Thursday, March 6, 2008

Anu Malik and Sonu Nigam.

Anu Malik and Sonu Nigam.

anu malik
Anu Malik had created his own identity in the field of music composition in bollywood films. He had given hit songs one after the other in the last 10 years. He is a big admirer of Sonu Nigam and while participating in the Indian Idol program as a judge he admitted that Sonu Nigam is the best singer of the country.

He had given a number of memorable tunes to Sonu Nigam in his illustrious career. In Border, his song “sandese ate hai” and “hume jab se muhobbat ho gayi hai” picturised on Akshay Khanna and sung by Sonu Nigam, received critics acclamation. In Refugee, he gave he very melodious songs like “mere humsafar mere humsafar”, “panchi nadiya pawan ke jhoke”, etc. which were picturised on Abhishek Bacchan and sung by Sonu Nigam. Sonu Nigam’s memorable performance created a different impact on the minds of the viewers of the film.

sonu nigam
Even in Mujhe Kuch Kehna Hai, Anu Malik’s composition for Sonu Nigam titled “rabba mere rabba” became superduper hit. Jeetender’s son Tushar Kapoor started his career with the film and Sonu Nigam’s song had given a tremendous break.

Anu Malik’s composition for Sonu Nigam in the film Mai Hoon Na, attracted the attention the viewers. The film became hit and the songs were successful. Similarly Anu Malik’s composition of Sonu Nigam’s song “no entry” in the film No Entry picturised on Salman Khan became very very successful.

The combination of Anu Malik and Sonu Nigam had given a number of successful songs of different flavours for the last 10 years and the filmlovers expect the combination to continue their good work and as Sonu Nigam is the role model of new singers in India, he has a lot of responsibity in terms of continuing his brilliant performances.

2 comments:

  1. I just love the songs by Sonu Nigam..They are so wonderful..

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  2. The songs of Sonu Nigam in Jane-man composed by Anu Malik and picturised on Salman Khan and Akshay Kumar also were very melodious.
    Rumi Chatterji.

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