Hapy birthday to Tina Munimji

Happy birthday to Tina Munim. The viewers of bollywood films wish happy birthday to Tina Munim on 11th February, 2023. She is better known as Tina Ambani after marrying Anil Ambani who is one of Indian’s leading business magnets. She was discovered by Dev Anand and cast in the film Desh Pardesh in 1978. She also acted in the films Lootmaar and Manpasand. She was most successful opposite Rishi Kapoor, who was the greatest romantic actor in the late 70s and early 80s. Subhash Ghai’s Karz stormed bollywood in the late 70s, where Rishi Kapoor and Tina Munim combination was well accepted by the audience. All the songs composed by LP and picturised on Rishi Kapoor and Tina Munim became super hit including “mai sola baraski”, “ek haseena thi”, “darde dil”, “om shanty om”, etc. Karz was remade few years back with Himesh Reshammiya playing the role of Rishi Kapoor in the new version. She also acted in the super hit film Aap Ke Diwane opposite Rishi Kapoor. Rakesh Roshan did cast her in the film Akhir Kyon opposite Rishi Kapoor. She was sublime in Basu Chatterjee’s film Baaton Baaton Me opposite Amol Palekar, and Man Pasand. She acted in a number of films opposite Rajesh Khanna including Souten, Bewafai, Insaaf Mai Karunga, most of which did excellent business. Souten did good business in the early 1980s. Padmini Kolhapuri played an important role in that film. She had acted opposite other actors also but viewers remember her combination the most with Rishi Kapoor. Her performances opposite Rishi Kapoor in the films Bade Dilwale, Deedar-E-Yaar and Aap Ke Deewane are remembered by the viewers. Aap Ke Deewane did great business in 1980. Rakesh Roshan also acted opposite Tina Munim where Rishi Kapoor played the main role. The music of Rajesh Roshan became super hit including Rafi’s songs “aap ke dewaane hai”, “tum ko khush dekhkar mai bahut khush hua”, etc. Sunil Dutt launched his son Sanjay Dutt in the film Rocky opposite Tina Munim. The film did good business in the early 80s. In 1987 she left bollywood films. Later she settled down after marrying Anil Ambani. She had been involved in many charitable works. The viewers wish Tina Munim to appear in bollywood films in future, as she still has a lot of acting left in her.

Happy birthday to action star Sanjay Duttji

Happy birthday to Sanjay Dutt. The viewers of bollywood films wish happy birthday to Sanjay Dutt on 29th July, 2022. For the last 30 years, Sanjay Dutt remained one of the actors who had a very steady box-office. It was very sad that he had again gone for 3 and half years imprisonment relating to the TADA case. It is a loss for the film industry. For the last 2 years also he spend time in prison. His film Policegiri had been released in 2014 and did not do great business. But his biopic Sanju, where Ranbir Kapoor played his character already had done business of 339 crores. 2012 had been an excellent year for Sanjay Dutt. He acted in the film Agneepath in a negative character opposite Hrithik Roshan. The film did business of more than 120 crores. The bigger achievement is that Sanjay Dutt’ s performance had been appreciated equally as that of Hrithik Roshan. Hrithik Roshan played the same character which Amitabh Bacchan had played in the first version of film Agneepath. It was a big challenge for both Sanjay Dutt and Hrithik Roshan but both the actors were outstanding. While his first film Rocky was successful in the early 80s, he struggled to create a name till his film Naam with Kumar Gaurav struck box-office. He did undergo a makeover and from the late 80s, his long hair and muscular body changed his career. His performance in the role of a handicapped poet in the film Saajan opposite Madhuri Dixit was well appreciated. The film ended up being blockbuster with hit songs like “mera dil bhi kitna paagal hai”. Sanjay Dutt’s action films always created an impact in the minds of the viewers. The hit films included Sadak, Khalnayak, Daag –The Fire, etc. He received the filmfare award for the best actor for his performance in the film Vaastav. Sanjay Dutt and Vidya Balan formed one type of such an unique pair who had been accepted by the viewers of bollywood films. Sanjay Dutt got the scope of performing opposite Vidya Balan at middle-age as opposed to his performance opposite Madhuri Dixit in during his young age in films like Thanedaar, Saajan, Khalnayak, etc. In Pradeep Sarkar’s Parineeta, Sanjay Dutt’s role was based on the character of a middle aged person who was considerate about the family of Parineeta. Although Vidya Balan was attached with Saif Ali Khan according to the classic literature of Sarat Chandra Chatterji, Sanjay Dutt’s contribution was even greater in the film than Saif Ali Khan. All the songs in the film composed by Shantanu Moitra ended up being super hit, including Sonu Nigam and Shreya Ghoshal’s song “piyu bole”. Lage Raho Munnabhai was probably the greatest hit film of Sanjay Dutt in his entire career. He was a bhai ( underworld don) who pretended to be a Professor and impressed Vidya Balan who was attached to an old-age home. He impressed her with his knowledge on Gandhiji. Mahatma Gandhi’s soul instructed Sanjay Dutt to follow his path related to ahimsa. The romance in the film was related to matured level of understanding. Sonu Nigam’s song “pal pal pal pal pal pal”, was a landmark hit. After that song Vidya Balan slapped Sanjay Dutt after reading the letter where he mentioned that he was not a Professor. The film with Vidya Balan forgiving Sanjay Dutt for the lies he said to her. In 2011, Sanjay Dutt’s film Double Dhamaal did mediocre business. But the positive reviews that were received in the film were about Sanjay Dutt, Kangana Ranaut and Mallika Sherawat. 2011 has a lot in store for Sanjay Dutt. The films which had been released in 2011 and 2012 include Rascals, Agneepath, Chatur Singh Two Star, Power and Koochi Koochi Hota Hai. The viewers are looking forward to more films of Vidya Balan with Sanjay Dutt, as the pair had shown matured level of performance which touched the hearts of millions of viewers all across the world. Sanjay Dutt these days had restricted himself in acting in action films, so if he signs romantic films, the producers and directors should think about Vidya Balan who suits him better than any other actress of bollywood industry. Viewers are expecting him to get back to films and regain his stardom back with Munnabhai series films. In 2022 his negative character in film KGF chapter 2 was well appreciated. The film ended up doing business of 1200 crores in India and 425 crores in hindi film circuit.

Sharmila Tagoreji said superstar Uttam Kumarsahab was the greatest bengali actor icon ever born.

Sharmila Tagore. Sharmila Tagore once again came as guest judge in Zee Bangla Mirakkel Program on 6th March, 2012. Mir Afsar Ali asked him her experience of acting with Uttam Kumar. She said that Satyajit Ray said that if Uttam Kumar would have declined to act in the film Nayak, he would not have made the film at all. She said her first commercial film in Bengal was Shesh Anka, opposite superstar Uttam Kumar. She said was amazed to see Uttam Kumar’s directorial capability in the film Kalangini Kankabati. She was spellbound in the way Uttam Kumar explained the character in the film Kalangini Kankabati. The respect for Uttam Kumar just increased and increased. At the end she said Uttam Kumar was the greatest Bengali actor ever to have been born. Mir asked her which was the best shooting spot in India where Sharmila had acted. Sharmila answered that Shillong was the best place. She acted with Dev Anand in the film Ye Gulistan Hamara and the shooting took place in Shillong. She could not forget the experience. She said she would have been happy if the film Safar would have been remade. If it was remade then Vidya Balan would have been the ideal actress who could have acted in the film.

Mahanayak Uttam Kumar had majestic combination with Dr Nachiketa Ghosh

Nochiketa Ghosh Nochiketa Ghosh had contributed widely both in Bengali film music and Bengali modern songs in the 50s, 60s and 70s. In the 50s he showed his metal in Uttam Kumar’s film Nabajanma. Manobendra Mukherjee’s song “ore mon majhi” and Dhananjoy Bhattacharya’s “kalama katiya” gave expression to Nochiketa Ghosh’s folk tunes. Nochiketa Ghosh’s music in Uttam Kumar’s film Trijama was equally sublime. Sandhya Mukherjee’s song “banmoyurir naach dekhte jabo” and “matite chandramallika” were equally brilliant. In the 50s, the other notable films where Nochiketa Ghosh’s music was impressive include Uttam Kumar’s film Indrani and Prithibi Amare Chaye. Geeta Dutt’s song “nishiraat bankha chand”, “ogo shundoro”, “kanak kanak madhur badhon” were some of the greatest hits of Geeta Dutt in her entire career. The lips of Mala Sinha and Suchitra Sen were impressive in these films. Hemanta Mukherjee’s song “surjo dobar pala” became super hit in the late 50s. In the 60s, Nochiketa Ghosh composed music in average films. Prominent among them included Bhanu Pelo Lottery where Shyamal Mitra’s song “putul nebe go” became very popular. For 4 to 5 years, Nochiketa Ghosh went to Mumbai, so he did not contribute in Bengali films for those few years. He again made a huge comeback in Uttam Kumar’s film Nishi Padda in the early 70s. Manna Dey’s songs “ja khushi ora bole boluk”, “na na na aaj rate aar” became super hit in the 70s. Manna Dey’s songs in Uttam Kumar’s film Chiradiner, like “phool pakhi bondhu amar chilo”, “manush khun hole pore”, “lal nil sabujeri mela boseche”, “tumi amar chirodiner” became super hit. In Uttam Kumar’s film Stree, Manna Dey’s songs “hajar takar jhar batita”, “o se jotoi kalo hok”, “jemon shapinike posh manay ojha” became smash hit. Nochiketa Ghosh’s music in the film Sanyasi Raja was considered to be his best creation by critics. Manna Dey’s songs “shashikanto tumi dekchi”, “bhalobashar agun jalao”, were probably the best songs sung for Uttam Kumar in royal andaz. His composition in Uttam Kumar’s films Dhanni Meye and Mouchak require special mention. Manna Dey’s songs in these films like “sab khela sera bangalir tumi football”, “tabole to prem debena”, “paglagarod”, etc., flabbergasted the Bengali audience in the mid-70s. Nochiketa Ghosh made many landmark tunes in Bengali modern songs. Some of them included Manobendra Mukherjee’s romantic songs “seto naam dhore kono din dakeni amay”, “bone noy mone mor”, “o amar chandramallika”, “aha na roy na”, etc. His composition “amar ganer sworolipi lekha robe” for Hemanta Mukherjee stormed Bengal in the early 50s. He died in the late 70s, otherwise he would have given many more notable tunes. His songs and films should be preserved.

Suchitra Sen and Uttam Kumar were amazing in Rajlakkhi Srikanto

Uttam Kumar and Suchitra Sen were brilliant in Rajlakkhi Srikanto. Superstar Uttam Kumar was sublime in the film Rajlakkhi Srikanto. The film had been directed by Haridas Bhattacharya. He had done brilliant job with the classic literature of Sarat Chandra Chatterji. Sarat Chandra Chatterji had written his biography in the stories relating to Srikanto. Rajlakkhi Srikanto was released in 1958. The masses always read the great literature of Sarat Chanda Chatterjee. It was even a bigger risk to make a film where the story is already known. Very significantly Uttam Kumar understood the poetic character of Sarat Chandra Chatterji and depicted the character in style. He went for a hunting expedition after being called by Anil Chatterji. There he met his neighbour Rajlakkhi played by Suchitra Sen. He loved her during infancy. He was shocked to see her become a baijee named Pyari Bai who had her own house in Patna, Bihar. She unfolded her story and said that her father died. Then her mother went to stay in her brother’s house. Her mami got her married to an old man. He wanted to sell her. Suchitra Sen ran from her house and given shelter by a baijee. She taught her music. She earned her living by being baijee. Composer Gyan Prakash Ghosh composed great classical tunes and singer Krishna Ganguly sang very well. Uttam Kumar also tried to live like a sadhu and joined the group of sadhus led by Jahar Ray. But the disease of chicken pox spread in the village, and to help a family of patients Uttam Kumar stayed in the village. But the family left him when he got infected with small pox. At the end of the film Uttam Kumar left for Burma to get a job. But he remained unmarried throughout his life due to the fact that he could not marry Suchitra Sen who played the role of Rajlakkhi. The film did excellent business and the supporting performers in the film did an excellent job including Sishir Batabyal, Haridhan, and others.

On death anniversary of Mehmoodji remembering his immortal combination with Rafisahab and Shankar Jaikishanji

The viewers of Bollywood films remember Mehmood on his death anniversary on 23rd July, 2023. The viewers of bollywood films remembered Mehmood and showed their respect to legendary comedian Mehmood on 29th September, 2015. He was an indispensable actor during the 60s and 70s. He had acted in different types of roles ranging from serious ones in Choti Behen to villainish roles in Pyaasa and obviously serio-comic roles in Gumnaam. He was the other comedian other than Johnny Walker, who had given lips in majority of songs in landmark films. His combination with Subha Khote and Dhumaal, was as brilliant as the legendary pairs of Dharmender Hema Malini or Shashi Kapoor Nanda. Shankar Jaikishan had always been known to set trends and not follow any existing system created by the other compositions. SJ used Lata to her limit in Barsaat in the late 40s, during a time when the other female singers like Noorjahan, Suraiya, Samshad Begum, Rajkumari were also prominent in singing playback songs in bollywood films. SJ never stuck one single team and that was one of their secrets of success in bollywood films. In respect of Mehmood, it was a tradition for most of the composers to use Manna Dey to sing for Mehmood, most of which were very very successful. SD Burman used Manna Dey to sing “duniya bananewale” in the film Ziddi for Mehmood, where he used Rafi to sing the songs for Joy Mukherjee like “bolo bolo, aye dildaar”, etc. RD Burman used Manna Dey to sing the songs “sawaariya” and “ek chaturnaar” in the film Padosan for Mehmood. LP used Manna Dey to sing “o mere maina” in the film Pyar Kiye Ja, for Mehmood. There are numerous other examples where Manna Dey was used by the composers to suit Mehmood. Shankar Jaikishan had something else in mind. He used Manna Dey in very serious classical songs like “sur na saje” in Basant Bahar, emotional songs like “tu pyar ka sagar hai” in Seema, or folk songs like “chalet musafir” in Teesri Kasam. When it came to Mehmood, SJ experimented with Rafi, and those songs probably are considered the most successful songs of Mehmood in his entire career. The song “ajahu na aye balma sawan bita jai” in the film Saanjh Aur Sawera, picturized on Mehmood, stands out as one of the most classically oriented compositions of SJ for Rafi. The song had both appeal for the mass and also the class. The song “hum kale hai to kya hua dilwale hai” in Gumnaam, became a trademark song of Mehmood. Rafi almost reproduced the style of dialogue throwing of Mehmood in the song and it appeared to the masses that the song was sung by Mehmood himself. SJ used Rafi to sing the song “mai rickshawala” in the black and white era in the film Choti Bahen, during a time when Mehmood’s image was not created. Mehmood almost made people cry in the film and the credit goes to Rafi’s emotions in the song. In the film Zindagi, Rafi’s song for Mehmood titled “ghungharwah mora cham cham baje”, became big hit. The other hit songs of Rafi for Mehmood composed by SJ include “o gori chalona hans ki chaal”, “zindagi mujhko dikhade raasta”, “mai hoon jaani tera”etc. Rafi’s presence was felt in the films Beti Bete, Bhai Bhai, etc. where Mehmood had prominent roles and SJ composed the music of those films. Even the song “bakhma bakhma” in the film Shatranj became successful. Even in the duets that were sung for Mehmood, SJ created a new trend in allowing Suman Kalyanpur to sing some of the songs with Rafi or Sharda to sing some of them, in addition to Lata who had sung around 440 duets with Rafi during the golden age. The songs and the films of the legendary combination of Shankar Jaikishan, Rafi and Mehmood should be restored for their filmic appeal and versatile creations.

Remembering Geeta Duttji on death anniversary and revisiting her combination with mahanayika Suchitra Sen

Suchitra Sen and Geeta Dutt. Viewers of Bollywood films and listeners of Bollywood music remember singer Geeta Dutt on 20th July, 2014. She died on this date in 1972. Suchitra Sen had a tremendous combination with singer Geeta Dutt and their understanding both in Bengali films and bollywood films had created history during the golden age, that is the 50s and 60s. In the film Indrani, all the songs sung by Geeta Dutt for Suchitra Sen including “jhanak jhanak madhur badan”, “nir choto khoti nei”, “ogo sundoro”, etc., all became super hit. Suchitra Sen provided hit films one after the other with Uttam Kumar, during that age and Indrani also falls in that category. Even in films where Geeta Dutt had sung only one song for Suchitra Sen, even in those films, the songs had a great impact in the success of the films. The song in the Ajoy Kar’s epic film Harano Sur, in 1957, titled “tumi je amar” had a unique appeal for the audience. Uttam Kumar lost his memory due to meeting with an accident and Suchitra Sen sang the song a number of times in the film. It haunted the viewers and touched the souls of numerous admirers of Bengali films. Geeta Dutt’s song for Suchitra Sen also in the film Hospital also became extremely successful. Ashok Kumar acted opposite Suchitra Sen in the film and the song was “ei shundar sharnali sondhae”. In bollywood films, SD Burman used Asha Bhosleji and asked her to sing like Geeta Duttji for Suchitra Sen in the film Bombai Ka Babu. Dev Anand acted opposite Suchitra Sen in the film and all the songs were super hits. The main songs included “dekhne me bhola hai”, “pa ma ga”, etc., where Asha Bhosleji's singing were replica of Geeta Duttji out of which some of them were duet songs with Mohammad Rafi and their romantic by every musical standard. As Suchitra Sen made memorable contribution in bollywood films for more than 30 years, a lot of legendary singers contributed for her during that period. There were hit songs sung by Sandhya Mukherjee in landmark films like Sagarika, Pathe Holo Deri, Sriti Tuku Thak, Uttar Falguni, Bipasha, etc. At the same time in bollywood films Lata had sung landmark songs for Suchitra Sen including “rahe na rahe hum” composed by Roshan in the film Mamta, “is mor se jate hai”, “tere bina zindagi me shikwa” composed by RD Burman in the film Aandhi. Even then Geeta Dutt was probably the only singer who sang songs for Suchitra Sen both in the Bengali films as well as the bollywood films. As Suchitra Sen’s hindi films were restricted to only Devdas, Champakali, Musafir, Mamta, Aandhi, etc, Geeta Dutt got a limited scope of contributing in Suchitra Sen’s hindi films. Even then, the songs are still remembered by many generations and for those reasons the films should also be preserved.

On Rafisahab death anniversary it can be said that he gave the biggest hits in the lives of composers.

On Rafisahab death anniversary it can be said he gave the biggest hits in the lives of composers. By: Dr Souvik Chatterji Rafisahab is remembered all over the world on his death anniversary on 31st July 2023. Every music director and composer between 1940s to 1970s rose to fame due to their association with Rafisahab. Naushad Ali Sahab’s greatest hit song was “o duniya ke rakhwale” in the film Baiju Bawra sung by Rafisahab in 1952. Bharat Bhushanji gave lips in the cult song. Incidentally Naushad Alisahab received filmfare award once in 1953 for the film Baiju Bawra. Naushad sahib received BFJA award for Dilip Kumar film music in Ganga Jumna. Rafisahab sang landmark songs like “nain lad jaihe o manwama”, “o chalia re chalia re man mei hamaar” to name a few. Shankar Jaikishansahab received 9 filmfare awards. Out of that they received filmfare award in film Dil Apna Aur Preet Parayi with lead role of Raj Kumarsahab in 1961 due to Rafisahab song “jane kahan gaye”. In 1963 SJ received filmfare award in film Professor. There were many landmarks songs of Rafisahab for Shammi Kapoorji like “awaaz deke hume tum bulayo”, “ae gulbadan ae gulbadan”, to name a few. In 1967 SJ received filmfare award in Rajender Kumar film Suraj. Rafisahab sang many landmark songs like “baharon phool barsao”, “itna hai tumse pyar mujhe”, “kaise samjhayun”, “gustaqi maaf” to name a few. Rafisahab won best filmfare male playback singer award for Rajender Kumar film Sasural for the song “teri pyari pyari surat ko” composed by Shankar Jaikishansahab. The biggest hit song composed by Shankar Jaikishanji was “ki tum naraaz na hona” in film Sangam sung by Rafisahab for Rajender Kumarsahab. Roshanlal Nagrath sahab received filmfare award for Pradeep Kumar film Taj Mahal in 1964. Rafisahab many landmark songs like “jo wada kiya ho”, “jo baat tujh me hai” “pao chul lene do” to name a few in the film. Rafisahab received Sur Singer award in 1964 for Pradip Kumar film Chitralekha. The music director was Roshansahab and song was “man re tu kahe na dhir dhare” The biggest hit song composed by Roshanlal Nagrathji for Rafisahab was “man re tu kahe na dhir dhare” in film Chitralekha where Pradip Kumarsahab gave lips. OP Nayyarsahab received filmfare award in 1958 for Dilip Kumar film Naya Daur. Rafisahab sang many landmark songs in the film like “ure jab jab zulfen teri”, “maang ke saath tumhara”, “aana ho to aa”, “saathi haath barana” to name a few. The biggest hit song composed by OP Nayyarsahab was “pukarta chala hoon mai” sung by Rafisahab in 1965 where Biswajeetji gave lips. Salil Choudhurysahab received filmfare award in 1959 for Dilip Kumar film Madhumati. Rafisahab sang the landmark song “tute hue khwabon me” and “jangal me mor nacha” in the film. Ravi Shankar Sharma sahab received filmfare award in 1962 for Rajender Kumar film Gharana. Rafisahab sang the landmark song “husnwale tera jawab nahi”. Rafisahab also won best male playback singer award for the song “chaudavi ka chand” composed by Ravisahab in Guru Dutt film Chaudavi Ka Chand. The biggest hit song of Ravi Shankar Sharmaji for Rafisahab was “Chaudavi ka chand ho” in film Chaudavi ka chand where Guru Duttsahab gave lips. Madanmohansahab received national award for Sanjeev Kumar film Dastak in 1970. Rafisahab sang the song “tumse kahoon ek baat”. The biggest hit song composed by Madanmohansahab for Rafisahab included “kar chale hum fida jaan o tan saathiyo” in film Haqeekat in 1964. Laxmikant Pyarellalji received filmfare award in film Dosti in 1965. Rafisahab sang landmark songs like “chahunga mai tujhe”, “rahi manwa dukh ki chinta”, “koi jab raah nap aye”. Rafisahab son best male playback singer award for the song “chahunga mai tujhe”. Rafisahab received national award in Rishi Kapoor film Hum Kisi Se Kam Nahi. The song was “kya hua tera wada” composed by RD Burmansahab. Khayyamsahab shot to fame with Rafisahab song “jane kya dhoonti rehti yeh ankhe mujhme” in film Shola Aur Shabnam. Jaidevsahab rose to fame with Rafisahab song “mai zindagi ka saath nibhata chala gaya”in film Hum Dono. Chitraguptji rose to fame with Rafisahab song “chal ur ja re panchi” in film Bhabhi. Kalyanji Anandji rose to fame with Rafisahab song “pardesiyon se na ankhiya milana” in film Jab Jab Jab Phool Khilen. Ghulam Mohammadsahab rose to fame with Rafisahab song “chalo dildar chalo” in film Pakizaa. Iqbal Qureshi sahib rose to fame with Rafisahab song “subah na ayi” in film Cha Cha Cha. GS Kohlisahab rose to fame with Rafisahab song “agar mai puchu jawab doge” in film Shikari. Sonik Omi sahib rose to fame with Rafisahab song “dil ne phir yaad kiya” in film Dil Ne Phir Yaad Kiya. Usha Khannaji rose to fame with Rafisahab song “dil deke dekho” in film Dil Deke Dekho. Rafi's Baharon Phool Barsao was voted the most popular Hindi song in a BBC Asia Network poll commemorating 100 years of Hindi Cinema. In a CNN-IBN survey in 2013, he was voted the greatest voice of Hindi Cinema. In 2001, Rafi was named as the "best singer of the millennium" by Hero Honda and Stardust magazine. Rafisahab films and songs require restoration.

Even after winning 6 filmfare awards for best singer Rafisahab deserved many more awards.

Rafisahab should have received filmfare awards for many other songs. By: Dr Souvik Chatterji (Associate Professor in Law and Head of Department, JIS University, Kolkata) Rafisahab is remembered all over the world on his death anniversary on 31st July 2023. Rafisahab is remembered all over the world on his birth anniversary on 24th December, 2022. He had remained an inspiration for numerous singers all over the world. While he received filmfare for best male playback singer 6 times, there were many more songs in which he deserved the filmfare award. Here is a list of songs where Rafisahab deserved filmfare awards. Year Song Music Director Reason 1953 “O Duniya ke rakhwale” Naushad Ali The filmfare awards started in 1953 but at that time only one singer award was given. Rafisahab deserved the award for brilliant bhajan andaz and spiritual rendition of the song in film Baiju Bawra. 1954 “nanne munne bacche tere muthi me kya hai” Shankar Jaikishan The song had great philosophy related to children. It was from film Boot Polish which reserved Indian and international awards. 1955 “o door ke musafir hum ko bhi saath le le” Naushad Ali The song had great chorus andaz and tragic andaz. Dilip Kumar’s “tragedy king” image was bolstered by the lyrics and rendition of the song in film Uran Khatola. 1956 “duniya nab bhay” Shankar Jaikishan The song had both classical andaz and devotional andaz. It was a musical film with Shankar Jaikishan portraying different ragas. Rafisahab balanced the mood of film Basant Bahar. 1957 “chal ur jaa re panchi ki ab yeh des hua begana” Chitragupt The song was philosophical in nature. It had great message for society. Rafisahab expressed the message of director in the film Bhabhi. 1958 “mai soya aankhiya meeche” OP Nayyar The song was a duet song with Asha Bhosle. But it had great romantic andaz of OP Nayyar in the film Phagun. 1960 “madhuban me radhika nachere” and “zindagi bhar nahi bhulegi barsaat ki raat” Naushad Ali and Roshanlal Nagrath Rafisahab won the filmfare award for the song “chaudavi ka chand ho” but he deserved the award in “madhuban me radhika” for brilliant rendition of raag hamir and “zindagi bhar nahi bhulegi” for excellent ghazal andaz. 1962 “ab kya misaal doon” Roshanlal Nagrath Rafisahab should have won the award for excellent rendition of ghazal andaz and soft romantic andaz 1963 “mere mehboob tujhe meri muhobbat ki kasam” Naushad Ali Rafisahab should have won the award for the best ghazal and mushaira. Rafisahab by Naushad Ali’s tunes and Shakeel’s shayari displayed the urdu ghazal culture of Lucknow, Aligarh. 1964 “kisiki yaad me apnako hai bhalaye hue”, “man re tu kahe na dheer dhare” and “apni azaadi ko hum hargeze mita sakte nahi” Madanmohan Kohli, Roshanlal Nagrath and Naushad Ali. Rafisahab brought about the great ghazal culture of Lucknow, Aligarh and replicated the history during Mughal period. Madanmohan Kohli’s music in film Jahanaara had great ghazal andaz. “man re” is considered as one of the best bhajans Rafisahab sang in Pradip Kumar’s Chitralekha having philosophical andaz. “apni azaadi” had fantastic patriotic andaz and Rafisahab deserved filmfare award for rendering patriotic andaz in Dilip Kumar’s film Leader. 1965 “aye watan aye watan humko teri kasam” Prem Dhawan Rafisahab deserved filmfare award for outstanding patriotic in the film Shaheed based on Shahid Bhagat Singh’s life portrayed by Manoj Kumar 1966 “aaja re aa zara aa” and “aapse maine meri jaan muhobbat ki hai” Shankar Jaikishan and OP Nayyar Rafisahab deserved filmfare award for western andaz of singing in Joy Mukherjee’s Love in Tokyo in intoxicating mood and waltz andaz song in Biswajeet’s Yeh Raat Phir Na Ayegi 1967 “hum intezer karenge tera qayamat tak” Roshanlal Nagrath Rafisahab deserved filmfare award for rendition of royal style of singing during the period of Nawabs of northern India in Pradeep Kumar’s film Bahu Begum. 1968 “babul ki duwayen leti ja” Ravi Shankar Sharma Rafisahab deserved filmfare award for singing the best song based on getting daughters married. The feeling of the parents of the daughters is brought by Rafisahab in Balraj Sahani’s Neel Kamal. 1969 “teri aankhon ke siva duniya me rakkha kya hai” Madanmohan Kohli Rafisahab deserved filmfare award for rendition of excellent quality ghazal with romantic andaz in Sunil Dutt’s film Chirag. 1971 “unke khayal aye to ate chale gaye” Shankar Jaikishan Rafisahab deserved filmfare award for singing songs having mujra andaz the way it was sung in royal courts of nawabs in Raj Kumar’s film Lal Patthar. 1973 “tum jo mil gaye ho” Madanmohan Kohli Rafisahab deserved filmfare award because the orchestration was related to movement of star in car in the film and Rafisahab brought the romantic mood in rainy ambience in Navin Nischal’s Hanste Zakhm. 1976 “barbad muhabbat ki dua saath liye ja” Jaidev and Madanmohan Kohli Rafisahab deserved filmfare award for presenting style of singing in middle east based on life of Laila Majnu in Rishi Kapoor’s film Laila Majnu. 1977 “parda hai parda” and “shirdiwali saibaba” Laxmikant Pyarellal Rafisahab deserved filmfare award for presenting style of qawalli in “parda hai” and rendering brilliant spiritual song with bhajan andaz in “shirdiwali saibaba” in Rishi Kapoor’s film Amar Akbar Anthony. The lyrics of majority of these songs were written by eminent poets, shayars like Shakeel Badayani, Shailendra, Hasrat Jaipuri, Majrooh Sultanpuri, Raja Mehdi Ali Khan, Rajender Krishan, Sahir Ludhiyanvi, SH Bihari and others. The standard of singing was very high. The range of Rafisahab was unlimited. So the fact that the greatest singer of the century Rafisahab receiving only 6 filmfare awards never show the great contribution for those 35 years where he sang immortal songs and gave expression to the thoughts of directors, producers, writers, poets, musicians.

Superstar Uttam Kumar would have got many more national awards had it started earlier

Uttam Kumar would have got more national awards had it started earlier.

The national awards for best actor started in 1967. Uttam Kumar received the best actor award for his splendid performance in the film Chiriakhana and Antony Firingi released in the same year.

It is a pity that the national awards for the best actor were started so late. Otherwise superstar Uttam Kumar could have won many more awards. Firstly his performance in the film Saheb Bibi Ghulam could have been considered for the award. He played the role of Bhootnath who was the observer in the film who witnessed the downfall of zamindari in North Calcutta during British regime. The same character was played by Guru Dutt in the bollywood film Saheb Biwi Aur Ghulam.

Uttam Kumar’s performance in the film Harano Sur would have been considered for award. He played the role of big industrialist in Ajoy Kar’s classic film who lost his memory, married Suchitra Sen, and then forgot her after meeting with another accident. The film was considered as one of the greatest blockbusters of Bengali cinema.

Uttam Kumar won the BFJA award for the best actor for his brilliant performance in the film Saptapadi in 1961. He played the role of Krishnendu Mukherjee, an eminent doctor, who fell in love with Suchitra Sen, who was a Christian, but as his father Chabi Biswas stood in the way of inter-religious marriage, he sacrificed his life for the cause of victims of 2nd world war. Uttam Kumar’s performance could very well qualify for national award.

Uttam Kumar was equally brilliant in Tapan Sinha’s historical film Jhinder Bandi. He played a double role showing the bravery of rajput prince. Uttam Kumar was sublime in his performance in the films Thana Theke Aschi, Jotugriha, Nayak and Shankhabela.

Had these films being released after 1967, Uttam Kumar would have got more number of national awards. Firstly he was the automatic choice of all the legendary directors of Bengal, namely Satyajit Ray, Tapan Sinha, Ajoy Kar, Harishadhon Dasgupta, Agradoot, Agragami, Salil Sen, Salil Dutta, to name a few. Secondly, his films were path-breaking classics, which remained in the hearts of numerous filmlovers across the country. The films should be revived as each of them had become work of art over the years.

Mahanayak Uttam Kumar death anniversary brings memories of golden age of bengali cinema

Uttam Kumar’s death anniversary brings great memories of the superstar of Bengal. Again, 24th July, 2023 will bring memories of Mahanayak Uttam Kumar. Superstar Uttam Kumar was remembered on his birth anniversary on 3rd September, 2023. Actor-turned-MPs Dev and Moon Moon Sen would be felicitated with the Mahanayak and Mahanayika Samman, the highest film award given by the West Bengal government. Chief Minister Mamata Banerjee will give the annual 'Mahanayak Uttam Kumar Samman' at Nazrul Mancha stadium tomorrow to felicitate the actors and technicians of the Bengali film industry. On her Facebook page, Banerjee said veteran actress Mousumi Chatterjee and reigning Bengali film superstar Dev will be the recipients of this year's 'Mahanayak Samman' while Moonmoon Sen will receive the 'Mahanayika Samman'. Both Dev and Sen had won the recent Lok Sabha polls on a Trinamool ticket. The awards were instituted in the year 2012 in the memory of the legendary actor 'Mahanayak' Uttam Kumar. Actor-director-producer Arindam Sil will be conferred with Special Film Award (Acting). Special Film Awards will also be presented to actors like Paoli Dam, Hiran Chatterjee, Abir Chatterjee, Indranil Sengupta, Kharaj Mukherjee, Rudranil Ghosh and others. Veterans of Bengali film industry like Chiranjeet Chakraborty, Sabyasachi Chakraborty, Mamata Shankar and Debashree Roy will be feted with Lifetime Achievement Awards. Veteran playback artiste Kumar Sanu will be felicitated with Lifetime Achievement Award for Music (playback Singer) while Special Film Awards (Music Director) will be presented to Sivaji Chattopadhyay, Arundhati Home Chowdhury and Adhir Chatterjee. Nispal Rane on behalf of Surinder Films will get Special Film award for the best producer. Special film award for direction will be given to Swapan Saha, Kamaleshwar Mukherjee and Prodipto Bhattacharyya. 50 actors had been awarded the Mahanayak Uttam Kumar award on his death anniversary on 24th July, 2013. Chief Minister Mamta Banerjee had started the awards in the memory of the greatest superstar of Bengal Mahanayak Uttam Kumar. Madhabi Mukherjee, Dipankar Dey, Ranjit Mullick and Sandhya Roy had been given lifetime achievement award. Incidentally Madhabi Mukherjee had acted in many super hit films of Uttam Kumar like Shankhabela, Choddobeshi, Agnisshar, etc. and Sandhya Roy had acted in many hit films of Uttam Kumar like Mayamrigo, Surjotapa. Director Goutam Ghosh had also been granted lifetime achievement award. Actors Partho Mukherjee, Chinmoy Roy, directors Sandip Ray, Raj Chakravarty, Sujit Saha, Koushik Ganguly and Srijit Mukherjee are given special awards. Actors Tapas Pal and Prasenjit Chatterjee are given Mahanayak Samman. Actors Saswata Chatterjee and Parambrata Chatterjee are given special awards. Film Producing companies are also awarded and felicitated including RD Bansal and Company, Arora Films, Shri Venkatesh films, New Theatres, to name a few. He had died almost 33 years ago, yet the viewers had not forgotten his films and still his presence is felt in the life bengalies in different parts of the world. In 2011 the Governer of West Bengal launched the 50 rupees postal stamp having the engraving of Uttam Kumar in it. Previously Raj Kapoor and Dilip Kumar’s faces were engraved in Postal stamps for remembering their contribution to Indian cinema. Last year, Mamta Banerjee, the Union Railway Minister, renamed the Tollygunge Metro Station as Mahanayak Uttam Kumar station. In 2011, the walls of the Tollygunge Metro Station had been filled with the pictures of films of Uttam Kumar. In fact the people of Tollygunge cannot associate the place without the existence of Uttam Kumar whose works glorified the different studios which carried on the legacy of Bengali Film Industry. Mamta Banerjee, the Chief Minister of West Bengal had also provided support to revive the Uttam Mancha and take care of Shilpi Sangsad, an organization created by Mahanayak Uttam Kumar to help the needy actors, actresses, technicians, etc. Oscar winning director Satyajit Ray acknowledged the dynamic presence of the legendary superstar in Bengali films and made a film Nayak in 1966 based on the story of Uttam Kumar. His original name was Arun Kumar Chatterji, who was a clerk in Port Commission before joining Bengali films. When he joined films with Drishtidaan in 1948, he had to struggle to create his image as against he established heroes like Asit Boron, Bikash Roy and others. In 1952, his film Basu Paribar struck at the box-office and he overtook Bosonto Choudhury, Asit Boron and became the leading superstar of Bengali films. All the qualities of a romantic hero was possessed by him, including a standard height, good complexion, manly voice, romantic hairstyle and unique dialogue delivery. Any dress suited the legendary superstar including Punjabi, dhoti, coat, Bengali dresses, etc. He had acted in the films of all the legendary directors of the golden age including Satyajit Ray’s Nayak in 1966, Chiriakhana in 1967, Tapan Sinha’s Jhinder Bandi in 1961, Upahaar in 1955 and Jotugriha in 1964, Ajoy Kar’s Harano Sur in 1957, Saptapadi in 1961, Suno Bara Nari in 1960, Agradoot’s Bipasha in 1962, Surjo Toron in 1958, Agragami’s Sagarika in 1956, Shonkhobela in 1966, to name a few. Uttam Kumar acted opposite all the leading actresses of Bengali celluloid including Suchitra Sen, Arundhuti Debi, Manju Dey, Sabitri Chatterji, Supriya Choudhury, Mala Sinha, and others. His combination with Suchitra Sen had given everlasting classics and both of them still remains the most romantic pair in Indian silver screen. Uttam Kumar’s films were based on rich literature including Tagore’s Khokababur Protyaborton, Subodh Ghosh’s Suno Bara Nari, Samaresh Bose’s Kuhak, Sorodindu Bondhopadyay’s Chiriakhana, Shankar’s Chourangi. The films were related to different types of stories including comedy stories, tragic stories, soft romantic stories, etc. Uttam Kumar had acted in around 205 films (including bollywood films like Amanush, Anand Ashram, Choti Si Mulakat, Dooriyan, Kitaab etc., ) in a span of 35 years, and all his films had remained everlasting treasures. Out of his 205 films, around 37 of them ended up being blockbusters, around 50 were super hit films and around 50 were hit films. Actor Shatrughun Sinha in his interview before Bengali media had disclosed that when he was working in Pune Film and Television Institute, the graduates had unanimous view that Uttam Kumar, Raj Kapoor and Dilip Kumar were the greatest superstars of celluloid and had Uttam Kumar acted in more number of bollywood films, he would have remained as great a legend as Dilip Kumar or Raj Kapoor. Even the singers who had sung for him including Manna Dey, Shyamal Mitra, Hemanta Mukherjee, Manobendra Mukherjee, etc., agreed that they did not find any actor who was parallel to Uttam Kumar in giving lips in songs. He made the viewers feel that he only sang the songs. Actor Shatrughun Sinha in his interview had said that during his student life in Pune Film and Television Institute, the upcoming actors used to debate about the charishma of Uttam Kumar, Raj Kapoor and Dilip Kumar. Although there was no unanimity about the finest actor among them, there was consensus about one fact had Uttam Kumar established himself in bollywood films by acting in more number of films, he would have been equally an international figure like Raj Kapoor or Dilip Kumar. Articles after articles can be devoted to Uttam Kumar who was one –man –industry in Bengali films. His films should be revisited to create motivation for making better quality films in future.

Happy birthday to star Priyanka Chopraji.

riyanka Chopra will be celebrating her birthday in 2023. After marriage Priyanka Chopra started her second innings. Priyanka Chopra will be celebrating her birthday in 2023, on 18th July with awesome gifts given to her by her mother. She had not disclosed to the media as to what are the surprise gifts. Priyanka Chopra is at the top of the world with her successes in the film Don 2 and Barfi in 2011 and 2012. 2014 had been a great year with her film Gunday opposite Ranveer Singh and Arjun Kapoor doing business worth 75 crores. Her performance in the role of boxer in Mary Kom in 2014 had been widely appreciated. In 2015 she did well in the film Dil Dhadakne Do.In 2017n she did well in Hollywood in Bay Watch. In 2018, she got married and did not act in the film Bharat with Salman Khan. Instead of her Katrina Kaif played the role. She acted in the film Pink Sky opposite Farhan Akhtar in 2019. From Filmfare award to Star screen, the role she played in Barfi fetched her awards and accolades from different parts of the world. Priyanka Chopra had a hectic year 2011. She received positive reviews for her performance in the film Saat Khoon Maaf that was released in the early part of the year. She had many husbands in the film for different reasons. Her film Don- 2, The Chase Continues she had acted opposite Shahrukh Khan once again. Viewers have huge expectation from the films of 2013 including Zanjeer and Krish 3. She is also acting in the film Barfee opposite Ranbir Kapoor. In the film she is playing the role of a mentally challenged girl. She is in fact visiting few mental asylums to get the feel of the role. She is also acting in the film Agneepath. Priyanka Chopra is today’s most popular actress of the bollywood film industry. She had started her career in bollywood films after she won the Miss India contest title. Since then she never looked back. Her first film Andaz opposite Akshay Kumar and Lara Dutta did well in the box office. But initially she haven’t got that much recognition, but with the film Mujshe Shaadi Karogi opposite Salman Khan and Akshay kumar , Priyanka Chopra became a leading star of the period. She had got the grace, glamour and attitude in her which is very much wanted by today’s audience and young crowd. She gave stunning performance in the Fashion and got the filmfare award for the best actress for the year 2009. She even won her first prestigious National award for the performance in the film Fashion. Director Madhur Bhandarkar had been known for making realistic films and Priyanka Chopra did adapt her style of performance in the ideal way that Madhur Bhandarkar expected. In the same year she did perform in many films including God Tussi Great Ho, Chamku , Love story 2050, Dostana and Billu Barber in 2009. Her next upcoming film was released in 2009 was titled Kamina opposite Shahid Kapoor. This film also did fabulous business. The big factor which had kept Priyanka Chopra ahead of Kareena Kapoor, Ash, Katrina and others, include her capability to adapt herself in different roles. Whenever the situation demanded she played the role of an upstart American in the film Dostana. She effortlessly managed the comedy sequences along with Abhishek Bacchan and John Abraham. In the film Love Story 2050, she adjusted herself to the hi-tech world that would have emerged around 40 years from now on. Her role in God Tussi Great Ho was totally different. There were misunderstandings and traps set by either Sohail Khan or Salman Khan. She faced the events and was firm in her affection towards Salman Khan. Similarly in Billu Barber, her performance in a dance number opposite Shahrukh Khan requires special mention. In fact she had given elegant lips in the songs “tujhe aksa beach dikhadun”, “salaam-e-ishq”, “tenu le”, etc. The viewers expect her to continue the brilliant work that she had started in 2008 and do even well in 2020

Superstar Uttam Kumar film Chowrangee opposite Anjana Bhowmick can be revisited many times.

In the film Chourangee Uttam Kumar shook the intellectuals and literary community. Uttam Kumar’s acting versatility reached the intellectuals of Bengal by mid-60s. His films including Tapan Sinha’s Jotugriha, Satyajit Ray’s Nayak, Ajoy’s Kar’s Saptapadi, ended up being cine-classics which had paved the way for thoughtful filmmaking in the later years. Chowrangee was the landmark literature of writer Shankar which was given expression by director Pinaki Mukherjee. Released in 1968, the film was related to the life of Grand Hotel in Kolkata. Uttam Kumar was the receptionist of the five star hotel, better known as Sata Bose. Subhendu Chatterji got a job as another receptionist in Grand Hotel, who was groomed and trained by Uttam Kumar. The striking part of the film lied in the depiction of numerous weird characters in the film who visited Grand Hotel during the 50s and 60s and whose activities could be predicted by Uttam Kumar with his profound experience in the hotel industry. Utpal Dutta played the role of Marco Polo, one of the members of the management of Grand Hotel. He gave the job to Subhendu Chatterji due to request of Dipak Mukherjee whom he knew very well. The character artists played significant role in the film. Biswajeet Chatterji played the role of Mr. Pakrasi, the son of Deepti Ray, who fell in love with Supriya Choudhury in the film. Bhanu Banerjee played the role of employee in Grand Hotel, Jahar Roy played the role of Chief Chef in the film, Prashanto Kumar played the role of the Violin Player in the film. Uttam Kumar fell in love with Anjana Bhowmick, an air-hostess who came to visit Grand Hotel a number of times. But at the end of the film when Uttam Kumar left the job and planned to go and settle in Mumbai after marrying Anjana Bhowmick, the last flight of Anjana Bhowmick crashed and the hopes of Uttam Kumar also crashed with the accident. Ashima Bhattacharya, the producer in the film composed a landmark song for Manna Dey. The song was titled “meghero khela akasho pare”. The remained as one of the greatest hit songs sung by Manna Dey for Uttam Kumar. The film Chowrangee should be preserved and restored for the classic literature, powerful direction, realistic performances and brilliant music.

Death of Bhupinder Singhji at the age of 82 years marked the end of ghazal oriented songs in bollywood films.

Death of Bhupinder Singhji marked the end of ghazal oriented songs in Bollywood films: On 18th July 2023, veteran ghazal king Bhupinder Singhji expired at the age of 82 years. With his expiry, the great era of ghazal singing in Bollywood films ended. After Rafisahab and Talatsahab, Bhupinder Singhsahab’s deep bass voice had great ghazal expression. Early in his career, Bhupinder performed on All India Radio, Delhi. He was also attached to the Delhi Doordarshan Center, Delhi. He learnt guitar and violin. In 1962, music director Madan Mohan heard him at a dinner hosted by Satish Bhatia in his honour (Satish Bhatia was Producer in AIR Delhi and Bhupinder was working under him as a guitarist), and called him to Bombay. He gave him a chance to sing the song Hoke Majboor Mujhe Usne Bulaya Hoga with Mohammed Rafi, Talat Mahmood and Manna Dey in Chetan Anand's Haqeeqat. He was given a solo by Khayyam in film Aakhri Khat. Bhupinder's voice is one of the most unique in playback singing. Thereafter Bhupinder started releasing private albums wherein his first LP had three self-composed songs and was released in 1968, a second LP of ghazals wherein he introduced the Spanish guitar, bass and drums to the ghazal style, released in 1978 and his third LP titled Woh Jo Shair Tha, for which the lyrics were written by Gulzar in 1980. Entering wedlock with Bangladeshi singer Mitali, he moved away from playback singing in the mid-1980s and since then has been singing jointly for several albums and live concerts. Together they have produced many ghazal and geet cassettes. His famous songs include "Dil Dhoondta hai", "Do diwane shahar mein", "Naam gum jayega", "Karoge yaad to", "Meethe bol bole", "Kabhi kisi ko mukammal", "Kisi nazar ko tera intezaar aaj bhi", and "Ek akela is Shehar Mein". His lovely songs matched the brilliant actors like Sanjeev Kumar sahib in film Mausam, the song “dil dhoonta hai phir wohi phursat ke raat din”, Amol Palekarji in film Gharonda, composed by Jaidevji, “ek akela is shahar me”, Uttam Kumar in film Dooriyan “zindagi zindagi mere ghar ana” composed by Jaidev sahib. He was the favourite singer of the off-beat composers like Madanmohansahab, Roshansahab (who used him in film Nayi Umar ki nayi fasal), Khayyam sahib Jaidevji. Some of his famous songs include the following. • Hoke Majboor Mujhe Usne Bulaya Hoga", composed by Madan Mohan • "Aane Se Uske Aaye Bahar" from the movie Jeene Ki Raah (1969) with Mohammed Rafi (Music composed by Laxmikant-Pyarelal) • "Duniya Chhute Yaar Na Chhute" from the movie Dharam Kanta (1982) with Mohammed Rafi (Music composed by Naushad) • "Kisi Nazar Ko Tera Intezar Aaj Bhi Hai" from the movie Aitbaar (1985) with Asha Bhosle (Music composed by Bappi Lahiri) • "Awaaz Di Hai Aaj Ek Nazar Ne" from the movie Aitbaar (1985) with Asha Bhosle (Music composed by Bappi Lahiri) • "Thodi Si Zameen Thoda Aasman" from the movie Sitara (1980) with Lata Mangeshkar (Music composed by R. D. Burman) • "Gulab Jism Ka", film Anjuman (1986) (composed by Khayyam) • "Beeti Na Beetai Raina", film Parichay (1972) (composed by Rahul Dev Burman) • "Dil Dhoondta Hai", film Mausam (1975) (composed by Madan Mohan) • "Naam Gum Jayega", film Kinara (1977) (composed by Rahul Dev Burman) • "Ek Akela Is Shaher Mein", film Gharonda (composed by Jaidev) • "Daro Deewar Pe..Khush Raho Ahle-Vatan!" composed by Jaidev[5] • "Huzoor Is Kadar bhi na Itra ke Chaliye" (movie:-Maasoom), composed by Rahul Dev Burman • "Hothon Pe Aisi Baat", composed by Sachin Dev Burman • "Kaise Kahoon kuch kaina sakoon" from Tamil film Nandu 1981, composed by Ilayaraja • "Tum say jo bat hui tum say jo mulaqat hui" (composed by Uttam-Jagdesh) • "Baadalon se Kaat Kaat ke" from the movie Satya (1998) (composed by Vishal Bharadwaj) • "Karoge Yaad to Har Baat Yaad Aayegi" from the movie Bazaar (1982) composed by Khayyam • "Kabhi Kisi Ko Mukammal Jahan nahi milta" from the movie Ahista Ahista (1981) (composed by Khayyam) • "Rut Jawan Jawan" from the movie Aakhri Khat (composed by Khayyam) • "Layee Hayaat Aye Qaza Le Chali Chale" { Bhupinder Singh } Ibrahim Zauq *Mirza Ghalib • "Zindagi Zindagi Mere Ghar Aanaa", film Dooriyaan (1979) (composed by Jaidev) • "Soorajmukhi Tera Pyar Anokha Hai", film "Sooraj Mukhi" (1992), lyrics by Shardanand Tiwary and composed by Ajay Swami. His songs require restoration and publicity.

Rafisahab's grand combination with Ghazal ka Shehzada Madanmohan Kohlisahab is remembered on his death anniversary.

The country remembers the death anniversary of legendary composer Madanmohan Kohli on 14th July, 2023

. The legendary composer left us more than 38 years ago but left the country with innumerable treasure of ghazals. If any composer had utilised the ghazal andaz of Mohammad Rafi to the best of his potentiality it is Madanmohan whose name appears in the minds of the lovers of music across the nation. Madanmohan’s father Rai Bahadur chunnilal send his son to Dehradun to join the army. Instead he left the army and joined All India Radio in Lucknow. He came in contact with Ustad Faizz Khan, Ustad Ali Akbar Khan and carried on their legacy in the compositions he made for 30 years which can be classified as masterpieces. As Madanmohan was not associated with the Big Banners like RK or Navketan, he was not categorised with any star of bollywood during 50s, 60s, 70s. Further he never wanted to balance the popular test of music and excellent class of classical compositions he created. But the compositions were so rich in lyrics and tunes that the musical pandits had no way but to admire them. The golden age of bollywood music was categorised with the excellence of Mohammad Rafi and as such if any composer neglected Rafi and tried to reach the summit of popularity they have invited their own downfall. Madanmohan did not make such a mistake. He started his career with the film Ankhen in 1950. He also composed music for Raj Kapoor’s film Ashiana in 1952. His notable songs for Rafi in the film Railway Platform, 1956, include “basti basti parbat parbat”. In Gateway of India, 1957, Madanmohan used Mohammad Rafi for the song “do ghari woh jo pass aa baithe” picturised on Bharatbhushan. It was very successful and strengthened the everlasting bond of Rafi with Madanmohan. Rafi’s intoxicating appeal in the song “kabhi na khabhi kahin na kahin koi na koi toi ayega” in the film Sharabi, 1964, composed by Madanmohan can be classified one of the best songs in sombre mood. The most majestic ghazals of Rafi composed by Madanmohan include “kisiki yaad me apnako hai bhulaye huye” and “baad muddat ke yeh ghari ayi” from the film Jahan ara, 1964, picturised on Bharat Bhushan. Talat Mehmood’s song in the same film “phir wohi sham wohi gham wohi tanhai hai” was also based on ghazal andaz. The classic lyrics were written by Rajinder Kishan. The film titled Ghazal, in 1964, was based on ghazals and Rafi was outstanding by every standard in the song “rang aur noor ki baraat kise pesh karun.” In the same year Rafi’s patriotic flavour was bolstered in the song “kar chale hum fida jan-o-tan sathiyon” in the film Haqeeqat, where Rafi’s ghazal titled “hoke majboor usne bulaya hoga” shared with Bhupinder Singh, Manna Dey and Talat Mehmood was sensational. The majestic lyrics were written by Kaifi Azmi. In the film Neela Akash, 1965, picturised on Dharmender, Rafi’s song “akhri geet muhobbat ka sunayun to chalun” showed the tragic note of Madanmohan. In the film Need Hamari Khwab Tumkhari, all the songs were sung by Rafi including “husn ne jab isq se takraya tha”. Returning back to ghazals, Rafi’s song “aap ke pehlu me akar” in the film Mera Saya, 1966, was as outstanding as Lata’s title song “tu jahan jahan chalega mera saya saath hoga”. The lyrics were written by Raja Mehendi Ali Kahan. Raj Khosla’s crime thriller ended up becoming a musical blockbuster just like Woh Kaun Thi, in 1964, where Madanmohan’s composition “naina barse,” “lagja gale”, etc. for Lata Mangeshkar was probably the most immortal creation in the history of film music, with Sadhna giving life time performances in ghostly characters in both these films. The landmark ghazal “tumhari zulf ke saye me sham karlunga” in the film Naunihal, in 1967, is probably one of the five best ghazals Rafi did sing in his life. Experts in music realise that ages will pass, but no second singer can provide blood and flesh in the superlative ghazal of Madanmohan the way Rafi had done in this song. Kaifi Azmi has written sensational lyrics for the abovementioned song. People started thinking that Rafi and Madanmohan were made for each other. The belief was put to action in the next film Dulhan Ek raat ki, in 1967, picturised on Dharmender in the song “ek haseen sham ko dil mera kho gaya. In the film Chirag, 1969, “teri aakhon ke siwa duniya me rakkha kya hai” Madanmohan combined ghazal with light orchestration to try to inspire the common listeners in understanding these type of songs. In the film Heer Ranjha, 1971, picturised on Rajkumar, Rafi’s song “yeh duniya yeh mehfil” was well acclaimed by music lovers. Rafi was outstanding by every standard in the song “tum jo mil gaye ho” in the film Hanste Zakhm, 1973, where Madanmohan synchronised lightning with his own orchestration. Madanmohan also gave a tremendous break to Bhupinder Singh in the song “dil dhoonta hai, phir wohi, fursat ke raat din” written by Gulzar in Sanjeev Kumar’s Mausam in 1975. Rafi had the song “chari re chari kaise gale me pari.” Madanmohan’s last performance with Jaidev brought out Rafi’s Himalayan range in the film Laila Majnu in 1977. Rafi’s songs “tere dar pe aya hoon,” “barbad muhobat ka duya saath liye ja”, picturised on Rishi Kapoor showed his master spirit of adapting to tunes of middle east which was the geographical location where the story was based. Madanmohan died in 1975, without even seeing the success of Laila Majnu, it appeared like out of seven sur in every octave one sur had gone, because, the majestic combination of Madanmohan with Rafi cannot be forgotten through ages. Rafi’s archive should restore Madanmohan’s combination to let the next generation know about the high esteem with which Madanmohan addressed Mohammad Rafi during the golden age of film music.

2014 was a successful year for her. Her film Bang Bang opposite Hrithik Roshan became a blockbuster doing 181 crores business. 2013 was a great year for Katrina Kaif. Her film Dhoom 3 opposite Amir Khan did business worth 260 crores and still remains India’s greatest blockbuster. 2012 was a great year for Katrina Kaif with her film Ek Tha Tiger opposite Salman Khan doing business of 199 crores and Jab Tak Hai Jaan opposite Shahrukh Khan doing business of 120 crores. In this month itself in 2011 Katrina Kaif’s new film Zindagi Na Milegi Dobara was released. She had acted opposite Hrithik Roshan, Farhan Akhtar and others in this film. Katrina Kaif had remained the uncrowned queen of bollywood films of the last 5 years. Her success in big budget films one after the other had given the number one position and producers and directors had relied upon her while experimenting with various subjects. She was brilliant and gorgeous opposite Salman Khan in the film Maine Pyar Kyun Kiya, gave electrifying performance opposite Akshay Kumar in the films Namaste London, Welcome, Singh is Kinng, was sublime opposite Govinda in the film Partner and Akshay Khanna in the film Race. With her gorgeous lips in romantic songs in all these films including “teri ore teri ore”, “allah duhayi hai”, “just chill chill”, etc., youngsters had become mad about her in the last few years. She had also replaced Aishwarya Rai in a number of advertisements and became the brand ambassador herself. Superstars in the past had accepted the fact that reaching the summit of popularity is difficult, but it is more difficult to maintain the popularity. Katrina Kaif had attained the first feat but has to maintain the stardom. In that respect Katrina’s fate was dependent on the success of the film New York. In 2009, her film was getting released for the first time, so lot of viewers have wide expectation from the film. In the film New York, Katrina Kaif had been asked to attend the birthday party by the crew members who were shooting a film in Philadelphia. Katrina was invited along with John Abraham and Kabir Khan. Crew members who came in one car got entry, while the car where Katrina, John Abraham, Neil Nitin Mukesh and Kabir Khan came, entry was denied. Their identity was required. All of them said that they were popular artists in Indian films. But such identification did not suffice the requirement. By the time, all the actors and actresses were successful to provide their identification, the party was over. The film was related to that subject.Katrina Kaif looked gorgeous as ever just like other films. 2010 opened up well for Katrina Kaif with her film Rajneeti opposite Ranbir Kapoor becoming hit. But her two films opposite Akshay Kumar had miserably failed at box-office, one was Priyadarshan’s film De Dana Dana, while the other was Farah Khan’s film Tees Maar Khan. Bollywood is a strange place. If two films fail in the career of even the number one actress she loses stardom and may lose offer of better roles in future. She has to strike form very soon, may be in 2011 itself. She is earning a lot from endorsement of landmarks brands, but that she is managing only due to her strong box-office presence. She acted opposite Ranbir Kapoor in the film Jagga Jasoos. The viewers expect that Katrina Kaif continue giving hits after hits in 2022. Viewers are waiting for her film Tiger 3 opposite Salman Khan in 2023.

Death anniversary of superstar Uttam Kumar brings memories of golden age of bengali cinema.

Uttam Kumar’s death anniversary brings great memories of the superstar of Bengal. Again, 24th July, 2023 will bring memories of Mahanayak Uttam Kumar. Superstar Uttam Kumar was remembered on his birth anniversary on 3rd September, 2023. Actor-turned-MPs Dev and Moon Moon Sen would be felicitated with the Mahanayak and Mahanayika Samman, the highest film award given by the West Bengal government. Chief Minister Mamata Banerjee will give the annual 'Mahanayak Uttam Kumar Samman' at Nazrul Mancha stadium tomorrow to felicitate the actors and technicians of the Bengali film industry. On her Facebook page, Banerjee said veteran actress Mousumi Chatterjee and reigning Bengali film superstar Dev will be the recipients of this year's 'Mahanayak Samman' while Moonmoon Sen will receive the 'Mahanayika Samman'. Both Dev and Sen had won the recent Lok Sabha polls on a Trinamool ticket. The awards were instituted in the year 2012 in the memory of the legendary actor 'Mahanayak' Uttam Kumar. Actor-director-producer Arindam Sil will be conferred with Special Film Award (Acting). Special Film Awards will also be presented to actors like Paoli Dam, Hiran Chatterjee, Abir Chatterjee, Indranil Sengupta, Kharaj Mukherjee, Rudranil Ghosh and others. Veterans of Bengali film industry like Chiranjeet Chakraborty, Sabyasachi Chakraborty, Mamata Shankar and Debashree Roy will be feted with Lifetime Achievement Awards. Veteran playback artiste Kumar Sanu will be felicitated with Lifetime Achievement Award for Music (playback Singer) while Special Film Awards (Music Director) will be presented to Sivaji Chattopadhyay, Arundhati Home Chowdhury and Adhir Chatterjee. Nispal Rane on behalf of Surinder Films will get Special Film award for the best producer. Special film award for direction will be given to Swapan Saha, Kamaleshwar Mukherjee and Prodipto Bhattacharyya. 50 actors had been awarded the Mahanayak Uttam Kumar award on his death anniversary on 24th July, 2013. Chief Minister Mamta Banerjee had started the awards in the memory of the greatest superstar of Bengal Mahanayak Uttam Kumar. Madhabi Mukherjee, Dipankar Dey, Ranjit Mullick and Sandhya Roy had been given lifetime achievement award. Incidentally Madhabi Mukherjee had acted in many super hit films of Uttam Kumar like Shankhabela, Choddobeshi, Agnisshar, etc. and Sandhya Roy had acted in many hit films of Uttam Kumar like Mayamrigo, Surjotapa. Director Goutam Ghosh had also been granted lifetime achievement award. Actors Partho Mukherjee, Chinmoy Roy, directors Sandip Ray, Raj Chakravarty, Sujit Saha, Koushik Ganguly and Srijit Mukherjee are given special awards. Actors Tapas Pal and Prasenjit Chatterjee are given Mahanayak Samman. Actors Saswata Chatterjee and Parambrata Chatterjee are given special awards. Film Producing companies are also awarded and felicitated including RD Bansal and Company, Arora Films, Shri Venkatesh films, New Theatres, to name a few. He had died almost 33 years ago, yet the viewers had not forgotten his films and still his presence is felt in the life bengalies in different parts of the world. In 2011 the Governer of West Bengal launched the 50 rupees postal stamp having the engraving of Uttam Kumar in it. Previously Raj Kapoor and Dilip Kumar’s faces were engraved in Postal stamps for remembering their contribution to Indian cinema. Last year, Mamta Banerjee, the Union Railway Minister, renamed the Tollygunge Metro Station as Mahanayak Uttam Kumar station. In 2011, the walls of the Tollygunge Metro Station had been filled with the pictures of films of Uttam Kumar. In fact the people of Tollygunge cannot associate the place without the existence of Uttam Kumar whose works glorified the different studios which carried on the legacy of Bengali Film Industry. Mamta Banerjee, the Chief Minister of West Bengal had also provided support to revive the Uttam Mancha and take care of Shilpi Sangsad, an organization created by Mahanayak Uttam Kumar to help the needy actors, actresses, technicians, etc. Oscar winning director Satyajit Ray acknowledged the dynamic presence of the legendary superstar in Bengali films and made a film Nayak in 1966 based on the story of Uttam Kumar. His original name was Arun Kumar Chatterji, who was a clerk in Port Commission before joining Bengali films. When he joined films with Drishtidaan in 1948, he had to struggle to create his image as against he established heroes like Asit Boron, Bikash Roy and others. In 1952, his film Basu Paribar struck at the box-office and he overtook Bosonto Choudhury, Asit Boron and became the leading superstar of Bengali films. All the qualities of a romantic hero was possessed by him, including a standard height, good complexion, manly voice, romantic hairstyle and unique dialogue delivery. Any dress suited the legendary superstar including Punjabi, dhoti, coat, Bengali dresses, etc. He had acted in the films of all the legendary directors of the golden age including Satyajit Ray’s Nayak in 1966, Chiriakhana in 1967, Tapan Sinha’s Jhinder Bandi in 1961, Upahaar in 1955 and Jotugriha in 1964, Ajoy Kar’s Harano Sur in 1957, Saptapadi in 1961, Suno Bara Nari in 1960, Agradoot’s Bipasha in 1962, Surjo Toron in 1958, Agragami’s Sagarika in 1956, Shonkhobela in 1966, to name a few. Uttam Kumar acted opposite all the leading actresses of Bengali celluloid including Suchitra Sen, Arundhuti Debi, Manju Dey, Sabitri Chatterji, Supriya Choudhury, Mala Sinha, and others. His combination with Suchitra Sen had given everlasting classics and both of them still remains the most romantic pair in Indian silver screen. Uttam Kumar’s films were based on rich literature including Tagore’s Khokababur Protyaborton, Subodh Ghosh’s Suno Bara Nari, Samaresh Bose’s Kuhak, Sorodindu Bondhopadyay’s Chiriakhana, Shankar’s Chourangi. The films were related to different types of stories including comedy stories, tragic stories, soft romantic stories, etc. Uttam Kumar had acted in around 205 films (including bollywood films like Amanush, Anand Ashram, Choti Si Mulakat, Dooriyan, Kitaab etc., ) in a span of 35 years, and all his films had remained everlasting treasures. Out of his 205 films, around 37 of them ended up being blockbusters, around 50 were super hit films and around 50 were hit films. Actor Shatrughun Sinha in his interview before Bengali media had disclosed that when he was working in Pune Film and Television Institute, the graduates had unanimous view that Uttam Kumar, Raj Kapoor and Dilip Kumar were the greatest superstars of celluloid and had Uttam Kumar acted in more number of bollywood films, he would have remained as great a legend as Dilip Kumar or Raj Kapoor. Even the singers who had sung for him including Manna Dey, Shyamal Mitra, Hemanta Mukherjee, Manobendra Mukherjee, etc., agreed that they did not find any actor who was parallel to Uttam Kumar in giving lips in songs. He made the viewers feel that he only sang the songs. Actor Shatrughun Sinha in his interview had said that during his student life in Pune Film and Television Institute, the upcoming actors used to debate about the charishma of Uttam Kumar, Raj Kapoor and Dilip Kumar. Although there was no unanimity about the finest actor among them, there was consensus about one fact had Uttam Kumar established himself in bollywood films by acting in more number of films, he would have been equally an international figure like Raj Kapoor or Dilip Kumar. Articles after articles can be devoted to Uttam Kumar who was one –man –industry in Bengali films. His films should be revisited to create motivation for making better quality films in future.

Dadasaheb Phalke Manoj Kumarji the patriotic star is remembered on birthday.

Happy birthday to Manoj Kumar. The viewers of bollywood films wish happy birthday to Manoj Kumar on 24th July, 2023

. He is almost 80

years old now. He started his career as a romantic hero, then showed his skills in the field of direction and created a separate identity as a patriotic hero. He later on earned the name of Bharat Kumar. Harikishan Giri Goswami, better known as Manoj Kumar, was a big admirer of Tragedy King Dilip Kumar. He was obsessed with Dilip Kumar’s performance in the film Shabnam, in 1949, and kept the name of the character of the film, which was Manoj Kumar. Although he started his career in the film Fashion in 1957, he got recognition with a lead role in the film Kaanch Ki Gudiya in 1960. Vijay Bhatt directed Hariyali Aur Raasta in 1962 changed the destiny of Manoj Kumar as a romantic hero. The songs of the film were composed by genius of genius Shankar Jaikishan, and with Mala Sinha’s assistance Manoj Kumar reached the hearts of millions of music lovers in the country. The songs in the film including “ifteda-e-ishq”, “yeh hariyali aur yeh raasta”, sung by Mukesh and Lata astonished the viewers. The film became super hit. In the mid-60s, Manoj Kumar landmark roles in suspense thrillers like Woh Kaun Thi, 1964, and Gumnaam, 1965. Woh Kaun Thi was a horror film of Raj Khosla where Manoj Kumar played the role of the doctor who got scared with the ghostly appearance of Sadhna, who played a double role in the film. He solved the mystery in the film got Prem Chopra arrested at the end after realizing that his wife had a twin sister who was used as a ghost. The music of Madan Mohan was brilliant and Lata’s songs “naina barse rimjhim”, “lagja gale”, etc., created sensation. Gumnaam was a murder thriller which stormed bollywood in the mid-60s. More than seven friends were given offer of going for holidays, but the flight was hijacked and the friends had to land at an island. Each of them was killed one after the other and no one knew who killed them. Manoj Kumar solved the mystery and unearthed the truth that Tarun Bose was the actual murderer. The music composed by Shankar Jaikishan was extraordinary with songs like “jane chaman shola badan” sung by Rafi and Sharda, “gumnaam hai koi” sung by Lata, “is duniya me jeena ho to”, “hum kale hai to kya hua dilwale hai” sung by Mohammad Rafi, etc. Manoj Kumar started his second innings with patriotic films like Shaheed, Upkaar, Purab Aur Paschim, Roti Kapra Aur Makaan, Kranti, moved the viewers and earned him respect. He directed of those films and got filmfare award for best director for excellent work in films like Upkaar and Roti Kapda and Makaan. His film Upkaar also received the national award for best film in 1967, and he gave life to the slogan of PM Lal Bahadur Shastri titled “jai jawan jai kisan” with Upkaar. In fact Upkaar, was the highest grosser film in 1967, surpassing all the other super hit films like Ram Aur Shyam, Jewel Thief, etc. The songs in Upkaar composed by Kalyanji Anandji were also brilliant including “mere desh ki dharti” sung by Mahendra Kapoor and “kasme wade pyar wafa sab” sung by Manna Dey. After Upkaar a big section of the crowd used to call Manoj Kumar as Bharat Kumar, as his patriotic feelings used to reflect in his creations. His other successful films as hero also include Patthar Ke Sanam, Anita, Aadmi, etc. He acted with childhood idol Dilip Kumar in Aadmi and Kranti. The songs of most of his films were of excellent class. Naushad’s creation in Aadmi, and Rafi’s songs like “na aadmi ka khoi bharosa”, “aaj purani rahon se”, etc., had remained invalueable assets over the period of time. The viewers expect him to continue the excellent work as a director in the years to come.

Remembering the majestic combination of Jubilee star Rajender Kumarji with Shankar Jaikishanji and Rafisahab.

The viewers wish happy birth anniversary of Rajender Kumar on 20th July, 2023. Mohammad Rafi, the eternal singer had sung more than 150 songs for Jubilee Kumar Rajender Kumar. Superstar Rajender Kumar had a deadly combination with Mohammad Rafi and Shankar Jaikishan. Whenever the three combined together they created history. In Dil Ek Mandir, Rafi’s song “jahan koi nahi” and “yaad na jaye” were created in two different moods. Both the compositions of Shankar Jaikishan were marvelous. Rafi was as outstanding as Rajender Kumar. The film was released in 1963. Rajender Kumar became Jubilee Kumar for having all his films doing business of more than 25 weeks between 1963 and 1966. Shankar Jaikishan was the leading composer composing majority of his songs. In the film Ayee Milan Ki Bela, released in 1964, all the songs sung by Rafi and picturized on Rajender Kumar became smash hits like “mai pyar ka diwana”, “aha aye Milan ki bela”, “to bura maan gaye”, “tum khamseen ho nadaan ho”, to name a few. In the same year, Rajender Kumar’s Sangam had a masterpiece of Shankar Jaikishan namely “yeh mera prempatra parkar”. The song became the greatest hit of 1964. The film Zindagi was also released in 1964. Shankar Jaikishan’s brilliant composition for Rafi namely “pehele mile the sapno me” mesmerized the viewers. In 1965, Shankar Jaikishan created magic in Rajender Kumar’s film Aarzoo. All the songs of Rafi touched the souls of the audience including “chalke teri ankhon se”, “aji humse bachkar kahan jayiyega”, “ai phoolon ki raani”, “aye nargise mastana”, to name a few. The exotic locations of Kashmir, the brilliant costumes of Rajender Kumar and Sadhna, elegant singing of Rafi and brilliance of Shankar Jaikishan created magic. The deadly combination continued in the film Suraj in 1966. All the songs of Rafi became smash hits like “baharon phool barsao”, “gustaqi maaf”, “kaise samjhaun”, “itna hai tujhse pyar mujhe”, to name a few. Rafi was brilliant in the duet songs as well where Suman Kalyanpur complimented Rafi. In 1967 and 1968, Rajender Kumar’s films Aman and Jhuk Gaya Aasman became hit due to the brilliant music of Shankar Jaikishan. Rafi’s songs in these films like “surahidar garden”, “aaj ki raat”, “o priya”, “saccha hai agar pyar mera sanam”, “kahan chal diye” stormed bollywood. Shankar Jaikishan composed music in the other films of Rajender Kumar as well including Aas Ka Panchi, where the title song was sung by Subir Sen, Dharti; where Rafi’s song “khuda bhi aaman se” became smash hit, etc. Rafi contributed in other films Rajender Kumar also where Shankar Jaikishan composed music including Shatranj. The songs and the films should be regularly telecast in the private channels to reach the excellent music to the younger generations. A big section of music lovers agree that had Jaikishan not died in 1971, Rafi’s dominance in bollywood music not suffered at all. In fact SJ’s tunes were brilliant and were specifically catered towards the likings of common mass. They were not that technical which could not reach the audience. Besides SJ gave tunes in around 10 films per years all along the 50s and 60s, the era when Rafi was unbeatable. RD Burman’s domination in the 70s would have got very strong resistence had Jaikishan survived few years more. The immortal lyrics of Shailendra and Hasrat Jaipuri also ended with the sad expiry of Jaikishan in 1971. In the case of Naushad, his gharana was so classically oriented, that his composition for an actor had changed the destiny of the actor. Although Naushad and Rafi’s combination was associated mainly with respect to Tragedy King Dilip Kumar, he preserved a huge treasure of music for Rajender Kumar as well. Mere Mehboob, stands out as probably one of the greatest creations of Naushad ever in the history of bollywood music. All the songs of Rafi for Rajender Kumar, including “mere mehboob tujhe meri muhobbat ki kasam“, “tumse izhaar-e-haal kar baithe“, “ai husn zara jag tujhe ishq jagaye” had revealed the royal elite culture of Aligarh and Lucknow in the form of shayri and ghazals. Rajender Kumar and Sadhna were at their best in the film. Naushad and Rafi were sublime in Rajender Kumar’s film Palki. The song “dil-e-betaab ko sine se lagana hoga” shows the class of Naushad. Although Naushad utilized Rafi to perfection in Rajender Kumar’s Ganwar, he used Mukesh in major songs of the film Saathi due to pressure of the producer and director. Rafi and Rajender Kumar were blessed with the immortal creations of Shankar Jaikishan and Naushad in the 60s and the films and the songs should be preserved as rich assets of the nation which can be cherished for generations after generations.