Rajender Kumarji Saira Banuji Shankar Jaikishanji combined to create magic

Rajender Kumarji and Saira Banuji Rajender Kumar, better known as Jubilee Kumar, had acted in memorable films in the 60s, ranging from Mere Mehboob, to Sangam, Aarzoo to Suraj, etc. During that span he had acted with all the leading actresses of bollywood films including Vaijayantimala, Sadhna, Meena Kumari, Wahida Rehman, etc. His combination with Saira Banu was well accepted by the viewers. Most of their films became successful and did very good business during the 60s. Their film Ayee Milan Ki Bela was a romantic film with melodious songs composed by Shankar Jaikishan. The memorable songs sung by Rafi and Lata include “to bura man gaye”, “o sanam tere ho gaye hum”, “aha aye Milan ki bela dekho aye”, “tum khamseen ho”, “mai pyar ka diwana”, to name a few. Dharmender got a supporting role in the form of brother of Rajender Kumar. He also did well in the film. Their film Jhuk Gaya Aasman was based on reincarnation. Rajender Kumar met with an accident and took the place another person who had huge property. The other Rajender Kumar was subject to conspiracy Prem Chopra and others who were interested to take his property. Music again played a notable role with Shankar Jaikishan providing westernized tunes for Rafi and Lata. The hit songs sung by Rafi and Lata included “o priya, kaun hai jo sapno me aya”, “saccha hai ghar”, “kahan chal diye”, to mention a few. The popularity of Rajender Kumar and Saira Banu contributed a lot for the success of the film. Rajender Nath, the brother of Prem Nath did well as a relief character. The film which was less known involving Rajender Kumar and Saira Banu, included Aman. The film was based on the victims of Second World War. Rajender Kumar was a doctor and went to Hiroshima and Nagasaki to treat the victims who got infected due to hurling of Atom Bomb during the Second World War. Rajender Kumar went there against the wishes of his father played by Balraj Sahani. There he met Saira Banu and got involved with her. The film depicted the damage that caused in most parts of Japan including the population and their property. It was not a romantic film in that sense. But the music of Shankar Jaikishan again appreciated by the audience. The notable songs included “surahidar garden, koel si hi awaaz”, “aaj ki raat”, etc. Rajender Kumar died at the end of the film. The films of Jubilee Kumar and Saira Banu should be restored for the next generation as their romantic pair provided entertaining performances in the 60s.

In days Bhoolbholaiya did 150 crores business worldwide in 2024

Bhoolbhulaiya 3 with Kartik Aryanji, Madhuri Dixitji, Vidya Balanji did business of more than 110 crores in India and 40 crores abroad. All 3 of them gave landmark performances. Aneez Bazmi directed the film with comedy and suspense.Ruhan "Rooh Baba" Randhawa is having a great time looting people, claiming to be a Ghostbuster. He is called by Meera's uncle to talk to Meera who is a ghost. When she arrives, Ruhan is petrified into thinking it's a real ghost and this is captured by her uncle on Meera's phone. They blackmail Ruhan threatening to post it online if he refuses to come to Rakht Ghat with them. With no other choice, Ruhan agrees. When he arrives there, everybody is shocked to see him because he looked exactly likely a doppelganger of the prince, Rajkumar Debendranath of that estate from 200 years ago. The royal family lived in the horse barn, due to Manjulika's existence in the palace. Rajpurohit warns everyone not to go near Manjulika's room and also suggests that it should be opened only on Durgashtami, and only by a person of the royal family, who has been reborn to get rid of the ghost. Everyone moves to the palace as they believe Ruhan, their savior has arrived. According to a local myth, 200 years ago, Manjulika was a princess, and the king had a son from his servant, who was named Debendranath. When the King decided to announce Debendranath as his heir, it infuriates Manjulika. She kills Debendranath, and the king decides to burn her alive. It was her spirit that roamed in the palace, and responsible for the many killings. Meera calls in the restoration department to work on the palace so it can be sold. Mallika leads the department and also shows signs of being possessed. Ruhan gets to know about the real ghost and plans to leave, but realizes that his video needs to be erased before he leaves. While looking for the video, he finds out that his photos were secretly taken by Meera, suggesting her romantic feelings for him, and when confronted she confirms to it. Ruhan decides to stay but soon finds that Pandit, Panditaayan and Chhote Pandit are already living in Manjulika's room. It is revealed that all three of them were deliberately trying to shoo everyone away so they could peacefully live there. The restoration department takes over the room and while working there, they end up breaking a wall which leads them to a secret passage. The passage leads to a room which has a door with Bhairava Kavach all over it. The Rajpurohit is also confused and to know more he decides to read more about the palace rooms and Manjulika, so they can work around the situation. Desperate to sell the property, Rajaji decides to break the Bhairava Kavach with Roooh baba's help and see what's inside. Just when they open the door, the Rajpurohit arrives with the news that the room belonged to Anjulika who was the elder sister of Manjulika and Debendranath. It is revealed that the king 200 years ago had two daughters who despised each other. Despite knowing about the palace, Mandira arrives at the palace as a prospective buyer and decides to stay there to learn more about the estate and surroundings. After Mandira and Mallika meet, strange things start to happen in the palace. The Rajpurohit warns everyone to be careful until Durgashtmi, as that's the day when Manjulika would take her revenge. Ruhan and Meera have their fair share of encounters with both Mallika and Mandira, but they are confused about which one is the real Manjulika. Rajpurohit comes back with pure oil from havan to kill the spirit of Manjulika, and the night before Durgashtmi they all gather where the body was burned 200 years ago. Ruhan cleverly gets rid of the spirit that was inside Mallika and Mandira, and then they get to know that the ghost was actually of Debendranath who was burned to death 200 years ago for her love of dance and not liking her male body. It is revealed that Anjulika and Manjulika had planned to get Debendranath killed for the throne of Rakht Ghat and he was burned to death as soon as both sisters exposed him to the king and his ministers. The king then decided to throw both sisters out of his kingdom. Debendranath's ghost then kills the king and his guards. The Rajpurohit at that time had him sealed in that secret room locking it with the Bhairava Kavach which Ruhan broke and it is revealed it was Debendranath who had been the one who had planned everything by entering Mallika and Mandira's body as they were his sisters' reincarnations. In the end, all three of them have a heartfelt moment and Debendranath gets the peace he was yearning for, for two centuries. Cast Kartik Aaryan as Ruhaan "Rooh Baba" Randhawa / Debendranath Vidya Balan as Mallika / Manjulika Madhuri Dixit as Mandira / Anjulika / ACP Rathore Triptii Dimri as Meera / Madulikadevi Vijay Raaz as Raja Saab, The King of Rakht Ghat Rajpal Yadav as Natwar / Chhota Pandit Sanjay Mishra as Jagannath Shastri / Bade Pandit Ashwini Kalsekar as Panditayeen / Bade Pandit's wife Rajesh Sharma as Meera's uncle Arun Kushwah as Tillu Shataf Figar as Vicky Khanna Manish Wadhwa as Rajpurohit Saurabh Dubey as Rajpurohit in 1824 Denzil Smith as Maharaj in 1824 Suresh Menon as Pillai Moumita Pal as Pillai's wife Shivam Dubey as Pillai's son Surendra Thakur as Jallad Kanchan Mullick as Faulad Singh, King's bodyguard Prantika Das[8] as Noor Agrim Mittal as Modak Ajay Tiwari as Daas Yogesh Jadhav as Senapati Swagatam Halder as Mr. Chopra Averi Singharoy as Mrs. Chopra Badri Chavan as Arjun / Pintu Rose Sardana as Meera's sister Arvind Prakash as Arjun's father Parineeta Borthakur as Arjun's mother Mustaqeem as Bijnori Production Casting Kartik Aaryan was cast to reprise his role from Bhool Bhulaiyaa 2. On 12 February 2024, it was announced that Vidya Balan, who played Manjulika in the original Bhool Bhulaiyaa (2007), would reprise her character, by sharing a video of Instagram.[9] On 21 February 2024, it was announced that Madhuri Dixit and Triptii Dimri would be joining the project. Rajpal Yadav, known for his role as Chhota Pandit in the previous films, will also return to reprise his role. The cast also features Vijay Raaz, Rajesh Sharma, Manish Wadhwa, Sanjay Mishra, and Ashwini Kalsekar.[10][11] Filming On 9 March 2024, in Mumbai, the cast and crew of Bhool Bhulaiyaa 3 gathered for an inaugural muhurat puja ceremony to mark the beginning of principal photography. Producer Bhushan Kumar clapped the muhurat shot for Kartik Aaryan. Vidya Balan, Triptii Dimri, Rajesh Sharma, and co-producer Shiv Chanana were also present at the ceremony.[12][13] A glimpse video of this ceremony was shared by T-Series on 11 March 2024, titled "Bhool Bhulaiyaa 3 Begins", The video also featured Aaryan shooting the first shot of the movie, which was a train sequence, filmed by DOP Manu Anand.[14] During shooting, director Anees Bazmee faced significant challenges as he fractured his leg on the last day of the film recce. Against doctor's suggestions to get a steel plate and rest for 3 months, he opted for minor surgery that allowed him to honor his commitment to the film. He came to the film set in a wheelchair and continued with his work.[15][16] The film's production involved extensive planning and coordination, with key members Bhushan Kumar, Bazmee, and Aaryan actively engaged in discussions and preparations.[17] Filming began in Mumbai, with the first schedule wrapping up on 27 March 2024.[18] During this schedule, the entry sequence of Aaryan was also shot. A massive set was erected in Film City, Mumbai, specifically for the song, which involved over a thousand background dancers with choreography done by Ganesh Acharya.[19][20] After a short break, Bazmee, still recovering from his injury, scouted for locations in Kolkata for the next schedule.[21] The cast and crew landed in Kolkata on 8 April 2024, to commence the second schedule.[22] In this schedule, Aaryan rode a bullet on Howrah Bridge,[23] with Prantika Das and with Arun Kushwah at Victoria Memorial.[24][25] The shooting then progressed to Mallick Ghat flower market, where a small set with skeletons was put up.[26] Following this, Bazmee filmed scenes at the Park Street Graveyard and Nonapukur Tram Depot, and finally concluded the shoot at Laha Bari in Central Kolkata.[27] Prior to this, key shots were filmed at an elaborate Bengali village set setup by the production team in Mumbai.[28][29] The song 'Mere Dholna' has been filmed as jugalbandi between Madhuri and Vidya and has been choreographed by Chinni Prakash.[30] After completing the Kolkata schedule, the team resumed filming on the same Bengali set in Mumbai, with a segment involving Kartik Aaryan, Sanjay Mishra, Vijay Raaz, Rajpal Yadav, and Ashwini Kalsekar, wrapping up the week-long schedule on 13 May 2024. A significant dance sequence featuring lead actors was also filmed on 21 May 2024.[31] On 29 May 2024; Balan, Dixit, Manish Wadhwa, Sharma, Raaz, Rose Sardana and others shot a sequence on the film's set in Mumbai, with Balan and Dixit twinning in black sarees.[32] Bazmee had shot Aaryan's scenes in advance, in May 2024, and continued filming without him for some days in early June. In early June 2024, the team took a break from shooting, allowing Aaryan to focus on promotional commitments for his film Chandu Champion, which was released on 14 June 2024. The next schedule was kicked off on 1 July 2024, in Orchha, Madhya Pradesh[33][34] with Kartik Aaryan, Vidya Balan, Madhuri Dixit, Triptii Dimri, Rajpal Yadav, and others.[35] Key scenes were shot at various historic landmarks such as Orchha Fort, Ram Raja Mandir, where some dramatic scenes were filmed, and Jahangir Mahal, where Aaryan filmed a romantic song and some romantic scenes with Dimri. The schedule included filming intense sequences at Kanchana Ghat on the Betwa River.[36] A part of the climax sequence with all the principal actors together, was also shot there, with Aaryan and other leads performing some action sequences.[37] After shooting a portion of the climax in Orchha, the team returned to Mumbai to shoot the remaining scenes of the climax sequence with the entire cast.[38] Principal photography was seemingly wrapped with final scenes being shot on 31 July and 1 August 2024.[39][40] Additionally in September 2024, a romantic track featuring Aaryan and Dimri was shot in Leh, Ladakh.[41] It was revealed that 2 different climax scene were filmed to keep the suspense around the ending of the film,[42] after Kartik Aryan let slip details of filming scenes with Kiara Advani.[43] Music Bhool Bhulaiyaa 3 Soundtrack album by Tanishk Bagchi, Sachet–Parampara, Amaal Mallik, Aditya Rikhari and Lijo George–DJ Chetas Released 23 October 2024 Recorded 2023–2024 Genre Feature film soundtrack Length 20:10 Language Hindi Label T-Series Producer Bhushan Kumar Official audio Bhool Bhulaiyaa 3 (Audio Jukebox) on YouTube The background score of the film is composed by Sandeep Shirodkar, whereas the soundtrack is composed by Pritam, Tanishk Bagchi, Sachet–Parampara, Amaal Mallik, Aditya Rikhari and Lijo George–DJ Chetas. The lyrics are written by Sameer Anjaan, Rashmi Virag, Aditya Rikhari, Dhrruv Yogi and Som. The "Title Track" and "Ami Je Tomar" song originally composed by Pritam will be recreated once again after Bhool Bhulaiyaa 2.[44][45] The first single titled "Bhool Bhulaiyaa 3 (Title Track)" was released on 16 October 2024.[46] The second single titled "Jaana Samjho Na" was released on 22 October 2024, a reprised version of singer Aditya Rikhari’s 2022 single "Samjho Na". The album was released on 23 October 2024 across all music streaming platforms.[47][48] Track listingNo. Title Lyrics Music Singer(s) Length 1. "Bhool Bhulaiyaa 3 - Title Track" Dhruv Yogi, Sameer, Pitbull Tanishk Bagchi, Pritam Pitbull, Diljit Dosanjh, Neeraj Shridhar 3:50 2. "Jaana Samjho Na" Aditya Rikhari Lijo George-Dj Chetas, Aditya Rikhari Aditya Rikhari, Tulsi Kumar 3:32 3. "Ami Je Tomar 3.0" Sameer Amaal Mallik, Pritam Shreya Ghoshal 5:15 4. "Beiraada" Rashmi Virag Sachet–Parampara Sachet Tandon, Parampara Thakur 3:19 5. "Hukkush Phukkush" Som Tanishk Bagchi Sonu Nigam 3:44 6. "Ami Je Tomar (Sad Version)" Sameer Amaal Mallik, Pritam Sonu Nigam 0:30 Total length: 20:10 Release Theatrical Bhool Bhulaiyaa 3 was theatrically released on 1 November 2024, on the occasion of Diwali. The worldwide theatrical distribution rights were acquired by AA Films. Distributor Anil Thadani had secured single screens for the film.[49] The film has been banned in Saudi Arabia due to mentions of homosexuality which is banned in the country.[50] Home media Netflix acquired the digital streaming rights of the film.[2]

Bollywood Hungama rated the film 4.5 stars out of 5 and wrote, "Bhool Bhulaiyaa 3 is a well-made horror comedy which works due to its performances, taut script, creative execution and above all, an unpredictable climax."[51] Sukanya Verma of Rediff.com rated the film 3/5 stars and opined "A gleefully hammy Madhuri and Vidya's volley of death stares and evil laughs engage in a ruthless glamorous tug of war in Bhool Bhulaiyaa 3".[52]

The greatest blockbusters of 1959 included Raj Kapoorjis Anari Dilip Kumarsahabs Paigham

Greatest bollywood hit films of 1959. The year 1959 was very significant in the history of bollywood films. Both social films and historical films dominated bollywood. The biggest hit film of 1959 was Anari. Anari was directed by Hrishikesh Mukherjee. Raj Kapoor, Motilal, Lalita Power and Nutan were the leading artists in the film. The film showed the story of an innocent person who got involved in a case relating to forged medicines. The film was known for its excellent music composed by Shankar Jaikishan. All the songs of Lata Mangeshkar and Mukesh, including “yeh chand khila”, “kisiki muskurahaton pe ho nisar”, “sab kuch sikha humne” became smash hits. The film also received the major filmfare awards of 1959. Raj Kapoor got the award for the best actor, Lalita Power got the award for the best supporting actress, Shankar Jaikishan got the award for the best music director, Mukesh got the award for the best singer. The second highest grosser of 1959 included Paigham. Dilip Kumar and Vaijayantimala were the leading artists of the film. The film was directed by S.S. Vassan. Dilip Kumar and Vaijayantimala had given blockbusters in the past like Madhumati, so their online chemistry was accepted by the audience. The third biggest hit film was Navrang. The fourth was Dhool Ka Phool. The fifth hit film was Goonj Uthi Shehnai. Very significantly Rajender Kumar featured in both Dhool Ka Phool opposite Mala Sinha, and Goonj Uthi Shehnai opposite Amita. Both the films were famous for the excellent music composed by Kalyanji Anandji and Vasant Desai. The sixth hit film was Dil Deke Dekho where Shammi Kapoor and Asha Parekh were the main artists. Music was composed by Usha Khanna. The seventh hit film was Sujata. It was directed by Bimal Roy. Nutan and Sunil Dutt were the main artists. The next three hit films of the year included Choti Behen, Rani Roopmati and Chirag Kahan Roshni Kahan. The film was directed by Devendra Goel and music composed by Ravi Shankar Sharma. In Choti Behen directed by L.V. Prasad, Balraj Sahani and Nanda were the main artists. Music was composed by Shankar Jaikishan. In Rani Roopmati, Bharat Bhushan and Nirupa Roy played the lead roles. SN Tripati composed the music of the film. In Chirag Kahan Roshni Kahan, Rajender Kumar and Meena Kumari played the lead roles. There were few inferences that can be drawn from the biggest hit films of 1959. While Raj Kapoor and Dilip Kumar dominated bollywood as main stars, Rajender Kumar emerged as another crowd puller by giving three hits together. As far as actresses were concerned there was brilliant competition between Vaijayantimala, Nutan, Meena Kumari and others. As far as directors were concerned in addition to established directors like Bimal Roy, Raj Kapoor, Guru Dutt, upcoming directors like Hrishikesh Mukherjee, L.V. Prasad, B.R. Chopra, Nasir Hussain created a great impact in bollywood films. As far as music director were concerned there was stiff competition between Shankar Jaikishan, Naushad Ali, C. Ramchandran, Ravi Shankar Sharma, Vasant Desai and others.

Remembering east west blended music director Salil Choudhury

Remembering Salil Choudhury. Salil Choudhury, noted scholar, poet, composer and literary giant was remembered on his death anniversary on 5th September, 2025. He was also remembered on his birthday on 19th November, 2024. As he was a versatile scholar, his scholarly attributes were reflected in his creations. He was both the lyricist and the composer and numerous songs sung by legendary singers over 50 years. His creation “ami parini bujhite parini” and “tumi jaante” for Manobendra Mukherjee were created with two different andaz, one having classical orientation while the other having westernized treatment. His creation “jhanana jhanana baje” and “antabihin oi andharater shesh” for Dhanonjoy Bhattacharya showed his class in handling classical singers. On the other hand his strength in folk songs were evident in his song “sunayoni sunayoni” sung by Nirmalendu Choudhury and Sabita Choudhury. Nirmalendu became famous all across the world with his folk numbers. Salil Choudhury hugely experimented with Shymal Mitra in songs like “jadi kichu amare shudhao”, “aha oi ankabanka poth jai shudure”, “dur nai beshi dur oi”, “ja jare ja ja pakhi”, to name a few. In “jadi kichu amare shudhao”, Salil Choudhury’s orchestration was unique, half of the song was blank verse while the other half had musical treatment. Salil Choudhury used the different playback singers in Bengal and explored their talents to the brim. Some of the great compositions include “eso kache boso” sung by Tarun Banerjee, “pallabini go sancharini” sung by Dwijen Mukherjee, “Jodi jante go tumi jante” sung by Manobendra Mukherjee, “jai jai din” sung by Biswajeet Chatterjee, to name a few. The list can go on. Salil Choudhury created a gem with the song “nil nil pakhi” for Sandhya Mukherjee. Besides, bengal’s literary community were astonished with Salil Choudhury conversion of famous poetry “ujjal ek jhak paira” sung by Sandhya Mukherjee into song. The poet’s feelings were translated into musical tune by sheer brilliance of Salil Choudhury. Other examples of converting legendary poems into songs include “runner” written by Shukanto Bhattacharya and “palki chole” written by Satyendranath Dutta which were sung by Hemanta Mukherjee which both became history. In “runner” the march of the postman on foot from remote corners of village was given adequate expression by Salil Choudhury. Salil Choudhury’s national fame allowed him to do numerous experiments with bollywood singers like Mukesh and Lata. Articles after articles can be devoted to Lata Salil Choudhury creations in Bengali. Mukesh also sung hit song “jhum jhum pakshi nachona” composed by Salil Choudhury. Salil Choudury created his masterpieces in Bengali films as well like Shyamal Mitra’s song “onek ghuriya sheshe” in Hrithik Ghatak’s film Bari Theke Paliye, Nirmalendu Choudhury’s song “sojoni o sojoni” and Manna Dey’s “uthali pathali amar buuk” in Rajen Tarafdar’s film Ganga. Besides his song “he bhai re bhai” and “baje go beena” sung by Manna Dey in the film Marjina Abdulla made the listeners speechless. Even Lata’s song “bujhbe na keu bujhbena” was equally popular. Bimal Roy’s film Do Bigha Zameen was based on Salil Choudhury’s literature. His music in the films Do Bigha Zameen, Madhumati, Musafir, Parakh, Jagte Raho, Anand, Maya, Rajnigandha, etc., stand out as landmarks in Indian film history. He received filmfare award for brilliant performance in the film Madhumati. All the songs in the film including Lata’s “aja re”, “ghari ghari”, Rafi’s “tute hue khwabonme”, “jangal me mor nacha”, Mukesh’s “dil tarap tarap ke”, “suhana safar aur mausam hasin” touched the souls of numerous Indians in the late 50s. Other notable songs of Salil Choudhury in bollywood films include “tasveer teri dil me” from Maya, “zindagi kaisi hai paheli hai”, “kahin dur jab din dhal jaye” from Anand, “rajnigandha” from Rajnigandha, “jago mohan pyare” from Jagte Raho, “dil tadpe tadpaye” from Poonam Ki Raat, to name a few. Bengal and India was as a whole was indebted to a maestro like Salil Choudhury and several researches can be undertaken for finding out the history behind his creations. One article is not enough to reiterate the immortal works of the giant creator. The creations should be preserved and restored.

The country remembers immortal composers Shankar Jaikishanji on birth anniversary of Shankarji

Immortal combination of Shankar Jaikishan with Mohammad Rafi sahab. Great composer Shankar Singh Raghubvanshi is remembered on his birth anniversary on 15th October, 2025. He was also remembered on death anniversary on 26th April, 2023 Their songs ranked first in 6 years in Binaca Geetmala also between 1949 and 1971. In 1955 "mera joota hai japani" sung by Mukeshji for Raj Kapoorsahab composed by SJ in film Shree 420 was first in Binaca Geetmala. In 1961 "teri pyari pyari surat ko kisi ki nazar na lage" sung by Rafisahab for Rajender Kumarsahab in film Sasural composed by Shankar Jaikishan was first in Binaca Geetmala. In 1962 "ehsaan tera hoga mujhpar" sung by Rafisahab for Shammi Kapoorji in film Junglee composed by SJ was first in Binaca Geetmala. In 1964 "bol radha bol sangam hoga ki nahi" sung by Mukeshji for Raj Kapoorsahab in film Sangam composed by Shankar Jaikishan was first in Binaca Geetmala. In 1966 "baharon phool barsao mera mehboob aya hai", sung by Rafisahab for Rajender Kumarji in film Suraj composed by Shankar Jaikishan was first in Binaca Geetmala. In 1971, "zindagi ek safar hai suhana" sung by Kishore Kumarji for Rajesh Khannaji in film Andaz was first in Binaca Geetmala.

. He was one of the genius composers of the famous duo Shankar Jaikishan. In the 1940s, 1950s and 1960s a number of composers dominated Bollywood films. Naushad Ali, Roshanlal Nagrath, Madanmohan Kohli, OP Nayyar, all had the class of their own. Shankar Jaikishan composed music in almost 195 films in that golden age. One of the great reasons of Shankar Jaikishan’s huge success was due to the great combination with immortal singer Mohammad Rafi Sahab. If Rafi’s stylish andaz relating to westernized compositions are adequately it is Shankar Jaikishan who had used it to perfection. They had used Rafi for singing romantic songs with Japanese orchestration in Love in Tokyo, released in 1966 including songs like “aja re aa zara aa”, “Japan, Love in Tokyo”, “ o mere shahekhuba”, etc. In Biswajeet’s April Fool, released in 1964 SJ’s composition for Rafi including “aa gale lag ja” had westernized background. At the same time Rafi’s song “tumhe chaha” with Suman Kalyanpur was a great rendition in pensive mood. SJ’s composition for Rafi in Shammi Kapoor’s An Evening in Paris, in 1967, like “akele akele kahan ja rahe ho”, “raat ke humsafar”, had loud French music with echo effect and Rafi’s intonation was also westernized. Shankar Jaikishan gave a completely different style of music to Rafi in Rajender Kumar’s Aarzoo, released in 1965 with songs like “aji ruth kar ab”, “chalke teri aankho se”, “ai nargisi mastana”, etc. SJ had given songs addressing children to Rafi including “nanne munne bache teri mutthi me kya hai” in Boot Polish which was produced by Raj Kapoor and released in 1954, “hai na bolo bolo”, “re mamma re mamma re” in Shammi Kapoor’s Andaz, released in 1971 and “chakke p chakka” in Brahmchari, in 1969. Rafi pronounced the words with childish accent and SJ used the orchestration to attract children. There were ghazals also given by SJ for Rafi including “rukh se zara nakab”, “kya kya na kahe” in Jeetender’s Mere Huzoor, “unke khayal aye to” in Raj Kumar’s Lal Patthar, “aye bahaar banke” in Pradeep Kumar’s Rajhaath, etc. Besides SJ’s creation involving Rafi in somber mood had created great impact including songs like “teri zulfon ki judai to nahi maangi thi” in Dev Anand’s Jab Pyar Kisi Se Hota Hai, “ehsaan tera hoga mujhpar” in Shammi Kapoor’s Junglee, “yaad na aye” in Rajender Kumar’s Dil Ek Mandir. Shankar Jaikishan had used Rafi’s classical andaz in the songs “radheke tune bansoori churai”, “ajahu na aye”, etc., and combined the ragas with devotional andaz. SJ has given music in almost 200 films within the span from 1949 to 1971, and at least each year they composed music for approximately 10 films. As Rafi was given predominance over other male singers SJ had use him in regular intervals even without doing injustice to Mukesh, Manna Dey, Kishore Kumar, Talat Mehmood and others. Songs like “kaun hai jo sapno me aya” from Jhuk Gaya Aasman, “to bura maan gaye” from Ayee Milan Ki Bela, “yeh ankhen” from Jab Pyar Kisi Se Hota Hai, “tujhe jeevan ki dor se” from Aasli Nakli, “dheere dheere chal” from Love Marriage, “badan pe sitaren lapete hue” from Prince, “mai kahin kavi na banjayun” from Pyar Hi Pyar, “mai gayun tum so jao” from Brahmchari, had not lost their flavour even 40 years after their creation due to sheer brilliance of Shankar Jaikishan. It is really tragic neither Shankar Jaikishan had received the accolades that they deserved nor Rafi’s association with them had been glorified but history says that the combination of Rafi with Shankar Jaikishan had produced invaluable creations which had become immortal over the period of time.

Happy birthday to Gadar 2 star Sunny Deolji

Happy birthday to Sunny Deol. The viewers of bollywood films wish happy birthday to action star Sunny Deol on 19th October, 2025. He had been a sensation in bollywood films. Being the son of successful actor Dharmender, he had the pressure of proving his capability the early part of his career. Although he started with romantic films like Betaab in the early 80s, within short period of time he built a macho body and acted in action films one after the other. He became the lead actor in most of the films of Raj Kumar Santoshi. Most of those films were anti-establishment films where his anti-establishment- image amazed the viewers. After Amitabh Bacchan and Dharmender, probably Sunny Deol was the only star whose action image was accepted by audience of different tastes. He received the filmfare best actor award for his brilliant performance in the film Ghayal. He took revenge against smuggling don Balwant Rai played by Amrish Puri. He got awarded for his brilliant performance in the film Damini opposite Meenakshi Sheshadri. He played the role of an upright lawyer who helped a lady like Meenakshi who was threatened by her inlaws against giving testimony in a rape case. The film became the greatest hit of the year. Sunny had to very high standard of acting from his rival Amrish Puri in both these films who maintained the standard of acting he displayed in art films directed by Shyam Benegal, Govind Nihalini and others. Sunny’s film Gadar Ek Premkatha, based on hindu-muslim vengeance during partition broke the record of hit films in India. He went to Pakistan to bring his wife Amisha Patel and small son, and faced the resistance of orthodox muslims under the leadership of Amrish Puri. He fought his way out and brought his family to India. He displayed the passion of being a true Indian in style. His other hit films included Ghatak, Samandar, Darr, Joshilay, Tridev, Vishwaatma, to name a few. He was considered to be one of the best body-builders of the country in the 90s. He also produced few films and did well in them as well. Other than Sanjay Dutt, no other actor was as successful as Sunny Deol in action films. He is presently busy with his sequel film Ghayal returns. 2011 had been a successful year for him. His film Yaamla Pagla Dewaana did excellent business at the beginning of the year. For the first time, Sunny Deol, Bobby Deol and Dharmender were seen in the same film together. He was a great crowd puller in the 90s, viewers want the same magic back. His film Yaamla Pagla Dewaana 2 was released in 2012. It did not do that amount of business. The viewers expect him to continue the strong performance and contribute in bollywood films in future.

Happy birthday to Dreamgirl Hema Maliniji

Happy birthday to dream-girl Hema Malini. The viewers of bollywood films wish happy birthday to dream girl Hema Malini on 16th October, 2025. She was the uncrowned queen of bollywood films of the 70s. Her strong dancing skills gave her a separate place in bollywood films. Her performance in the film Sapno Ka Saudagar opposite Raj Kapoor was extremely successful in the late 60s. From there she never looked back. Her film Abhinetri opposite Shashi Kapoor became super hit. Her successful films opposite other stars included Gora Aur Kala opposite Rajender Kumar, Burning Train opposite Dharmender, Johnny Mera Naam opposite Dev Anand, to name a few. Gora Aur Kala became super hit with the successful songs composed by Laxmikant Pyarellal like “tu meri sapno ka rani banegi”, “dheere dheere bol”, etc. Within short time she formed a brilliant combination with Dharmender and their films started rocking bollywood in the 70s. The pair started off with films like Naya Zamana, Raja Jani and went on to give all time hits like Seeta Aur Geeta, Jugnu, Charas, Sholay, etc. If Sholay is remembered for superlative camerawork of Ramesh Sippy, villainish andaz of Amzad Khan, angry image of Big B, then it is also remembered for tremendous dance performance of Hema Malini. She danced on top of glasses in the song “jab tak hai jaan”. Besides she showed her bravery also in the film by riding on the horse-cart against the gang of dacoits of Gabbar Singh. Hema Malini did extremely well in off-beat films as well. One of her landmark films included Kinara opposite Jeetender and Dharmender. Gulzar’s films was based on dancing and Hema Malini’s classical dance balanced the story line where Jeetender’s car struck Dharmender and killed him on the spot. Dharmender was the husband of Hema Malini in the film and she lived with his memory in the film. Hema Malini’s films opposite Big B also did great business. Some of their hit films included Desh Premi, Satte Pe Satta, etc. In the last few years Hema Malini had been seen contributing in character roles in bollywood films like Baghban. She must be proud about the success of her daughter Esha Deol, but is respect of glamour and beauty and dancing skills still Hema Malini is remembered for her dominance during the 70s. In the recent years Hema Malini acted in many matured roles. She had acted very well in the film Aarakshan in 2011, opposite Amitabh Bacchan. She was the trustee of an organization catered to give higher education in India and reinstated Amitabh Bacchan as the Principal of that institution. Hema Malini also came in the Indian Idol 6 Show with Dharmender as guest judge in 2012. She shared her experiences of acting dancing and the history relating to playback singing involving her. The viewers still believe that a lot of dancing skills are still left in Hema Malini and she should still act in bollywood films in future.

Happy birthday to Neha Dhupiaji

Happy birthday to Neha Dhupia. The viewers of bollywood films wish happy birthday to Neha Dhupia on 27th August, 2025. Neha Dhupia, the daughter of Commander Pradip Dhupia of Indian Navy, had attracted public attention after winning the Miss India Universe 2002 crown in that year. After beginning her career in the film Qayamat: City Under Threat, she impressed the viewers with challenging role in the film Julie where her glamour was used to perfection. But she got a notable role in the film Kya Cool Hai Hum in 2005. She acted opposite Ritesh Deshmukh where Tusshar Kapoor and Isha Koppikar were the other pair. Isha Koppikar, the police officer in the film was sent by Anupam Kher to investigate a case relating to a habitual offender. Tusshar Kapoor was suspected to be a murderer and Isha Koppikar was sent to his house to monitor his activities. Ritesh Deshmukh had an affair with Neha Dhupia and married her at the end of the film. The film was serio-comic in nature and Neha Dhupia performed very well in her respective role. She also got a purposeful role in the film Shootout At Lokhandwala. The film was related to a real-life story where the Bombay police had trapped the underworld group in a house in Bombay and fired at them. Sanjay Dutt gave a memorable performance in the role of Encounter specialist in the film opposite Vivek Oberoi who played the role of a mafia don. Neha Dhupia did her part very well. She did even better in the film Chup Chup Ke, in the role of the sister of Kareena Kapoor. Shahid Kapoor pretended to be dumb in the film and stayed in their house. Neha Dhupia acted as a mediator between Kareena Kapoor and Shahid Kapoor and helped in the marriage between the two. Neha Dhupia knew that Shahid Kapoor could speak but never informed Sunil Shetty or Om Puri or any other member of the house about it. Although the film was related to the serio-comic relationship between Om Puri, Paresh Rawal and Rajpal Yadav, Neha Dhupia kept her mark in a reserve role and in some of the sequences even acted better than Kareena Kapoor. She was even impressive in her supporting role in the film Singh is Kinng, where Katrina Kaif and Akshay Kumar had the lead roles. Singh is Kinng also did good business in India and abroad. But if her performance in the earlier films like Sheesha and new films like Mithya are compared it will be found that initially the stylish screen presence and bold performance of Neha Dhupia was publicized by the producers. These days the acting skills of Neha Dhupia are used. She had been bold enough to act in the role of a prostitude in the film De Dana Dan in 2008. The role required comedy timing and she did extremely well. In 2009, her performance in the film Raat Gayi Baat Gayi bagged her the nomination for Star Screen Award for the best actress in a supporting role. She had two releases in 2010 where her two films, Action Replay and With Love to Obama had different roles. Although her performances in the films were appreciated the films did not do good business. In 2012 she had acted in the film Rush where Imraan Hashmi, Sagarika Ghadke and Aditya Pancholi had played important characters. In 2013, she acted in the film Ungly with Sanjay Dutt, Imran Hashmi and others. Unless she grabs any glamourous role in near future she will not remain in the rat race where the competition between Priyanka Chopra, Katrina Kaif, Kareena Kapoor, Sonakshi Sinha is very keen.

Farooq Sheikhji and Deepti Navalji are outstanding in the film Kisi Se Na Kehna

Actors Farooq Sheikh and Deepti Naval were a brilliant intellectual pair who stormed Bollywood films in the 1980s. They were cast in different experimental characters after the pair of Naseeruddin Smita Patil and Om Puri Shabana Azmi. Kisi Se Na Kehna was a light-hearted comedy film made by Hrishikesh Mukherjee in 1983. The film was produced by Ashok Raut or Jayant Pathare. The music was composed by Bappi Lahiri. In the film Farooq Sheikh became the general manager of the firm run by SN Banerjee. He fell in love with Deepti Naval who was the niece of SN Banerjee. Utpal Dutta, the father of Farooq Sheikh wanted to get him married to girl who knew Indian traditions and did not know the language. Utpal Dutta himself went to see a number of girls and found that the ones who were modern learned poor culture and were disrespectful towards elders. He asked Farooq Sheikh to marry only that girl who knew not a single letter of English. Sayeed Jaffery helped Farooq Sheikh and Deepti Naval to get married. He asked Deepti Naval and SN Banerjee to pretend that they were from the village and never heard any English word in life. Deepti Naval faced huge trouble as she was a learned doctor, but she managed the false relationship. Deven Verma, her cousin brother was the relief character in the film who was seen with different girlfriends at different times. At the end of the film when Utpal Dutta faced a heart attack, Deepti Naval had to give an injection to save him and told the truth. At the beginning Utpal Dutta told her to leave his house but after hearing the version from Sayeed Jaffery reconciled the situation. Hrishikesh Mukherjee gave a great message in the film. He showed the world that development is not based on roughness created by advanced education but the humbleness earned by traditional knowledge. Farooq Sheikh and Deepti Naval after creating havoc with brilliant performances in the films Saath Saath, Katha, Chasme Badoor, continued the dream run in the film Kisi Se Na Kehna. Utpal Dutta had a class of his own when it came to acting. Right from negative roles in the films Barsaat Ki Ek Raat to comedy roles in Golmaal and social roles in Kisi Se Na Kehna, he became the pride of the industry in character roles. Sayeed Jaffery was a great actor and showed his class in films like Shatranj Ki Khiladi, Masoom and many other films. The music of Bappi Lahiri was impressive with Asha Bhosle’s song “kisi se na kehna” which was very soft and melodious. The film should be restored and preserved.

On Shabana Azmiji birthday her landmark performances are remembered

Happy birthday to Shabana Azmi. Versatile actress Shabana Azmi was remembered on her birthday on 18th September, 2025. Many actresses spoke about her. Nandita Das had said that she had started her career with Fire opposite Shabana Azmi. She had great experience of working with the great actress. She acted with Shabana Azmi in a play named Diary of Anne Frank which was hosted in Kolkata, Bangalore and New Delhi. Director Mahesh Bhatt also said that his career also took a turn after Shabana Azmi acted in his film Arth. Shabana Azmi gave an interview in Times of India on her birthday in 18th September, 2010, four years back. She commented on many things. She said that in theatre acting there is scope of underacting, as the viewers at the backseat may not recognize lack of expression, but in films that is not possible. For her film acting was a greater challenge. She also said that acted in both commercial and parallel films. She acted during the transition of the 70s, when the actresses got roles opposite the angry young man played by Big B, Vinod Khanna, Shatrughun Sinha and others. Female actresses started getting roles which were transformations from the ones of the 60s in films like Mai Choop Rahungi to films in the 80s like Khoon Bhari Maang. But her range was exposed in parallel cinema. She could express the complexity of female mind successfully in the art films directed by Shyam Benegal, Satyajit Ray and others. When asked about her choice, she said that she would have accepted the role of a sweeper if director Bergman had offered her a role. He was her favourite director. In respect of actors, she commented that Tragedy King Dilip Kumar was her favourite actor. She grew up seeing his acting. It is very significant that the actress of the callibre of Shabana Azmi who had won 5 national awards also used the name of Tragedy King, who had not learned acting from acting school, but the characters immortal with his sensitive performances over 70 years. The interview was very knowledgeable. Shabana Azmi and Smita Patil were the two leading actresses with whom the renowned directors of India including Satyajit Ray, Shyam Benegal, Govind Nihalini, and others experimented the most in the late 70s and early 80s. Some of the best films of Shabana Azmi include Khandahar, Paar, Masoom, Sati, Aarth, Mandi, etc. In Shyam Benegal’s Ankur she played the role of the wife of Sadhu Meher, a rural villager. The film showed oppression of the feudal lords in Indian villages. In Shekhar Kapoor’s Masoom she played the role of the husband of Naseeruddin Shah. She had her two daughters and had to reconcile the son of Naseeruddin Shah who was born out of the first wedlock in the film. In Mahesh Bhatt’s film Arth she played the role of the wife of Kulbhushan Kharwanda who was having extra-marital affair with another woman played by Smita Patil. She had played very diverse roles and did justice to the complicated characters of women over the last 35 years. Shabana Azmi should continue her great work in bollywood films in future.

Happy birth anniversary to rebel star of the millenium Shammi Kapoorsahab

Viewers remembered Shammi Kapoorsahab on his birth anniversary on 21st October, 2025. Rebel Star Shammi Kapoor is remembered on 14th August, 2023, his death anniversary, for his immense contribution to Bollywood films. On 14th August, 2011, veteran actor Shammi Kapoor, passed away. He was 79 years old. The country had become sad due to his demise. He brought a new wave in Indian films with powerful performances in films like Tumsa Nahi Dekha, Dil Deke Dekho, Junglee, Janwar and other films. He used to be called Rebel Star and the Indian Elvis Priestley. One thing for which viewers used to be mad to see his films during 60s used to be the everlasting music in the films and brilliance of Mohammad Rafi in those songs. Rafi had sung 341 songs composed by Shankar Jaikishan during his illustrious career with 216 solos. Very significantly 3 of the filmfare awards that Rafi received during 60s had been composed by Shankar Jaikishan. They included “teri pyari pyari surat ko kiski nazar na lage” from the film Sasural, “baharon phool barsao” from the film Suraj and “dilke jharoke me mujhko bithaker” from the film Brahmchari. But in the list of songs sung by Rafi and composed by Shankar Jaikishan, at least half of the total sungs were composed for Shammi Kapoor. Shammi Kapoor and Shankar Jaikishan worked together for around 22 films, most of which did great business in the 60s. If Rafi’s songs sung for Shammi Kapoor are remembered for the loud music and melo-dramatic dance numbers, there were lot of songs which were ever romantic and touched the hearts of the viewers. In the film Junglee, Rafi’s songs “ehsaan tera hoga mujhpar” and “meri yaar shabba khair” had very melodious appeal and the sweetness of Rafi haunted the listeners for years. In Shammi Kapoor’s Professor, the songs “awaz deke hume tum bulayo”, “mai chali mai chali”, probably had set the mood of the film. From that time Rafi, Shammi Kapoor and Shankar Jaikishan created magic in one film after the other. In Raj Kumar, Rafi’s soft numbers for Shammi Kapoor like “yeh rang badalti duniya me”, “tumne kisiki jaan ko jate hue dekha hai” made the viewers speechless. Even the western numbers of Shankar Jaikishan for Rafi stole the hearts in the 60s. In the film Janwar, Rafi’s number “meri muhabbat jawan rahegi” and “humko hai tumse pyar” had been the most romantic songs in the film, where the landscape of Kashmir and Rafi’s melodious voice complimented each other. In the film An Evening in Paris, Rafi’s songs “akele akele kahan ja rahe ho” and “raat ke humsafar” were the most romantic numbers which were more melodious than the loud numbers which equally became hits. In Shammi Kapoor’s Brahmachari, probably the best songs included “mai gayun tum so jayo” and “dil ke jharoke mai”. “mai gayun tum so jayo” was sung twice by Rafi in the film, one with a even slower rhythm. Shankar Jaikishan’s background music was as brilliant as Rafi’s singing style for Shammi Kapoor. In the film Tumse Accha Kaun Hai, Rafi’s soft number “janam janam ka saath hai” had remained evergreen and melodious for years. In Latt Sahab, Rafi’s romantic number with Asha Bhosle titled “aye chaand zara ruk ja” haunted the listeners for years after years. Rafi and Shankar Jaikishan combined together in other films of Shammi Kapoor like Prince, Buttameez, Laat Sahab, Ujala, Chote Sarkar, Hong Kong, etc. There were many more romantic numbers of Rafi sung for Shammi Kapoor, which cannot be covered in a small article. In Shammi Kapoor’s Jawan Muhabbat, the song “jawan muhabbat jahan jahan hai” was very romantic. The last film where Shankar and Jaikishan worked together for Shammi Kapoor included Andaz. The songs “dil use do jo jaan de de” and “re mamma re mamma re” were brilliant both in form and orchestration. It was very unfortunate that Jaikishan died in 1971,and after that Shammi Kapoor also added weight and switched to character roles in films like Zameer, Parvarish, etc. The magical combination of Shankar Jaikishan, Shammi Kapoor and Rafi ended and the era of romantic songs also suffered a set back. Some section of listeners argue that Rajender Kumar probably received the more romantic numbers sung by Rafi and composed by Shankar Jaikishan, but Shammi Kapoor’s combination with Rafi and Shankar Jaikishan was phenomenal which swept the youth and took them to a different inspite of Shammi Kapoor being called a rebel star and Shankar Jaikishan providing the most loud bomblastic numbers for Rafi. The songs and the films of the legendary combination of Shammi Kapoor, Rafi and Shankar Jaikishan should be preserved.

Happy birthday to star of the millenium Amitabh Bachhanji

The viewers of bollywood films wish happy birthday to the megastar of bollywood films Amitabh Bacchan on 11th October, 2024. Born in 1942, he had been the most popular actor of the entire millennium. In the 70s his films like Zanjeer, Sholay, Deewar created a new age of action films. His angry young man image created a revolution during an age when corruption became rampant in India. If Zanjeer was related to the obstacles faced by an honest police officer to safely perform his duties, Deewar was based on the contradiction of two brothers of whom one was a police officer, while the other was compelled to be a smuggler due to social compulsions. Sholay was based on the story of domination of the Chambal region of India by dacoits. The Thakur (played by Sanjeev Kumar) of the village employed two brave criminals namely Big B and Dharmender to face the dacoits. Big B was a very powerful actor and became the choice of all the leading directors of the 70s and 80s. His films included Abhimaan directed by Hrishikesh Mukherjee, Sholay directed by Ramesh Sippy, Zanjeer directed by Prakash Mehra, Deewar directed by Yash Chopra, Barsaat Ki Ek Raat directed by Shakti Samanta, Amar Akbar Anthony directed by Manmohan Desai, to name a few. The other factor which singled out Big B with the other actors in terms of his versatility was his baritone voice which he modulated to perfection. His comedy films like Namakhalal, Chupke Chupke, Amar Akbar Anthony, created new dimensions in Indian film history. His notable films during the 80s included Shakti, Akhree Rasta, Inquilab, etc. Even in the 90s his films like Akela and Indrajeet carried his strong personality forward. Big B had played a huge innings as a character actor and his films like Black, Kabhi Khushi Kabhi Gham, etc., showed the viewers, that after Dilip Kumar and Sanjeev Kumar, Big B was an actor with whom the directors could do any experiment. His performance in his son Abhishek Bacchan’s films like Bunty Aur Babli had also been notable. In 2010, he received the national award for the best actor for the third time for his excellent performance in the film Paa. In 2011, he was absolutely brilliant in the role of an academician in Prakash Jha’s film Aarakshan. In 2013, his performance in Prakash Jha’s film Satyagraha was brilliant. Day by day his acting skills are just getting better and better and he is experimenting in different types of roles. Even in Kaun Banega Crorepati he is the anchor and his profound educational background and pure hindi accent amazes the viewers. Sony TV cannot think about any other anchor other than Amitabh Bacchan. In 2018 he is acting in the film Thugs of Hindustan. In 2022 his film Brahmastra with Ranbir Kapoor became blockbuster of doing business above 430 crores. The viewers expect him to continue the great work that he started 40 years back.

Happy birthday to dashing star Rekhaji

Happy birthday to dashing star Rekhaji. The viewers of bollywood films wish happy birthday to dashing star Rekhaji on 10th October, 2025

. She had dominated bollywood films of the 80s. Being the daughter of Legendary South Indian actor Gemini Ganeshan on 10th October, 1954, Rekha created a separate place for herself in bollywood film industry. She was better known as Bhanurekha Ganeshan. In 1969 she acted opposite Biswajeet Chatterjee in the film Do Shikari. She got the her lead role as heroine opposite Navin Nischal in the film Sawan Bhado. In the early 70s, Rekha had to fight for her place in the bollywood industry, at a time when Hema Malini, Asha Parekh, Sharmila Tagore were dominating the industry. But she acted in many landmark films during that period including Gora Aur Kala opposite Rajender Kumar, Rampur Ka Laxman opposite Randhir Kapoor, etc. From the late 70s her films opposite megastar Big B changed her career. Most of the films ended up being super hit including Muqaddar Ka Sikandar, Mr. Natwarlal, Suhaag, Silsila, etc. Rekha gradually developed her acting and became one of the most versatile actresses of the 80s. Rekha had acted opposite all the leading actors of the 80s namely Jeetender, Dharmender, Big B, Vinod Mehra, etc. She received national award for her memorable performance in the role of a mujrewali in the film Umrao Jaan. She received filmfare award for best actress in her dashing role in the film Khoon Bhari Maang in 1988. She acted in more than 180 films. Along with the commercial films like Silsila, Mr. Natwarlal, Suhaag, she had been remembered for the performances in off-beat films. She played landmark roles in off-beat films like Gulzar’s Ghar and Ijaazat, Shyam Benegal’s Kalyug, Govind Nihalini’s Vijeta, etc. Even her films in the 90s like Kamasutra and in 2000 onwards in films like Lajja and Koi Mil Gaya, she showed her metal as a very talented actress. She received lifetime achievement award for the immense contribution to bollywood films. The viewers expect her to do well in character roles in future.