, etc. Her traditional role in the film was well appreciated by every section of the viewers. Subhash Ghai had given breaks to new comers all across his career, and just like Madhuri Dixit, Manisha Koirala, Mahima Choudhury also proved her merit in the first film. After that Mahima Choudhury acted in every type of roles. She was sublime opposite Chandrachud Singh in the film Daag the fire. Although it was an out and out action film she kept her mark in the film. She had a double role in the film and did very well in the role of an accomplished girl and the role of a prostitude. The two characters were absolutely contrasting in nature. Due to domination of Sanjay Dutt in the film Mahima’s performance did not get the limelight which she deserved. She did extremely well in Raj Kumar Santoshi’s film Lajja. She was one of the five ladies who faced oppression from the patriarchal society and her way of expressing discontent was very impressive. She was sublime opposite Sanjay Dutt in the film Kurukshetra. Sanjay Dutt was a fearless police officer and faced the hurdles created by the corrupted ministers and the corrupted police officers in his department. Mahima Choudhury, who played the role of his wife in the film expressed her discontent after being the victim of vengeance of the criminals who were arrested by Sanjay Dutt. Mahima Choudhury did well in smaller roles as well. The one which is most remembered is her performance in the film Dhadkan where Shilpa Shetty, Sunil Shetty and Akshay Kumar had the more prominent roles. She had featured in less number of films in the recent past. The viewers expect her to act in bollywood films in future as she still has a lot of acting left in her.

Happy birthday to superstar Akshay Kumar

Happy birthday to superstar Akshay Kumar. The viewers of bollywood films wish happy birthday to Akshay Kumar on 9th September, 2026. He had acted in more than 100 films and given blockbusters like Rowdy Rathore, Good News, Housefull 4, Toilet Ek Prem Katha, Kesari, Namste London, Singh is Kinng. In 2019 both his films Kesari and Mission Mangal became super hit. While Kesari did business of 154 crores, Mission Mangal did business of 194 crores. In 2014 his film Holiday did business of more than 115 crores. 2012 had been a brilliant year for him. He had given 2 blockbusters doing business of more than 100 crores. The films were Rowdy Rathore and Housefull 2. His film Joker opposite Sonakshi Sinha flopped, but that does not stand in the way of his success. In 2013 his film Once upon a time in Mumbai dobara did not do great business. But he has a number of films in the pipeline to be released later this year. When Akshay Kumar cemented his position in bollywood films, he was known for Khiladi series films. He acted in the films Khiladi, Sabse Bada Khiladi, Mai Khiladi Tu Anari, International Khiladi, etc. But from 2000 onwards he changed the style of acting. He acted in comedy films like Hera Pheri, Phir Hera Pheri, and also romantic films like Namaste London. In 2008, Akshay Kumar ruled the Lux Sabse Favourite Kaun Award. Priyanka Chopra won the award for the best actress in Lux Sabse Favourite Kaun award. She had continued the dream run that she started in 2008. She received the award for her brilliant performance in the film Kaminey. She won the award against the other nominees like Kareena Kapoor in Kambakht Ishq, and Katrina Kaif in Ajab Prem Ki Gazab Kahani. Akshay Kumar won the award for the best actor in Lux Sabse Favourite Kaun award. He won the award against the other nominees like Salman Khan in Wanted, Amir Khan in Ghajini, Shahrukh Khan in Rab Ne Bana Di Jodi, etc. He won the award for his sheer hard work. The viewers liked him inspite of his films Chandi Chowk to China, Kambakht Ishq, Blue, not doing good business in 2009. Sanjay Dutt won the award for the best comedian (male) for his hilarious performance in the film All the Best. Divya Dutta won the same award in the female category for her comedy performance in the film Saajan Chale Sajjanpur. The film Ajab Prem Ki Gazab Kahani won the award for the best film. Raj Kumar Santoshi, Ranbir Kapoor, Katrina Kaif and the entire team of the film should be proud about it. Hrithik Roshan won the style icon (male) award. There is no doubt that he is probably the most stylish actor in the industry. Bipasha Basu won the most fit actress award while Shahid Kapoor won the most fit actor award. Priyanka Chopra won the award for the most favourite ada, as against Lara Dutta, Katrina Kaif, Kareena Kapoor and Aishwarya Rai. She is really having a fabulous year. The viewers expect Akshay Kumar to continue giving hits after hits, the way he had done few years back. Even his recent films like Laxmi and Bell Bottom had good review.

Tuesday, September 8, 2026

Happy birth anniversary to legendary singer Asha Bhosleji

Happy birthday to Asha Bhosle. The viewers of bollywood films and listeners of music all across the country wish happy birthday to Asha Bhosle on 8th September, 2026. She had remained a legend of legends in the field of music. She came to limelight in the 70s and 80s and ended up being the most successful female playback singer after Lata Mangeshkar. In the 50s, Asha Bhosle had to face the competition from other singers dominating the bollywood playback industry like Lata Mangeshkar, Shamshad Begum, Noorjahan, Suraiya, Geeta Dutt, Suman Kalyanpur, Sudha Malhotra and many other singers. Asha’s successful songs in the 50s include “mur murke na dekh” composed by Shankar Jaikishan in the film Shree 420, “aiye meherban” composed by OP Nayyar in the film Howrah Bridge, “accha ji mai hari” composed by SD Burman in the film Kala Pani, to name a few. In the 60s, OP Nayyar backed Asha Bhosle, and her duets with Rafi in films like Phir Wohi Dil Laya Hoon released in 1963, Ek Musafir Ek Haseena released in 1962, Mere Sanam released in 1965, Kashmir Ki Kali in 1964, are considered milestones in Indian film music. Her famous duets with Rafi include “naznee bara rangeen hai wada”, “mai pyar ka rahi hoon”, “isharon isharon”, “diwana hua badal”, “bahut shukriya”, “zulf ki chayon me chehere ka ujala lekar”, etc. Few other composers only reposed their confidence on Asha like Khayyam who made her sing memorable songs in Raj Kapoor’s film Phir Subah Hogi, released in 1958. Ravi had given songs to Asha Bhosle in films like Waqt, Humraaz, Gumraah, etc. Some of her notable songs in those films include “in baharon me in fizayon me”, “wo subah kabhi to ayegi”, etc. Roshanlal Nagrath’s famous qawalli “na to karwaki talaash hai” in Barsaat Ki Raat in 1960 featured Mohammad Rafi, Manna Dey, Asha Bhosle and Sudha Malhotra. Shankar Jaikishan used Asha Bhosle in Rajender Kumar Vaijayantimala starrer Suraj, notably in the song “kaise samjhayun” which was a classical duet song between Mohammad Rafi and Asha Bhosle. The list can go on. In the 70s Asha Bhosle married RD Burman and it changed the career of the premier singer. Her westernized style of singing was used by RD to give her super hit songs like “piya tu ab tu aja” in the film Karwan, “dum maro dum” in the film Hare Rama Hare Krishna, “chura liya” in the film Yaadon Ki Baraat, etc. She sang in almost all the films where RD Burman composed music. Asha Bhosle had sung landmark qawallies opposite Mohd. Rafi like “hum kisi se kum nahi”, in the film Hum Kisi Se Kum Nahi, “pal do pal ka” in the film Burning Train, etc. In the 80s, Asha Bhosle crossed new milestones by showing her skills in singing mujras in the film Umrao Jaan, composed by Khayyam. All the songs in the film including “dil cheez kya hai”, “justju”, etc., were appreciated by the critics. Her song “mera kuch saman” in Gulzar’s film Ijazat showed the versatile class of singing of Asha Bhosle. She received filmfare awards a number of times and she balanced the innovative style of singing of Kishore Kumar with her own innovation. It is not possible to cover the accomplishments of legendary singer Asha Bhosle in a single article as she had sung more than 25000 songs in hindi and other languages. Even her songs “amar din katena”, “aro dure cholo jai” in Uttam Kumar’s Bengali film Choddobeshi composed by Sudhin Dasgupta was worth mentioning. After marrying RD Burman, she had sung a number of Bengali songs composed by RD Burman. She had even sung ghazals with Ghulam Ali. In 2012, she had remained one of the judges of Sony TV Indian Idol 6 Program along with the other judges Anu Malik, Sunidhi Chauhan and Salim Merchant. There also she did a great job. The listeners expect Asha Bhosle to continue the great work she had started more than 50 years back.

Thursday, September 3, 2026

In 2023, Sunny Deolji's Gaddar 2 did business of Rs 580 crores in India and Rs 750 crores worldwide

Sunny Deolji starrer Gadar 2 did 450 crores business in 16 days in India and internationally 260 crores taking the tally to 710 crores worldwide. Sunny Deolji starrer Gadar did 340 crores business in 9 days in India and internationally 225 crores taking the tally to 565 crores worldwide. Sunny Deolji starrer Gadar 2 did 301 crore business in 8 days. Internationally the film did 200 crores and so worldwide it has done 501 crores business. Sunnyji is the oldest star to give a blockbuster at this age. During the backdrop of "Crush India" campaign in 1971, Tara Singh goes missing during a skirmish on the border and is believed to be imprisoned in Pakistan. Learning this, Tara's son Charanjeet "Jeete" Singh goes to save him, but gets imprisoned and tortured by the Pakistan soldiers under Major General Hamid Iqbal, whose 40 subordinates were killed by Tara during his escape with his wife Sakeena and Jeete from Pakistan in 1954.[a] Hamid got Sakeena's father executed in 1954, and now wants to exact revenge on Tara himself. Tara, having survived the skirmish on the border uncaptured, learns about this after reuniting with Sakeena, and sets out to rescue Jeete. With the help of his friends in Pakistan, Tara confronts Hamid and helps Jeete escape a public execution, but they are parted shortly afterwards. After reuniting, Tara and Jeete are helped by the family of Muskaan, a Pakistani Muslim girl with whom Jeete has fallen in love. Hamid captures Muskaan's family and some Indian soldiers. Killing Muskaan's brother, he forces Tara, Jeete and Muskaan to surrender. Tara, along with others, is able to escape after a brutal fight. Hamid gives chase, but Tara and others are able to take the fight to Indian territory, allowing Indian army to hold Hamid and his men at gunpoint. Tara spares Hamid, who tries to kill Tara anyway and is gunned down by Indian soldiers. Tara and Jeete triumphantly return to India with Muskaan, and reunite with Sakeena. Sunny Deol reprises his role of Tara Singh, but was initially hesitant about revisiting the role, believing that films like Gadar: Ek Prem Katha can be made only once in history. He states, "We had made Gadar but the audience made it a Blockbuster. Initially, I was a bit apprehensive about whether we would do justice and continue the legacy of the first part." The film's director Anil Sharma revealed how he convinced Deol to return, stating, "When I narrated Gadar 2, Sunny was a little hesitant because he felt Gadar was a blockbuster and didn't want to meddle with it. But I requested him that the entire nation has been requesting a sequel and we should respect their emotions. After many calls, he finally agreed to hear the story. When we sat down for narration and finished it, he had tears in his eyes. That's how the journey of Gadar 2 started."[9] Ameesha Patel and Utkarsh Sharma also reprise their roles of Sakeena and Charanjeet "Jeete" Singh from the first film.[10] Simrat Kaur was also cast for the film.[10] Manish Wadhwa was offered the role of a Pakistani army general in the film. Rohit Choudhary, was also cast in the role of a Pakistani army general in the film. Luv Sinha and Gaurav Chopra have also been cast in important role. The shoot of the film was wrapped up by May 2023.[11] The late Amrish Puri face used as Ashraf Ali, Sakeena's father from the first film. Puri passed away in 2005 and used his role through archive footage from Gadar: Ek Prem Katha and computer-generated imagery. On the review aggregator website Rotten Tomatoes, Gadar 2 has an approval rating of 9% from 11 reviews, with an average score of 3.3/10.[23] Taran Adarsh from Bollywood Hungama rated the film 4.5 stars out of 5 and wrote “Gadar 2 is old-school desi entertainment at its best. Sunny Deol returns to the big screen with a vengeance… He is as ferocious as ever. The patriotic flavour coupled with tremendous recall value will make it a huge money-spinner. Gadar 2 lives up to massive expectations… Has it all: drama, emotions, action, two beautiful songs [from the first part] and the hand pump sequence, of course. Anil Sharma makes sure he packs every ingredient on the shelf to create a big-screen entertainer.” [24] Anuj Kumar from The Hindu wrote "It is not as provocative as the original as driver Anil Sharma seeks to take a middle path. Perhaps, it feels like that because the socio-political atmosphere outside the theatre has become much more dramatic and shrill than what it was when the original released in 2001. Still, it is good that Sharma has toned down the jingoistic tone."[25] Monika Rawal Kukreja of Hindustan Times wrote "Gadar 2 does falter in terms of story and its pace, though it brings back the mass entertainment and that can surely make it a paisa vasool watch."[26] Anindita Mukherjee from India Today gave three and half stars out of five and wrote "Gadar 2 supersedes expectations, as it successfully tugs at your heartstrings. And there’s Sunny Paaji to do all the heavy-lifting (pun intended).[27] Shubhra Gupta of The Indian Express rates one and half stars out of 5 stars said: What we can confirm is that Sunny paaji can still snarl effectively, and that dhai-kilo-ka-haath has residual potency. We can also confirm the reappearance of a hand-pump.[28] Umesh Punwani of Koimoi gave one star and reviewed as: this is a blatant misuse of fans’ emotions taking it for granted to deliver such a horrendous product hoping it’ll work only based on nostalgic factors

Happy birthday to Pyarellalji of Laxmikant Pyarelal duo

The viewers of Bollywood films wish happy birthday to Pyarellal on 3rd September, 2026. Laxmikant Pyarellal had a very successful career in bollywood films. Their success in the film Parasmani and Dosti had proved the fact that they had emerged in the film arena to play a long innings. In the 70s they gave music in most of the successful films and the music was innovative too. After the death of Jaikishan in 1971, Raj Kapoor used LP in the film Bobby in 1973. The songs “mai shayar to nahi” sung by Shailendra Singh, and songs sung by Chanchal had given them an opening for flourishing their musical careers as well. LP gave successful music in the film Aan Milon Sajna, where songs like “aan milon sajna” sung by Rafi and “acha to hum chalte hai” sung by Lata and Kishore became hits. LP gave successful music in the film Amar Akbar Anthony, where Rafi’ssongs “parda hai parda”, “shirdiwali saibaba”, Kishore’s song “my name is Anthony Gonsalves”, etc., had catered to the popular taste of film music. LP gave successful music in Rishi Kapoor’s film Sargam, with hit songs of Rafi and Lata including “dafliwale”, “koel boli”, “ramjiki nikli sawari”, etc. Even the songs in Rishi Kapoor’s film Karz, including “darde dil” sung by Rafi and “om shanty om” sung by Kishore gave super hit in the late 70s. Songs like “yeh dil tum bin kahin lagta nahi” sung by Rafi and Lata in the film Izzat, and “patta patta boota boota”, sung by Rafi and Lata, in Ek Nazar are quality compositions showing the class of LP. LP also gave quality songs in the film Jeevan Mrityu, with Rafi’s song like “jhilmil sitaronka”, songs like “o sapno ka raja” sung by Rafi and Lata in the film Banphool. LP in many cases compromised with the taste of mass audience in composing music in the late 70s if compared with the superlative class of music composed in the 60s. He even gave classical songs in the 60s like “roushan tumhi se duniya” and “woh jab yaad aye” sung by Rafi and Lata in the film Parasmani based on classical touch. Even then the compositions of LP in the 70s are notable and should be preserved.

Happy birth anniversary to Mahanayak Uttam Kumar

Superstar Uttam Kumar was remembered on his birth anniversary on 3rd September, 2026. In 2014 Actor-turned-MPs Dev and Moon Moon Sen would be felicitated with the Mahanayak and Mahanayika Samman, the highest film award given by the West Bengal government. Chief Minister Mamata Banerjee will give the annual 'Mahanayak Uttam Kumar Samman' at Nazrul Mancha stadium tomorrow to felicitate the actors and technicians of the Bengali film industry. On her Facebook page, Banerjee said veteran actress Mousumi Chatterjee and reigning Bengali film superstar Dev will be the recipients of this year's 'Mahanayak Samman' while Moonmoon Sen will receive the 'Mahanayika Samman'. Both Dev and Sen had won the recent Lok Sabha polls on a Trinamool ticket. The awards were instituted in the year 2012 in the memory of the legendary actor 'Mahanayak' Uttam Kumar. Actor-director-producer Arindam Sil will be conferred with Special Film Award (Acting). Special Film Awards will also be presented to actors like Paoli Dam, Hiran Chatterjee, Abir Chatterjee, Indranil Sengupta, Kharaj Mukherjee, Rudranil Ghosh and others. Veterans of Bengali film industry like Chiranjeet Chakraborty, Sabyasachi Chakraborty, Mamata Shankar and Debashree Roy will be feted with Lifetime Achievement Awards. Veteran playback artiste Kumar Sanu will be felicitated with Lifetime Achievement Award for Music (playback Singer) while Special Film Awards (Music Director) will be presented to Sivaji Chattopadhyay, Arundhati Home Chowdhury and Adhir Chatterjee. Nispal Rane on behalf of Surinder Films will get Special Film award for the best producer. Special film award for direction will be given to Swapan Saha, Kamaleshwar Mukherjee and Prodipto Bhattacharyya. 50 actors had been awarded the Mahanayak Uttam Kumar award on his death anniversary on 24th July, 2013. Chief Minister Mamta Banerjee had started the awards in the memory of the greatest superstar of Bengal Mahanayak Uttam Kumar. Madhabi Mukherjee, Dipankar Dey, Ranjit Mullick and Sandhya Roy had been given lifetime achievement award. Incidentally Madhabi Mukherjee had acted in many super hit films of Uttam Kumar like Shankhabela, Choddobeshi, Agnisshar, etc. and Sandhya Roy had acted in many hit films of Uttam Kumar like Mayamrigo, Surjotapa. Director Goutam Ghosh had also been granted lifetime achievement award. Actors Partho Mukherjee, Chinmoy Roy, directors Sandip Ray, Raj Chakravarty, Sujit Saha, Koushik Ganguly and Srijit Mukherjee are given special awards. Actors Tapas Pal and Prasenjit Chatterjee are given Mahanayak Samman. Actors Saswata Chatterjee and Parambrata Chatterjee are given special awards. Film Producing companies are also awarded and felicitated including RD Bansal and Company, Arora Films, Shri Venkatesh films, New Theatres, to name a few. He had died almost 33 years ago, yet the viewers had not forgotten his films and still his presence is felt in the life bengalies in different parts of the world. In 2011 the Governer of West Bengal launched the 50 rupees postal stamp having the engraving of Uttam Kumar in it. Previously Raj Kapoor and Dilip Kumar’s faces were engraved in Postal stamps for remembering their contribution to Indian cinema.

Wednesday, August 26, 2026

Shamshad Begumji songs remained immortal over the period of time

Shamshad Begum the owner of voice like bell of temple. Shamshad Begum was a legendary singer and the gain of the voice still haunts music lovers. She was born on 14th April, 1919 and died on 23rd April, 2013. She was born in Lahore. From there she came to Mumbai with Mehboob Khan. Her talent was recognized by music director Ghulam Haider in the early 1930s. After Naushad Ali became successful he recorded songs with new singers as well in the early 1950s, but kept working with Shamshad in the late 1950s and early 1960s. Naushad Ali chose his favourite singer Begum once again to sing four out of the twelve songs in Mother India. Begum is credited with singing one of the first Westernised songs, "Meri jaan...Sunday ke Sunday" by Ramchandra. She kept getting more offers to sing songs and was the highest paid female singer from 1940 to 1955 and again post Mother India in 1957 to 1964. In 1949, music directors S. Rajeshwara Rao, M. D. Parthasarathy and Balakrishna Kalla asked her to sing "Jaiyo Jaiyo Shipayon Bazar" for P. Bhanumati in the film Nishan, produced by Gemini Films of Madras, which became highly popular. In 1954, when OP Nayyar got a break as a composer, he approached Begum to record songs for Mangu. Nayyar described her voice as resembling a "temple bell" for its clarity of tone. He worked with her until the late 1960s and gave her many hit songs, including "Ab To Jee Hone Laga" from Mr. & Mrs. '55, "Main Jaan Gayi Tujhe" from Howrah Bridge, "Zara Pyar Karle" from Mangu (1954), "Saiyan Teri Ankhon Mein" from 12' O Clock (1957), "Thodasa Dil Lagana" from Musafirkhana, and many others. Incidentally Shamshad Begum sang around 160 duet songs with Rafisahab. Majority of them rocked Bollywood music in the 1950s. Some of the most famous ones included “leke pehela pehela pyar” in film CID composed by OP Nayyar, “thandi hawaye kaalighatayen”, “husnwalen wafa nahin karte” in Love in Simla, composed by Iqbal Qureshi, “mai jaan gayi tujhe saiyan” in Howrah Bridge composed by OP Nayyar, “gao tarane manke” in Aan composed by Naushad Ali, “dhoom dharaka dhoom dharaka” in film Amber, “door koi gaye dhun yeh sunaye” in Baiju Bawra composed by Naushad Ali, “ho bachpan ke din bhula na dena” in Deedar composed by Naushad Ali, “nadi kinare saath hamare” in film Babul composed by Naushad Ali, to name a few. Shamshad Begum had other solo hits like “ek do teen aaja mausam hai rangeen” composed by Shankar Jaikishan in film Awaara in 1951. From the 1970s Shamshad Begum faded away from the industry, but her brilliant bass still haunts the listeners.

Superstar Uttam Kumar had fantastic relation with directors Ajoy Kar and Agradoot

Elegant combination of Uttam Kumar with Ajoy Kar and Agradoot. In the 1950s major films of Uttam Kumar created romantic appeal before the majority of audience of the country. His combination with Ajay Kar and Agradoot was very grand. Ajay Kar did cast Uttam Kumar for the first time in the film Griha Prabesh. It was a social film where Uttam Kumar and Suchitra sen were launched and they acted opposite other established artists like Manju Dey, Bikash Roy and others. In Shyamali in 1956, Ajay Kar utilized Uttam Kumar’s acting potential. It was a film relating to deaf and dumb character played by Kaberi Bose. Uttam Kumar played a very compassionate role and his experience of acting in stage opposite Sabitri Chatterjee in the play Shaymali helped him a lot. In 1957, Uttam Kumar’s film Harano Sir ended up being the biggest blockbuster of the decade. Suchitra Sen played the role of wife of Uttam Kumar. Uttam Kumar met with an accident and for his previous history. Suchitra Sen treated her and married her. But again Uttam Kumar met with an accident and forgot Suchitra Sen. The rest of the film was related to the struggle of Suchitra Sen in bringing back memories of Uttam Kumar of the past. Geeta Dutt’s song “tumi je amar” became bumper hit. Ajay Kar’s Saptapadi stands out as one of the greatest classics of the golden period. Critics argue that Saptapadi released in 1961 stands out as the best film of Uttam Kumar and Suchitra Sen in their entire career. Ajoy Kar probably made the best use of Uttam Kumar and Suchitra Sen in the film Saptapadi. It was a story of Tarashankar Banerjee on affair between hindu Brahmin played by Uttam Kumar with a Christian girl played by Suchitra Sen. Uttam Kumar’s father Chabi Biswas did not accept the marriage. Uttam Kumar became a Christian and a doctor but could not marry Suchitra Sen. The film was made at the backdrop of Second World War. Hemanta Mukherjee’s music in the film was very impressive. Ajay Kar reciprocated the magic in Uttam Kumar’s film Shono Boronari. The film was released in 1960. There Supriya Debi, the daughter of eminent barrister Udasin played by Chabi Biswas fell in love with a homeopathic doctor played by Uttam Kumar. As monetarily Uttam Kumar was no match to Chabi Biswas, a marriage was arranged with industrialist Dipak Mukherjee in the film. At the end of the film Supriya Debi left her house to accept Uttam Kumar. The music of Robin Chatterjee in the film was very impressive. Ajoy Kar made other successful films with Uttam Kumar including Khelaghar opposite Mala Sinha, Bardidi with Sandharani, to name a few. Agradoot included a group of directors were formed in 1946 by director Bibhuti Laha, sound recordist Jatin Dutta, Laboratory specialist Sailen Ghoshal, script writer Nitai Bhattacharya and producer Bimal Ghosh. With Uttam Kumar Agradoot made the film Sahajatri in 1951. Bharati Debi was the heroine of the film. After that Agradoot directed one after the other hit films with Uttam Kumar. Agniparikkha in 1954 directed by Agradoot became super hit. Uttam Kumar and Suchitra Sen were established as leading stars of Bengal. Anupam Ghatak composed the music of the film. Sandhya Mukherjee sang landmark songs like “gaane more indradhanu”, “ke tumi amare dako”, to name a few. From that time Suchitra Sen, singer Sandhya Mukherjee, music director Robin Chatterjee, Anupam Ghatak stormed Bengali films. Sabar Opore followed. Uttam Kumar played the role of lawyer in the film who re-opened a murder case where his father Chabi Biswas was proved guilty of murder. Again the combination with Suchitra Sen, Sandhya Mukherjee, Robin Chatterjee struck gold. The songs of Sandhya Mukherjee like “ghum ghum chand jhikimiki tara”, and Dhananjoy Bhattacharya like “kantaro aghate chino paye rakta jhare” became super hit. The other super hit films of Uttam Kumar and Suchitra Sen directed by Agradoot include Pathe Holo Deri, Bipasha, to name a few. Majority of Agradoot’s films were produced by MP Production and shot in MP Studio. One interesting statistics about Uttam Kumar Suchitra Sen pair is that from 1953 to 1959, both of them acted in 22 films. Majority of those films were directed by Agradoot and majority of them ended up being super hit films. Chabi Biswas was pivotal in playing the roles of fathers of Suchitra Sen and Uttam Kumar in majority of those films. Agradoot continued with his experiment in other Uttam Kumar films like Kuhak in 1961, Kokhono Megh in 1968, Choddobeshi in 1971. It was a great experiment of Agradoot in casting Uttam Kumar in negative role for the first time in Kuhak. Sabitri Chatterjee was the heroin. He wanted to take away the stolen money from Tarun Kumar’s son but was ultimately killed by Premangshu Basu. In Kokhono Megh Uttam Kumar played the role of detective with Kali Banerjee the villain. Anjana Bhowmick acted opposite Uttam Kumar. Agradoot also directed Uttam Kumar in serio-comic film Choddobeshi. Madhabi Mukherjee, Bikash Roy, Anubha Gupta were the other artists in the film. If the films of Ajoy Kumar and Agradoot were analyzed it will be seen while Uttam Kumar played the pivotal roles in all the films, the success of the films were dependent on outstanding music. The prominent music directors who contributed in the music of the films included Robin Chatterjee and Anupam Ghatak. The outstanding performances by character artists like Chabi Biswas took the films to a different horizon. Other male character artists performed beyond expectation including Kamal Mitra, Nitish Mukherjee, Bikash Roy, Pahari Sanyal, Kali Banerjee, Jahar Ganguly, to name a few. Also the female character artists like Malina Debi, Sunanda Debi, Chandrabati Debi, Chaya Debi, Padda Debi played landmark characters. The excellent literature of legendary writers like Tagore, Sarat Chandra Chatterjee, Bankim Chandra Chatterjee, and contemporary writers like Samaresh Basu, Subodh Ghosh appealed to the masses. If Uttam Kumar became mahanayak, the legendary superstar of Bengal, there was huge contribution of Ajay Kar and Agradoot in making him a superstar. /s320/85a8e35fa5fd27565702cd986d9dbf62%2BUttam%2Bkumar%2Bsharmila.jpg" width="298" height="320" data-original-width="564" data-original-height="606" />

Tuesday, August 25, 2026

Wahida Rehmanji was rightly awarded Dadasahab Phalke award

Legendary actress Wahida Rehman is honoured with Dadasahab Phalke award. She was sublime opposite Dilip Kumar sahab in Dil Diya Dard Liya, opposie Raj Kapoor sahab in Teesri Kasam Guru Dutt sahab in films Pyaasa and Kagaaz Ka Phool. Happy birthday to Wahida Rehman. The viewers of Bollywood films wish happy birthday to veteran actress Wahida Rehman on 3rd February, 2026. Wahida Rehman was known for her combination with actor director Guru Dutt. From 1957, the viewers saw thoughtful Guru Dutt in films like Pyaasa and Kagaz Ka Phool. Both the films were based on eternal truth. Pyasa was related to recognition of a poet in a materialistic world. Kagaz Ka Phool was related to story of directors and performers in celluloid, their rise and their fall due to ungratefulness of opportunists in society. The music composed by SD Burman in both these films were of high standard. Wahida Rehman balanced the thoughtful acting of Guru Dutt in these films. Also the lyrics of Sahir Ludhiyanvi were very meaningful. The notable songs included “yeh mahalon yeh takhton yeh tajon ki duniya”, “sar jo tera”, “bichar gaya bari bari” sung by Rafi, “waqt ne kiya kya haseen sitam” sung by Geeta Dutt, to name a few. It was very unfortunate that Guru Dutt did not receive the filmfare award for the best actor for his thoughtful performance in the film Pyaasa. Guru Dutt and Wahida Rehman’s onscreen chemistry was accepted by viewers in the film Chaudavi Ka Chand. The title song “chaudavi ka chand ho, ya aaftab ho” sung by Rafi and composed by Ravi can be considered as one of the ten best ghazals composed in the history of bollywood music. Guru Dutt bought colour in the song sequence. The film did great business. It was listed in the top five grosser of bollywood after Mughal-i-Azam, Kohinoor and Barsaat Ki Raat in the year 1960. Guru Dutt as an actor did great job in films like Bharosa, Saheb Bibi Aur Ghulam, Saanz Aur Sawera, etc. His early demise in the mid-60s led to huge loss in the film industry as his works were filled with deep thoughts. In the 1960s Wahida Rehman acted in super hit films one after the other. Her successful films included Ram Aur Shyam, Dil Diya Dard Liya opposite Tragedy King Dilip Kumar, Patthat Ke Sanam opposite Manoj Kumar, Teesri Kasam opposite Raj Kapoor, Guide opposite Dev Anand, Dharti opposite Rajender Kumar to name a few. The viewers pay respect to legendary actress Wahida Rehman on her birthday and want the restoration of her works to acknowledge her creativity as actress and versatility.

In 2024 Raj Kumar Rao starrer Stree 2 did business of more than 630 crores in India and 870 crores business worldwide

Stree 2 did more than 580 crores in India due to brilliance of Rajkumar Raoji and Shraddha Kapoorji. It is heading towards being blockbuster.
Stree 2: Sarkate Ka Aatank (transl. Woman 2: The Terror of the Headless) is a 2024 Hindi-language comedy horror film directed by Amar Kaushik, written by Niren Bhatt, and produced jointly by Maddock Films and Jio Studios. The film stars Shraddha Kapoor, Rajkummar Rao, Pankaj Tripathi, Abhishek Banerjee and Aparshakti Khurana. It is the fifth installment in the Maddock Supernatural Universe and is the sequel to Stree (2018). Soft Chitti, warm Chitti, little ball of fur. Happy Chitti, sleepy Chitti, purr purr purr. Hold on, don't nod off just yet! This Indian spin on The Big Bang Theory's 'Soft Kitty, Warm Kitty' had everyone in the theatre in stitches. It's just one of the many laugh-out-loud moments that kick off Amar Kaushik's Stree 2. With a star-studded cast featuring Shraddha Kapoor, Rajkummar Rao, Pankaj Tripathi, Abhishek Banerjee, and Aparshakti Khurana, the film offers a lot more in terms of entertainment and surprises. Stree 2 is the much-awaited sequel to the 2018 hit Stree, and it certainly lives up to the hype. The film continues the unique blend of horror and comedy that made the original so unforgettable. However, this time, the stakes are higher, the scares are more intense, and the laughs flow even more effortlessly. The story picks up right where the first film left off. The village of Chanderi is now living in peace, protected by the "O Stree Raksha Karna" signs that keep the menacing ghost of Stree away. However, a new terror emerges in the form of Sarkata, a headless man who starts abducting the village's girls and women. Unlike Stree, who targeted men, Sarkata goes after women who challenge societal norms and dare to think independently, making him a patriarchal symbol. Shraddha Kapoor's stint in Stree 2 The film centers around Vicky (Rajkummar Rao) and his friends, Rudra (Pankaj Tripathi), Jana (Abhishek Banerjee), and Bittu (Aparshakti Khurana), as they try to save their village from this new menace. They are joined by a mysterious nameless girl (played by Shraddha Kapoor), who warns them that they only have a few days to stop Sarkata before it's too late. The group quickly realises that the only one who can defeat Sarkata is Stree herself, setting up a thrilling and suspenseful race against time. The first half of Stree 2 is a masterclass in setting the stage for what's to come. The introduction of Sarkata as the new villain is done with great flair, and the sequences featuring him are both spine-chilling and visually striking. The film's setting, which captures the uncanny yet lively atmosphere of Chanderi, is spot-on, drawing viewers into the story from the very beginning. Special mention must be made of the cinematography and background music, which are both highly effective in building tension and enhancing the overall mood of the film. The performances in the first half are also top-notch. Rajkummar, Pankaj, Abhishek, and Aparshakti reprise their roles with the same energy and charm that made them so beloved in the first film. Their camaraderie and comic timing are impeccable, making the humour feel natural and unforced. Shraddha, delivers a standout performance, balancing mystery and strength with ease. She makes a strong impact with her action-packed performance. Her role is crucial to the story, and she handles it with grace and confidence.
Kaushik expressed interest in a sequel as early as October 2018, and Rao later confirmed that development was underway in February 2022. The production houses officially announced the sequel in April 2023. Principal photography commenced the following July and was predominantly shot in Chanderi and Bihar before wrapping by mid‐2024. The film has music composed by Sachin–Jigar, score composed by Justin Varghese, cinematography handled by Jishnu Bhattacharjee and editing by Hemanti Sarkar. Stree 2 in 3 days did more than 90 crores in India due to brilliance of Rajkumar Raoji and Shraddha Kapoorji. It is heading towards being blockbuster.
Stree 2: Sarkate Ka Aatank (transl. Woman 2: The Terror of the Headless) is a 2024 Hindi-language comedy horror film directed by Amar Kaushik, written by Niren Bhatt, and produced jointly by Maddock Films and Jio Studios. The film stars Shraddha Kapoor, Rajkummar Rao, Pankaj Tripathi, Abhishek Banerjee and Aparshakti Khurana. It is the fifth installment in the Maddock Supernatural Universe and is the sequel to Stree (2018). Kaushik expressed interest in a sequel as early as October 2018, and Rao later confirmed that development was underway in February 2022. The production houses officially announced the sequel in April 2023. Principal photography commenced the following July and was predominantly shot in Chanderi and Bihar before wrapping by mid‐2024. The film has music composed by Sachin–Jigar, score composed by Justin Varghese, cinematography handled by Jishnu Bhattacharjee and editing by Hemanti Sarkar. Stree 2 was theatrically released in India on 15 August 2024, coinciding with Independence Day. The film received positive reviews from critics and has grossed ₹84.4 crore at the box office.[4] Plot After the events of Stree, the small town of Chanderi is being haunted by a beheaded creature, "Sarkata", who is abducting women. Cast Shraddha Kapoor as a phantasm with undisclosed name, Stree's daughter Rajkummar Rao as Vicky Pankaj Tripathi as Rudra, a paranologist Abhishek Banerjee as Jana, Vicky's friend Aparshakti Khurana as Bittu, Vicky’s friend Atul Srivastava as Vicky's father Mushtaq Khan as MLA Sunita Rajwar as Jana's mother Anya Singh as Chitti Arvind Bilgaiyan as Jana's father Bhoomi Rajgor as Stree Sunil Kumar as Sarkata Aakash Dabhade as Narendra, Jana's friend Simran Sharma as Mamata, Narendra's wife Ajay Pal as postman Mustaqueem Khan as Durga Badriprasad Chavan as Lokesh Vipasha Arvind as Anju Bhabhi Tamannaah Bhatia as Shama (cameo appearance in the song "Aaj Ki Raat")[5] Amar Kaushik (cameo in the song "Aaj Ki Raat")[5] Varun Dhawan as Bhaskar / Bhediya, Jana's cousin (cameo appearance)[6] Akshay Kumar as Sarkata's descendant (cameo appearance)[7] Production Development In October 2018, director Amar Kaushik announced his plans for a sequel to the Stree.[8] In February 2022, actor Rajkummar Rao confirmed the sequel's development.[9] In March 2023, the sequel entered the pre-production stage, with filming scheduled to commence in July 2023.[10][11] In April 2023, the makers announced that the film would release on 30 August 2024.[12] The cast included Rajkummar Rao, Shraddha Kapoor, Pankaj Tripathi, Abhishek Banerjee and Aparshakti Khurana, reprising their roles from the previous film.[13] Filming Principal photography commenced on 10 July 2023,[14] with the initial shoot held in Chanderi.[15] Most of the main cast was present barring Pankaj Tripathi who joined the sets after completing his work on Main Atal Hoon.[16][17] The second schedule began in the same place in November 2023.[18] In December, a dance number featuring Tamannaah Bhatia alongside Rao, Tripathi, Khurrana, and Banerjee, along with the director, was filmed in Bihar and choreographed by Vijay Ganguly.[19][5] According to him, it was shot under harsh weather conditions as Kaushik wanted to capture a realistic setting, as the following scene takes place in a live location.[20] Varun Dhawan joined the set in February 2024 to shoot his special appearance, reprising his role from the film Bhediya.[6] Post-production The Central Board of Film Certification (CBFC) did not mandate any visual cuts for Stree 2. However, the board requested two audio modifications: the removal of a celebrity's name and the muting of a national monument's name. After these changes, the film was granted a U/A rating and has a runtime of 149 minutes Stree 2 was theatrically released in India on 15 August 2024, coinciding with Independence Day. The film received positive reviews from critics and has grossed ₹84.4 crore at the box office.[4] Plot After the events of Stree, the small town of Chanderi is being haunted by a beheaded creature, "Sarkata", who is abducting women. Cast Shraddha Kapoor as a phantasm with undisclosed name, Stree's daughter Rajkummar Rao as Vicky Pankaj Tripathi as Rudra, a paranologist Abhishek Banerjee as Jana, Vicky's friend Aparshakti Khurana as Bittu, Vicky’s friend Atul Srivastava as Vicky's father Mushtaq Khan as MLA Sunita Rajwar as Jana's mother Anya Singh as Chitti Arvind Bilgaiyan as Jana's father Bhoomi Rajgor as Stree Sunil Kumar as Sarkata Aakash Dabhade as Narendra, Jana's friend Simran Sharma as Mamata, Narendra's wife Ajay Pal as postman Mustaqueem Khan as Durga Badriprasad Chavan as Lokesh Vipasha Arvind as Anju Bhabhi Tamannaah Bhatia as Shama (cameo appearance in the song "Aaj Ki Raat")[5] Amar Kaushik (cameo in the song "Aaj Ki Raat")[5] Varun Dhawan as Bhaskar / Bhediya, Jana's cousin (cameo appearance)[6] Akshay Kumar as Sarkata's descendant (cameo appearance)[7] Production Development In October 2018, director Amar Kaushik announced his plans for a sequel to the Stree.[8] In February 2022, actor Rajkummar Rao confirmed the sequel's development.[9] In March 2023, the sequel entered the pre-production stage, with filming scheduled to commence in July 2023.[10][11] In April 2023, the makers announced that the film would release on 30 August 2024.[12] The cast included Rajkummar Rao, Shraddha Kapoor, Pankaj Tripathi, Abhishek Banerjee and Aparshakti Khurana, reprising their roles from the previous film.[13] Filming Principal photography commenced on 10 July 2023,[14] with the initial shoot held in Chanderi.[15] Most of the main cast was present barring Pankaj Tripathi who joined the sets after completing his work on Main Atal Hoon.[16][17] The second schedule began in the same place in November 2023.[18] In December, a dance number featuring Tamannaah Bhatia alongside Rao, Tripathi, Khurrana, and Banerjee, along with the director, was filmed in Bihar and choreographed by Vijay Ganguly.[19][5] According to him, it was shot under harsh weather conditions as Kaushik wanted to capture a realistic setting, as the following scene takes place in a live location.[20] Varun Dhawan joined the set in February 2024 to shoot his special appearance, reprising his role from the film Bhediya.[6] Post-production The Central Board of Film Certification (CBFC) did not mandate any visual cuts for Stree 2. However, the board requested two audio modifications: the removal of a celebrity's name and the muting of a national monument's name. After these changes, the film was granted a U/A rating and has a runtime of 149 minutes

Monday, August 24, 2026

Shankar Jaikishanji gave the maximum number of jubilee hits between 1940s, 1950s, 1960s, 1970s

Jubilee hit films of Shankar Jaikishan. Shankar Jaikishan are the musical duo who became immortal with their music. Between 1949 to 1971 they became a phenomenon. Their music really enchanted the listeners. Here is the list of jubilee hits of SJ. 1949 - Barsaat - Raj Kapoor - Golden jubilee 1951 - Awaara - Raj Kapoor - Golden jubilee 1952 - Daag - Dilip Kumar - Silver jubilee 1955 - Shree 420 - Raj Kapoor - Golden jubilee 1956 - Chori Chori - Raj Kapoor - Silver jubilee 1956 - Basant Bahar - Bharat Bhushan - Silver jubilee 1958 - Yahudi - Dilip Kumar - Silver jubilee 1959 - Anari - Raj Kapoor - Golden Jubilee 1960 - Jis Desh me Ganga Behti Hai - Raj Kapoor - Golden Jubilee 1960 - Dil Apna Prit Parayi - Raj Kumar - Silver Jubilee 1961 - Junglee - Shammi Kapoor - Silver Jubilee 1961 - Sasural - Rajender Kumar - Silver Jubilee 1962 - Professor - Shammi Kapoor - Silver Jubilee 1962 - Hariyali Aur Raasta - Manoj Kumar - Silver Jubilee 1963 - Dil Ek Mandir - Rajender Kumar - Silver Jubilee 1964 - Sangam - Raj Kapoor, Rajender Kumar - Platinum Jubilee 1964 - Ayee Milan Ki Bela - Rajender Kumar - Silver Jubilee 1964 - Zindagi - Rajender Kumar - Silver Jubilee 1964 - April Fool - Biswajeet - Silver Jubilee 1965 - Aarzoo - Rajender Kumar - Golden Jubilee 1965 - Janwar - Shammi Kapoor - Silver Jubilee 1965 - Gumnaam - Manoj Kumar - Silver Jubilee 1966 - Suraj - Shammi Kapoor - Silver Jubilee 1966 - Love in Tokyo - Joy Mukherjee - Silver Jubilee 1967 - An Evening in Paris - Shammi Kapoor - Silver Jubilee 1968 - Brahmchari - Shammi Kapoor - Silver Jubilee 1968 - Shikar - Dharmender - Silver Jubilee 1969 - Yakeen - Dharmender - Silver Jubilee 1969 - Kanyadaan - Shashi Kapoor - Silver Jubilee 1969 - Prince - Shammi Kapoor - Silver Jubilee 1972 - Beimaan - Manoj Kumar - Silver Jubilee In 1949, Raj Kapoor rose to Stardom with Barsaat. Raj Kapoor’s Barsaat became the greatest blockbuster which was a golden jubilee hit running for more than 50 weeks. Mukesh’s “chor gaye balam”, Lataji’s “hawa me urta jaye” and “jiya beqarar hai” became super hit. In 1951, Raj Kapoor’s Awaara became the biggest blockbuster. It was a golden jubilee hit and ran for more than 50 weeks. It became popular in Russia and Europe as well. Raj Kapoor produced and directed the film. The music was composed by Shankar Jaikishan. Nargis, Raj Kapoor, Prithviraj Kapoor, Leela Chitnis, KN Singh played the lead roles. Mukeshji’s song “awara hoon, yah gardish me hoon aasman ka tara hun”, Lataji’s “jab se balam ghar aye”, “ghar aya mere pardesi” became super hit. In 1952, Dilip Kumar’s Daag was a silver jubilee hit film. Talatji’s song “koi nahi mera is duniya me” and “ei mere dil kahin aur chal” became super hit. In 1955, Raj Kapoor’s Shree 420 became the biggest blockbuster. It was a golden jubilee hit and ran for more than 50 weeks. Raj Kapoor produced and directed the film. The music was composed by Shankar Jaikishan. Rafisahab’s song “ramaiya vasta maiya”, Manna Deysahab’s song “dil ka haal sune dilwala”, “mur murke na dekh”, Lataji’s song “ichakdana” became super hit. In that year Dilip Kumar’s Azaad was the 2nd biggest hit. In 1956 Raj Kapoor’s Chori Chori was a silver jubilee hit running for more than 25 weeks. Nargis, Raj Kapoor, Pran played the lead role. The music was composed by Shankar Jaikishan. Manna Dey’s song “aaja sanam madhu chandni me hum”, “yeh raat bheegi bheegi”, Lataji’s “rasik balma” became super hit. In 1956, Bharat Bhushan’s Basant Bahar also became a silver jubilee hit. Manna Dey’s song “sur na saje”, Bhim Sen Joshi’s “Ketaki gulab”, Rafisahab’s “duniya na bhaye mohe” became big hit. In 1959, Raj Kapoor’s Anari was the biggest blockbuster and a golden jubilee hit. It ran for more than 50 weeks. Hrishikesh Mukherjee directed the film. Shankar Jaikishan composed music for the film. Nutan, Raj Kapoor, Lalita Power played the lead roles. Mukeshji’s song “sab kuch seekha humne”, “kisiki muskurahaton pe ho nisar”, Lataji’s song “yeh chand khilan”, became super hit. Raj Kapoor received the filmfare award for best actor for Anari in that year. In 1960, Raj Kapoor’s Jis Desh Me Ganga Behti Hai became the 4th biggest blockbuster and a golden jubilee hit running for more than 50 weeks. It was produced by Raj Kapoor and directed by Radhu Karmakar. Shankar Jaikishan composed the music of the film. Padmini, Pran acted opposite Raj Kapoor. Raj Kapoor again received filmfare award for best actor for the film. Lataji’s song “o maine pya kiya”, “o basanti pawanapawan”, Mukeshji’s song “aa ab laut chale”, “mera naam raju”, “hoton pe sacchai rehte hai” became super hit. In that year Dilip Kumar’s Mughal I Azam was the biggest blockbuster. In 1960, Raj Kumar’s Dil Apna Aur Preet Parayi became silver jubilee hit. Lataji’s songs ‘sheesha-e-dil itna na uchalo”, “dil apna aur preet parayi” became big hit. In 1961, Shammi Kapoor’s Junglee became silver jubilee hit. Rafisahab’s songs “ehsaan tera hoga mujhpar”, “meri yaar shabba khair” became super hit. In 1961, Rajender Kumar’s Sasural became silver jubilee hit. Rafisahab’s song “ek sawal tum karon”, “teri pyari pyari surat ko” became super hit. In 1963, Rajender Kumar, Raj Kumar’s film Dil Ek Mandir became silver jubilee hit. Lataji’’s song “ruk ja raat”, “hum tere pyar me sara alam” and Rafisahab’s “jahan koi nahi”, “dil ek mandir hai” and “yaad na jaye” became super hit. In 1964, Raj Kapoor’s Sangam became the biggest blockbuster and a platinum jubilee hit. It ran for more than 75 weeks. Raj Kapoor produced and directed the film. Shankar Jaikishan composed the music of the film. Rajender Kumar, Vaijayantimala, Raj Kapoor played the lead roles. All the songs became super hit including Rafisahab’s “ki tum naaraaz na hona”, Mukeshji’s “bol radha bol”, “o mehbooba”, to name a few. In 1964, Sangam was Rajender Kumar’s biggest blockbuster in entire career ending up as platinum jubilee running for more than 75 weeks. Raj Kapoor and Vaijayantimala’s performances were as brilliant as Rajender Kumar’s performance. Rafisahab’s song composed by Shankar Jaikishan “ki tum naraaz na hona” haunted the viewers. In the same year, Rajender Kumar’s Ayee Milan Ki Bela and Zindagi ended up as silver jubilee hits running for more than 25 weeks. Again Rafisahab and Shankar Jaikishan’s combination created gold for Rajender Kumar including the songs “tum khamseen ho”, “tu bura maan gaye”, “o sanam tere ho gaye hum”, “aha aye milan ki bela”, “pehele mile the sapno me”, to name a few. Vaijayantimala acted opposite Rajender Kumar in Zindagi, while Saira Banu acted opposite Rajender Kumar in Ayee Milan Ki Bela. In 1965, Rajender Kumar’s film Aarzoo became silver jubilee hit running for more than 25 weeks. Again the Rafisahab, Shankar Jaikishan produced gold, the landmark songs being “aye nargisi mastana”, “chalke teri ankhon se”, “aji humse bachkar kahan jayiega”. Sadhna’s performance opposite Rajender Kumar was brilliant and the film ended up being the 4th biggest hit of the year. In 1966, Rajender Kumar’s film Suraj became silver jubilee hit running for more than 25 weeks. Again it was magic combination of Rafisahab and Shankar Jaikishan which created gold. The landmark songs included “gustaqi maaf”, “kaise samjhayun bari nasamajh ho”, “itna hai tumse pyar mujhe mere raazdaar”, to name a few. Vaijayantimala acted opposite Rajender Kumar in the film. In 1965, Manoj Kumar’s Gumnaam became silver jubilee hit. Rafisahab’s songs “jaan pehchaan ho”, “jaane chaman shola badan” and Lataji’s “gumnaam hai koi” became super hit. In 1965, Shammi Kapoor’s Janwar became silver jubilee hit. Rafisahab’s songs “lal chari maidaan khari”, “tum se accha kaun hai”, Suman Kalyanpur’s “mere sang ga gunguna” became super hit. In 1966, Joy Mukherjee’s Love in Tokyo became silver jubilee hit. Rafisahab’s songs “Japan, Love in Tokyo”, “aaja re aa zara aa” became super hit. In 1967, Shammi Kapoor’s An Evening in Paris became silver jubilee hit. Rafisahab’s songs “akele akele kahan ja rahe ho”, “aasman se aya farishta”, raat ke humsafar” became big hits. In 1967, Dharmender’s Shikar became silver jubilee hit. Rafisahab’s song “shikar karne ko aye” and Ashaji’s song “parde me rahene do” became a big hit. In 1968, Shammi Kapoor’s Brahmchari became silver jubilee hit. Rafisahab’s songs “mai gayun tum so jayo”, “aajkal tere mere pyar ke charche” became super hit. In 1971, Jaikishan’s death brought a big blow to marathon innings of Shankar Jaikishan in the 1940s, 1950s and 1960s. The songs require restoration and preservation as they are still young and immortal.

Sadhnaji was a huge crowdpuller in the 1960s

Sadhna remained sizzling actress in the 60s. Renowned actress Sadhna died in end of December 2015, at the age of 84 years. It was a huge loss for the industry as she was associated with classic films. The viewers of Bollywood films wished happy birthday to Sadhna on 2nd September, 2021. Sadhna Shivdasani remained sizzling actress in the 60s. Born on 2nd September, 1941, her name was given by her father due to his fascination for the actress Sadhana Bose. She acted in a Sindhi film Abana in 1958 where she played the role of the sister of the heroine in the film. Then Subodh Mukherjee did cast her opposite Joy Mukherjee in the film Love in Simla in 1959. The music was composed by Iqbal Qureshi and the songs of the film became big hits. She acted in successful films one after the other after that including Parakh, Hum Dono, Prem Patra. In 1962, her film Ek Musafir Ek Haseena opposite Joy Mukherjee became musical blockbuster. Raj Khosla’s hit became known for the songs composed by OP Nayyar, including Rafi’s songs “aap yuhi agar”, “bahut shukhriya”, “phir tere shahar me”, etc. She also acted in Hrishikesh Mukherjee’s film Asli Nakli in 1962, opposite Dev Anand which was also another musical hit. Shankar Jaikishan’s composition became super hit including Lata’s “tera mera pyara amar”, Rafi’s song “tujhe jeevan ki dor me”, etc. Mere Mehboob was the greatest hit of Sadhna opposite Jubilee Kumar Rajender Kumar in 1963. The romantic film created the pair of Rajender Kumar Sadhna who remained sublime during the 60s. Naushad’s composition was brilliant including Rafi’s title song “mere mehboob tujhe meri muhobbat ki kasam”. The other super hit films of Sadhna opposite Rajender Kumar including Aarzoo and Aap Aye Bahar Aye. In 1965 she was married to RK Nayyar. She became famous for her spooky performance in Raj Khosla’s suspense thrillers like Wo Kaun Thi, Mera Saya and Anita. For Wo Kaun Thi she received filmfare nomination for best actress. Her other successful films including Dulha Dulhan opposite Raj Kapoor, Waqt opposite Sunil Dutt, Battamees and Raj Kumar opposite Shammi Kapoor, Ek Phool Do Mali opposite Sanjay Khan, etc. She faded away from the industry in the 70s, as her films Geeta Mera Naam, Ishq Par Zor Nahin, did not do adequate business. Her films should be preserved and restored.

Happy birthday to dancing legend Aruna Iraniji

Happy birthday to dancing legend Aruna Irani. The viewers of bollywood films wish happy birthday to dancing legend Aruna Irani on 3rd May, 2026
. She had made her debut as a child actress in the film Ganga Jamuna in 1961. She played the role of the smaller version of Azra in the film. She played similar roles in films like Jahanara in 60s. But her fantastic dancing skills launched her in super hit films like Farz which was released in 1967. She danced opposite Jeetender in the film Farz in Rafi’s song “mast baharon ka mai aashiq”, and that cemented her career in bollywood films. After that she got dance-based roles one after the other in bollywood. But due to comedy pairing with Mehmood in films like Humjoli, she got roles in the range of vamps rather than frontline heroines. She was brilliant opposite Mehmood in the Jeetender starrer Waarish in 1968. The music of RD Burman was brilliant with Rafi’s hit songs like “ek bechara pyar ka maara”. She amazed the viewers with the role of a gypsey woman in Jeetender’s film Carwan released in 1971. Her dance number in the song “dilbar” sung by Lata Mangeshkar and “chadti jawani” sung by Mohammad Rafi had shaken up bollywood in the early 70s. Her dancing skills were used to perfection by Showman Raj Kapoor in the film Bobby especially in Shailendra Singh’s song “mai shayar to nahin”. Her successful films in 70s and 80s includes Khel Khel Me, Buddha Mil Gaya, Laila Majnu, Ek Nari Ek Brahmchari, Qurbani, Sargam, Rocky, Love Story, etc. In negative characters in films like Qurbani she had amazed the viewers. From late 80s, she switched to character roles and became one of the leading actresses in that field. She received filmfare award for the best supporting actress for her brilliant performance in Madhuri Dixit’s film Beta. Her brilliant performance in films like Raja Babu, Ghulam-e-Mustafa, Kartavya, had created a separate place in the hearts of millions of filmlovers. Viewers got astonished to realize how an able dancer in her teenage, had transformed into a brilliant character artist who could do any type of role starting from comedy acting to serious roles to roles of negatives characters. She should have won many more filmfare awards for epic performances in films like Bobby, Qurbani, Haseena Maan Jayegi. She also played notable role in Priyadarshan’s film Khatta Meetha released in 2010. She also had received filmfare lifetime achievement awards. She said that she knew nothing. Dilip Kumar brought her to the beautiful world of bollywood. She learned everything and was indebted to the viewers for their love and affection. It was her humility which spoke out and made everyone enchanted. The viewers expect the veteran of more than 300 films to continue the great work that she started 40 years ago.

Thursday, August 20, 2026

Happy birthday to beauty queen Saira Banuji

Happy birthday to Saira Banu. The viewers of bollywood films wish happy birthday to Saira Banu on 23rd August, 2026
. She used to be called beauty-queen of the 60s. Acting was there in her blood with her mother Nasim Banu doing well in many films in the 40s. Saira Banu started her career with the film Junglee opposite Shammi Kapoor in 1961. The brilliant music of Shankar Jaikishan given in the film and exotic locations of Jammu and Kashmir flabbergasted the audience in the early 60s. All the songs in the film were super hit including “suku suku”, “meri yaar shabba khair”, “ehsaan tera hoga mujhpar”, “Kashmir ki kali hun mai”, to name a few. From that time onwards Saira Banu started getting stylish roles one after the other in bollywood films. Saira Banu went on to give hit after hit with Biswajeet and Joy Mukherjee as well. With Biswajeet her film April Fool released in 1964 became super hit. The songs of SJ again created storm including “april fool banaya”, “aa gale lag jaa”, etc. With Joy Mukherjee Saira Banu’s film Shagird stormed box-office in 1967. All the songs of Rafi and Lata were hits including “dil vil pyar vyar”, “woh hai zara khafa khafa”, “o bare miya diwane”, “duniya mehfil hai”, etc. The music was composed by Laxmikant Pyarellal. Saira Banu exhibited the character of village girl who was sought after by her teacher played by IS Johar, but fell in love with Joy Mukherjee in the film. There were other hit films of Saira Banu like Saaz Aur Awaaz opposite Joy Mukherjee, Aadmi Aur Insaan opposite Dharmender, to name a few. Saira Banu’s combination with Rajender Kumar was well accepted by the audience. All the three films opposite Jubilee Kumar including Ayee Milan Ki Bela in 1964, Aman in 1967 and Jhuk Gaya Aasman in 1968 became super hit. The songs of all those films composed by SJ again struck box-office. Prominent songs included “o priya kaun hai jo sapno me aya”, “tum khamseen ho”, “kahan chal diye”, “surahidar garden”, etc. Saira Banu balanced the powerful performance of Rajender Kumar in those films. In Aman, Saira Banu played the role of a Japanese girl. In Ayee Milan Ki Bela she played the role of an urbanized girl having wealthy background. In Jhuk Gaya Aasman, she played the role of a sophisticated girl coming from middle-class family who was involved with Rajender Kumar who was guide in Darjeeling, but after reincarnation led the life of a wealthy industrialist. May be after Sadhna, Saira Banu was accepted by the viewers the most opposite Rajender Kumar. After marrying Dilip Kumar, Saira Banu acted in a number of films opposite him including Sagina, Gopi and Bairaag, most of which did well in the box-office. Sagina was directed by Dada Saheb Phalke winning director Tapan Sinha, who made the Bengali version and the hindi version of the same film separately. Saira Banu acted opposite Dilip Kumar in both the films. Her films with Raj Kapoor titled Diwana and Dev Anand titled Par Muhabbat did good business mainly due to hit music of Shankar Jaikishan. The songs of those films including “ai sanam jisne tujhe chaand si surat di hai”, “dil ki awaz khuda khair Karen” still remain the landmarks of Indian film music. Even Saira Banu’s comedy films like Parosan opposite Sunil Dutt, Kishore Kumar and Mehmood did brilliant business. From the mid-70s Saira Banu faded away from the industry before acting in films opposite Big B like Zameer and Hera Pheri. There were other films of Saira Banu opposite other stars like Manoj Kumar in the film Purab Aur Paschim, Dharmender in Resham Ki Dori. The viewers expect her to contribute in bollywood films in character roles again.

In 1960 Dilip Kumar's Mughal i azam became greatest blockbuster followed by Barsaat ki raat and Chaudavi ka chand

mughal-e-azam hindi movie
Dilip Kumar, Madhubala Mughal-i-azam. Biggest bollywood hit films of 1960. Bollywood films had done business all over India over the last 60 years. In 1960 different types of films were released. In that year the biggest blockbuster was Mughal-i-Azam. Dilip Kumar and Madhubala were the leading artists of the film Mughal-i-Azam. It was a historical film depicting the history of Akbar, Jehangir and Anarkali. Very significantly Dilip Kumar, popularly known as Tragedy King ruled the team of bollywood actors with his realistic acting. Naushad Ali’s excellent music and Rafi, Lata’s melodious songs in the film was a treat for the years of the audience. The second biggest hit film of 1960 was Barsaat Ki Raat. Bharat Bhusan and Madhubala were the leading artists of the film. Excellent music composed by Roshanlal Nagrath was added attraction for the viewers. Rafi’s song “zindagi bhar nahi bhulegi wo barsaat ki raat” and Manna Deys song “na to karwanki talash hai” had become immortal over the years. Bharat Bhusan and Madhubala’s excellent performance require special mention. 1960 was a year of musical blockbusters like Kohinoor and Chaudavi Ka Chand. Kohinoor was the third biggest grosser and Chaudavi Ka Chand was the fourth biggest grosser. Dilip Kumar and Meena Kumari were the main artists in Kohinoor, and Guru Dutt and Wahida Rehman were leading artists of Chaudavi Ka Chand. Again the excellent music composed by Naushad Ali in Kohinoor with Rafi’s excellent songs like “madhuban me radhika nachere” and “do sitaron ka zameen par hai milan aaj ki raat” stands out even today. In Chaudavi Ka Chand, the excellent ghazals sung by Rafi and composed by Ravi Shankar Sharma including “chaudavi ka chand ho” made the viewers spellbound. mughal-e-azam hindi movie In the same year, Raj Kapoor’s Jis Desh Me Ganga Behti Hai was the fifth largest grosser. The film had been directed by Radhu Karmakar and music composed by Shankar Jaikishan. Raj Kapoor, Padmini and Pran were the main artists in the film. Mukesh and Lata Mangeshar’s songs like “o maine pyar kiya”, “mera naam hai raju”, “aa aab laut chale” became everlasting musical masterpieces. The other hit films in the list of bollywood grosser included Dil Apna Aur Preet Parayi, (6th), Love In Simla (7th), Ghunghat, (8th), Kanoon (9th) and Kala Bazaar (10th). The artists who were prominent in those films included Raj Kumar, Meena Kumari, Joy Mukherjee, Sadhna, Rajender Kumar, Dev Anand, Wahida Rehman and others. The inference that can be made in respect of bollywood films included that Dilip Kumar dominated the bollywood scenario with his brilliant performance, at the same time the other actors who were very close competitors of him included Guru Dutt, Raj Kapoor, Bharat Bhushan, Raj Kumar, Rajender Kumar, and others. As far as actresses were concerned Madhubala, Wahida Rehman, Meena Kumari were the dominating figures in bollywood. Music played a very significant role during 1960. mughal-e-azam hindi movie The composers who dominated the world of music included Naushad Ali, Shankar Jaikishan, Roshanlal Nagrath, Ravi Shankar Sharma, and others. Mohammad Rafi, Lata Mangeshkar, Manna Dey, Mukesh and others gave their best in that year to make the films super hit. Lastly the directors who dominated the scenario included K. Asif, P. L. Santoshi, Mohammad Sadiq, Raj Kapoor, Kishore Sahu, Guru Dutt and others. The high standard of performances of the actors and actresses created huge competition, and the directors utilized their potentiality to the maximum. mughal-e-azam hindi movie

Tuesday, August 18, 2026

Happy birthday to dignified actress Raakheeji

Happy birthday to Rakhee. The viewers of bollywood films wish happy birthday to Rakhee on 15th August, 2026. She had contributed in bollywood films for more than 30 years. She had contributed both as a leading actress and also as a character actress. Rakhee came to limelight with her successful film Sharmilee opposite Shashi Kapoor in the early 70s. The songs of the film composed by SD Burman became very successful, including the songs “khilte hai dil yahan”, “megha chaye aadhi raat”, etc. Rakhee played a double role, one being calm and quite named Kanchan and the other who was outspoken named Kamini and created attention. In the mid-70s Rakhee acted in landmark roles including the one in the film Kabhi Kabhi opposite Big B and Shashi Kapoor. She loved a poet played by Big B, but had to marry Shashi Kapoor. The poetry of Big B created a great impact in the life of Rakhee. The songs of Mukesh and Lata composed by Khayyam in the film including “mai pal do pal ka shayar hoon” and “kabhi kabhi mere dil me” made the viewers spellbound. Rakhee acted in many landmark films opposite Big B including Shakti Shamanta’s Bengali film Anusandhan, hindi film Barsaat Ki Ek Raat, Kala Patthar, Kasme Wade, etc. In the early 80s Rakhee played the role of her lifetime opposite Dilip Kumar in the film Shakti. She played the role of the mother of Big B, who faced the hostility between Dilip Kumar and Big B, one being the protector of law, while the other being the lawbreaker. The scenes where she praised her law-abiding husband her performance had outcast Big B, and viewers said that Rakhee’s performance was as brilliant as Dilip Kumar in Shakti. The film became super hit. She was brilliant in the film Shaan. She played the role of the wife of Sunil Dutt. After the death Sunil Dutt, her small interaction with Shashi Kapoor and Amitabh Bacchan, who were the brothers of Sunil Dutt in the film, had shown the class of acting of Rakhee. Rakhee by that period of time created her own class in character roles. She was outstanding opposite Suresh Oberoi in the film Shraddhanjali. In the 90s, Rakhee played many character roles in films like Anil Kapoor’s Ram Lakhan, Shahrukh Khan and Salman Khan’s Karan Arjun, Bobby Deol’s Soldier, to name a few. She had acted in more than 100 films and continues to act in many contemporary films. Rakhee had also acted in many character roles and challenging roles. Her performance in Aparna Sen’s film Parama requires special mention. She had affair with a middle-aged neighbour. When the truth relating to her extra-marital affair was known to her husband, she lost her value in the family. She showed the helplessness in the respective story. She had performed in both commercial films and parallel cinema and in both forms of films she had kept a mark. She was sublime in the other Bengali film Shubha Maharat. The viewers expect her to continue the good work in the years to come.

Rafisahab had majestic combination with Madanmohanji ghazal ka shehzaada

The country remembers the death anniversary of legendary composer Madanmohan Kohli on 14th July, 2026
. The legendary composer left us more than 38 years ago but left the country with innumerable treasure of ghazals. If any composer had utilised the ghazal andaz of Mohammad Rafi to the best of his potentiality it is Madanmohan whose name appears in the minds of the lovers of music across the nation. Madanmohan’s father Rai Bahadur chunnilal send his son to Dehradun to join the army. Instead he left the army and joined All India Radio in Lucknow. He came in contact with Ustad Faizz Khan, Ustad Ali Akbar Khan and carried on their legacy in the compositions he made for 30 years which can be classified as masterpieces. As Madanmohan was not associated with the Big Banners like RK or Navketan, he was not categorised with any star of bollywood during 50s, 60s, 70s. Further he never wanted to balance the popular test of music and excellent class of classical compositions he created. But the compositions were so rich in lyrics and tunes that the musical pandits had no way but to admire them. The golden age of bollywood music was categorised with the excellence of Mohammad Rafi and as such if any composer neglected Rafi and tried to reach the summit of popularity they have invited their own downfall. Madanmohan did not make such a mistake. He started his career with the film Ankhen in 1950. He also composed music for Raj Kapoor’s film Ashiana in 1952. His notable songs for Rafi in the film Railway Platform, 1956, include “basti basti parbat parbat”. In Gateway of India, 1957, Madanmohan used Mohammad Rafi for the song “do ghari woh jo pass aa baithe” picturised on Bharatbhushan. It was very successful and strengthened the everlasting bond of Rafi with Madanmohan. Rafi’s intoxicating appeal in the song “kabhi na khabhi kahin na kahin koi na koi toi ayega” in the film Sharabi, 1964, composed by Madanmohan can be classified one of the best songs in sombre mood. The most majestic ghazals of Rafi composed by Madanmohan include “kisiki yaad me apnako hai bhulaye huye” and “baad muddat ke yeh ghari ayi” from the film Jahan ara, 1964, picturised on Bharat Bhushan. Talat Mehmood’s song in the same film “phir wohi sham wohi gham wohi tanhai hai” was also based on ghazal andaz. The classic lyrics were written by Rajinder Kishan. The film titled Ghazal, in 1964, was based on ghazals and Rafi was outstanding by every standard in the song “rang aur noor ki baraat kise pesh karun.” In the same year Rafi’s patriotic flavour was bolstered in the song “kar chale hum fida jan-o-tan sathiyon” in the film Haqeeqat, where Rafi’s ghazal titled “hoke majboor usne bulaya hoga” shared with Bhupinder Singh, Manna Dey and Talat Mehmood was sensational. The majestic lyrics were written by Kaifi Azmi. In the film Neela Akash, 1965, picturised on Dharmender, Rafi’s song “akhri geet muhobbat ka sunayun to chalun” showed the tragic note of Madanmohan. In the film Need Hamari Khwab Tumkhari, all the songs were sung by Rafi including “husn ne jab isq se takraya tha”. Returning back to ghazals, Rafi’s song “aap ke pehlu me akar” in the film Mera Saya, 1966, was as outstanding as Lata’s title song “tu jahan jahan chalega mera saya saath hoga”. The lyrics were written by Raja Mehendi Ali Kahan. Raj Khosla’s crime thriller ended up becoming a musical blockbuster just like Woh Kaun Thi, in 1964, where Madanmohan’s composition “naina barse,” “lagja gale”, etc. for Lata Mangeshkar was probably the most immortal creation in the history of film music, with Sadhna giving life time performances in ghostly characters in both these films. The landmark ghazal “tumhari zulf ke saye me sham karlunga” in the film Naunihal, in 1967, is probably one of the five best ghazals Rafi did sing in his life. Experts in music realise that ages will pass, but no second singer can provide blood and flesh in the superlative ghazal of Madanmohan the way Rafi had done in this song. Kaifi Azmi has written sensational lyrics for the abovementioned song. People started thinking that Rafi and Madanmohan were made for each other. The belief was put to action in the next film Dulhan Ek raat ki, in 1967, picturised on Dharmender in the song “ek haseen sham ko dil mera kho gaya. In the film Chirag, 1969, “teri aakhon ke siwa duniya me rakkha kya hai” Madanmohan combined ghazal with light orchestration to try to inspire the common listeners in understanding these type of songs. In the film Heer Ranjha, 1971, picturised on Rajkumar, Rafi’s song “yeh duniya yeh mehfil” was well acclaimed by music lovers. Rafi was outstanding by every standard in the song “tum jo mil gaye ho” in the film Hanste Zakhm, 1973, where Madanmohan synchronised lightning with his own orchestration. Madanmohan also gave a tremendous break to Bhupinder Singh in the song “dil dhoonta hai, phir wohi, fursat ke raat din” written by Gulzar in Sanjeev Kumar’s Mausam in 1975. Rafi had the song “chari re chari kaise gale me pari.” Madanmohan’s last performance with Jaidev brought out Rafi’s Himalayan range in the film Laila Majnu in 1977. Rafi’s songs “tere dar pe aya hoon,” “barbad muhobat ka duya saath liye ja”, picturised on Rishi Kapoor showed his master spirit of adapting to tunes of middle east which was the geographical location where the story was based. Madanmohan died in 1975, without even seeing the success of Laila Majnu, it appeared like out of seven sur in every octave one sur had gone, because, the majestic combination of Madanmohan with Rafi cannot be forgotten through ages. Rafi’s archive should restore Madanmohan’s combination to let the next generation know about the high esteem with which Madanmohan addressed Mohammad Rafi during the golden age of film music.

Happy birthday to Dadasahab Phalke winner Gulzar sahab a dignified director and poet

Happy birthday to Gulzar. Gulzar received Dadasahab Phalke award in 2014. It is great that Gulzar had been chose to be the recipient. He really deserved it. The viewers of bollywood films wish happy birthday to legendary director and lyricist Gulzar on 18th August, 2026. He had been one of the greatest living legends at this moment. Bollywood is indebted to thoughtful director who had converted filmmaking into work of art. His film Mausam released in 1975, was based on reflections of mind. Sanjeev Kumar was attached with Sharmila Tagore living in Darjeeling when he came over there as a student. After he went abroad to pursue his post-graduate studies, Sharmila was exploited and her daughter how looked identical like her mother was compelled to join prostitution. Sanjeev Kumar returned as a foreign-return doctor and took his daughter away from the surroundings and gave her a new life. Bhupinder Singh’s ghazal “dil dhoonta hai phir wohi” composed by Madan Mohan and written by Gulzar remains as the greatest ghazal created in the 70s. The story-telling in the film was appreciated by critics. Gulzar created a different dimension by experimented with classic literature during the 70s and 80s. His films Aandhi released in 1975, with Suchitra Sen and Sanjeev Kumar and Kinara released in 1978, with Jeetender and Hema Malini can very well be classified as master pieces. He gave very meaningful sequences where songs were recorded. He created a separate fanclub for himself who could understand human relations at the same period when larger than life images were created in main stream cinema of Big B, Vinod Khanna, Shatrughun Sinha and other angry young men in films like Sholay, Kalicharan, Burning Train, etc. Gulzar’s films created for children like Parichay, released in 1972 and Kitaab, released in 1978 are still considered masterpieces. He was impressed by the thoughts of Hollywood film Sound of Music and Uttam Kumar’s Joyjoyanti to make a film related to five children who required a good teacher. Jeetender treated them with compassion and brought change in the children. In Kitaab, Uttam Kumar cared for his brother-in-law Master Raju who was a small child and had been send by her mother (Dina Pathak) to get educated in urbanized background. Vidya Sinha was the sister of Master Raju. Uttam Kumar played a huge part in transforming the character of Master Raju in the film. Gulzar experimented with so many diverse subjects that articles after articles can be devoted to his different themes, including the film Koshish, released in 1972, based on life of deaf and dumb, Lekin, based on folklore of Rajasthan. Koshish had a very strong social message. It showed that deaf and dumb persons could go to dead and dumb schools and learn sign language. Their life can have a new aspiration and direction. All his artists like Suchitra Sen, Jaya Bacchan, Sharmila Tagore, Uttam Kumar, Sanjeev Kumar, Jeetender portrayed the life of middle-class men who were found in everyday life. He even worked with subjects like terrorism in films like Machis. His composers, Jaidev, Madan Mohan, Khayyam, RD Burman all had given their best music for the thoughtful director. These days Gulzar concentrates more on writing lyrics. In that field too he had been master of masters. In the recent past Gulzar said that he wanted to devote time to write books. For those reasons he had reduced directing films in the last 10 years. It is a huge loss for thoughtful viewers. He continued to write lyrics of songs in bollywood films in regular intervals and his popular lyrics like “aisi nazar se” in the film Bunty Aur Babli had both class and also rhythm. He received the filmfare award for the best lyricist a number of times. His admirers expect him to continue to make rich films which make the audience think, feel and reflect on the happiness and sniffles of life.