Remembering stylish dancer Helenji on birthday

Happy birthday to Helen. The viewers of bollywood films wish happy birthday to Helen on 19th Nov., 2025. She had remained an exceptional dancer and featured in majority of bollywood fllms in the 60s and 70s. She was probably one of the most indispensable figures in bollywood during 60s and 70s. Without her films like Gumnaam, Teesri Manzil, Jewel Thief, Inteqam, Carwan, Night in London, etc. would have been incomplete. She had acted opposite leading stars of the 60s and 70s, for example, in Gumnaam she acted opposite Pran, In Teesri Manzil she acted opposite Shammi Kapoor, in Jewel Thief she acted opposite Dev Anand, in Night in London opposite Johnny Walker to name a few. She in fact filled in the empty space created by prominent dancer Cuckoo in the 50s. One of her most memorable films included Gumnaam, which was released in 1965, where she played the role of one of the few persons who were taken to an isolated island. She was killed along with a number her friends by Tarun Bose in the film who was identified by Manoj Kumar at the end of the film. Her dance number in the songs “hum kale hai to kya hua dilwale hai” and “is duniya me jeena ho to” composed by Shankar Jaikishan were brilliant by every judging standards. She was put to test in her dance no. in the song “muqabla hum se na karo” in the film Prince along with Shammi Kapoor and Vaijayantimala. She did the western part while Vaijayantimala did the eastern part. Whenever she got a scope of performing opposite Shammi Kapoor her performance used to get a different dimension as he was the only male star in the 60s to dominate bollywood films with rock and roll dance performances. Both of them did well in the film Teesri Manzil. The song “o haseena zulfonwali” is remembered for the dance of both Helen and Shammi Kapoor. Helen got a villainish role in the film and trapped Shammi Kapoor in a murder case where the actual murderer was Prem Nath. Helen even got few roles of heroines in the 60s including the role in the film Pyar Hi Pyar where she acted opposite Mehmood, where the main roles were played by Dharmender and Vaiyantimala. Her prominent roles continued in the 70s, including her cameo in the song “piya tu ab tu aja” composed by RD Burman in the film Carwan, her role in the film Sholay, where her dance number in the song “mehbooba mehbooba” amazed the viewers. The villainish roles continued like the one in Big B’s film Don, where her song “yeh mera dil” became a runaway hit. Kareena Kapoor danced in the same item number as that of Helen when the film was remade by Farhan Akhtar, with Shahrukh Khan. Her other notable films include Mere Jeevan Saathi, Hindustani, Half Ticket, etc. She even acted in character roles in the 90s in films like Akela and Khamoshi. Her performance in the film Khamoshi had been appreciated by all section of viewers. In one article it is not possible to cover the contribution of Helen, who had dominated bollywood films of 60s and 70s. The admirers of Helen expect her to make more contribution in bollywood films in character roles as she has a lot acting still left in her.

Remembering Sri Deviji on birth anniversary

Happy birth anniversary to gorgeous icon Sri Devi. The viewers of bollywood films wish happy birth anniversary to gorgeous icon and evergreen actress Sri Devi on 13th August, 2025. She unfortunately died in 2018 and made everyone sad. She was the most dominating figure in bollywood films in the 80s. Her excellent dancing skills gave her an edge over other actresses of that period. In 2013 her film English Vinglish received awards in IIFA awards in Macao. Her director received best debutant director award. This year she has acted in the film Mom. She was brilliant in the film Himmatwala opposite Jeetender. The film was a South Indian production which was released in the early 1980s and the dancing skills of both Sri Devi and Jeetender mesmerized the viewers. The music of the film was also very popular. Sri Devi got a landmark role in Feroz Khan’s film Jaanbaaz. She played the role of the wife of Jeetender who was given drugs forcefully by Shakti Kapoor, Raza Murad and their men. She died due to consumption of the drugs. Feroz Khan along with Anil Kapoor took revenge against her brutal killing. Sri Devi’s combination with Anil Kapoor was appreciated by the viewers of the 80s. Their film Mr. India, directed by Shekhar Kapoor became everlasting hit. Sri Devi displayed her comedy skills as against the innocent performance of Anil Kapoor in the film. Anil Kapoor’s device for becoming invisible amazed the viewers. Amrish Puri was matchless in his performance in the role of Mogambo. Sri Devi’s dance number opposite Anil Kapoor in a blue dress during a rainy day haunted many youngstars of the 80s. Big B acted in many films opposite Sri Devi including Inquilab, Akhree Rasta and others. Most of those films ended up being blockbusters. In Akhree Raasta she had show her mettle opposite another South Indian beauty Jaya Prada. Her performance was as good as Jaya Prada, and both the actresses justified their selection opposite Megastar Big B. Sri Devi gave many hits opposite Rishi Kapoor including Yash Rash film Chandni. In Chandi, Sri Devi looked gorgeous. Rishi Kapoor was considered to be most romantic actor of the 80s. Sri Devi had the challenge of matching him in a Yash Raj film, where shooting is done in Switzerland and costly dresses are used for the stars. Sri Devi rose up to the occasion and got the viewers flabbergasted with her performance. Even then viewers considered Anil Kapoor the best combination opposite Sri Devi. Their superhit films included Laadla, Lamhe, Roop Ki Rani Choron Ka Raja, and others. Sri Devi had a fantastic career in South Indian films as well. Her performance in films opposite Rajnikant and Kamal Hassan became super hit in the 8os. She acted in hit bollywood films opposite Rajnikant like Chaalbaaz where she played a double role. She was excellent in the film Sadma opposite Kamal Hassan. Her abnormal acting which was required in the role and later on a different behavior really made the viewers spellbound. The music composed by Illaiyaraja was exceptional, with the song “surmaiy ankhyonme” becoming smash hit. With the domination of Madhuri Dixit in bollywood films in the 90s, Sri Devi faded away from the film arena. Besides she added weight after marrying Boney Kapoor and giving birth to her daughter. . She died in 2018 making everyone sad. Her films require restoration.

Happy birthday to superstar Vaijayantimalaji

Happy birthday to superstar Vaijayantimala. Happy birthday to Vaijayantimala. The viewers of bollywood films wish happy birthday to dancing queen Vaijayantimala on 13th August, 2025. She had ruled bollywood films during the 50s and 60s, during an age when muslim actresses like Nargis, Madhubala, Meena Kumari rocked silver screen. She was the first South Indian actress to create a sensation in bollywood films and paved the way for other South Indian actresses to follow like Hema Malini, Sri Devi, Jaya Prada, Meenakshi Sheshadri, and others. There was no successful actor of the 1950s and 1960s, who did not act opposite Vaijayantimala. The list is very long ranging from Dilip Kumar to Raj Kapoor, Rajender Kumar to Shammi Kapoor, Dev Anand to Pradip Kumar, Joy Mukherjee to Uttam Kumar. In 2013, she received the lifetime achievement award too for her immense contribution in Bollywood films. Her online chemistry with Tragedy King Dilip Kumar created history in bollywood. Most of their films including Devdas, Naya Daur, Madhumati, Paigham, Ganga Jumna, Leader, Sunghursh ended up being blockbusters. Besides dancing, she was sublime in the role of a tawaif in Bimal Roy’s film Devdas, in the role of village girl in Bimal Roy’s Madhumati. Vaijayantimala used to do a lot of homework also in respect of her role. When she was awarded best supporting actress award in filmfare for her performance in the film Devdas, she did not receive the award. She said after reading the literature of Sarat Chandra Chatterjee, she found that Chandramukhi, the character she played, was equally a heroine as Parvati. Probably Madhumati, released in 1958, marks the best performance of Vaijayantimala in her entire career. Her innocence reflected in her acting and she made the audience spellbound with the lips given in songs composed by Salil Choudhury including “aa ja re pardesi”, “ghari ghari mera dil dharke”, “daiya re daiya re”, etc. She received the filmfare award for the best actress for the brilliant performance in the film. On one hand she was brilliant opposite Dilip Kumar, on the other hand she created sensation with Raj Kapoor as well. Their film Nazrana did mediocre business. But Sangam, released in 1964, was probably one of the biggest hits of Raj Kapoor in his entire life. Vaijayantimala’s stylish performance opposite both Raj Kapoor and Rajender Kumar created a benchmark which could hardly be reached. Sangam still remains one of the most landmark films based on triangular love story shot at exotic locations in London, Paris, and other European countries. Shankar Jaikishan was matchless in Sangam. The acting performance of Vaijayantimala was excellent and she received the filmfare award for the best actress once again. The last scene where Vaijayatimala questioned both Raj Kapoor and Rajender Kumar about deciding about her life, had become a trend-setter. She justified the fact that she had affair with Rajender Kumar, but from the time she married Raj Kapoor, she fulfilled all the responsibilities of a hindu wife. She had been followed by numerous actresses of the following period in similar roles. In the 60s, Vaijayantimala was matchless. Her name was enough to make any film hit. The list of her hit films include Nagin opposite Pradeep Kumar, Suraj opposite Rajender Kumar, Amrapali opposite Sunil Dutt, Prince opposite Shammi Kapoor, Choti Si Mulakat opposite Uttam Kumar, Jewel Thief opposite Dev Anand, Pyar Hi Pyar opposite Dharmender, to name a few. In fact her combination with Rajender Kumar and Shankar Jaikishan created sensation in the 60s. All their films ended up being silver jubilees including Aas Ka Panchi, Suraj, Sangam, Zindagi, etc. Her lips in landmark songs like “kaise samjhayun bai na samajh ho”, “itna hai tujhse pyar mujhe meri raazdaar”, “o mere sanam”, “titli uri” had become immortal over a period of time. Besides her standard of classical dancing in films like Katputli or Amrapali had created interest among viewers to appreciate aesthetic dance numbers which became an art in due period of time. Her films should be restored and preserved.