The films of Ayesha Takiaji are still relevant

Actress Ayesha Takia left films after few successful ones otherwise she had a very bright future in bollywood films. There are two categories of actresses who perform in bollywood films. The first category includes the daughters of celebrities who make their debut in films made by their parents. Examples include Sonam Kapoor, Kareena Kapoor, Deepika Padukone, whose first films had lot of curiousness created in respect of the performance. The second category includes the other actresses who prove their capability by performing in films over a period of time. Ayesha Takia fall in that category. She was born on 10th April, 1986. Her father Nisith or mother Faridah were not celebrities to the stature of Jeetender, or Feroz Khan or Hema Malini whose children joined bollywood films. Ayesha did advertisement relating to complain girl and acted in music video of Falguni Pathak titled “meri chunari ur ur jaye”. She received the filmfare award for best debutant for the performance in the film Tarzan, The Wonder Car. After that few average films like Socha Na Tha, Dil Mange Mor followed. She created attention in the film Shaadi No. 1, where Esha Deol and Soha Ali Khan acted with her. All three of them had husbands like Fardeen Khan, Sharman Joshi, etc., who were addicted towards other ladies. Sanjay Dutt came over there and disclosed the truth relating to the affairs of their husbands with other girls like Riya Sen. At the end of the film Ayesha’s husband and the husbands of Esha Deol and Soha Ali Khan understood their mistake and followed the right path. Ayesha Takia was sublime in the film Salaam-e-Ishq opposite Akshay Khanna. Initially Akshay Khanna did not wanted to marry her for not taking up responsibilities of husband. But later he got convinced and married her. Ayesha gave able lips in the songs “salaam –e-ishq”, “dekho to dekho aisa hota to”, etc. Although the film did mediocre business the songs of the film became super hit. In 2008 and early part of 2009 her films De Taali, Sunday and 8*10 Tasveer did mediocre business. In 2009, Ayesha Takia acted in super hit film Wanted opposite Salman Khan. Her romantic performance opposite Salman Khan was appreciated by all sections of the crowd. Her softness and submissiveness is liked by different sections of audience. The song “love me love me” became hit in the film. The film did business of more than 75 crore and established Ayesha Takia as a leading actress along with Priyanka Chopra, Kareena Kapoor and Katrina Kaif. The viewers expect her to make a comeback.

Manobendra Mukherjee remained the king of romantic classical songs

Manobendra Mukherjee and stylish classical Bengali songs. Manobendra Mukherjee was one of the legendary classical singer of Bengal who had simplified classical ragas and used them in Bengali modern songs. His romantic song “ami eto je tomay bhalobesechi” written by Shyamal Gupta and composed by himself had classical touch embedded in it. His other own composed song “emni kore porbe mone baki jibon dhore” was also a masterpiece related to classical andaz. Manobendra Mukherjee’s pure classical numbers were even more melodious. One example is “ei moushumi mon shudhu rong bodlay”. In this song there was a small alaap or khanak taken at the place “mori je hay” where Manobendra had used the sargam by uttering in “aa aa” form. It was brilliant. There were other romantic songs like “boroshaklanto o duti nayan mele”. The song had been composed by Anal Chatterji. Manobendra Mukherjee had another master piece “bolo raat bolo se kothay”. The song was totally raga oriented. Manobendra Mukherjee was sublime in the song “ei nil nil jal sagore” composed by Probir Mojumdar and “tomar pather prante moner monidip jele rekhechi” composed by Satinath Mukherjee. Some of his own compositions like “ei ganga sei padda” and “sei bhalo ei bosonto noi” had absolute romantic andaz. Manobendra Mukherjee had given adequate expression to songs composed by Himangshu Dutta including “birohini chiro birohini”, “tumi je andhar”, “biroho barisha”, etc. The songs were difficult in nature and Manobendra was probably the most classically trained singer to do justice to them. Manobendra had also sung some of the songs created in thumri style. One example was “koto je soyechi betha” composed by Chinmoy Lahiri. One more classical number included “tumi to dariye acho”. Articles after articles can be devoted to Manobendra Mukherjee whose classical touch was as elegant and stylish as Neil Harvey’s wristy strokes.

Arundhati Debi and Uttam Kumar created an aristocratic pair in bengali films

Uttam Kumar in the 50s and 60s acted opposite different actresses, some who were beautiful, like Sumitra Debi, Suchitra Sen, Sharmila Tagore, etc., while others who had wide ranging acting conceptions like Manju Dey, Sabitri Chatterji and others. Arundhuti Debi was one of the highly educated characters whose qualifications were expressed in the characters she had played in a long career spanning over 25 years. With Uttam Kumar Arundhuti Debi acted in approximately 8 films including Bokul, Shiulibari, Jhinder Bandi, Jotugriha, Nabajanma, Manmayi Girls School, Pushpodhonu and Bicharak. While in Bicharak, she expressed the feelings of a confused sister whose elder sister was married to Uttam Kumar. Uttam Kumar was attracted to Arundhuti Debi and when fire broke out in the house and his first wife Deepti Ray required his help, he declined to help her and allowed her to die. A similar type of case was adjudicated by Uttam Kumar when he was a judge, when Chabi Biswas, the Public Prosecutor talked about the liability of the accused who could have saved the life of his brother, but he did not do so. Uttam Kumar was asked by Arundhuti Debi to examine his own conscience about his liability towards Deepti Roy in Prabhat Mukherjee’s classic film. Arundhuti Debi and Uttam Kumar showed their comedy conception in the film Manmayi Girl’s School, where they had to pretend to be spouses, because their landlord rented his house to them only on the condition of marriage. But their playacting resulted in an affair with one another. In Pushpadhanu, Arundhuti Debi brought up her husband’s child after he deserted her and got attached with Uttam Kumar who understood the feelings of an established dancer who got recognition but was a loner. Jhinder Bandi was made with the historical touch of Prisoner of Zenda and Tapan Sinha astonished the viewers with his treatment in the Indian context. The royal style of living of Rajputs was well demonstrated by both Uttam Kumar and Arundhuti Debi. Shiulibari was directed by Pijus Bose, who utilized the talent of Uttam Kumar and Arundhuti in a story based on the life of villagers of West Bengal. Jotugriha, directed by Tapan Sinha, was probably the most successful film of Uttam Kumar and Arundhuti Debi. In that film lack of begetting a child led to disharmony of the married couple. Both Uttam Kumar and Arundhuti Debi got separated and even after separation never lost the respect of each other. The story ends with both the spouses travelling in to trains which crossed each other. The level of performance of both Uttam Kumar and Arundhuti Debi, was such that there were no Indian actor or actress who could match the standard of performance. Uttam Kumar was the greatest superstar of Bengali cinema and became one-man industry in the 70s. Critics argue that no Indian star other than Dilip Kumar and Raj Kapoor had the individual charishma which Uttam Kumar had and if his Hindi films clicked he could have created serious competition for the stars of 60s. But Arundhuti Debi’s films with Uttam Kumar were so rich in literature, script and performance that critics argue that the combination addressed the concerns of intellectual audience of the country more than any other combination. The films should be restored for their aesthetic value.

Ghazal King Jagjit Singhji's thoughtful creations are revisited on birth anniversary

Jagjit Singh’s excellent compositions will remain immortal forever. The listeners of music all over the world wish happy birth anniversary to Ghazal Maestro Jagjit Singh on 8th February, 2026. Listeners of ghazals remember the king of ghazals Jagjit Singh on 10th October every year. Ghazal King Jagjit Singh passed away on 10th October, 2011. In respect of his excellent ghazals his listeners have remained speechless. His voice had been used to heal sadness and sickness. He had been the only singer who had composed and sung songs on the poetry of legendary Prime Minister Atal Bihari Vajpayee titled “Nayidisha” in 1999 and “Samvedna” in 2002. Along with his wife Chitra Singh, he was the first Indian composer to have used digital multi-track recording for the album “Beyond Time” in 1987. His original name was Jagpreet Singh. He learned khayal, dhrupad, thumri from Ustaad Jamaal Khan. His album “The unforgetables” in 1976, mesmerized the audience. His baritone voice made everyone enchanted. He departed from classical ghazals to a more refined romantic rendition, by keeping the soul of the lyrics intact. He created a different gharana, a bit different from the other legends of ghazals like Mehedi Hassan, Talat Mehmood, Mohammad Rafi, Noor Jahan, Begum Akhtar, etc. His compositions in the duet albums “Ecstasies”, “A Sound Affair”, “Passions”, with Chitra Singh were unparallel. Jagjit Singh’s excellent bass was balanced by Chitra Singh’s high notes in most of the ghazals. Duet ghazals like”duniya jise kehte hai jadoo ka khilouna hai”, “kaun keheta hai muhobbat ka zuban hoti hai”, etc., will remain immortal for ever. After the death of his son Vivek at the age of 21 years, Chitra Singh left singing. But Jagjit Singh’s later albums were full of pathos, but the excellent lyrics of the shayar’s or poets or given adequate expression by the legendary Ghazal King. The titles of his music albums were also thoughtful including Hope, Insight, Mirage, Kahkashan (Galaxy), etc., to name a few. Jagjit Singh probably had sung with the best poets of the country in the 80s and 90s including Nida Fazli, Qateel Shifai, Firaq Gorakhpuri, Sudarshaan Fakir, Zaka Siddiqi, Nazir Bakri, Faiz Ratlami and others. It required huge talent and innovation to do justice to the thoughtful words shown in the poem. In whichever field of music Jagjit Singh had ventured he had struck gold, whether his albums in bhajans or gurbani. Jagjit Singh enriched hindi film music with his excellent compositions in the film Saath Saath and others. His film songs like “tumko dekha to ye khayal aya”, “tum itna jo muskura rahi ho”, “hoton se chulo tum” had remained historical masterpieces. His songs in TV Serial Mirza Ghalib had enchanted numerous listeners. A Padmabhushan being awarded to the musical maestro was not enough to reward his brilliance. One article is too small to highlight his achievements. His immortal works should be preserved and restored.

Happy birth anniversary to beauty queen Madhubalaji

Happy birth anniversary to Beauty – Queen Madhubala. The viewers of bollywood films wish happy birth anniversary to legendary actress and Beauty Queen Madhubala on 14th February, 2026. She had rightly been born on Valentine’s Day, the day when human beings show that love to their most beloved persons. She had glorified bollywood films of the 40s, 50s and 60s. She stormed bollywood with her spooky character in the film Mahal in 1947. The song “ayega anewala” sung by Lata Mangeshkar and composed by Khemchand Prakash was a milestone in Indian cinema. Lata rose to fame with that song. The film became extremely successful. In the 40s, she acted in a number of films opposite Raj Kapoor including Neel Kamal, Chitor Bijay, etc. Her films opposite Dilip Kumar like Amar and Sangdil became big hits. She came to number one position with the film Mr. and Mrs 55 opposite Gurudutt. She acted in the role of a rich unmarried girl in the film who lived under the guardianship of Lalita Power. All the songs in the film composed by OP Nayyar became super hit including “thandi hawa”, “jane kaha mera”, etc. Her films opposite Bharat Bhushan became super hit one after the other including Phagun, Barsaat Ki Raat. Barsaat Ki Raat was a musical blockbuster where Roshanlal Nagrath proved his excellence as composed in ghazals like “zindagi bhar nahi bhulegi wo barsaat ki raat”, qawallies like “na to karwanki talash hai na humsafar ki talash hai”. She gave excellent lips in the songs of the films. Her beauty in Raj Kapoor’s film Do Ustad amazed the viewers. The songs in the film composed by OP Nayyar also became super hit including “nazron ke teer mare kas kas kas”, “tu ladki mai ladka”, etc, picturised on Madhubala and Raj Kapoor. Mughal-i-Azam was probably the best film of her career in the role of Anarkali. The film had been remade in colour. K Asif spend huge money for making the historical film and all the performers in the film including Madhubala, Dilip Kumar, Prithviraj Kapoor, Durga Khote gave their best. Naushad’s everlasting music still haunts the audience even today. The relationship of Salim and Anarkali was almost a poetry picturized in celluloid. Due to the romantic relationship of Dilip Kumar and Madhubala, at the end of the film, K. Asif did not show that Anarkali was killed by being buried alive in a dungeon and she was brought out of the wall. Madhubala probably acted opposite all the giants of bollywood industry including Pradeep Kumar in the film Rajhath, Shammi Kapoor in the film Boy Friend, Sunil Dutt in the film Jwala, Dev Anand in Kala Pani, Kishore Kumar in the film Chalti Ka Naam Gari, Ashok Kumar in Howrah Bridge. She gave lips in the songs of all the leading singers of the country, including Lata Mangeshkar, Geeta Dutt, Samshad Begum and others. It is difficult to highlight the contribution of beauty queen Madhubala in a small article who is considered the greatest legend ever along with Meena Kumari and Nargis. The viewers pay their tribute to the romantic actress who died more than 40 years ago and left her immortal presence felt through her performances in bollywood films.

Happy birthday to Tina Munimji

Happy birthday to Tina Munim. The viewers of bollywood films wish happy birthday to Tina Munim on 11th February, 2026

. She is better known as Tina Ambani after marrying Anil Ambani who is one of Indian’s leading business magnets. She was discovered by Dev Anand and cast in the film Desh Pardesh in 1978. She also acted in the films Lootmaar and Manpasand. She was most successful opposite Rishi Kapoor, who was the greatest romantic actor in the late 70s and early 80s. Subhash Ghai’s Karz stormed bollywood in the late 70s, where Rishi Kapoor and Tina Munim combination was well accepted by the audience. All the songs composed by LP and picturised on Rishi Kapoor and Tina Munim became super hit including “mai sola baraski”, “ek haseena thi”, “darde dil”, “om shanty om”, etc. Karz was remade few years back with Himesh Reshammiya playing the role of Rishi Kapoor in the new version. She also acted in the super hit film Aap Ke Diwane opposite Rishi Kapoor. Rakesh Roshan did cast her in the film Akhir Kyon opposite Rishi Kapoor. She was sublime in Basu Chatterjee’s film Baaton Baaton Me opposite Amol Palekar, and Man Pasand. She acted in a number of films opposite Rajesh Khanna including Souten, Bewafai, Insaaf Mai Karunga, most of which did excellent business. Souten did good business in the early 1980s. Padmini Kolhapuri played an important role in that film. She had acted opposite other actors also but viewers remember her combination the most with Rishi Kapoor. Her performances opposite Rishi Kapoor in the films Bade Dilwale, Deedar-E-Yaar and Aap Ke Deewane are remembered by the viewers. Aap Ke Deewane did great business in 1980. Rakesh Roshan also acted opposite Tina Munim where Rishi Kapoor played the main role. The music of Rajesh Roshan became super hit including Rafi’s songs “aap ke dewaane hai”, “tum ko khush dekhkar mai bahut khush hua”, etc. Sunil Dutt launched his son Sanjay Dutt in the film Rocky opposite Tina Munim. The film did good business in the early 80s. In 1987 she left bollywood films. Later she settled down after marrying Anil Ambani. She had been involve

Happy birthday to veteran actress Wahida Rehmanji

Happy birthday to Wahida Rehman. The viewers of Bollywood films wish happy birthday to veteran actress Wahida Rehman on 3rd February, 2026. Wahida Rehman was known for her combination with actor director Guru Dutt. From 1957, the viewers saw thoughtful Guru Dutt in films like Pyaasa and Kagaz Ka Phool. Both the films were based on eternal truth. Pyasa was related to recognition of a poet in a materialistic world. Kagaz Ka Phool was related to story of directors and performers in celluloid, their rise and their fall due to ungratefulness of opportunists in society. The music composed by SD Burman in both these films were of high standard. Wahida Rehman balanced the thoughtful acting of Guru Dutt in these films. Also the lyrics of Sahir Ludhiyanvi were very meaningful. The notable songs included “yeh mahalon yeh takhton yeh tajon ki duniya”, “sar jo tera”, “bichar gaya bari bari” sung by Rafi, “waqt ne kiya kya haseen sitam” sung by Geeta Dutt, to name a few. It was very unfortunate that Guru Dutt did not receive the filmfare award for the best actor for his thoughtful performance in the film Pyaasa. Guru Dutt and Wahida Rehman’s onscreen chemistry was accepted by viewers in the film Chaudavi Ka Chand. The title song “chaudavi ka chand ho, ya aaftab ho” sung by Rafi and composed by Ravi can be considered as one of the ten best ghazals composed in the history of bollywood music. Guru Dutt bought colour in the song sequence. The film did great business. It was listed in the top five grosser of bollywood after Mughal-i-Azam, Kohinoor and Barsaat Ki Raat in the year 1960. Guru Dutt as an actor did great job in films like Bharosa, Saheb Bibi Aur Ghulam, Saanz Aur Sawera, etc. His early demise in the mid-60s led to huge loss in the film industry as his works were filled with deep thoughts. In the 1960s Wahida Rehman acted in super hit films one after the other. Her successful films included Ram Aur Shyam, Dil Diya Dard Liya opposite Tragedy King Dilip Kumar, Patthat Ke Sanam opposite Manoj Kumar, Teesri Kasam opposite Raj Kapoor, Guide opposite Dev Anand, Dharti opposite Rajender Kumar to name a few. The viewers pay respect to legendary actress Wahida Rehman on her birthday and want the restoration of her works to acknowledge her creativity as actress and versatility.

Sad demise of Bappi Lahiriji ended a great era of innovative music

Sad demise of great composer and singer Bappi Lahiriji. The entire country is shocked with demise of Bappi Lahiriji who died out of cardiac arrest on 15th February 2022. The viewers of bollywood films wished happy birthday to Bappi Lahiri on 25th November, 2025. He had huge contribution in bollywood music during the 70s and 80s and his compositions are remembered even today. He is the son of famous Bengali singer and composer Aparesh Lahiri. Aparesh Lahiri had very impressive basic discs and the songs like “takka tare”, “jhar” stormed the Bengali audience in the 50s. His composition for Lata Mangeshkar, titled “ekbar bidae de ma” in Bengali films should his capability of using powerful resources successfully. Bappi Lahiri emerged in the bollywood film arena, when composers like Shankar Jaikishan, Roshan, Madan Mohan, SD Burman, died and composers like Laxmikant Pyarellal, RD Burman, Kalyanji Anandji were the main competitors in the late 70s. Bappi created an impression before the audience with his compositions for the film Zakhmee where Sunil Dutt and Asha Parekh were the main performers. The music of his film Namakhalal became super hit. Big B’s lips and Kishore Kumar’s song “ki pag ghungru”, made Bappi Lahiri a big star in the early 80s. He also gave ppular music in the film Sharabi, where again the Big B, KK combination stormed bollywood. The song “imtehan ho gayi intezr ki” became super hit. Bappi Lahiri and KK combination did work also in the films of Mithun Chakravarthy. All the songs of the film Disco Dancer became super hit where Bappi Lahiri himself sang hit songs like “yaad aa rahai”, etc. The other hit films where Bappi Lahiri contributed well include Thanedaar, with Sanjay Dutt and Madhuri Dixit, where the song “tama tama loge” became very popular. Bappi Lahiri was very successful in his composition of music for Bengali films as well. His music in Uttam Kumar’s last film Ogo Bodhu Sundari became super hit. KK’s songs “ami ekjon santoshito”, “shikte tomai hobe”, etc., became very successful. The other hit Bengali films where Bappi Lahiri made valuable contribution include Guru Dakhina and Amar Sangi. The hit songs include “o amar gurudakhina”, “prithibi hariye geche”, “sangi, sangi”, “jekhanei thako”, etc. He sang the song “u lala u lala” in the film Dirty Picture. The film had reciprocated the great music trend of 1980s when Bappi himself composed music in films like Himmatwala. Bappi Lahiri had been often criticized for copying music from international films and other sources, as his tunes were very similar to others tunes. But that controversy is faced by lot of modern composers as well. The big thing is Bappi Lahiri had entertained audience of bollywood films for more than 15 years. His admirers salute his east west blend of music will cherish his happy memories for ever.

On death anniversary of Geetashree Sandhya Mukherjee her majestic combination with Suchitra Sen is remembered

Geetashree Sandhya Mukherjeeji

the legendary bengali singer died on 15th February 2022. Her demise ended the golden era of bengali music. Her brilliant combination with greatest bengali actress Suchitra Sen has remained immortal. From prime minister of India and chief minister of West Bengal all the dignitories mourned the death of the legendary singer. She has sung more than 100 songs in the films of Suchitra Sen and Uttam Kumar. Her landmark songs for Suchitra Sen included "ke tumi amare dako" in Agniparikka "gane more indradhanu" in film Agniparikkha, "ghum ghum chand" in film Sabar Opore, "e sudhu ganer din" in film Pathe Holo Deri, "ei to amar pratham phaguna bela" in film Sagarika, "klantir poth buhiba phurale mor" in film Bipasha, "moner madhuri mishaye" in film Sriti Tuku Thak, to mention a few. The list just goes on and on. Uttam Kumar and Suchitra Sen acted in 30 films and are considered the biggest romantic pair of stars in entire Asia. Sandhya Mukherjee contributed the most in the super hit films and blockbusters of Suchitra Sen and Uttam Kumar which includes Agni Parikkha, Sagarika, Pathe Holo Deri, Bipasha, Saptapadi, Kamallata, Shap Mochon, Surjo Toron, to mention a few. Articles after articles can be devoted to the greatest female singer of Bengali Sandhyaji who will remain immortal in her songs. She also sang duet song with Lataji in film Tarana, where Anil Biswas composed her song for Shyamaji and Lataji sang for Madhubalaji. She sang around 17 songs in bollywood films. Suchitra Sen was remembered on her death anniversary. Bengal’s Mahanayika Suchitra Sen had become immortal in her works. She had been remembered on 6th April, 2019. Suchitra Sen died on 17th January, 2014, at an age of 83 years. The entire film fraternity and her numerous lovers had become speechless to hear her death news. She was admitted in Belview Nursing Home more than 2 weeks. Chief Minister Mamta Banerjee mourned her death. Legendary actress Suchitra Sen had been remembered on her 84th birth anniversary on 6th April, 2014. In Star Ananda Channel veteran actress Sabitri Chatterjee had been invited to speak about Suchitra Sen. She acted with the legend in many films like Annapurnar Mondir, Grihadaha, etc. Suchitra Sen started her career with the film Saat Number Qaidi in 1953 and ended up with the film Pranay Pasha in 1978. After that she retired from film acting. Within the span of 25 years she acted in 3 films opposite Uttam Kumar making the romantic pair immortal over the last 60 years. She also acted in bollywood films including Devdas opposite Dilip Kumar, Bombai Ka Babu opposite Dev Anand, Mamta opposite Dharmender and Ashok Kumar, Aandhi opposite Sanjeev Kumar, to name a few. Suchitra Sen had a tremendous combination with singer Geeta Dutt and their understanding both in Bengali films and bollywood films had created history during the golden age, that is the 50s and 60s. In the film Indrani, all the songs sung by Geeta Dutt for Suchitra Sen including “jhanak jhanak madhur badan”, “nir choto khoti nei”, “ogo sundoro”, etc., all became super hit. Suchitra Sen provided hit films one after the other with Uttam Kumar, during that age and Indrani also falls in that category. Even in films where Geeta Dutt had sung only one song for Suchitra Sen, even in those films, the songs had a great impact in the success of the films. The song in the Ajoy Kar’s epic film Harano Sur, in 1957, titled “tumi je amar” had a unique appeal for the audience. Uttam Kumar lost his memory due to meeting with an accident and Suchitra Sen sang the song a number of times in the film. It haunted the viewers and touched the souls of numerous admirers of Bengali films. Geeta Dutt’s song for Suchitra Sen also in the film Hospital also became extremely successful. Ashok Kumar acted opposite Suchitra Sen in the film and the song was “ei shundar sharnali sondhae”. In bollywood films, SD Burman used Geeta Dutt for Suchitra Sen in the film Bombai Ka Babu. Dev Anand acted opposite Suchitra Sen in the film and all the songs were super hits. The main songs included “dekhne me bhola hai”, “pa ma ga”, etc., out of which some of them were duet songs with Mohammad Rafi and their romantic by every musical standard. As Suchitra Sen made memorable contribution in bollywood films for more than 30 years, a lot of legendary singers contributed for her during that period. There were hit songs sung by Sandhya Mukherjee in landmark films like Sagarika, Pathe Holo Deri, Sriti Tuku Thak, Uttar Falguni, Bipasha, etc. At the same time in bollywood films Lata had sung landmark songs for Suchitra Sen including “rahe na rahe hum” composed by Roshan in the film Mamta, “is mor se jate hai”, “tere bina zindagi me shikwa” composed by RD Burman in the film Aandhi. Even then Geeta Dutt was probably the only singer who sang songs for Suchitra Sen both in the Bengali films as well as the bollywood films. As Suchitra Sen’s hindi films were restricted to only Devdas, Champakali, Musafir, Bombai Ka Babu, Mamta, Aandhi, etc, Geeta Dutt got a limited scope of contributing in Suchitra Sen’s hindi films. Even then, the songs are still remembered by many generations and for those reasons the films should also be preserved.