Review of Tapan Sinha’s Golpo Holeo Sotti.
Tapan Sinha used to be considered a legendary story-teller after Satyajit Ray in the 50s and 60s. His films were related to classic literature of giant novelists. His casting was flawless. He chose actors and actresses who suited the respective role and he was an inspiration for all the directors of India.
Golpo Holeo Sotti was released in 1966, with the message given by human conscience that work was God. Idle life led to disaster. Robi Ghosh played the role of that human conscience. He worked in as servant in a joint family, where Prashad Mukherjee was the elder brother with Chaya Debi, his wife. The second brother and his wife were dead and they left a daughter who stayed in that house. Bankim Ghosh was the third brother with his wife Bharati Debi. Bhanu Banerjee the youngest brother did not marry. Besides Ajoy Ganguly and his wife was the third generation. Prashad Mukherjee’s old father was alive.
Before Robi Ghosh arrived in their house, none of the other servants stuck in their house. Chaya Debi and Bharati Debi failed to do the domestic work, while the brothers Prashad Mukherjee, Bankim Ghosh, Bhanu Banerjee, etc., did none of the household work after they returned from office. Robi Ghosh joined as a cook and taught the women of the house different varieties of dishes. He even negotiated between Partho Mukherjee, a next door neighbor who loved the daughter of the second son. He took the grandfather for morning walk.
More importantly Robi Ghosh united the brothers who were envious about one another. He taught the small son of Bankim Ghosh the song “sukh bole” which meant once this life ends no one can get back their life, so human beings should make the best use of their lives. Robi Ghosh helped the thrives gang of Chinmoy Roy to steal the trunk in the house full of money. Then he asked Partho Mukherjee to return that trunk back to the old man and the family members so that they could get impressed and ask him to marry the second son’s daughter.
The theme music used by Tapan Sinha in the film was extraordinary. All the actors and actresses of the film performed to their limit. Tapan Sinha’s script and camera work were brilliant. Hrishikesh Mukherjee made the hindi version of the film with the title Bawarchi. Although the film where Rajesh Khanna converted it into a romantic film got box-office success, the film reached nowhere near Golpo Holeo Satti in story-telling, acting performance and intellectual treatment.
Tapan Sinha’s Golpo Holeo Satti should be restored for filmic accomplishments.
Tapan Sinha used to be considered a legendary story-teller after Satyajit Ray in the 50s and 60s. His films were related to classic literature of giant novelists. His casting was flawless. He chose actors and actresses who suited the respective role and he was an inspiration for all the directors of India.
Golpo Holeo Sotti was released in 1966, with the message given by human conscience that work was God. Idle life led to disaster. Robi Ghosh played the role of that human conscience. He worked in as servant in a joint family, where Prashad Mukherjee was the elder brother with Chaya Debi, his wife. The second brother and his wife were dead and they left a daughter who stayed in that house. Bankim Ghosh was the third brother with his wife Bharati Debi. Bhanu Banerjee the youngest brother did not marry. Besides Ajoy Ganguly and his wife was the third generation. Prashad Mukherjee’s old father was alive.
Before Robi Ghosh arrived in their house, none of the other servants stuck in their house. Chaya Debi and Bharati Debi failed to do the domestic work, while the brothers Prashad Mukherjee, Bankim Ghosh, Bhanu Banerjee, etc., did none of the household work after they returned from office. Robi Ghosh joined as a cook and taught the women of the house different varieties of dishes. He even negotiated between Partho Mukherjee, a next door neighbor who loved the daughter of the second son. He took the grandfather for morning walk.
More importantly Robi Ghosh united the brothers who were envious about one another. He taught the small son of Bankim Ghosh the song “sukh bole” which meant once this life ends no one can get back their life, so human beings should make the best use of their lives. Robi Ghosh helped the thrives gang of Chinmoy Roy to steal the trunk in the house full of money. Then he asked Partho Mukherjee to return that trunk back to the old man and the family members so that they could get impressed and ask him to marry the second son’s daughter.
The theme music used by Tapan Sinha in the film was extraordinary. All the actors and actresses of the film performed to their limit. Tapan Sinha’s script and camera work were brilliant. Hrishikesh Mukherjee made the hindi version of the film with the title Bawarchi. Although the film where Rajesh Khanna converted it into a romantic film got box-office success, the film reached nowhere near Golpo Holeo Satti in story-telling, acting performance and intellectual treatment.
Tapan Sinha’s Golpo Holeo Satti should be restored for filmic accomplishments.
It's an unmatched canvass of human life that was portrayed by Tapan Sinha. What it conveys is important yet how it is told with most lucid manner that never halters the narrative also scored high. All the castings left us no choice to replace. I can't think of any one in place of whether it is Prasad Mukherjee or Bhanu or any of the ladies .. Robi Ghosh can't even imagine of .. they are all so natural & convincing that with the story we come full course of the movie.
ReplyDeleteWithout any star or superstar the movie scored no less a star status...we remember it and all the characters without trying hard to recall--there the movie stands apart..Hats off to the genius of Tapan Sinha...
Rajib Mitra