Ajay Devganji's Drishyam 3 did 420 crores business worldwide in 12 days and 320 crores business in India

In 12 days Ajay Devganji's Drishyam 3 did business of 320 crores in India and 420 crores worldwide. In 3 days Drishyam 3 with Ajay Devganji Tabuji did business of 175 crores in India and 230 crores business worldwide to make it blockbuster.Drishyam: The Conclusion[b] is a 2026 Indian Hindi-language crime thriller film co-written, produced, and directed by Abhishek Pathak. Produced by Panorama Studios and Star Studio18, it is a sequel to Drishyam 2 (2022). Unlike its predecessors, the film features an original story and is not narratively connected to its Malayalam counterpart.[6] The film stars Ajay Devgn, Jaideep Ahlawat, Tabu, Shriya Saran, Rajat Kapoor, Prakash Raj, Ishita Dutta and Mrunal Jadhav.[7] Principal photography took place from December 2025 to June 2026 primarily in Mumbai and Goa.[8] Drishyam: The Conclusion was released in theatres on 2 October 2026, coinciding with Gandhi Jayanti.[9] The film received positive reviews from critics.[10] It is currently the 5th highest-grossing Hindi film of 2026. Plot The plot of the film connects with the predecessor. For more information on the predecessor's plot, see Drishyam 2. Six months later,[c] the case against the Salgaonkar family has been closed due to a lack of evidence. Devastated by her inability to prove Vijay's involvement in her son Sameer's death, Meera Deshmukh's mental state deteriorates. Her husband, Mahesh eventually asks SP Rajveer Singh Tomar of the Crime Branch to reopen the investigation, despite previously opposing the idea. Despite DNA testing proving that the skeleton recovered in the previous investigation did not belong to Sameer, Tomar suspects that Vijay may have replaced Sameer's skeletal remains shortly before the court proceedings. He and Laxmikant Gaitonde quietly resume the investigation, monitoring Vijay's movements. During their surveillance, they discover that Vijay has been frequently visiting a local church and has befriended Raghu, the security guard at a medical college, where the evidence was previously stored. Raghu reveals that Vijay visited the college with him on the night of 23 July 2021, the day skeletal was obtained from the Pandolem Police Station, where they drank together until passing out. As the college had no functioning CCTV cameras covering the evidence room, Tomar concludes that Vijay used the opportunity to swap Sameer's skeleton with another set of remains. Tomar begins an investigation into the origin of the unidentified skeleton that Vijay allegedly used during the exchange. He and his team search records for young men approximately between the ages of 15 and 20 years old, who died of severe head trauma and eventually identifies the swapped skeleton as belonging to Christopher Pinto. His investigation leads him to Christopher's grave and its caretaker Savio D'Souza, who has since disappeared. Meanwhile, Vijay maintains a respectable public image, regularly visiting a local church and making donations while continuing to work on his upcoming film. He also begins working with a prop artist to create a highly realistic prop for its production. Vijay's elder daughter, Anju, deeply concerned about her family's case being reopened, remains reluctant to move on with her life. Vijay, who is attempting to arrange a suitable marriage for her, reassures her that he has filed a petition in the High Court to permanently close the case. Savio is eventually located in Kerala and agrees to submit a written statement against Vijay, implicating him in the disappearance and replacement of Christopher's skeleton. Meanwhile, Meera and Mahesh hire prominent lawyer Indrajith Shetty to represent them. During the subsequent court hearing, Raghu testifies that Vijay was with him at the college on the night of 23 July 2021, while Savio retracts his statement, claiming it was coerced by the police. Shetty argues that the conflicting evidence warrants further investigation and requests the court to order the excavation of Christopher's grave. Despite objections from Vijay's defense, the court grants the request. When Tomar and his team arrive at the cemetery, they are confronted by members of the local Christian community, who oppose the excavation on religious grounds. The excavation eventually takes place; however to everyone's surprise, Christopher's skeletal remains intact. Concurrently, Shetty questions Nandini about Vijay's whereabouts on the night of 23 July 2021. She states that Vijay was at home. Shetty then presents audio recordings gathered by undercover officers, Shiv and Jenny, who purchased a property next to the Salgaonkar residence and installed surveillance equipment.[d] The audio recordings places Vijay inside his home, directly contradicting Raghu's testimony. Due to conflicting evidence, the court finds reasonable doubt, accquits the Salgaonkar family, and permanently closes the case. After the hearing, Tomar, Meera, Mahesh, Shiv, and Jenny reconstruct Vijay's scheme. Approximately two and a half years ago, Jenny and Shiv purchased the neighbouring property while working undercover. Vijay had initially been suspicious of the couple and later discovered that they had installed listening devices throughout his house. Anticipating that his movements would be monitored, Vijay devised a second deception. With the cooperation of his family, he used a cassette player, radio, and prerecorded recordings to create the impression that he was at home on the night of 23 July 2021. While the recording played inside the house, Vijay was actually at the college with Raghu. To delay the excavation, through his regular visits to the church, Vijay used a false identity "Sister Pereira" to repeatedly warn members that the government planned to demolish the church and cemetery to acquire the land, while arranging for the JCB operators and workers to appear that such preparations were underway. Vijay eventually used this deception to prevent the police from thoroughly examining Christopher's grave. Although they reconstruct his plan, they have no evidence that can be used to prove it in court. Christopher's skeleton remains in his grave, the recordings appear to establish Vijay's presence at his home, and the community continues refusing further disturbance of the grave. However, one question remains unresolved: if Christopher's skeleton is still in his grave, where is the skeleton Vijay originally used to replace Sameer's? The answer is revealed when Vijay meets Savio. Savio had expected Vijay to return Christopher's skeleton after using it in the exchange. However, because the skeleton was placed under strict surveillance in the evidence room, Vijay was unable to retrieve it. It is then revealed that Vijay's months-long work with the prop artist served another purpose. The supposedly ordinary film prop was actually a highly detailed replica of a human skeleton. Vijay obtains the replica and with the assistance of Savio, secretly places it inside Christopher's grave. With the replica placed in the coffin, Vijay fulfills his promise to Savio while convincing both the authorities and local community that Christopher's remains were never disturbed. Ultimately, Vijay turns the evidence meant to expose him into part of his alibi, leaving the police without usable evidence against his family. Cast Ajay Devgn as Vijay Salgaonkar Jaideep Ahlawat as SP Rajveer Singh Tomar IPS, Crime Branch Tabu as Meera Deshmukh, former Inspector general of police; Sam's mother Shriya Saran as Nandini Salgaonkar, Vijay's wife; Anju and Anu's mother Rajat Kapoor as Mahesh Deshmukh, Meera's husband; Sam's father Prakash Raj as Public Prosecutor Indrajith Shetty Ishita Dutta as Anju Salgaonkar, Vijay and Nandini's elder daughter Mrunal Jadhav as Anu Salgaonkar, Vijay and Nandini's younger daughter Kamlesh Sawant as SI Laxmikant Gaitonde Saurabh Shukla as Murad Ali Samvedna Suwalka as Adv. Gayathri Mohan Nishant Singh as SI Shiv Kulkarni Neha Joshi as ASI Jenny Thomas Ajeet Singh as Raghu Naik Ramchandra Singh as Savio D'Souza Jairoop Jeevan as Jacob De Mello Amir Salim Khan as Anil Kamath Akashdeep Sabir as Justice Joseph Mathews Abhishek Gaikwad as Suhaas Dodo Bhujwala as Cyrus Sanjay Dadhich as Paolo Fernandes Lalit Sawant as Nilesh Shinde Ajoy Chakraborty as Father Moses Shivraj Walvekar as DGP Sinha Aarti Desai as Principal Nair Jiten Lalwani as Mr. Kamat Leena Sharma as Mrs. Kamat Manish Tyagi as Vineet Kamat Rakesh Dubey as Astrologer Production Development In May 2025, it was confirmed that the third instalment of the original film series would be remade in Hindi.[11] Earlier reports suggested that the original and remake would be filmed and released together simultaneously.[12] However, Jeethu Joseph dismissed these reports, clarifying that original film would release first.[13] In May 2026, Jeethu Joseph confirmed that the film would feature a different narrative from the original version.[14][15] In August 2026, the film's official title was revealed as Drishyam: The Conclusion by the makers.[16] Casting In October 2025, Paresh Rawal was reported to have been offered a role in the film.[17] Akshaye Khanna was initially set to reprise his role from the prequel but later exited the project due to creative and financial disagreements with the producers.[18][19] He was subsequently replaced by Jaideep Ahlawat.[20] In February 2026, Prakash Raj joined the cast.[21] Filming Principal photography began in December 2025 in Mumbai.[8] In January 2026, filming continued in Goa.[22] Filming was completed in June 2026.[23] Music Drishyam: The Conclusion Soundtrack album by Ravi Basrur, Rochak Kohli and Karma Released 28 September 2026[24] Recorded 2025–26 Studios AMV Studio, Mumbai Soundemic Studios, Dubai Genre Feature film soundtrack Length 14:54 Language Hindi Label Sony Music India Producers Ravi Basrur, Chethan Handattu, Rochak Kohli, Karma, AK4EAL External audio audio icon Drishyam: The Conclusion - Jukebox on YouTube The music of the film is composed by Ravi Basrur, Rochak Kohli and Karma, with lyrics written by Manoj Muntashir, Aamil Keeyan Khan, and Karma.[25] The film score is composed by Amar Mohile. The first single titled "Vingansa" was released on 17 September 2026.[26] The second single titled "Muskura Do" was released on 23 September 2026.[27] The third single titled "Game Over" was released on 28 September 2026.[28] Track listing No. Title Lyrics Music Singer(s) Length 1. "Vingansa" Aamil Keeyan Khan Ravi Basrur Siddharth Basrur 4:31 2. "Muskura Do" Manoj Muntashir Rochak Kohli Lucky Ali 3:51 3. "Daastaan – The Drishyam Recap" Aamil Keeyan Khan Ravi Basrur Sunidhi Chauhan 4:12 4. "Game Over" Karma Karma Karma 2:20 Total length: 14:54 Release Theatrical In December 2025, an announcement video revealed the release date as 2 October 2026, coinciding with Gandhi Jayanti.[29][30] The film's official trailer was revealed on 9 September 2026 at a special event in Panjim, Goa.[31] Distribution Panorama Studios and Zee Studios acquired the overseas theatrical distribution rights.[32] Home media The digital streaming rights of the film were acquired by Netflix.[33] Reception Box office Drishyam The Conclusion grossed ₹262.34 crore (US$27 million) worldwide. It grossed ₹199.94 crore (US$21 million) in India and ₹62.4 crore (US$6.5 million) in overseas market.[4] On its opening day, the film earned ₹62.03 crore net at the domestic box office.[4] Critical response Taran Adarsh of Bollywood Hungama gave the film 4.5 out of 5 stars, and praised its direction, writing, performances, courtroom sequences and climax, and called it "the best film in the Drishyam franchise".[34] Rahul Desai of The Hollywood Reporter India called the film, "[...] a surprisingly satisfying watch."[35] Sajin Shrijith of The Week, finding the film superior to its Malayalam counterpart, gave it 4 stars out of 5 and wrote in the epigraph of his review, "'Drishyam 3: The Conclusion', led by Ajay Devgn, excels by opting for a unique narrative rather than mimicking its predecessors, focusing on emotional depth and intricate storytelling about perceived, genuine, and fabricated truths."[36] Renuka Vyavahare of The Times of India gave the film 4 stars out of 5 and noted at the end of her review, "Drishyam 3 chooses to stick to the franchise's standard template rather than risk reinventing it. At two-and-a-half hours, however, the film begins to drag towards the end and could have benefited from tighter editing. Still, its biggest strength remains its ability to keep you immersed and consistently anxious about what happens next."[37] Kartik Bhardwaj of Cinema Express also gave the film 4 stars out of 5, observing, "In the era of passive viewing on OTT and loud spectacles in theatres, Drishyam 3 provides such a cerebrally engaged viewing experience which has become a rarity."[38] Anuj Kumar of The Hindu wrote, "The script smartly absorbs the franchise’s obsession, where viewers see Vijay as an unbeatable folk hero. So, instead of showing us how he hides the crime, the screenplay spends a lot of time on how the system attempts to deconstruct the myth of a 4th-grade dropout. In this subversion of power, Ajay Devgn’s inscrutable face forces the polished system to peel back its civility and resort to desperate hostility."[39] Pragati Awasthi of WION summed up in her review, "For me, Drishyam: The Conclusion gave me the satisfying ending my inner soul was wishing for."[40] Shubhra Gupta of The Indian Express gave the film 3 stars out of 5, observing, "But while the men do most of the heavy lifting, I don:t think I will be able to forget Tabu’s wounded eyes, which belong to a mother unable to comprehend a world which doesn't have her only child. She's terrific, as always."[41] Saibal Chatterjee of NDTV also gave the film 3 stars out of 5, writing, "Riding on a taut script that is predicated on mishaps and moves of the past, Drishyam: The Conclusion stitches together a tale that is fascinating enough not to lose much steam as it makes its way to a flummoxing and inconclusive denouement. The elements strewn along the pathway to the climax do their bit to hold the film together."[42] Rishabh Suri of Hindustan Times gave the film 3 stars out of 5 as well and concluded in his review, "Overall, Drishyam: The Conclusion has enough drama and nostalgia to keep the fans engaged. But for a franchise that built its reputation on making the impossible seem plausible, this one asks us to take a few too many things at face value. It has the ingredients of a satisfying finale, just not the trick to pull it off. The mystery may finally be over, but the magic of the first Drishyam remains hard to recreate."[43] Sana Farzeen of India Today, too, gave the film 3 stars out of 5, writing in her review, "The film moves with confidence, but the problem comes in when it occasionally becomes too indulgent. There is a lot of dialogue-baazi, and while some of it is entertaining, most of it begins to feel like the writers are enjoying their own cleverness a little too much. There is a courtroom exchange where the judge tells everyone to come to the "mudde ki baat", and honestly, there are moments when you want to say the same thing to the film."[44] Likewise, Chirag Sehgal of News18 gave the film 3 stars out of 5 and noted, "Drishyam 3: The Conclusion is a gripping and fast-paced thriller that understands the appeal of its franchise. It keeps you invested and benefits from strong performances, particularly from Ajay Devgn, Jaideep Ahlawat, Prakash Raj and Kamlesh Sawant. However, the film's biggest strength is also its weakness. It is not a bad film but it sticks closely to the Drishyam formula, making it familiar. It is not a grand conclusion that the franchise deserved."[45] Sukanya Verma of Rediff.com gave the film 2.5 stars out of 5. She noted, juxtaposing against Malayalam counterpart, "Georgekutty [Drishyam 3 protagonist] monetises the guilt he is burdened by to make his movie making dreams come true. He's a hypocrite and conformist yet accepting of his flaws and errors. No such character evolution is to be found in Drishyam: The Conclusion."[46] Bryan Durham of Variety India pointed out, "[...] the cat-and-mouse game is not as entertaining as it once was. There’s nothing to look forward to anymore: not the novelty or enthusiasm that defined the first film, not the tension and game of wits that elevated the second."[47]

Versatile Salil Choudhuryji is remembered with his east west blend of music.

Remembering Salil Choudhury. Salil Choudhury, noted scholar, poet, composer and literary giant was remembered on his death anniversary on 5th September, 2026. He was also remembered on his birthday on 19th November, 2024. As he was a versatile scholar, his scholarly attributes were reflected in his creations. He was both the lyricist and the composer and numerous songs sung by legendary singers over 50 years. His creation “ami parini bujhite parini” and “tumi jaante” for Manobendra Mukherjee were created with two different andaz, one having classical orientation while the other having westernized treatment. His creation “jhanana jhanana baje” and “antabihin oi andharater shesh” for Dhanonjoy Bhattacharya showed his class in handling classical singers. On the other hand his strength in folk songs were evident in his song “sunayoni sunayoni” sung by Nirmalendu Choudhury and Sabita Choudhury. Nirmalendu became famous all across the world with his folk numbers. Salil Choudhury hugely experimented with Shymal Mitra in songs like “jadi kichu amare shudhao”, “aha oi ankabanka poth jai shudure”, “dur nai beshi dur oi”, “ja jare ja ja pakhi”, to name a few. In “jadi kichu amare shudhao”, Salil Choudhury’s orchestration was unique, half of the song was blank verse while the other half had musical treatment. Salil Choudhury used the different playback singers in Bengal and explored their talents to the brim. Some of the great compositions include “eso kache boso” sung by Tarun Banerjee, “pallabini go sancharini” sung by Dwijen Mukherjee, “Jodi jante go tumi jante” sung by Manobendra Mukherjee, “jai jai din” sung by Biswajeet Chatterjee, to name a few. The list can go on. Salil Choudhury created a gem with the song “nil nil pakhi” for Sandhya Mukherjee. Besides, bengal’s literary community were astonished with Salil Choudhury conversion of famous poetry “ujjal ek jhak paira” sung by Sandhya Mukherjee into song. The poet’s feelings were translated into musical tune by sheer brilliance of Salil Choudhury. Other examples of converting legendary poems into songs include “runner” written by Shukanto Bhattacharya and “palki chole” written by Satyendranath Dutta which were sung by Hemanta Mukherjee which both became history. In “runner” the march of the postman on foot from remote corners of village was given adequate expression by Salil Choudhury. Salil Choudhury’s national fame allowed him to do numerous experiments with bollywood singers like Mukesh and Lata. Articles after articles can be devoted to Lata Salil Choudhury creations in Bengali. Mukesh also sung hit song “jhum jhum pakshi nachona” composed by Salil Choudhury. Salil Choudury created his masterpieces in Bengali films as well like Shyamal Mitra’s song “onek ghuriya sheshe” in Hrithik Ghatak’s film Bari Theke Paliye, Nirmalendu Choudhury’s song “sojoni o sojoni” and Manna Dey’s “uthali pathali amar buuk” in Rajen Tarafdar’s film Ganga. Besides his song “he bhai re bhai” and “baje go beena” sung by Manna Dey in the film Marjina Abdulla made the listeners speechless. Even Lata’s song “bujhbe na keu bujhbena” was equally popular. Bimal Roy’s film Do Bigha Zameen was based on Salil Choudhury’s literature. His music in the films Do Bigha Zameen, Madhumati, Musafir, Parakh, Jagte Raho, Anand, Maya, Rajnigandha, etc., stand out as landmarks in Indian film history. He received filmfare award for brilliant performance in the film Madhumati. All the songs in the film including Lata’s “aja re”, “ghari ghari”, Rafi’s “tute hue khwabonme”, “jangal me mor nacha”, Mukesh’s “dil tarap tarap ke”, “suhana safar aur mausam hasin” touched the souls of numerous Indians in the late 50s. Other notable songs of Salil Choudhury in bollywood films include “tasveer teri dil me” from Maya, “zindagi kaisi hai paheli hai”, “kahin dur jab din dhal jaye” from Anand, “rajnigandha” from Rajnigandha, “jago mohan pyare” from Jagte Raho, “dil tadpe tadpaye” from Poonam Ki Raat, to name a few. Bengal and India was as a whole was indebted to a maestro like Salil Choudhury and several researches can be undertaken for finding out the history behind his creations. One article is not enough to reiterate the immortal works of the giant creator. The creations should be preserved and restored.

The country remembers immortal music duo Shankar Jaikishanji on the birth anniversary of Shankarji

Immortal combination of Shankar Jaikishan with Mohammad Rafi sahab. Great composer Shankar Singh Raghubvanshi is remembered on his birth anniversary on 15th October, 2026. He was also remembered on death anniversary on 26th April, 2023 Their songs ranked first in 6 years in Binaca Geetmala also between 1949 and 1971. In 1955 "mera joota hai japani" sung by Mukeshji for Raj Kapoorsahab composed by SJ in film Shree 420 was first in Binaca Geetmala. In 1961 "teri pyari pyari surat ko kisi ki nazar na lage" sung by Rafisahab for Rajender Kumarsahab in film Sasural composed by Shankar Jaikishan was first in Binaca Geetmala. In 1962 "ehsaan tera hoga mujhpar" sung by Rafisahab for Shammi Kapoorji in film Junglee composed by SJ was first in Binaca Geetmala. In 1964 "bol radha bol sangam hoga ki nahi" sung by Mukeshji for Raj Kapoorsahab in film Sangam composed by Shankar Jaikishan was first in Binaca Geetmala. In 1966 "baharon phool barsao mera mehboob aya hai", sung by Rafisahab for Rajender Kumarji in film Suraj composed by Shankar Jaikishan was first in Binaca Geetmala. In 1971, "zindagi ek safar hai suhana" sung by Kishore Kumarji for Rajesh Khannaji in film Andaz was first in Binaca Geetmala.

. He was one of the genius composers of the famous duo Shankar Jaikishan. In the 1940s, 1950s and 1960s a number of composers dominated Bollywood films. Naushad Ali, Roshanlal Nagrath, Madanmohan Kohli, OP Nayyar, all had the class of their own. Shankar Jaikishan composed music in almost 195 films in that golden age. One of the great reasons of Shankar Jaikishan’s huge success was due to the great combination with immortal singer Mohammad Rafi Sahab. If Rafi’s stylish andaz relating to westernized compositions are adequately it is Shankar Jaikishan who had used it to perfection. They had used Rafi for singing romantic songs with Japanese orchestration in Love in Tokyo, released in 1966 including songs like “aja re aa zara aa”, “Japan, Love in Tokyo”, “ o mere shahekhuba”, etc. In Biswajeet’s April Fool, released in 1964 SJ’s composition for Rafi including “aa gale lag ja” had westernized background. At the same time Rafi’s song “tumhe chaha” with Suman Kalyanpur was a great rendition in pensive mood. SJ’s composition for Rafi in Shammi Kapoor’s An Evening in Paris, in 1967, like “akele akele kahan ja rahe ho”, “raat ke humsafar”, had loud French music with echo effect and Rafi’s intonation was also westernized. Shankar Jaikishan gave a completely different style of music to Rafi in Rajender Kumar’s Aarzoo, released in 1965 with songs like “aji ruth kar ab”, “chalke teri aankho se”, “ai nargisi mastana”, etc. SJ had given songs addressing children to Rafi including “nanne munne bache teri mutthi me kya hai” in Boot Polish which was produced by Raj Kapoor and released in 1954, “hai na bolo bolo”, “re mamma re mamma re” in Shammi Kapoor’s Andaz, released in 1971 and “chakke p chakka” in Brahmchari, in 1969. Rafi pronounced the words with childish accent and SJ used the orchestration to attract children. There were ghazals also given by SJ for Rafi including “rukh se zara nakab”, “kya kya na kahe” in Jeetender’s Mere Huzoor, “unke khayal aye to” in Raj Kumar’s Lal Patthar, “aye bahaar banke” in Pradeep Kumar’s Rajhaath, etc. Besides SJ’s creation involving Rafi in somber mood had created great impact including songs like “teri zulfon ki judai to nahi maangi thi” in Dev Anand’s Jab Pyar Kisi Se Hota Hai, “ehsaan tera hoga mujhpar” in Shammi Kapoor’s Junglee, “yaad na aye” in Rajender Kumar’s Dil Ek Mandir. Shankar Jaikishan had used Rafi’s classical andaz in the songs “radheke tune bansoori churai”, “ajahu na aye”, etc., and combined the ragas with devotional andaz. SJ has given music in almost 200 films within the span from 1949 to 1971, and at least each year they composed music for approximately 10 films. As Rafi was given predominance over other male singers SJ had use him in regular intervals even without doing injustice to Mukesh, Manna Dey, Kishore Kumar, Talat Mehmood and others. Songs like “kaun hai jo sapno me aya” from Jhuk Gaya Aasman, “to bura maan gaye” from Ayee Milan Ki Bela, “yeh ankhen” from Jab Pyar Kisi Se Hota Hai, “tujhe jeevan ki dor se” from Aasli Nakli, “dheere dheere chal” from Love Marriage, “badan pe sitaren lapete hue” from Prince, “mai kahin kavi na banjayun” from Pyar Hi Pyar, “mai gayun tum so jao” from Brahmchari, had not lost their flavour even 40 years after their creation due to sheer brilliance of Shankar Jaikishan. It is really tragic neither Shankar Jaikishan had received the accolades that they deserved nor Rafi’s association with them had been glorified but history says that the combination of Rafi with Shankar Jaikishan had produced invaluable creations which had become immortal over the period of time.

Happy birthday to dream girl Hema Maliniji

Happy birthday to dream-girl Hema Malini. The viewers of bollywood films wish happy birthday to dream girl Hema Malini on 16th October, 2026. She was the uncrowned queen of bollywood films of the 70s. Her strong dancing skills gave her a separate place in bollywood films. Her performance in the film Sapno Ka Saudagar opposite Raj Kapoor was extremely successful in the late 60s. From there she never looked back. Her film Abhinetri opposite Shashi Kapoor became super hit. Her successful films opposite other stars included Gora Aur Kala opposite Rajender Kumar, Burning Train opposite Dharmender, Johnny Mera Naam opposite Dev Anand, to name a few. Gora Aur Kala became super hit with the successful songs composed by Laxmikant Pyarellal like “tu meri sapno ka rani banegi”, “dheere dheere bol”, etc. Within short time she formed a brilliant combination with Dharmender and their films started rocking bollywood in the 70s. The pair started off with films like Naya Zamana, Raja Jani and went on to give all time hits like Seeta Aur Geeta, Jugnu, Charas, Sholay, etc. If Sholay is remembered for superlative camerawork of Ramesh Sippy, villainish andaz of Amzad Khan, angry image of Big B, then it is also remembered for tremendous dance performance of Hema Malini. She danced on top of glasses in the song “jab tak hai jaan”. Besides she showed her bravery also in the film by riding on the horse-cart against the gang of dacoits of Gabbar Singh. Hema Malini did extremely well in off-beat films as well. One of her landmark films included Kinara opposite Jeetender and Dharmender. Gulzar’s films was based on dancing and Hema Malini’s classical dance balanced the story line where Jeetender’s car struck Dharmender and killed him on the spot. Dharmender was the husband of Hema Malini in the film and she lived with his memory in the film. Hema Malini’s films opposite Big B also did great business. Some of their hit films included Desh Premi, Satte Pe Satta, etc. In the last few years Hema Malini had been seen contributing in character roles in bollywood films like Baghban. She must be proud about the success of her daughter Esha Deol, but is respect of glamour and beauty and dancing skills still Hema Malini is remembered for her dominance during the 70s. In the recent years Hema Malini acted in many matured roles. She had acted very well in the film Aarakshan in 2011, opposite Amitabh Bacchan. She was the trustee of an organization catered to give higher education in India and reinstated Amitabh Bacchan as the Principal of that institution. Hema Malini also came in the Indian Idol 6 Show with Dharmender as guest judge in 2012. She shared her experiences of acting dancing and the history relating to playback singing involving her. The viewers still believe that a lot of dancing skills are still left in Hema Malini and she should still act in bollywood films in future.

On Shabana Azmiji birthday her landmark performances are revisited

Happy birthday to Shabana Azmi. Versatile actress Shabana Azmi was remembered on her birthday on 18th September, 2026. Many actresses spoke about her. Nandita Das had said that she had started her career with Fire opposite Shabana Azmi. She had great experience of working with the great actress. She acted with Shabana Azmi in a play named Diary of Anne Frank which was hosted in Kolkata, Bangalore and New Delhi. Director Mahesh Bhatt also said that his career also took a turn after Shabana Azmi acted in his film Arth. Shabana Azmi gave an interview in Times of India on her birthday in 18th September, 2010, four years back. She commented on many things. She said that in theatre acting there is scope of underacting, as the viewers at the backseat may not recognize lack of expression, but in films that is not possible. For her film acting was a greater challenge. She also said that acted in both commercial and parallel films. She acted during the transition of the 70s, when the actresses got roles opposite the angry young man played by Big B, Vinod Khanna, Shatrughun Sinha and others. Female actresses started getting roles which were transformations from the ones of the 60s in films like Mai Choop Rahungi to films in the 80s like Khoon Bhari Maang. But her range was exposed in parallel cinema. She could express the complexity of female mind successfully in the art films directed by Shyam Benegal, Satyajit Ray and others. When asked about her choice, she said that she would have accepted the role of a sweeper if director Bergman had offered her a role. He was her favourite director. In respect of actors, she commented that Tragedy King Dilip Kumar was her favourite actor. She grew up seeing his acting. It is very significant that the actress of the callibre of Shabana Azmi who had won 5 national awards also used the name of Tragedy King, who had not learned acting from acting school, but the characters immortal with his sensitive performances over 70 years. The interview was very knowledgeable. Shabana Azmi and Smita Patil were the two leading actresses with whom the renowned directors of India including Satyajit Ray, Shyam Benegal, Govind Nihalini, and others experimented the most in the late 70s and early 80s. Some of the best films of Shabana Azmi include Khandahar, Paar, Masoom, Sati, Aarth, Mandi, etc. In Shyam Benegal’s Ankur she played the role of the wife of Sadhu Meher, a rural villager. The film showed oppression of the feudal lords in Indian villages. In Shekhar Kapoor’s Masoom she played the role of the husband of Naseeruddin Shah. She had her two daughters and had to reconcile the son of Naseeruddin Shah who was born out of the first wedlock in the film. In Mahesh Bhatt’s film Arth she played the role of the wife of Kulbhushan Kharwanda who was having extra-marital affair with another woman played by Smita Patil. She had played very diverse roles and did justice to the complicated characters of women over the last 35 years. Shabana Azmi should continue her great work in bollywood films in future.

The death of realistic actor Nana Patekarji shocked the nation

The death of Nana Patekarji in October 2026 has shocked the nation.

The viewers of bollywood films wish happy birthday to actor Nana Patekar on 1st January, 2026. He created a different style of acting which had no similarity with the commercial actors like Shahrukh Khan or art film actors like Naseeruddin Shah. After Naseeruddin Shah and Om Puri, he was probably the other actor who allowed the directors to do any experiment with him. He drew the attention of viewers all across the country with his strong performance in the film Prahar in the late 80s. He not only acted in the film but also directed the film. The film was related to the story of a young boy whose mother was dragged into unlawful activities. He learned took military training and provided guidance to new students who joined the armed forces in India. The training schedule was very hectic and the strictness of Nana Patekar appealed to the masses. After the training was over, one of his students who lost his legs while facing terrorists was killed by the underworld group. Nana Patekar came to Bombay, and took revenge against all of them. He was given shelter by Dimple Kapadia, who was the sister of Madhuri Dixit, the wife of Nana’s student. The civilians in the area did not like the intervention of military personnel in the area. After Nana killed all the underworld members, he was tried in a court. The court ordered him to be sent to a mental asylum as he started taking the responsibilities of all the other civilians. The film had a strong social message and was admired by the intellectual viewers. Nana Patekar stormed bollywood films with strong performance in the film Krantiveer. The film showed the use of common people by political leaders for creating riots and clashes between different communities. Nana Patekar killed most of them and supported the effort of Dimple Kapadia who played the role of a daring journalist. If his reserve personality in the film Prahar was appreciated, his aggressive acting in the film Krantiveer amused the viewers. He also acted in comedy roles in films like Raju Ban Gaye Gentleman with Shahrukh Khan and Juhi Chawla. He was also sublime in the film Yashwant with Madhu. His uprightness caused trouble for his wife and friends. He was also sublime in a muslim role in the film Ghulam-i-mustafa. He played the role of an underworld person who worked for the cause of a political leader played by Paresh Rawal. His wife Ravina Tandon was killed in the process. He then helped a South Indian family led by Aruna Irani, and stayed in her house to prevent the rival groups from creating any trouble against the family. The film had a strong message of national integration. Nana Patekar also did a fantastic job in the film Hum Dono with Rishi Kapoor. He balanced the romantic acting of Rishi Kapoor opposite Pooja Bhatt with his witty performance and strong action. He did well opposite Big B and Tabu in the film Kohram. Whenever people saw films like Ab Taak Chappan or Vadh, they had appreciated his strong personality which has always raised voice against the evil practices in the country. In Vadh he went on killing persons one after the other till it was discovered that he was the real killer. His negative acting in films like Parinda opposite Anil Kapoor and Jackie Shroff was also appreciated. Nana Patekar was brilliant with Akshay Kumar and Anil Kapoor in the film Welcome. His role of mafia don amazed the viewers whose sister Katrina Kaif, who wanted to marry Akshay Kumar. But Akshay Kumar’s uncle Paresh Rawal never wanted

Happy birthday to star of the millenium Amitabh Bachhanji

The viewers of bollywood films wish happy birthday to the megastar of bollywood films Amitabh Bacchan on 11th October, 2026. Born in 1942, he had been the most popular actor of the entire millennium. In the 70s his films like Zanjeer, Sholay, Deewar created a new age of action films. His angry young man image created a revolution during an age when corruption became rampant in India. If Zanjeer was related to the obstacles faced by an honest police officer to safely perform his duties, Deewar was based on the contradiction of two brothers of whom one was a police officer, while the other was compelled to be a smuggler due to social compulsions. Sholay was based on the story of domination of the Chambal region of India by dacoits. The Thakur (played by Sanjeev Kumar) of the village employed two brave criminals namely Big B and Dharmender to face the dacoits. Big B was a very powerful actor and became the choice of all the leading directors of the 70s and 80s. His films included Abhimaan directed by Hrishikesh Mukherjee, Sholay directed by Ramesh Sippy, Zanjeer directed by Prakash Mehra, Deewar directed by Yash Chopra, Barsaat Ki Ek Raat directed by Shakti Samanta, Amar Akbar Anthony directed by Manmohan Desai, to name a few. The other factor which singled out Big B with the other actors in terms of his versatility was his baritone voice which he modulated to perfection. His comedy films like Namakhalal, Chupke Chupke, Amar Akbar Anthony, created new dimensions in Indian film history. His notable films during the 80s included Shakti, Akhree Rasta, Inquilab, etc. Even in the 90s his films like Akela and Indrajeet carried his strong personality forward. Big B had played a huge innings as a character actor and his films like Black, Kabhi Khushi Kabhi Gham, etc., showed the viewers, that after Dilip Kumar and Sanjeev Kumar, Big B was an actor with whom the directors could do any experiment. His performance in his son Abhishek Bacchan’s films like Bunty Aur Babli had also been notable. In 2010, he received the national award for the best actor for the third time for his excellent performance in the film Paa. In 2011, he was absolutely brilliant in the role of an academician in Prakash Jha’s film Aarakshan. In 2013, his performance in Prakash Jha’s film Satyagraha was brilliant. Day by day his acting skills are just getting better and better and he is experimenting in different types of roles. Even in Kaun Banega Crorepati he is the anchor and his profound educational background and pure hindi accent amazes the viewers. Sony TV cannot think about any other anchor other than Amitabh Bacchan. In 2018 he is acting in the film Thugs of Hindustan. In 2022 his film Brahmastra with Ranbir Kapoor became blockbuster of doing business above 430 crores. The viewers expect him to continue the great work that he started 40 years back.

Happy birthday to dashing star Rekhaji

Happy birthday to dashing star Rekhaji. The viewers of bollywood films wish happy birthday to dashing star Rekhaji on 10th October, 2026

. She had dominated bollywood films of the 80s. Being the daughter of Legendary South Indian actor Gemini Ganeshan on 10th October, 1954, Rekha created a separate place for herself in bollywood film industry. She was better known as Bhanurekha Ganeshan. In 1969 she acted opposite Biswajeet Chatterjee in the film Do Shikari. She got the her lead role as heroine opposite Navin Nischal in the film Sawan Bhado. In the early 70s, Rekha had to fight for her place in the bollywood industry, at a time when Hema Malini, Asha Parekh, Sharmila Tagore were dominating the industry. But she acted in many landmark films during that period including Gora Aur Kala opposite Rajender Kumar, Rampur Ka Laxman opposite Randhir Kapoor, etc. From the late 70s her films opposite megastar Big B changed her career. Most of the films ended up being super hit including Muqaddar Ka Sikandar, Mr. Natwarlal, Suhaag, Silsila, etc. Rekha gradually developed her acting and became one of the most versatile actresses of the 80s. Rekha had acted opposite all the leading actors of the 80s namely Jeetender, Dharmender, Big B, Vinod Mehra, etc. She received national award for her memorable performance in the role of a mujrewali in the film Umrao Jaan. She received filmfare award for best actress in her dashing role in the film Khoon Bhari Maang in 1988. She acted in more than 180 films. Along with the commercial films like Silsila, Mr. Natwarlal, Suhaag, she had been remembered for the performances in off-beat films. She played landmark roles in off-beat films like Gulzar’s Ghar and Ijaazat, Shyam Benegal’s Kalyug, Govind Nihalini’s Vijeta, etc. Even her films in the 90s like Kamasutra and in 2000 onwards in films like Lajja and Koi Mil Gaya, she showed her metal as a very talented actress. She received lifetime achievement award for the immense contribution to bollywood films. The viewers expect her to do well in character roles in future.

On Mahalaya bengalies hear Mohishashur Mordini in all India radio

For Bengalies the greatest festival of the year include Durga Puja. The flavor of the festival is set up by Mahalaya which occurs seven days before the occasion. Mohishahshur Mordini had not lost its appeal even after 60 years of its creation. It is played in All India Radio on the morning of every Mahalaya each year. In 2013 it was also played and it enchanted numerous bengalies all across the world. The mantra in the entire play was uttered by Birendra Krishna Bhadra who became a living legend in the early 50s. He conducted all the important programs in All India Radio from Kolkata at a time when Television did not appear in India and Radio was the only medium of entertainment. From Mahalaya the Petripaksha ends and Devipaksha begins. Hindus all over the world worship Goddess Durga and the occasion lies for four days including Shashti, Saptami, Ashtami and Navami. On Dashami Goddess Durga is immersed in holy Ganges. Mahalay is the day when Hindus do tarpan in the Ganges to remember the ancestors who had died but were still attached with the next generation. When Birendra Bhadra directed Mohishashur Mordini, the tale relating to Goddess Durga defeating the devil powers under the name of Mohishahur, Singer Pankaj Mallick and Bani Kumar also made notable contribution to bring in all the legendary singers of Bengal and made them sing significant songs. For example Manobendra Mukherjee sang “tabo achinto”, Dijen Mukherjee sang “jago tumi jago”. The other singers included Supriti Ghosh, Sumitra Sen, Sandhya Mukherjee, Shaymal Mitra, Utpala Sen and others. Supriti Ghosh sang the song “bajlo tomar alor benu”, Shipra Bose sang the song “ogo amar agomoni alo”, Tarun Banerjee sang the song “he chinmoyi”, Sandhya Mukherjee sang the song “bimane bimane”, Krishna Dasgupta sang the song “akhilo bimane taba jayogatha”, Pratima Banerjee sang the song “amala kirane tribhubane”, Shyamal Mitra, Arati Mukherjee and Ashima Bhattacharya sang the chorus song “shubhra shankha rabe”, Utpala Sen sang the song “shanti dile bhari”, Pankaj Mullick sang the song “rupang dehi jayang dehi”. Birendra Bhadra was unparallel in the manner in which he pronounced the Sanskrit sloks, which could not be replicated and when Uttam Kumar that greatest superstar of Bengal tried to do it, he was criticized and All India Radio again displayed the Mohishashur Mordini directed by Birendra Bhadra. Even Hindus across India celebrate Navratri and Dussehra based on the success of God in defeating evil powers. Even today Bengalies feel that it creates a Godly atmosphere and gives the feeling that Goddess Durga had really arrived on earth. These days a lot of programs are held in television to depict mohishashur mordini in television. For example in Zee Bangla channel on 15th October, 2012, Srabanti Chatterjee and Shubhashree played the role of Sati in Satir Ekanno Peeth in the play related to Mahishashur Mordini. In 2013 Zee Bangla came up with another musical program on Maa Durga where Arindam Mukherjee did the narration. But the importance of mohishashur mordini in All India Radio cannot be replaced. It is a historical piece of creation and should be restored.

Mahalaya and Mohishashur Mordini marks the beginning of Durga Puja all over the world

Mahalaya marks the beginning of Durga Puja all over the world. Mahalaya held every year, marks the beginning of Durga Puja all over the world. For bengalies in Mahalaya pritripakha ends, debipakha begins. On the same day, people go to the holy ganges to do tarpan, that is pay respect to the departed souls of father and ancestors. Different types of tarpans are done on the day including pitri tarpan, matri tarpan, deb tarpan, etc. Durga Puja is the puja of Asurdalani Maa Durga, who had defeated the evil forces (mahashahura) and brought peace and solidarity in the earth. All India Radio had a played a very important role in depicting the story of Mahalaya every year in the early morning. Mahishashur Mordini had been eternal creation of Birendra Krishna Bhadra, Bani Kumar and Pankaj Mullick. The way Birendra Krishna Bhadra had uttered the slokas “ya devi sarbabhuteshu shaktirupenu samhastita, namasthaswai namasthaswai namasthaswai namoh namohah”, he created an enchanting atmosphere, and devotees started feeling that they were in heaven. The other great part of Mahishashur Mordini was the great songs sung by legendary Bengali singers of the golden age, namely “taba achinto “ sung by Manobendra Mukherjee, “jago tumi jago” sung by Dwijen Mukherjee, and many songs sung by Sandhya Mukherjee, Suprava Sarkar, Supriti Ghosh, Shyamal Mitra and other legends. These days a lot of programs are held in television to depict mohishashur mordini in television. For example in Zee Bangla channel on 15th October, 2012, Srabanti Chatterjee and Shubhashree are going to play the role of Sati in Satir Ekanno Peeth in the play related to Mahishashur Mordini. But the importance of mohishashur mordini in All India Radio cannot be replaced. It is a historical piece of creation and should be restored. In the new durga puja in 2023, it is expected that everyone in every part of the world should enjoy Durgapuja in their own way. Mahishashur Mordini is the best creation of All India Radio. For Bengalies the greatest festival of the year include Durga Puja. The flavor of the festival is set up by Mahalaya which occurs seven days before the occasion. Mohishahshur Mordini had not lost its appeal even after 60 years of its creation. It is played in All India Radio on the morning of every Mahalaya each year. In 2012 it was also played and it enchanted numerous bengalies all across the world. The mantra in the entire play was uttered by Birendra Krishna Bhadra who became a living legend in the early 50s. He conducted all the important programs in All India Radio from Kolkata at a time when Television did not appear in India and Radio was the only medium of entertainment. From Mahalaya the Petripaksha ends and Devipaksha begins. Hindus all over the world worship Goddess Durga and the occasion lies for four days including Shashti, Saptami, Ashtami and Navami. On Dashami Goddess Durga is immersed in holy Ganges. Mahalay is the day when Hindus do tarpan in the Ganges to remember the ancestors who had died but were still attached with the next generation. When Birendra Bhadra directed Mohishashur Mordini, the tale relating to Goddess Durga defeating the devil powers under the name of Mohishahur, Singer Pankaj Mallick and Bani Kumar also made notable contribution to bring in all the legendary singers of Bengal and made them sing significant songs. For example Manobendra Mukherjee sang “tabo achinto”, Dijen Mukherjee sang “jago tumi jago”, Supriti Ghosh’s “bajlo tomar alor benu”. The other singers included Sipra Bose, Suprava Sarkar, Sandhya Mukherjee, Shaymal Mitra, Utpala Sen, Pratima Banerjee, Pannalal Bhattacharya and others. Birendra Bhadra was unparallel in the manner in which he pronounced the Sanskrit sloks, which could not be replicated and when Uttam Kumar that greatest superstar of Bengal tried to do it, he was criticized and All India Radio again displayed the Mohishashur Mordini directed by Birendra Bhadra. Even Hindus across India celebrate Navratri and Dussehra based on the success of God in defeating evil powers. Even today Bengalies feel that it creates a Godly atmosphere and gives the feeling that Goddess Durga had really arrived on earth. These days a lot of programs are held in television to depict mohishashur mordini in television. For example in Zee Bangla channel on 15th October, 2012, Srabanti Chatterjee and Shubhashree are going to play the role of Sati in Satir Ekanno Peeth in the play related to Mahishashur Mordini. But the importance of mohishashur mordini in All India Radio cannot be replaced. It is a historical piece of creation and should be restored.

In 3 days Drishyam 3 with Ajay Devganji Tabuji did business of 175 crores in India and 230 crores business worldwide to make it blockbuster.

In 3 days Drishyam 3 with Ajay Devganji Tabuji did business of 175 crores in India and 230 crores business worldwide to make it blockbuster.Drishyam: The Conclusion[b] is a 2026 Indian Hindi-language crime thriller film co-written, produced, and directed by Abhishek Pathak. Produced by Panorama Studios and Star Studio18, it is a sequel to Drishyam 2 (2022). Unlike its predecessors, the film features an original story and is not narratively connected to its Malayalam counterpart.[6] The film stars Ajay Devgn, Jaideep Ahlawat, Tabu, Shriya Saran, Rajat Kapoor, Prakash Raj, Ishita Dutta and Mrunal Jadhav.[7] Principal photography took place from December 2025 to June 2026 primarily in Mumbai and Goa.[8] Drishyam: The Conclusion was released in theatres on 2 October 2026, coinciding with Gandhi Jayanti.[9] The film received positive reviews from critics.[10] It is currently the 5th highest-grossing Hindi film of 2026. Plot The plot of the film connects with the predecessor. For more information on the predecessor's plot, see Drishyam 2. Six months later,[c] the case against the Salgaonkar family has been closed due to a lack of evidence. Devastated by her inability to prove Vijay's involvement in her son Sameer's death, Meera Deshmukh's mental state deteriorates. Her husband, Mahesh eventually asks SP Rajveer Singh Tomar of the Crime Branch to reopen the investigation, despite previously opposing the idea. Despite DNA testing proving that the skeleton recovered in the previous investigation did not belong to Sameer, Tomar suspects that Vijay may have replaced Sameer's skeletal remains shortly before the court proceedings. He and Laxmikant Gaitonde quietly resume the investigation, monitoring Vijay's movements. During their surveillance, they discover that Vijay has been frequently visiting a local church and has befriended Raghu, the security guard at a medical college, where the evidence was previously stored. Raghu reveals that Vijay visited the college with him on the night of 23 July 2021, the day skeletal was obtained from the Pandolem Police Station, where they drank together until passing out. As the college had no functioning CCTV cameras covering the evidence room, Tomar concludes that Vijay used the opportunity to swap Sameer's skeleton with another set of remains. Tomar begins an investigation into the origin of the unidentified skeleton that Vijay allegedly used during the exchange. He and his team search records for young men approximately between the ages of 15 and 20 years old, who died of severe head trauma and eventually identifies the swapped skeleton as belonging to Christopher Pinto. His investigation leads him to Christopher's grave and its caretaker Savio D'Souza, who has since disappeared. Meanwhile, Vijay maintains a respectable public image, regularly visiting a local church and making donations while continuing to work on his upcoming film. He also begins working with a prop artist to create a highly realistic prop for its production. Vijay's elder daughter, Anju, deeply concerned about her family's case being reopened, remains reluctant to move on with her life. Vijay, who is attempting to arrange a suitable marriage for her, reassures her that he has filed a petition in the High Court to permanently close the case. Savio is eventually located in Kerala and agrees to submit a written statement against Vijay, implicating him in the disappearance and replacement of Christopher's skeleton. Meanwhile, Meera and Mahesh hire prominent lawyer Indrajith Shetty to represent them. During the subsequent court hearing, Raghu testifies that Vijay was with him at the college on the night of 23 July 2021, while Savio retracts his statement, claiming it was coerced by the police. Shetty argues that the conflicting evidence warrants further investigation and requests the court to order the excavation of Christopher's grave. Despite objections from Vijay's defense, the court grants the request. When Tomar and his team arrive at the cemetery, they are confronted by members of the local Christian community, who oppose the excavation on religious grounds. The excavation eventually takes place; however to everyone's surprise, Christopher's skeletal remains intact. Concurrently, Shetty questions Nandini about Vijay's whereabouts on the night of 23 July 2021. She states that Vijay was at home. Shetty then presents audio recordings gathered by undercover officers, Shiv and Jenny, who purchased a property next to the Salgaonkar residence and installed surveillance equipment.[d] The audio recordings places Vijay inside his home, directly contradicting Raghu's testimony. Due to conflicting evidence, the court finds reasonable doubt, accquits the Salgaonkar family, and permanently closes the case. After the hearing, Tomar, Meera, Mahesh, Shiv, and Jenny reconstruct Vijay's scheme. Approximately two and a half years ago, Jenny and Shiv purchased the neighbouring property while working undercover. Vijay had initially been suspicious of the couple and later discovered that they had installed listening devices throughout his house. Anticipating that his movements would be monitored, Vijay devised a second deception. With the cooperation of his family, he used a cassette player, radio, and prerecorded recordings to create the impression that he was at home on the night of 23 July 2021. While the recording played inside the house, Vijay was actually at the college with Raghu. To delay the excavation, through his regular visits to the church, Vijay used a false identity "Sister Pereira" to repeatedly warn members that the government planned to demolish the church and cemetery to acquire the land, while arranging for the JCB operators and workers to appear that such preparations were underway. Vijay eventually used this deception to prevent the police from thoroughly examining Christopher's grave. Although they reconstruct his plan, they have no evidence that can be used to prove it in court. Christopher's skeleton remains in his grave, the recordings appear to establish Vijay's presence at his home, and the community continues refusing further disturbance of the grave. However, one question remains unresolved: if Christopher's skeleton is still in his grave, where is the skeleton Vijay originally used to replace Sameer's? The answer is revealed when Vijay meets Savio. Savio had expected Vijay to return Christopher's skeleton after using it in the exchange. However, because the skeleton was placed under strict surveillance in the evidence room, Vijay was unable to retrieve it. It is then revealed that Vijay's months-long work with the prop artist served another purpose. The supposedly ordinary film prop was actually a highly detailed replica of a human skeleton. Vijay obtains the replica and with the assistance of Savio, secretly places it inside Christopher's grave. With the replica placed in the coffin, Vijay fulfills his promise to Savio while convincing both the authorities and local community that Christopher's remains were never disturbed. Ultimately, Vijay turns the evidence meant to expose him into part of his alibi, leaving the police without usable evidence against his family. Cast Ajay Devgn as Vijay Salgaonkar Jaideep Ahlawat as SP Rajveer Singh Tomar IPS, Crime Branch Tabu as Meera Deshmukh, former Inspector general of police; Sam's mother Shriya Saran as Nandini Salgaonkar, Vijay's wife; Anju and Anu's mother Rajat Kapoor as Mahesh Deshmukh, Meera's husband; Sam's father Prakash Raj as Public Prosecutor Indrajith Shetty Ishita Dutta as Anju Salgaonkar, Vijay and Nandini's elder daughter Mrunal Jadhav as Anu Salgaonkar, Vijay and Nandini's younger daughter Kamlesh Sawant as SI Laxmikant Gaitonde Saurabh Shukla as Murad Ali Samvedna Suwalka as Adv. Gayathri Mohan Nishant Singh as SI Shiv Kulkarni Neha Joshi as ASI Jenny Thomas Ajeet Singh as Raghu Naik Ramchandra Singh as Savio D'Souza Jairoop Jeevan as Jacob De Mello Amir Salim Khan as Anil Kamath Akashdeep Sabir as Justice Joseph Mathews Abhishek Gaikwad as Suhaas Dodo Bhujwala as Cyrus Sanjay Dadhich as Paolo Fernandes Lalit Sawant as Nilesh Shinde Ajoy Chakraborty as Father Moses Shivraj Walvekar as DGP Sinha Aarti Desai as Principal Nair Jiten Lalwani as Mr. Kamat Leena Sharma as Mrs. Kamat Manish Tyagi as Vineet Kamat Rakesh Dubey as Astrologer Production Development In May 2025, it was confirmed that the third instalment of the original film series would be remade in Hindi.[11] Earlier reports suggested that the original and remake would be filmed and released together simultaneously.[12] However, Jeethu Joseph dismissed these reports, clarifying that original film would release first.[13] In May 2026, Jeethu Joseph confirmed that the film would feature a different narrative from the original version.[14][15] In August 2026, the film's official title was revealed as Drishyam: The Conclusion by the makers.[16] Casting In October 2025, Paresh Rawal was reported to have been offered a role in the film.[17] Akshaye Khanna was initially set to reprise his role from the prequel but later exited the project due to creative and financial disagreements with the producers.[18][19] He was subsequently replaced by Jaideep Ahlawat.[20] In February 2026, Prakash Raj joined the cast.[21] Filming Principal photography began in December 2025 in Mumbai.[8] In January 2026, filming continued in Goa.[22] Filming was completed in June 2026.[23] Music Drishyam: The Conclusion Soundtrack album by Ravi Basrur, Rochak Kohli and Karma Released 28 September 2026[24] Recorded 2025–26 Studios AMV Studio, Mumbai Soundemic Studios, Dubai Genre Feature film soundtrack Length 14:54 Language Hindi Label Sony Music India Producers Ravi Basrur, Chethan Handattu, Rochak Kohli, Karma, AK4EAL External audio audio icon Drishyam: The Conclusion - Jukebox on YouTube The music of the film is composed by Ravi Basrur, Rochak Kohli and Karma, with lyrics written by Manoj Muntashir, Aamil Keeyan Khan, and Karma.[25] The film score is composed by Amar Mohile. The first single titled "Vingansa" was released on 17 September 2026.[26] The second single titled "Muskura Do" was released on 23 September 2026.[27] The third single titled "Game Over" was released on 28 September 2026.[28] Track listing No. Title Lyrics Music Singer(s) Length 1. "Vingansa" Aamil Keeyan Khan Ravi Basrur Siddharth Basrur 4:31 2. "Muskura Do" Manoj Muntashir Rochak Kohli Lucky Ali 3:51 3. "Daastaan – The Drishyam Recap" Aamil Keeyan Khan Ravi Basrur Sunidhi Chauhan 4:12 4. "Game Over" Karma Karma Karma 2:20 Total length: 14:54 Release Theatrical In December 2025, an announcement video revealed the release date as 2 October 2026, coinciding with Gandhi Jayanti.[29][30] The film's official trailer was revealed on 9 September 2026 at a special event in Panjim, Goa.[31] Distribution Panorama Studios and Zee Studios acquired the overseas theatrical distribution rights.[32] Home media The digital streaming rights of the film were acquired by Netflix.[33] Reception Box office Drishyam The Conclusion grossed ₹262.34 crore (US$27 million) worldwide. It grossed ₹199.94 crore (US$21 million) in India and ₹62.4 crore (US$6.5 million) in overseas market.[4] On its opening day, the film earned ₹62.03 crore net at the domestic box office.[4] Critical response Taran Adarsh of Bollywood Hungama gave the film 4.5 out of 5 stars, and praised its direction, writing, performances, courtroom sequences and climax, and called it "the best film in the Drishyam franchise".[34] Rahul Desai of The Hollywood Reporter India called the film, "[...] a surprisingly satisfying watch."[35] Sajin Shrijith of The Week, finding the film superior to its Malayalam counterpart, gave it 4 stars out of 5 and wrote in the epigraph of his review, "'Drishyam 3: The Conclusion', led by Ajay Devgn, excels by opting for a unique narrative rather than mimicking its predecessors, focusing on emotional depth and intricate storytelling about perceived, genuine, and fabricated truths."[36] Renuka Vyavahare of The Times of India gave the film 4 stars out of 5 and noted at the end of her review, "Drishyam 3 chooses to stick to the franchise's standard template rather than risk reinventing it. At two-and-a-half hours, however, the film begins to drag towards the end and could have benefited from tighter editing. Still, its biggest strength remains its ability to keep you immersed and consistently anxious about what happens next."[37] Kartik Bhardwaj of Cinema Express also gave the film 4 stars out of 5, observing, "In the era of passive viewing on OTT and loud spectacles in theatres, Drishyam 3 provides such a cerebrally engaged viewing experience which has become a rarity."[38] Anuj Kumar of The Hindu wrote, "The script smartly absorbs the franchise’s obsession, where viewers see Vijay as an unbeatable folk hero. So, instead of showing us how he hides the crime, the screenplay spends a lot of time on how the system attempts to deconstruct the myth of a 4th-grade dropout. In this subversion of power, Ajay Devgn’s inscrutable face forces the polished system to peel back its civility and resort to desperate hostility."[39] Pragati Awasthi of WION summed up in her review, "For me, Drishyam: The Conclusion gave me the satisfying ending my inner soul was wishing for."[40] Shubhra Gupta of The Indian Express gave the film 3 stars out of 5, observing, "But while the men do most of the heavy lifting, I don:t think I will be able to forget Tabu’s wounded eyes, which belong to a mother unable to comprehend a world which doesn't have her only child. She's terrific, as always."[41] Saibal Chatterjee of NDTV also gave the film 3 stars out of 5, writing, "Riding on a taut script that is predicated on mishaps and moves of the past, Drishyam: The Conclusion stitches together a tale that is fascinating enough not to lose much steam as it makes its way to a flummoxing and inconclusive denouement. The elements strewn along the pathway to the climax do their bit to hold the film together."[42] Rishabh Suri of Hindustan Times gave the film 3 stars out of 5 as well and concluded in his review, "Overall, Drishyam: The Conclusion has enough drama and nostalgia to keep the fans engaged. But for a franchise that built its reputation on making the impossible seem plausible, this one asks us to take a few too many things at face value. It has the ingredients of a satisfying finale, just not the trick to pull it off. The mystery may finally be over, but the magic of the first Drishyam remains hard to recreate."[43] Sana Farzeen of India Today, too, gave the film 3 stars out of 5, writing in her review, "The film moves with confidence, but the problem comes in when it occasionally becomes too indulgent. There is a lot of dialogue-baazi, and while some of it is entertaining, most of it begins to feel like the writers are enjoying their own cleverness a little too much. There is a courtroom exchange where the judge tells everyone to come to the "mudde ki baat", and honestly, there are moments when you want to say the same thing to the film."[44] Likewise, Chirag Sehgal of News18 gave the film 3 stars out of 5 and noted, "Drishyam 3: The Conclusion is a gripping and fast-paced thriller that understands the appeal of its franchise. It keeps you invested and benefits from strong performances, particularly from Ajay Devgn, Jaideep Ahlawat, Prakash Raj and Kamlesh Sawant. However, the film's biggest strength is also its weakness. It is not a bad film but it sticks closely to the Drishyam formula, making it familiar. It is not a grand conclusion that the franchise deserved."[45] Sukanya Verma of Rediff.com gave the film 2.5 stars out of 5. She noted, juxtaposing against Malayalam counterpart, "Georgekutty [Drishyam 3 protagonist] monetises the guilt he is burdened by to make his movie making dreams come true. He's a hypocrite and conformist yet accepting of his flaws and errors. No such character evolution is to be found in Drishyam: The Conclusion."[46] Bryan Durham of Variety India pointed out, "[...] the cat-and-mouse game is not as entertaining as it once was. There’s nothing to look forward to anymore: not the novelty or enthusiasm that defined the first film, not the tension and game of wits that elevated the second."[47]

The greatest blockbusters of 1959 included Raj Kapoorsahab's Anari and Dilip Kumar Sahab's Paigam.

Greatest bollywood hit films of 1959. The year 1959 was very significant in the history of bollywood films. Both social films and historical films dominated bollywood. The biggest hit film of 1959 was Anari. Anari was directed by Hrishikesh Mukherjee. Raj Kapoor, Motilal, Lalita Power and Nutan were the leading artists in the film. The film showed the story of an innocent person who got involved in a case relating to forged medicines. The film was known for its excellent music composed by Shankar Jaikishan. All the songs of Lata Mangeshkar and Mukesh, including “yeh chand khila”, “kisiki muskurahaton pe ho nisar”, “sab kuch sikha humne” became smash hits. The film also received the major filmfare awards of 1959. Raj Kapoor got the award for the best actor, Lalita Power got the award for the best supporting actress, Shankar Jaikishan got the award for the best music director, Mukesh got the award for the best singer. The second highest grosser of 1959 included Paigham. Dilip Kumar and Vaijayantimala were the leading artists of the film. The film was directed by S.S. Vassan. Dilip Kumar and Vaijayantimala had given blockbusters in the past like Madhumati, so their online chemistry was accepted by the audience. The third biggest hit film was Navrang. The fourth was Dhool Ka Phool. The fifth hit film was Goonj Uthi Shehnai. Very significantly Rajender Kumar featured in both Dhool Ka Phool opposite Mala Sinha, and Goonj Uthi Shehnai opposite Amita. Both the films were famous for the excellent music composed by Kalyanji Anandji and Vasant Desai. The sixth hit film was Dil Deke Dekho where Shammi Kapoor and Asha Parekh were the main artists. Music was composed by Usha Khanna. The seventh hit film was Sujata. It was directed by Bimal Roy. Nutan and Sunil Dutt were the main artists. The next three hit films of the year included Choti Behen, Rani Roopmati and Chirag Kahan Roshni Kahan. The film was directed by Devendra Goel and music composed by Ravi Shankar Sharma. In Choti Behen directed by L.V. Prasad, Balraj Sahani and Nanda were the main artists. Music was composed by Shankar Jaikishan. In Rani Roopmati, Bharat Bhushan and Nirupa Roy played the lead roles. SN Tripati composed the music of the film. In Chirag Kahan Roshni Kahan, Rajender Kumar and Meena Kumari played the lead roles. There were few inferences that can be drawn from the biggest hit films of 1959. While Raj Kapoor and Dilip Kumar dominated bollywood as main stars, Rajender Kumar emerged as another crowd puller by giving three hits together. As far as actresses were concerned there was brilliant competition between Vaijayantimala, Nutan, Meena Kumari and others. As far as directors were concerned in addition to established directors like Bimal Roy, Raj Kapoor, Guru Dutt, upcoming directors like Hrishikesh Mukherjee, L.V. Prasad, B.R. Chopra, Nasir Hussain created a great impact in bollywood films. As far as music director were concerned there was stiff competition between Shankar Jaikishan, Naushad Ali, C. Ramchandran, Ravi Shankar Sharma, Vasant Desai and others.

Happy birthday to veteran actress Tanujaji

Admirers of Bollywood films wish happy birthday to veteran actress Tanuja on 23rd September, 2025. Tanuja, the sister of dignified actress Nutan and the daughter of Sobhna Samarth created a unique place in bollywood films and Bengali films. Being the member of a family having legacy of contributing a lot in bollywood films, she had to face acid test. In the 60s, when bollywood industry was flooded with talented actresses, Tanuja stepped in bollywood films. She had faced Meena Kumari, Madhubala, Wahida Rehman, Sadhna, Vaijayantimala and other classic actresses and yet created her identity in that age. Tanuja’s prominent films in the 60s include Baharen Phir Bhi Ayegi, with Dharmender, Memdidi, Sapno Ka Saudagar, opposite Raj Kapoor, etc. Within 3 to 4 years, she was cast opposite leading actors of bollywood films. Her performance opposite Dev Anand, in the film Jewel Thief was appreciated by film-lovers. Jewel Thief was crime-thriller director by Vijay Anand. Tanuja’s innocence in the film and spontaneous presence impressed the viewers. Besides Tanuja’s lips in Ahsa Bhosle’s song “raat nashili hai” was very impressive. In the early 70s, Tanuja switched on to serious films like Basu Bhattacharya’s Anubhav opposite Dharmender. Her lips in Geeta Dutt’s song “mera dil jo mera hota” and other songs showed the acting class of Tanuja. She did even better in Dharmender’s film Izzat. Dharmender had double role with one son being the illegitimate child of Balraj Sahani. Her performance in the song “loote dil pe diya jalta nahi hum kya Karen” sung by Lata and Rafi made viewers spellbound. She was equally impressive in the film Pabitra Papi. Tanuja was involved in super hit films like Haathi Mera Saathi opposite Rajesh Khanna, Mere Jeevan Saathi opposite Rajesh Khanna, Ek Paheli, opposite Feroz Khan, to name a few. In respect of Bengali films, Tanuja showed a great spirit in adapting Bengali language and adjusting herself opposite Uttam Kumar in the 60s and 70s. Deya Neya, Anthony Firingi and Raj Kumari stands out as the biggest hits of Tanuja opposite Uttam Kumar. All these films were musical blockbusters and the lips of Tanuja in leading songs in these films require special mention. Shyamal Mitra composed music for the super hit film Deya Neya. Tanuja was sublime in her lips in the song “madhabi madhute holo mitali”. She was brilliant in the two songs of Sandhya Mukherjee in the film Anthony Firingi, titled “ami je jalsaghare”, and “champa chameli golapero bage”, composed by Anil Bagchi. Raj Kumari marked the beginning of musical career of Bengali musical sensation RD Burman. Songs like “ki holo, kabe holo” creates shivers in the spines of many listeners even today. Tajuna was sublime in other successful films like Prothom Kodom Phool, Teen Bhubaner Pare, Madhuban, etc. She is considered more versatile than her daughter Kajol who got success by performing opposite Shahrukh Khan in hit films in the 90s. The viewers expect her to continue the great work in character roles in bollywood films in future.

Manobendra Mukherjeesahab remained the king of romantic classical songs

Manobendra Mukherjee and stylish classical Bengali songs. Manobendra Mukherjee was one of the legendary classical singer of Bengal who had simplified classical ragas and used them in Bengali modern songs. His romantic song “ami eto je tomay bhalobesechi” written by Shyamal Gupta and composed by himself had classical touch embedded in it. His other own composed song “emni kore porbe mone baki jibon dhore” was also a masterpiece related to classical andaz. Manobendra Mukherjee’s pure classical numbers were even more melodious. One example is “ei moushumi mon shudhu rong bodlay”. In this song there was a small alaap or khanak taken at the place “mori je hay” where Manobendra had used the sargam by uttering in “aa aa” form. It was brilliant. There were other romantic songs like “boroshaklanto o duti nayan mele”. The song had been composed by Anal Chatterji. Manobendra Mukherjee had another master piece “bolo raat bolo se kothay”. The song was totally raga oriented. Manobendra Mukherjee was sublime in the song “ei nil nil jal sagore” composed by Probir Mojumdar and “tomar pather prante moner monidip jele rekhechi” composed by Satinath Mukherjee. Some of his own compositions like “ei ganga sei padda” and “sei bhalo ei bosonto noi” had absolute romantic andaz. Manobendra Mukherjee had given adequate expression to songs composed by Himangshu Dutta including “birohini chiro birohini”, “tumi je andhar”, “biroho barisha”, etc. The songs were difficult in nature and Manobendra was probably the most classically trained singer to do justice to them. Manobendra had also sung some of the songs created in thumri style. One example was “koto je soyechi betha” composed by Chinmoy Lahiri. One more classical number included “tumi to dariye acho”. Articles after articles can be devoted to Manobendra Mukherjee whose classical touch was as elegant and stylish as Neil Harvey’s wristy strokes.

Deepti Navalji and Farooq Sheikhji were outstanding in film Kisi Se Na Kehna

Actors Farooq Sheikh and Deepti Naval were a brilliant intellectual pair who stormed Bollywood films in the 1980s. They were cast in different experimental characters after the pair of Naseeruddin Smita Patil and Om Puri Shabana Azmi. Kisi Se Na Kehna was a light-hearted comedy film made by Hrishikesh Mukherjee in 1983. The film was produced by Ashok Raut or Jayant Pathare. The music was composed by Bappi Lahiri. In the film Farooq Sheikh became the general manager of the firm run by SN Banerjee. He fell in love with Deepti Naval who was the niece of SN Banerjee. Utpal Dutta, the father of Farooq Sheikh wanted to get him married to girl who knew Indian traditions and did not know the language. Utpal Dutta himself went to see a number of girls and found that the ones who were modern learned poor culture and were disrespectful towards elders. He asked Farooq Sheikh to marry only that girl who knew not a single letter of English. Sayeed Jaffery helped Farooq Sheikh and Deepti Naval to get married. He asked Deepti Naval and SN Banerjee to pretend that they were from the village and never heard any English word in life. Deepti Naval faced huge trouble as she was a learned doctor, but she managed the false relationship. Deven Verma, her cousin brother was the relief character in the film who was seen with different girlfriends at different times. At the end of the film when Utpal Dutta faced a heart attack, Deepti Naval had to give an injection to save him and told the truth. At the beginning Utpal Dutta told her to leave his house but after hearing the version from Sayeed Jaffery reconciled the situation. Hrishikesh Mukherjee gave a great message in the film. He showed the world that development is not based on roughness created by advanced education but the humbleness earned by traditional knowledge. Farooq Sheikh and Deepti Naval after creating havoc with brilliant performances in the films Saath Saath, Katha, Chasme Badoor, continued the dream run in the film Kisi Se Na Kehna. Utpal Dutta had a class of his own when it came to acting. Right from negative roles in the films Barsaat Ki Ek Raat to comedy roles in Golmaal and social roles in Kisi Se Na Kehna, he became the pride of the industry in character roles. Sayeed Jaffery was a great actor and showed his class in films like Shatranj Ki Khiladi, Masoom and many other films. The music of Bappi Lahiri was impressive with Asha Bhosle’s song “kisi se na kehna” which was very soft and melodious. The film should be restored and preserved.

On birth anniversary of Dev Anandji it can be said he remained evergreen star for last 100 years

Dev Anand will be remembered by the nation for generations. Dev Sahab was remembered on his 100th birth anniversary and he has remained evergreen. Dev Sahab was remembered on 100th birth anniversary on 26th September 2022. Dev Anand was remembered on his birth anniversary on 26th September, 2022. Romantic star Dev Anand died in London on 4th December, 2011, at the age of 88 years. Everyone in India mourned his death right from Prime Minister Manmohan Singh to superstar Shahrukh Khan, actress Hema Malini to actor Rishi Kapoor. He was staying in London and died out of cardiac arrest as had been said by his son. Most of his fans all across the world had said that they Dev Anand never looked back at life, but looked forward and for that reason became the inspiration for every optimistic film personality. It was the end of an era, as Dev Anand represented Indian films for more than 60 years, right from 1946, when he started his career. His hit films included CID, Kala Pani, Hum Dono, Guide, Jewel Thief, to mention a few. He received filmfare award for best actor for his performance in the films Kala Pani and Guide. He received Dadasaheb Phalke award for immense contribution to bollywood films. He had also being remembered for his brilliant songs of Mohammad Rafi, Geeta Dutt and Lata Mangeshkar like “din dhal jaye”, “kabhi khud pe kabhi halat pe rona hoga”, “piya tose naina lage re”and brilliant compositions of Shankar Jaikishan, Sachin Dev Burman, and others. His songs sung by Rafisahab had been masterpieces like "kya se kya ho gaya", "kabhi khud pe", "aise to na dekho", "ankhon hi ankhon me", "tujhe jeevan ki dor se", "dil ka bhawar kare pukar", "teri zulfon ki judaai", "khoya khoya chand", "hum bekhudi me tuk ko pukare", "mai zindagi ka saath". The list goes on. Evergreen star Dev Anand had this year gave an interview to journalist Gautam Bhattacharya which had been published in Anandabazar Patrika on 25th June, 2011. He had said that he had been busy working with his new film Charge Sheet. He had crossed 88 years and still showed the enthusiasm to work on the sequel of the film Hare Rama Hare Krishna, which he made in 1971. When he was asked about Raj Kapoor and Dilip Kumar, he said, if Raj Kapoor would have taken care of his health he would have survived for more time and made more films. Dilip Kumar was happy to be an actor and never showed the interest of directing films. Dev Anand missed his team of performers like Vijay Anand, Kishore Kumar, Sachin Dev Burman, but he said that death was also a reality which people should face.

Happy birthday to Mahima Choudhury

Happy birthday to Mahima Choudhury. The viewers of bollywood films wish happy birthday to Mahima Choudhury on 13th September, 2026. She had been a big asset of bollywood films in the 90s. She had been given a great break by Subhash Ghai in the film Pardesh opposite Shahrukh Khan. All the songs in the film became super hit like “do dil mil rahe hai”, sung by Kumar Shanu or “yeh dil diwana” sung by Sonu Nigam, etc. Her traditional role in the film was well appreciated by every section of the viewers. Subhash Ghai had given breaks to new comers all across his career, and just like Madhuri Dixit, Manisha Koirala, Mahima Choudhury also proved her merit in the first film. After that Mahima Choudhury acted in every type of roles. She was sublime opposite Chandrachud Singh in the film Daag the fire. Although it was an out and out action film she kept her mark in the film. She had a double role in the film and did very well in the role of an accomplished girl and the role of a prostitude. The two characters were absolutely contrasting in nature. Due to domination of Sanjay Dutt in the film Mahima’s performance did not get the limelight which she deserved. She did extremely well in Raj Kumar Santoshi’s film Lajja. She was one of the five ladies who faced oppression from the patriarchal society and her way of expressing discontent was very impressive. She was sublime opposite Sanjay Dutt in the film Kurukshetra. Sanjay Dutt was a fearless police officer and faced the hurdles created by the corrupted ministers and the corrupted police officers in his department. Mahima Choudhury, who played the role of his wife in the film expressed her discontent after being the victim of vengeance of the criminals who were arrested by Sanjay Dutt. Mahima Choudhury did well in smaller roles as well. The one which is most remembered is her performance in the film Dhadkan where Shilpa Shetty, Sunil Shetty and Akshay Kumar had the more prominent roles. She had featured in less number of films in the recent past. The viewers expect her to act in bollywood films in future as she still has a lot of acting left in her.

Happy birthday to superstar Akshay Kumar

Happy birthday to superstar Akshay Kumar. The viewers of bollywood films wish happy birthday to Akshay Kumar on 9th September, 2026. He had acted in more than 100 films and given blockbusters like Rowdy Rathore, Good News, Housefull 4, Toilet Ek Prem Katha, Kesari, Namste London, Singh is Kinng. In 2019 both his films Kesari and Mission Mangal became super hit. While Kesari did business of 154 crores, Mission Mangal did business of 194 crores. In 2014 his film Holiday did business of more than 115 crores. 2012 had been a brilliant year for him. He had given 2 blockbusters doing business of more than 100 crores. The films were Rowdy Rathore and Housefull 2. His film Joker opposite Sonakshi Sinha flopped, but that does not stand in the way of his success. In 2013 his film Once upon a time in Mumbai dobara did not do great business. But he has a number of films in the pipeline to be released later this year. When Akshay Kumar cemented his position in bollywood films, he was known for Khiladi series films. He acted in the films Khiladi, Sabse Bada Khiladi, Mai Khiladi Tu Anari, International Khiladi, etc. But from 2000 onwards he changed the style of acting. He acted in comedy films like Hera Pheri, Phir Hera Pheri, and also romantic films like Namaste London. In 2008, Akshay Kumar ruled the Lux Sabse Favourite Kaun Award. Priyanka Chopra won the award for the best actress in Lux Sabse Favourite Kaun award. She had continued the dream run that she started in 2008. She received the award for her brilliant performance in the film Kaminey. She won the award against the other nominees like Kareena Kapoor in Kambakht Ishq, and Katrina Kaif in Ajab Prem Ki Gazab Kahani. Akshay Kumar won the award for the best actor in Lux Sabse Favourite Kaun award. He won the award against the other nominees like Salman Khan in Wanted, Amir Khan in Ghajini, Shahrukh Khan in Rab Ne Bana Di Jodi, etc. He won the award for his sheer hard work. The viewers liked him inspite of his films Chandi Chowk to China, Kambakht Ishq, Blue, not doing good business in 2009. Sanjay Dutt won the award for the best comedian (male) for his hilarious performance in the film All the Best. Divya Dutta won the same award in the female category for her comedy performance in the film Saajan Chale Sajjanpur. The film Ajab Prem Ki Gazab Kahani won the award for the best film. Raj Kumar Santoshi, Ranbir Kapoor, Katrina Kaif and the entire team of the film should be proud about it. Hrithik Roshan won the style icon (male) award. There is no doubt that he is probably the most stylish actor in the industry. Bipasha Basu won the most fit actress award while Shahid Kapoor won the most fit actor award. Priyanka Chopra won the award for the most favourite ada, as against Lara Dutta, Katrina Kaif, Kareena Kapoor and Aishwarya Rai. She is really having a fabulous year. The viewers expect Akshay Kumar to continue giving hits after hits, the way he had done few years back. Even his recent films like Laxmi and Bell Bottom had good review.

Happy birth anniversary to legendary singer Asha Bhosleji

Happy birthday to Asha Bhosle. The viewers of bollywood films and listeners of music all across the country wish happy birthday to Asha Bhosle on 8th September, 2026. She had remained a legend of legends in the field of music. She came to limelight in the 70s and 80s and ended up being the most successful female playback singer after Lata Mangeshkar. In the 50s, Asha Bhosle had to face the competition from other singers dominating the bollywood playback industry like Lata Mangeshkar, Shamshad Begum, Noorjahan, Suraiya, Geeta Dutt, Suman Kalyanpur, Sudha Malhotra and many other singers. Asha’s successful songs in the 50s include “mur murke na dekh” composed by Shankar Jaikishan in the film Shree 420, “aiye meherban” composed by OP Nayyar in the film Howrah Bridge, “accha ji mai hari” composed by SD Burman in the film Kala Pani, to name a few. In the 60s, OP Nayyar backed Asha Bhosle, and her duets with Rafi in films like Phir Wohi Dil Laya Hoon released in 1963, Ek Musafir Ek Haseena released in 1962, Mere Sanam released in 1965, Kashmir Ki Kali in 1964, are considered milestones in Indian film music. Her famous duets with Rafi include “naznee bara rangeen hai wada”, “mai pyar ka rahi hoon”, “isharon isharon”, “diwana hua badal”, “bahut shukriya”, “zulf ki chayon me chehere ka ujala lekar”, etc. Few other composers only reposed their confidence on Asha like Khayyam who made her sing memorable songs in Raj Kapoor’s film Phir Subah Hogi, released in 1958. Ravi had given songs to Asha Bhosle in films like Waqt, Humraaz, Gumraah, etc. Some of her notable songs in those films include “in baharon me in fizayon me”, “wo subah kabhi to ayegi”, etc. Roshanlal Nagrath’s famous qawalli “na to karwaki talaash hai” in Barsaat Ki Raat in 1960 featured Mohammad Rafi, Manna Dey, Asha Bhosle and Sudha Malhotra. Shankar Jaikishan used Asha Bhosle in Rajender Kumar Vaijayantimala starrer Suraj, notably in the song “kaise samjhayun” which was a classical duet song between Mohammad Rafi and Asha Bhosle. The list can go on. In the 70s Asha Bhosle married RD Burman and it changed the career of the premier singer. Her westernized style of singing was used by RD to give her super hit songs like “piya tu ab tu aja” in the film Karwan, “dum maro dum” in the film Hare Rama Hare Krishna, “chura liya” in the film Yaadon Ki Baraat, etc. She sang in almost all the films where RD Burman composed music. Asha Bhosle had sung landmark qawallies opposite Mohd. Rafi like “hum kisi se kum nahi”, in the film Hum Kisi Se Kum Nahi, “pal do pal ka” in the film Burning Train, etc. In the 80s, Asha Bhosle crossed new milestones by showing her skills in singing mujras in the film Umrao Jaan, composed by Khayyam. All the songs in the film including “dil cheez kya hai”, “justju”, etc., were appreciated by the critics. Her song “mera kuch saman” in Gulzar’s film Ijazat showed the versatile class of singing of Asha Bhosle. She received filmfare awards a number of times and she balanced the innovative style of singing of Kishore Kumar with her own innovation. It is not possible to cover the accomplishments of legendary singer Asha Bhosle in a single article as she had sung more than 25000 songs in hindi and other languages. Even her songs “amar din katena”, “aro dure cholo jai” in Uttam Kumar’s Bengali film Choddobeshi composed by Sudhin Dasgupta was worth mentioning. After marrying RD Burman, she had sung a number of Bengali songs composed by RD Burman. She had even sung ghazals with Ghulam Ali. In 2012, she had remained one of the judges of Sony TV Indian Idol 6 Program along with the other judges Anu Malik, Sunidhi Chauhan and Salim Merchant. There also she did a great job. The listeners expect Asha Bhosle to continue the great work she had started more than 50 years back.