The nation remembers Oscar winning director Satyajit Ray

The nation remembered Satyajit Ray on 23rd April, 2019. The nation remembered Satyajit Ray on his death anniversary on 23rd April, 2019

. Not only he was the recipient of the prestigious Oscar awards, he was the path-breaker in Indian films who taught the next-generation the art of story-telling. In 2010, Society had celebrated the 89th birth anniversary of the legendary director by showcasing some of his notable works like ‘Agantuk’, (The Stranger), ‘Jalsaghar’, (The Music Room), ‘Charulata’, (The lonely wife). The films were shown in Cinemax, Metro Big Cinemas and NCPA. After the films were shown, the significance of such films was discussed by Bhawna Somayya, ex-editor of Screen, filmmaker Sujoy Ghosh and film academicians from all across the country. Besides, discussions were held to highlight the contribution of Ray as a writer, an illustrator, an activist of the film society movement and a filmmaker. Internationally acclaimed directors like Shyam Bengal, Adoor Gopalakrishnan, were greatly influenced by Satyajit Ray’s films like Apu Trilogy, Jalsagar, Nayak, Mahanagar, etc., and they themselves became eminent story-tellers of the following period. The use of nature, the birds, and background, and the use of theme music in translating an unknown event to a group of individuals had enchanted the thoughtful directors all across the world. Even directors of the present period like Goutam Ghosh are influenced by the works of Satyajit Ray. He made Abar Aranye which was a sequel to Satyajit Ray’s film Aranyer Dinratri. A personality like Ray could only make a film like Kanchenjungha, where the greatness of the Himalayas overshadowed the ego of a materialistic industrialist played by Satyajit Ray. An important part of Satyajit Ray’s creations include his literature on diverse subjects. While his Sandip Ray had taken the challenge of converting the Feluda Series into feelings, his literature relating to horror-based subject matters, his series of 12 stories are yet to be converted into films. Sandip Ray’s films Bombaier Bombete, Kailashe Kelenkari, Baksho Rahasya, based on epic literature of Ray had got good response from the viewers. But Ray’s brilliant stories in the 12 series like Ebaro Baro, Aro Baro, Ek Dojon Goppo, Aro Ek Dojon, Eker Pite Dui, are yet to see the light of celluloid. Ray’s stories like Khagam, based on the theme of human being converted into a snake, Pterodactyler dim, based on the prehistoric era, Fritze, based on the topic of life in a doll, Asomongobabur Kukur, based on the weird mannerisms of dogs, had bewildered the readers. If such stories are adapted and made into films, the viewers will enjoy them to the brim. The legacy of Ray whether in the form of neo-realistic films like Pather Panchali, or suspense –thriller stories relating to Feluda Series or Professor Shanku, still continues, even 18 years after his death. The stories should be translated in different languages, and films should be preserved and restored.

Happy birthday to Moushumi Chatterji.

The viewers of bollywood films wish happy birthday to Moushumi Chatterji on 26th April, 2018. Moushumi Chatterji, the Bengali actress acted both in Bengali and hindi films and showed her skills in both of them. She acted in the Bengali film Balika Badhu, where the film was based on child marriage and impressed the directors and producers with her performance. From that time she ventured in Bombay and tried her luck in bollywood industry. Her film Anurag opposite Vinod Mehra became super hit. She played the role of a blind girl and got appreciation of the crowd. The songs in the film became very successful including songs like “woh kya hai” sung by Rafi. SD Burman composed the music of the film. She acted in action films like Goutam Govinda. The film was related to the story of Shashi Kapoor, a police officer who came to the village and trained all the rustic villagers the manner of self-defense. Shatrughun Sinha was his own brother, which was disclosed at the end of the film. Moushumi Chatterji showed her humour in the respective role. Moushumi also acted in suspense-thrillers like Benaam, opposite Big B, where there the anxiety relating to the kidnapping of her son was at issue. She expressed her feelings very well in the film. She was brilliant in the film Manzil Manzil, opposite Big B. It was the remake of Mrinal Sen’s Bengali film Akash Kushum. Akash Kusum was based on the story relating to Soumitra Chatterji presenting a false story about himself before Aparna Sen with the help of his friend Shubendu Chatterji. In the hindi version also the story line was not changed. Moushumi Chatterji’s smile had a beauty of its own which she expressed in majority of films in style. While acting in a number of bollywood films, she stormed Bengali films with her performance in the super hit film Ogo Bodhu Sundari, opposite Bengali superstar Uttam Kumar. The film was released in 1980. The story was based on how Uttam Kumar, an academician brought a girl from the streets and taught her literature. Moushumi expressed the difficulty of forgetting her rustic language which she adopted from the environment she came from and learning the new language. The music given in the film by Bappi Lahiri became super hit. Songs like “ami ekjon shantoshisto”, “shudhu tumi nou obolakanto”, etc., sung by Kishore Kumar became super hit. It was incidentally the last film of Mahanayak Uttam Kumar. Her comedy conception was used by Gulzar and other directors very successfully. Her film Angoor opposite Sanjeev Kumar showed her comedy skills. The film was based on Uttam Kumar’s film Bhranti Bilas and had similarity with Shakespeare’s play Comedy of Errors. Sanjeev Kumar played the double role in Angoor that was played by Uttam Kumar in the Bengali film Bhranti Bilas, while Moushumi Chatterji played the role of his wife which was played by Sabitri Chatterji in the Bengali film. The two brothers were identical twins and Moushumi Chatterji got confused with her own husband and his brother. Deven Verma played a double role along with Sanjeev Kumar as his servant. Her other successful films included Pati Patni Aur Woh, opposite Sanjeev Kumar, Ghayal, as the sister-in-all of Sunny Deol and many other films. Even she had acted in landmark Bengali films like Kori Diye Kinlam based on the epic novel of Bimal Mitra. In 2013, she had acted in successful Bengali film Gainar Baksho. She had acted in the role of a widow who died and the spirit of the widow tortured the other women in the family. She acted with Konkona Sen Sharma and Srabanti Chatterjee in the film. The viewers expect Moushumi to contribute in character roles in bollywood films in future.

Amitabh Bacchan, Shahrukh Khan gave speeches in 20th Koltata International Film Festival in 2014

Amitabh Bacchan, Shahrukh Khan gave fantastic speech in inauguration of 20th Kolkata International Film Festival. The 20th Kolkata International Film Festival 2014, started off with a brilliant inauguration in Netaji Indoor Stadium on 10th November, 2014. It was a brilliant occasion by every standard. Mamta Banerjee, the Chief Minister of West Bengal managed to invite the major dignitaries from different parts of the world and especially India. The 8 day film festival started with the inauguration on 10th November, 2014. The legends who graced the occasion included Amitabh Bacchan, Jaya Bacchan, Aishwarya Rai Bacchan, Abhishek Bacchan, Tanuja, Shahrukh Khan and many others. The August gathering also saw Bengali legends like Ranjit Mullick, Madhabi Mukherjee, Moushumi Chatterjee, Moonmoon Sen and others. Shahrukh Khan in his short speech made sure that he could say something in Bengali. This is the third time he had inaugurated a film festival and he said in his own words that honest creation is what the spectators expect from the creators. Amitabh Bacchan gave an extended speech. He did huge homework for that. He emphasized on women empowerment. He mentioned that both in Bengali films and hindi films, the directors and writers emphasized on women’s social standing. Sarat Chandra Chatterjee’s Parineeta, Biraj Bahu told the same. Tagore’s stories also reflected them. While directors like Bimal Roy with films like Bandini, Sujata, Mehboob Khan with films like Mother India showed women’s individuality in Indian society, renowned Bengali directors like Satyajit Ray in his films Charulata, Pather Panchali had showed the different facets of women characters and also it was shown in films of other giants like Tapan Sinha who showed it in films like Jotugriha. Amitabh Bacchan’s speech was par excellence. Australian Filmmaker Paul Cox gave a brilliant speech explaining the importance of film festivals which brings expression of different countries and connects the countries together. Amol Palekar, Irfan Khan, Tanuja, Jaya Bacchan all congratulated the Bengali audience and the love for films in Bengal. Mamta Banerjee invited everyone and talked about the film festival showing films of 60 countries in Kolkata for the next 8 days. She also said what Bengal thinks today India thinks tomorrow. So Bengali writers, filmmakers and actors had been inspirations for other directors, actors of other parts of the world. So she expected everyone to enjoy the festival for the next few days.