Happy birthday to Salman Khan.

Happy birthday to Salman Khan. The viewers of bollywood films wish happy birthday to Salman Khan on 27th December, 2016. He had been the other superstar other than Shahrukh Khan who had ruled bollywood films for the last 23 years. Although he had mixed results in respect of success of his films released in 2009 and 2008, his popularity and box-office had remained intact. In 2010, he had given the greatest hit Dabanng, which had done business of more than Rs 150 crores. From that time he had proved himself as the greatest cash generator of bollywood films. His film Ready released in summer 2011 did business worth 125 crores and his film Bodyguard had broken the record of Dabanng and did business worth 160 crores. In 2012 his film Ek Tha Tiger had been the greatest grosser with business of 200 crores. His other film Dabaang 2 had already done business of more than 158 crores. In 2013 he did not act in any film. In 2014 his film Jai Ho did medium business with 115 crores. But his other film Kick became a blockbuster with business of 235 crores. His film Bajrangi Bhaijaan in 2015 did business worth Rs 320 crores. His other film Prem Ratan Dhan Payo on the first day of release itself did business of 40 crores. He created an impression before the viewers with his romantic film Maine Pyar Kiya in 1989. After that he had acted in every type of film including comedy films, action films etc. His musical blockbusters include Khamoshi with Manisha Koirala, Andaz Apna Apna with Amir Khan, Karishma Kapoor and Ravina Tandon, Jab Pyar Kisi Se Hota Hai opposite Twinkle Khanna, Har Dil Jo Pyar Karega opposite Preeti Zinta, to name a few. He build a manly body from the early part of his career and from that time became the role model of many youngstars of the country. His action films included Auzaar with Shilpa Shetty, Tumko Na Bhool Payenge with Diya Mirza, Tere Naam, Karan Arjun opposite Mamta Kulkarni, to name a few. His recent action film in 2009 titled Wanted opposite Ayesha Takia did brilliant business. Although he did not shape his career as an action hero like Sunny Deol or Sanjay Dutt, his performance in action films were very impressive. He acted in landmark comedy films during his career, which included Maine Pyar Kyun Kiya opposite Katrina Kaif and Sushmita Sen, Mujhse Shaadi Karoge opposite Priyanka Chopra, Partner opposite Lara Dutta, God Tussi Great Ho opposite Priyanka Chopra, to name a few. In 2009, he acted in romantic films Mai Aur Mrs Khanna, opposite Kareena Kapoor, and also London Dreams with Ajay Devgan and Asin. Although Mai Aur Mrs. Khanna did average business, London Dreams became hit. If his films in 2008 can be analyzed it can be said that his film Heroes with Sunny Deol, Bobby Deol and Preeti Zinta, had done best business so far. The films God Tussi Great Ho did average business and the film Yuvvraaj could not rise up to the hype that was created by strong promotion of Subhash Ghai. Salman Khan and Katrina Kaif’s performance had been well appreciated by the film-lovers and the film had created aesthetic values with innovative music and good locations. In 2010 his film Veer has both romantic elements and action elements as well but the huge cost that was put up was not recovered at all. His television show Dus Ka Dum in Sony Channel got fantastic response in 2009. The leading actors of bollywood films including Akshay Kumar, Priyanka Chopra, Katrina Kaif, Jeetender, Tusshar Kapoor, Amir Khan, Ranbir Kapoor, Deepika Padukone, all appeared in that show and Salman Khan helped all of them for the promotion of their films that were released this year. In 2011 his show Big Boss got excellent viewership with Sanjay Dutt also sharing the role of anchoring. Salman Khan had been extremely popular for the viewers of TV Channels for his straight forward communications. He appeared in Saregamapa Music Competition in Zee TV with Katrina Kaif and asked Aditya Narayan, Himesh Reshammiya, Pritam, Shankar Mahadevan and others about the fate of Aneek, Raja and others who had won the competition before. He enquired whether they had got chance in bollywood films or whether they were still struggling. No other bollywood actor would have ever been concerned about the fate of upcoming talents including singers, dancers, actors, etc. In 2011 he came during Zee Saregamapa Little Champs program and encouraged child participants like Azmat Hussain, Niladri Chatterjee, Salman Ali, Nitin Kumar, and others. In 2012 and 2013 he did a great job in the TV Program Big Boss. The viewers expect him to break records after records as it is proved in the recent 3 years that he is the greatest crowdpuller in the country. Salman Khan had always been involved with controversies and his good deeds got neutralized due to the killing of deers in Jodhpur, offense relating to rash and negligent driving, etc. But those who had behaved well with Salman Khan know that he is a gem of a human being. 2010 had been a year with mixed fortunes for Salman Khan. While Veer did mediocre business, Dabanng ended up being blockbuster. He had also hosted the show Big Boss with huge success. 2011 had been excellent for Salman Khan with 2 of his films Ready and Bodyguard giving business of more than 125 crores each. The viewers expect Salman Khan to give an even better performance in the film Dabaang 3 opposite Sonakshi Sinha which are going to be made in future.

Vaijayantimala Rajender Kumar gave landmark films in 1960s.

Rajender Kumar acted in many landmark films in the 60s and successfully performed opposite leading actresses of that age including Meena Kumari, Sadhna, Wahida Rehman, etc. But his performance opposite Vaijayantimala created a distinct impact on the viewers. Vaijayantimala previously formed a legendary combination with Dilip Kumar. In the film Sangam, she was attached with Rajender Kumar, but Rajender Kumar due to his soft corner for Raj Kapoor he could not express it.Raj Kapoor the airforce and the news relating to his death surprised Rajender Kumar and Vaijayantimala. At the time when they made up their mind of marrying each other Raj Kapoor again returned back and Vaijayantimala married him. Rajender Kumar sacrificed his life for his friends. The viewers were in their tears when Rafi’s song “ki tum naraz na hona” was played when his ashes were immersed by Raj Kapoor and Vaijayantimala in the holy prayag sangam in Allahabad. Both of them acted together in the film Suraj where Rajender Kumar was a prince and Vaijayantimala was a princess. It was an action-pact film where the melodious songs composed by Shankar Jaikishan created a great impact on the audience. Songs of Rafi, Lata and Asha including “chehre pe giri zulfen”, “kaise samjhayun”, “itna hai tujhse pyar mujhe”, “baharon phool barsao”, etc, mesmerized the viewers. Both of them did well in the film Saathi also, where Rajender Kumar became blind. The music was composed by Naushad, and Mukesh and Lata sung very well songs like “mera pyar bhi tu hai” and others. Vaijayantimala gave a spirited performance in the film Zindagi opposite Rajender Kumar. She was not accepted by her father-in-law played by Prithviraj Kapoor, and she struggled hard with her mother to stay separately, without the support of Rajender Kumar. He accepted her at the end of the film and repented for the misunderstanding. Their other hit films include Aas Ka Panchi, Ganwar, etc., and in all these films the romantic pair got the appreciation of the mass audience. Their films had strong storyline and music and for those reasons should be restored.

Meena Kumari still remain in the hearts of filmlovers.

The viewers of bollywood films remembered Tragedy Queen Meena Kumari both on her birth anniversary on 1st August, 2016 on her death anniversary on 31st March, 2016. Meena Kumari can be considered as the greatest actress of Bollywood during the golden age who had portrayed images and characters showing complexity of the mind of the Indian women and the social ostentations that they had faced during different periods of time. Meena Kumari, born on 1st August, 1932, known as Mahjabeen Bano, stormed into the Indian silver screen in 1952, with the sublime performance in Baiju Bawra. Although the film had been renowned for everlasting composition of Hindustani ragas by Naushad and supreme performance of Mohammad Rafi, with songs like “man tarpata”, “woh duniya ke rakhwale”, etc., Meena Kumari’s performance opposite Bharat Bhushan showed the filmlovers that she had come to conquer Bollywood with her soft style of acting. In the 50s Meena Kumari’s performance in films like Parineeta, 1953, Footpath, 1954, Yahudi, 1958, etc. were appreciated by critics, but she had created her image of martyr in the film Sharda, 1957, where even after having an affair with Raj Kapoor, in the film she had to sarcrifice her affection to marry Raj Mehra, his father, who was much older than her. In Dil Ek Mandir, 1963, Meena Kumari after having affair with Rajender Kumar in her youth had to marry Raj Kumar, due to social pressure. But from the time she had married Raj Kumar, she fulfilled all the duties of a middle class Hindu woman, and brought her sick husband to the hospital at the mercy of Rajender Kumar. She prayed to God, for the recovery of Raj Kumar. Rajender Kumar sacrificed his life to treat her husband and died at the end of the film. The songs composed by Shankar Jaikishan and sung by Rafi and Lata, had not lost their significance even today. In 1962, Meena Kumari, performed the role of choti bahu, in Guru Dutt’s Saheb Bibi aur Ghulam, the film showing the zamindari raj (dominance of Feudal lords) existing in the British capital in India, that is Kolkata. She was married to the youngest son in a family of zamindars who used to attend mujras in Jaan bazaar, in Kolkata, where performers from Lucknow, Benaras used to come and exhibit their skills of singing classical songs. She tried to retain her husband Rehman at home, and through her conversation, Guru Dutt, the observer came to know about the history of the family. Meena Kumar’s performance opposite Pradeep Kumar, used to create a different dimension, as her pardanashin image had matched with royal style of acting of Pradeep Kumar. After the success of Aarti, 1962; Meena Kumari, acted in the blockbusters Bheegi Raat, 1965, and Bahu Begum, 1967, opposite Pradeep Kumar and Ashok Kumar. In Bheegi Raat, she loved Pradeep Kumar, yet due to an accident which made her legs paralysed she could not attend the engagement and worked in the house of Ashok Kumar as governess. When society boycotted Ashok Kumar, she agreed to marry her, but presence of Pradeep Kumar at the end of the film in the song “dil jo na keh saka” compelled Ashok Kumar to sacrifice his affair and go back to London. It was a film where, Rafi, Lata, Roshan and the actors all had provided their best performance possible. Meena Kumar’s other film with Pradeep Kumar titled Chitralekha was also successful. Meena Kumari had become immortal with her classic performance in the film Pakeeza, 1971, opposite Raj Kumar, which took around 10 years to be completed. It was created on a subject related to women brought up in kotha and exhibited the class of women who could not give the recognition to their next generation as their father’s are not known. The music composed by Ghulam Mohammad, Lata and Rafi’s songs, Kamal Humrohi’s direction (the husband of Meena Kumari) all complemented each other, and the film became historical piece of document. The greatest hallmark of Meena Kumari lied in her ability to depict the helplessness of Indian women existing specially in the 50s and 60s, when the patriarchal society dominated them and they had no independent income to live separately against the pressure of society. In her performances, beauty, aristrocracy, tragedy, personality all blended into one. Whenever we think about cine-classics like Dil Apna aur Preet Parayi, 1960, or Ghazal, 1965, Meena Kumari’s image automatically comes in our mind. She died in 1972, only at an age of 41. Meena Kumari’s films should be restored in an archive for future generations to learn the art of understanding the characters from the core of the heart the way Meena Kumari had done during the golden age of Indian cinema.