In the last 100 years greatest actor of India Dilip Kumarsahab has given maximum number of blockbusters

The nation is shocked by demise of Tragedy King Dilip Kumar sahab's death at 99 years. The success rate of Dilip Kumar in Bollywood films is incomparable. Bollywood films had given superstars of different dimensions over the last 70 years. Right from Ashok Kumar to Rajender Kumar, Amitabh Bacchan to Shahrukh Khan, the superstars had entertained the audience and created records at box office over the years. These days viewers feel Salman Khan is the badshah of 100 crore, 200 crore, 300 crore club as his films Dabaang did business of 140 crores, Dabaang 2 158 crores, Ready 125 crores, Bodyguard 148 crores, Ek Tha Tiger 198 crores, Kick 232 crores, Prem Ratan Dhan Payo 219 crores, Sultan 300 crores and Bajrangi Bhaijaan 320 crores. Even after the records of these superstars are compared, there is incomparable record with one superstar of the millennium, that is Tragedy King Dilip Kumar. One of the reasons why the records are incomparable is due to the span of time that the records are spread over. Dilip Kumar was a superstar in the 1940s. He remained a superstar in 1950s. By the 1960s he became a legend. In the 1980s he became a phenonmenon. During Dilip Kumar’s time, success of films were measured in the context of number of weeks the films used to do business at box office. Now let us see the success in the context of the box office records. Dilip Kumar’s Mela in 1948 was a blockbuster hit doing business for more than 50 weeks and had been called a golden jubilee hit. SU Sunny directed the film. The music was composed by Naushad Ali. The legendary combination of Dilip Kumar, Naushad Ali, lyricist Shakeel Badayani and singer Rafisahab was created by that time. Dilip Kumar’s Andaz in 1949 was also a blockbuster hit and it remained the 2nd biggest blockbuster in 1949 after Raj Kapoor’s Barsaat. Andaz was directed by Mehboob Khan and had Dilip Kumar, Raj Kapoor and Nargis in the lead roles. The music was composed by Naushad Ali and the film was declared a golden jubilee hit which ran for more than 50 weeks. Dilip Kumar’s Babul in 1950 was a silver jubilee hit which ran for more than 25 weeks. It was directed by SU Sunny. Naushad Ali composed the music of the film. Dilip Kumar and Nargis played the lead roles in the film. Dilip Kumar’s Deedar in 1951 was again a blockbuster and golden jubilee hit running for more than 50 weeks. Dilip Kumar, Ashok Kumar and Nargis played the lead roles. Nitin Bose directed the film and the music was composed by Naushad Ali. Aan was Dilip Kumar’s first coloured and India’s first coloured film. In 1952, the blockbuster films was directed by Mehboob Khan. It was a multistarrer film with Dilip Kumar, Murad, Premnath, Nimmi and Nadira in the lead roles. The music was composed by Naushad Ali. By that time the equation was Dilip Kumar + Naushad Ali + Shakeel Badayani +Rafisahab = magic. The film did business of more than 50 weeks and became greatest blockbuster of the decade. Dilip Kumar’s Azad and Uran Khatola did business of more than 25 weeks in 1955 and were declared silver jubilees. Azad had Meena Kumari and Dilip Kumar in lead roles and music composed by C Ramchandran. Uran Khatola had Dilip Kumar and Nimmi in lead roles. SU Sunny directed the film and the music was composed by Naushad Ali. Dilip Kumar’s Naya Daur in 1957 was a golden jubilee hit running for more than 50 weeks. BR Chopra and Yash Chopra were involved in production and direction and the film was revolutionary one in the history of Indian films. OP Nayyar composed the music of the film. Dilip Kumar Vaijayantimala, Ajit and Johny Walker were in lead roles. Dilip Kumar’s Madhumati in 1958 was a golden jubilee hit running for more than 50 weeks. Bimal Roy directed the film and music was composed by Salil Choudhury. Dilip Kumar Vaijayantimala Johny Walker, Jayant were in lead roles. The film swept all the awards at filmfare in 1958 including best actor by Dilip Kumar, best composer by Salil Choudhury, best director by Bimal Roy. Dilip Kumar’s Paigham in 1959 was a silver jubilee hit running for more than 25 weeks. Dilip Kumar, Raj Kumar and Vaijayantimala were in lead roles. The music was composed by C Ramchandran. Dilip Kumar’s Kohinoor in 1960 was a golden jubilee hit running for more than 50 weeks. Dilip Kumar Meena Kumari, Kumkum and Jeevan were in lead roles. The music was composed by Naushad Ali, and Rafisahab’s “madhuban be radhika nachere” still is considered phenomenal rendition of raga style music in films. Dilip Kumar’s Mughal-i-Azam in 1960 was an all time blockbuster. It was a diamond jubilee hit running for more than 100 weeks. It created such a brilliant record at box office, that Sholay only broke the record in 1975. Dilip Kumar, Madhubala, Prithviraaj Kapoor, Durga Khote were in lead roles. The film was directed by K Asif and music composed by Naushad Ali. Dilip Kumar’s Ganga Jumna in 1961 was a golden jubilee hit running for more than 50 weeks. Nitin Bose directed the film. Dilip Kumar and Vaijayantimala were in the lead roles. The music was composed by Naushad Ali. Dilip Kumar’s Ram Aur Shyam in 1967 was a golden jubilee hit running for more than 50 weeks. T Chanakya directed the film. Dilip Kumar, Mumtaz, Pran and Wahida Rehman were in lead roles. The music was composed by Naushad Ali. Dilip Kumar for the first time acted in a double role. In the 1980s Dilip Kumar gave 2 golden jubilee hits, one was Shakti in 1982 and the other was Karma in 1986. Shakti had Dilip Kumar, Amitabh Bachan, Rakhee, Smita Patil, Amrish Puri in lead roles. The film was directed by Ramesh Sippy. Karma had Dilip Kumar, Nutan, Anil Kapoor, Jackie Shroff, Naseeruddin Shah, Anupam Kher in lead roles. Subhash Ghai directed the film and Laxmikant Pyarellal composed music of the film. So in a career of Dilip Kumar of 62 films, more than 25 films ending up as diamond jubilee, platinum jubilee, golden jubilee and silver jubilee is incomparable. India is indebted to Tragedy King for the business he gave over last 80 years. Only the record of Showman Raj Kapoor and in Bengal industry Mahanayak Uttam Kumar can come close to Dilip Kumar. Dilip Kumar always remained a phenomenon.

Legendary composer Naushad Alisahab is remembered on birth anniversary and his combination with Rafisahab is very grand.

Remembering Naushad on his birth anniversary. 5th May, 2021. is the death anniversary of eminent composer Naushad Ali. The lovers of music in India remember his everlasting tunes on the death anniversary. The audience of film music in India remembered dignified composer Naushad Ali on his birth anniversary on 23rd December, 2021. He was a genius composer and shaped Indian film music with his classical gharana in the 40s from where it just grew with variety and innovation. Naushad Ali is remembered for his brilliant tunes over a period of 50 years down the memory lane. In the 40s, he composed music in many films including Anmol Ghari, but he stormed bollywood with romantic songs in Dulari, including “suhani raat dhal chuki” sung by Rafi, all the songs of Andaz, where he composed Rafi’s songs for Raj Kapoor and Mukesh’s songs for Dilip Kumar. In the 50s, Naushad’s composition in Baiju Bawra made the listeners speechless. He won filmfare award for the best composer for his brilliant classical presentation in songs like “o duniya ke rakhwale”, “man tarapata”, “tu gangi ki mauj”, etc., sung by Rafi and Lata. Rafi’s range was used to perfection and from that time the Rafi Naushad combination provided gems after gems. The different ragas and their timings were explained by Naushad in the film. Bharat Bhushan and Meena Kumari gave able lips in the songs composed by Naushad. Songs of Uran Khatula, like “wo dur ke musafir” sung by Rafi for Dilip Kumar also shook bollywood in the mid-50s. In the 60s Naushad was unstoppable. His composition in Kohinoor for Rafisahab titled “madhuban me radhika nachere” and “do sitaron ka zameen” picturised on Dilip Kumar displayed the brilliance of Hindustani ragas. Naushad’s composition in Rajender Kumar’s Mere Mehboob, Naushad displayed the ghazal culture of Lucknow and Aligarh. The songs “mere mehboob tujhe meri muhobbat ki kasam”, “ai husn zara jag”, etc. sung by Rafi and picturised on Rajender Kumar was per se excellent. Naushad composed light songs in Mughal-i-azam for Lata including “pyar kiya to darna kya”, “mohe panghat ke nandlal”, and again composed thumri sung by Bare Ghulam Ali Khan in the same film. Naushad also composed Bhojpuri music for Dilip Kumar in the film Ganga Jumna. The songs “nain lar jaihe” sung by Rafi was one of the examples of Naushad’s control of Bihari folk tune. Naushad was at his best in Dilip Kumar’s Leader. All the songs in the film sung by Rafi and Lata flabbergasted the listeners, including “ek shahenshah ne banwake haseen tajmahal”, “teri husn ki kya tareef karun”, “mujhe duniya walon”, etc. Naushad was excellent in Dilip Kumar’s Ram Aur Shyam. All the songs sung by Rafi and Lata in the film including “aye hai baharen dekho”, “yeh raat dulhan bangayi”, “mai hoon saki”, etc. Critics consider Dil Diya Dard Liya as one of the best creations of Naushad. All the songs in the film became superhit including Rafi’s “dilruba maine tere”, “koi sagar dil ko behlata nahi”. Naushad Rafi and Dilip Kumar continued with their level of excellence in the film Aadmi, with Rafi’s songs like “na aadmi ka koi bharosa”, “aaj purani rahon se”, etc. Besides, Naushad composed excellent music in Rajender Kumar’s Palki, Saathi, Ganwar, etc. Rafi’s hit songs in those films included “dil-e-betaab ko seene se lagana hoga” sung with Suman Kalyanpur. Naushad faded away from film music in the 70s, causing huge loss to the film industry. The classical gharana related to thumris, kajris, ghazals, etc., faded away with Naushad. Music became popular, but lost its class. Naushad received Dadasahab Phalke for his excellent contribution to bollywood music. His songs and the films should be preserved and restored.

Happy birthday to superstar Anil Kapoorji.

The viewers of bollywood films wish happy birthday to superstar Anil Kapoor on 24th December, 2022

. Critics argue that other than Dilip Kumar, Raj Kapoor and Amitabh Bacchan, no other actor in India had the same amount of individual talent as that of Anil Kapoor. He had sustained the heat and storm of bollywood films for more than 26 years and even at an age of 53, still remains an indispensable figure in bollywood industry. Although Shahrukh Khan and Salman Khan took the industry by storm from the mid-90s, but Anil Kapoor had given one hit or the other in all those years. Furthermore those actors who had come with Anil Kapoor like Jackie Shroff, Sunny Deol and others shifted to character acting, but Anil Kapoor still remained hero in the recent period. That describes his talent in totality. In 2008, he had played different types of roles. In Race, the first super hit film of 2008, Anil Kapoor played the role of detective who had solved the mystery relating to the death of Saif Ali Khan. He disclosed the fact that Saif Ali Khan had not died but his death was planted. He also witnessed the death of Akshay Khanna when he competed with Saif Ali Khan in a car race. The film was related to the devolvement of family property between the two brothers. Anil Kapoor balanced the suspense –drama with action stunts of Saif Ali Khan, Akshay Khanna and dance sequences of Katrina Kaif, Bipasha Basu and Sameera Reddy. The songs composed by Pritam like “pehli nazar”, “allah duhayi hai” became landmark hits in the early part of the year. He acted in a negative role in the big banner film Tashan with Saif Ali Khan and Akshay Kumar. He sent Akshay Kumar to collect the debts of Saif Ali Khan and Kareena Kapoor. Akshay Kumar discovered his childhood relationship with Kareena Kapoor and took revenge against Anil Kapoor at the end of the film in a power-pact action sequence. Although the film could not do justice to the star-cast and high expectations of the audience of the country, the funny performance of Anil Kapoor could not be ignored. Anil Kapoor was sublime in Subhash Ghai’s musical venture Yuvvraaj that was released in the last part of the year 2008. It was the first time that Subhash Ghai, AR Rehman and Gulzar had united together to compose the music of the film, and the music had already become hit. The hit songs of the film included “tu muskura”, “shanno shanno”, “to mera dost hai”, etc. Although Subhash Ghai concentrated more on the romantic presentation of the relationship between Salman Khan and Katrina Kaif in the film, the performance of Anil Kapoor as the elder brother and an innocent character appealed to the viewers the most. The audience has so much weakness for Anil Kapoor that the scene where Zaid Khan had slapped Anil Kapoor had created negative impact on the crowds and there were requests of editing of the scene. Although the film did not get box-office Anil Kapoor’s splendid performance was appreciated. In 2009, the film directed by Anil Kapoor titled Short Cut, got critical acclamation. He had cast Akshay Khanna in the lead role who played the role of a devoted director. He was cheated by the actor Arshad Warsi who got success in films by short cut. Akshay Khanna used him in his own film and took revenge against the cheating committed by Arshad Warsi. Sonu Nigam’s song “kal nau baje” appealed to the viewers. The film he had produced in 2009, titled Slumdog Millionaire, won numerous number of Oscar awards, including the best composer award won by AR Rehman. Anil Kapoor is continuing with his directoral projects ahead. In his long career, Anil Kapoor had acted with giants like Dilip Kumar and Big B in Sholay; Dilip Kumar, Nasiruddin Shah, Jackie Shroff in Karma, Nutan in Meri Jung, etc. He had performed in every type of film including romantic films, comedy films, action dramas, serious films, etc. He had acted different actresses ranging from Padmini Kolhapuri, Sri Devi, Madhuri Dixit to Tabu, Aishwarya Rai, Lara Dutta, to name a few. Articles after articles can be devoted to the versatile actor. His notable films include Mr. India, Meri Jung, Tezaab, Pukar, Nayak, Virasat, No Entry, to name a few. He received filmfare awards, national awards for best actor and other awards dedicated for the excellence in bollywood cinema. Critics say that he never received the recognition that he deserved in life. In 2010, the film No Problem, produced by him, did mediocre business. He had acted well in the film along with Sushmita Sen, Sanjay Dutt and Akshay Khanna. A section of the crowd thinks that Anil Kapoor can contribute in mainly character roles, as his age is in the 50s. In 2015 also he did well in the film Welcome Back opposite John Abraham and Nana Patekar. Even then the viewers expect him to continue the good work and entertain the viewers in the same way both as actor and also producer, director, as he did in the last 25 years.