Happy birthday to dancing star Mumtaz.

Happy birthday to Mumtaz. The viewers of bollywood films wish happy birthday to brilliant dancer and actress Mumtaz on 31st July, 2019. Mumtaz stormed the silver screen with her dancing capabilities in the bollywood films of 60s. Mumtaz initially acted in small budget films like Boxer, Tarzan, Kingkong, etc. She acted in many of the films opposite he-man Dara Singh. She impressed the viewers with her item number in the film Brahmchari, opposite Shammi Kapoor, titled “aaj kal tere mere pyar ke charche”, where SJs rock and roll composition was given adequate expression by Mumtaz. She acted very well opposite Dilip Kumar in Ram Aur Shyam. She acted as a village girl who did not recognise the difference when Ram came to the village, who had identical get up as Shyam the person she loved. Her role of vamp in Biswajeet’s film Mere Sanam impressed everyone. She gave able lips in Asha Bhoshle’s song “yeh hai reshmi zulfon ka andhera”. She did well opposite Manoj Kumar in the film Patthar Ke Sanam. Mumtaz matched Jeetender in the film Jeegri Dost. She was very polite and submissive in the film and gave good lips in the songs “raat suhani jag rahi hai” sung by Lata and Rafi and composed by Laxmikant Pyarelal. All her films opposite Jeetender became super hit including Ek Nari Ek Brahmchari, Khilouna, Katputli, Roop Tera Mastana, etc. She had been very successful in the films opposite Rajesh Khanna most of which everlasting hits like Do Raaste, Aap Ki Kasam, Roti, etc. Her excellent lips in successful songs opposite Rajesh Khanna namely “gore rang pehna itna gumah kar”, “jai jai shivshankar” attracted the attention of the viewers. In Aap Ki Kasam, she was thrown out of the house by Rajesh Khanna due to misunderstanding, who repented for the cruel act throughout his life. He returned back when Mumtaz had solemnized the marriage of her child at the end of the film. She also did well in Pyar Kiye Jaa, opposite Mehmood. It was a comedy film where Mehmood wanted to be a director but never got a producer who invested money in his film. He was duped by Shashi Kapoor and Kishore Kumar who posed to be rich men, and when he could not direct any film he ultimately married Mumtaz. Mumtaz showed her rock and roll dancing style in the song “o mere maina”, sung by Asha and Manna Dey and composed by Laxmikant Pyarelal. Mumtaz also acted in a number of films opposite Firoz Khan, including films like Apradh, Jadu Tona, etc. She received filmfare award for the best actress for her performance in the film Khilouna. She left films in the late 70s and did not appear even in character roles after that. Viewers still feel that she had acting talent in her and if she wanted she could have acted in modern films. She received filmfare lifetime achievement award too. Still she is remembered by the viewers and whenever her films like Loafer, opposite Dharmender, or Patthar ke sanam, opposite Manoj Kumar is shown in TV Channels, viewers refresh their old memories about her sweet performances in these films.

Ram Aur Shyam, Upkaar were greatest blockbusters of 1967.

The biggest blockbusters of 1967. In 1967, different types of films were released in India with different storylines. While there were social films like Milan, but also there were other films like An Evening in Paris, where the entire film was shot in foreign location. The biggest blockbuster of the year was Upkar. Manoj Kumar played a village man 'Bharat', who sacrificesd everything to get his brother educated. His brother Puran (Prem Chopra) went abroad and came back a selfish man wanting his share of the property. But when India started a war with Pakistan, Bharat decided to enlist and head to the border; while his selfish brother, with the help of his greedy uncle, Charandas(Madan Puri) and some partners, tried to gain profit by selling drugs and black marketing in the market. In the end, Bharat returned as a demoralized soldier having lost the war and his brother repented as he was caught by the police (by the brother-in-law of Bharat). Hence, he vowed to be a good & hardworking brother just like his Indo-Pak war veteran brother Bharat. The movie also starred Asha Parekh as a doctor promoting family planning, Kamini Kaushal and Pran in his first positive character role. Madan Puri played the main villain with ease, full ability, and command. The film won several major awards. Manoj Kumar won the film award for the best director of the film. Mahendra Kapoor won the national award for best singer for the song “mere desh ki dharti”. The 2nd biggest blockbuster of the year was Ram Aur Shyam. This was the first double role of tragedy king Dilip Kumar. Ram (Dilip Kumar) lived with his sister Sulakshna (Nirupa Roy) and niece Kuku in his family estate. His brother-in-law Gajendra (Pran) looked after his factories and controlled his property with an iron hand. Ram was shy and coward in nature. He was always abused and brutally beaten by Gajendra. Sulakshna and Kuku tried to protect Ram from Gajendra whenever he whipped Ram. Everybody decided to get Ram married for his well being. Gajendra found a rich girl Anjana (Waheeda Rehman) with the aim of getting a huge dowry. Anjana disliked Ram after he spilled tea over her due to nervousness. Gajendra angry at Ram's behaviour, conspired with the support of his mother and cunning Munimji to kill Ram and take over his property. Ram overheard this and escapes to the city to save his life. Meanwhile, Ram's long lost twin brother Shyam (Dilip Kumar) lived in a village with his adopted mother Ganga whom he believed to be his birth mother. No one other than Ganga knew the truth about the twin brothers. Shyam was strong, brave and mischievous, unlike his brother. He had a love hate relationship with Shanta (Mumtaz). Shyam escaped to the city, after a mischievous conflict with Ganga, and met Anjana, who was impressed by his personality. Anjana and her father confused Shyam with Ram. Ram met Shanta who thought he was Shyam and took him forcefully to his mother. Ram and Shanta developed feelings for each other. Meanwhile, Shyam decided to take the place of Ram to face Gajendra. Shyam refused to sign his property after which angry Gajendra attacked him. Shyam retaliated and whipped Gajendra hard, shocking everybody. Sulakshna stopped her brother to protect her husband. Gajendra was startled after being beaten up by Shyam, whom everybody believed as Ram. Shanta and Anjana met and both claimed the picture of Ram as their fiancé. Gajendra learned that Shyam has taken the place of Ram. He abducted Ram and Shanta, and planned to kill Ram. He framed Shyam for the murder of Ram though Ram was alive. Shyam was arrested by police. Anjana and her father learned from Ganga that Ram and Shyam were twin brothers lost in a village fair. Shyam escaped from police custody and battled Gajendra and his henchmen. Gajendra tried to shoot them but both the brothers and Shanta manage to defeat him. At the end twin brothers were happily married and the family reunited. As usual the Naushad Ali, Rafisahab, Shakeel Badayani magic worked for Dilip Kumar and all the songs like “aaj ki raat mere”, “ayi hai bahar mite zulmo sitam”, “mai hoon saqi tu hai sharabi sharabi”, became super hit. Many films were later made with same storyline like Sita Aur Geeta, Chaalbaaz, etc. The 3rd biggest hit film was Farz. It was 1967 Hindi spy thriller film produced by Sunderlal Nahata Dundi on Vijaya Lakhshmi Pictures banner and directed by Ravikant Nagaich. The film starred Jeetendra and Babita in lead roles and music composed by Laxmikant Pyarelal. Jeetender’s career took a big turn with the success of the film. LP’s music for Rafisahab became bumper hit like “tujhse o haseena”, “baar baar din yeh aye”, “mast bahaaro ka mai aashiq” to name a few. The 4th biggest hit film was Humraaz. It was a 1967 Hindi film of the suspense thriller genre, produced and directed by B. R. Chopra, and written by Akhtar ul Iman. The film starred Sunil Dutt, Raaj Kumar, Mumtaz, Vimi, Sarika, Madan Puri, Iftekhar, Balraj Sahni, Jeevan and Helen. The film's music was composed by Ravi, while the lyrics were penned by Sahir Ludhianvi. Mahendra Kapoor received filmfare award for best singer for his song “neele gagan ke tale”. The 5th biggest hit film was Shagird. is a 1967 Indian Bollywood comedy film directed by Samir Gunguly. The film starred Joy Mukherjee and Saira Banu in lead roles. The LP Rafisahab magic worked in this film also with the songs “duniya pagal hai”, “bare miya deewane”, “wo hai zara khafa khafa” becoming big hits.

Remembering legendary singer Rafisahab on his death anniversary.

Remembering Mohammad Rafi on his death anniversary. The listeners of music all over the world remember the all-time great singer Mohammad Rafi on 31st July, 2019

. The noble soul had left his admirers 35 years ago. Yet he is alive in numerous everlasting hit songs which are heard and cherished for generations. The Poll in History TV relating to 100 years of Indian cinema was erroneous. Mohammad Rafi got the maximum amount of votes yet he was adjudicated as best singer jointly with Kishore Kumar. Firstly those admirers of Mohammad Rafi who had listened to his great songs in the 1940s and 1950s, may not have voted at all, because many of them were not computer-friendly. Otherwise he would have received 10 crores votes more from across the world. The bigger factor is the musical giants in the form of composers of 1940s, 1950s and 1960s had expired. So the view of Naushad Ali, or Shankar Jaikishan, or Madanmohan Kohli or Roshanlal Nagrath or OP Nayyar had not been taken. Neither the view of lyricists Sahir Ludhiyanvi, Shailendra and others were taken. All of them would have unimously said Mohammad Rafi was the greatest singer ever to have graced Indian soil. A Mohammad Rafi Musical Academy should be opened in Mumbai. The aim and objective of the Academy should be to train singers in the art of playback singing. The way Pune Film and Development Institute had created acting talents like Om Puri, Shabana Azmi and others, in the same way Mohammad Rafi Academy and appoint singers of repute from different parts of the world to train young singers in the art of playback singing. Mohammad Rafi had been the greatest playback singer ever to have been graced the Indian soil. No other singer can even imagine about visualizing the emotions of Dilip Kumar, Shammi Kapoor, Bharat Bhushan, Pradip Kumar, Johnny Walker, all together in the same voice. After bringing about the acting quotients of the legendary actors Mohammad Rafi went one step further to fulfill the requirements of the best composers of the country like Naushad Ali, Shankar Jaikishan, Ghulam Mohammad, Roshan Lal Nagrath, Madanmohan Kohli, OP Nayyar, to name a few, and the greatest lyricists like Shakeel Badayani, Hasrat Jaipuri, Shailendra, Sahir Ludhiyanvi, Majrooh Sultanpuri, and others. Rafi’s 26000 songs are invaluable musical treasure by listening to which any singer can improve his style of singing. It is a huge question as to how can the singing parameters of Mohammad Rafi can be instilled in the new singers, because playback singing cannot be grammatically taught. But at least the new singers can be trained in classical singing, ghazals, qawallies and may be western style of singing also. The biggest thing is they can be made to listen to Rafi’s singing different types of songs. Few of the Indian classical singers like Suresh Wadkar, Yesu Das, Hariharan, can be few names who can regularly give training to new singers. One big requirement for the present generation is to actually listen to the wide range of songs Mohammad Rafi had sung including the non-filmi albums. With the media shifting focus towards the new generation music of modern day giants like Rahat Fateh Ali Khan, Mohit Chauhan, Shreya Ghoshal, there is every possible chance of Rafi’s works not gaining media attention as majority of the works were during 40s, 50s, 60s and 70s. The young generations hardly know the grand compositions of Naushad Ali, or Shankar Jaikishan; nor the urdu-based poetry of Raja Mehendi Ali Khan or Sahir Ludhiyanvi. So the great works of Mohammad Rafi’s generation require very strong publicity and restoration. By better knowing Mohammad Rafi’s works, Indian music can be improved, because no other playback singer in India had given adequate expression to folk songs, pure classical songs, bhajans, rock and roll songs, soft music, ghazals and other forms of Indian music the way Mohammad Rafi had done over a span of 35 years.

Happy birthday to Mithun Chakravarty.

Happy birthday to Mithun Chakravarty. The viewers of bollywood films wish happy birthday to Mithun Chakravarty on 16th June, 2019. He had contributed in bollywood films for more than 30 years and had also contributed in Bengali films as well. He brought revolution in the world of dancing in bollywood films. His film Disco Dancer, was related to the struggle of a young man in establishing him in the world of dancing. The music of the film composed by Bappi Lahiri played a big role in the success of the film. All the songs in the film became super hit including “I am a disco dancer”. Kishore Kumar, (Bappi Lahiri’s own relative), and Bappi Lahiri contributed a lot in the success of Mithun Chakravarty. Mithun Chakravarty acted in successful films in the 80s, including Dance Dance, Pyar Jhukta Nahi, etc. Some of films were dance oriented films, while the other ones were action oriented. Although Mithun’s husky voice was criticized at times, his action sequences had always been appreciated. Mithun Chakravarty won a number of national awards for his excellence in Bengali films, mainly related to films of intellectual directors like Mrinal Sen and Buddhadeb Dasgupta. His performances in films like Mrigaya and Tahader Katha require special mention. At the same time he acted in many commercially hit films like Anyay Abhichar and Kalankini Kankabati. In the last 5 years, Mithun had kept his mark in character roles. Last year his performance in the role of a solicitor in the film Yuvvraaj was appreciated. He did a fantastic job in Akshay Kumar’s Chandni Chowk to China released in 2010. His emotional performance had made a lot of viewers cry. He tried to convince Akshay Kumar that those who tempted him to go to China and create name and fame were not his friends or well-wishers but were flatterers. Mithun had matured over the years. In 2012 he did a great job in the film Housefull 2. He acted along with Akshay Kumar, John Abraham, Rishi Kapoor and proved his worth in the role of dacoit. These days whenever he is given any character role, he uses his long experience for the last 30 years in giving expression to the respective character. He played the role of the ancestor of Salman Khan in the film Veer, for two generations he maintained the bravery and glory of the pindary clan. Mithun had also acted in negative characters and did a great job in those roles as well. His comedy performances in films like Agnipath can inspire many new actors of modern days. Besides Mithun had also been a great human being as he contributed in relief operations during natural calamities and human causes like raising funds for Thalasemia patients or people suffering from cancer, etc. Mithun Chakravarty also appeared in Sourav Ganguly’s program Dadagiri and there also showed his excellence in answering questions. His success story from the beginning of a middle-class Bengali family can be a learning example for many youngstars. He is a hardworker. He is required all over India, in Dance India Dance program, in Dadagiri, bollywood films, Bengali films, everywhere. He had also been a member of the Rajya Sabha and there too he did a good work. The viewers expect him to continue the brilliant work that he started years back.

Remembering immortal singer Mohammad Rafisahab on death anniversary.

Remembering Mohammad Rafi on his death anniversary. The listeners of music all over the world remember the all-time great singer Mohammad Rafi on 31st July, 2019

. The noble soul had left his admirers 35 years ago. Yet he is alive in numerous everlasting hit songs which are heard and cherished for generations. The Poll in History TV relating to 100 years of Indian cinema was erroneous. Mohammad Rafi got the maximum amount of votes yet he was adjudicated as best singer jointly with Kishore Kumar. Firstly those admirers of Mohammad Rafi who had listened to his great songs in the 1940s and 1950s, may not have voted at all, because many of them were not computer-friendly. Otherwise he would have received 10 crores votes more from across the world. The bigger factor is the musical giants in the form of composers of 1940s, 1950s and 1960s had expired. So the view of Naushad Ali, or Shankar Jaikishan, or Madanmohan Kohli or Roshanlal Nagrath or OP Nayyar had not been taken. Neither the view of lyricists Sahir Ludhiyanvi, Shailendra and others were taken. All of them would have unimously said Mohammad Rafi was the greatest singer ever to have graced Indian soil. A Mohammad Rafi Musical Academy should be opened in Mumbai. The aim and objective of the Academy should be to train singers in the art of playback singing. The way Pune Film and Development Institute had created acting talents like Om Puri, Shabana Azmi and others, in the same way Mohammad Rafi Academy and appoint singers of repute from different parts of the world to train young singers in the art of playback singing. Mohammad Rafi had been the greatest playback singer ever to have been graced the Indian soil. No other singer can even imagine about visualizing the emotions of Dilip Kumar, Shammi Kapoor, Bharat Bhushan, Pradip Kumar, Johnny Walker, all together in the same voice. After bringing about the acting quotients of the legendary actors Mohammad Rafi went one step further to fulfill the requirements of the best composers of the country like Naushad Ali, Shankar Jaikishan, Ghulam Mohammad, Roshan Lal Nagrath, Madanmohan Kohli, OP Nayyar, to name a few, and the greatest lyricists like Shakeel Badayani, Hasrat Jaipuri, Shailendra, Sahir Ludhiyanvi, Majrooh Sultanpuri, and others. Rafi’s 26000 songs are invaluable musical treasure by listening to which any singer can improve his style of singing. It is a huge question as to how can the singing parameters of Mohammad Rafi can be instilled in the new singers, because playback singing cannot be grammatically taught. But at least the new singers can be trained in classical singing, ghazals, qawallies and may be western style of singing also. The biggest thing is they can be made to listen to Rafi’s singing different types of songs. Few of the Indian classical singers like Suresh Wadkar, Yesu Das, Hariharan, can be few names who can regularly give training to new singers. One big requirement for the present generation is to actually listen to the wide range of songs Mohammad Rafi had sung including the non-filmi albums. With the media shifting focus towards the new generation music of modern day giants like Rahat Fateh Ali Khan, Mohit Chauhan, Shreya Ghoshal, there is every possible chance of Rafi’s works not gaining media attention as majority of the works were during 40s, 50s, 60s and 70s. The young generations hardly know the grand compositions of Naushad Ali, or Shankar Jaikishan; nor the urdu-based poetry of Raja Mehendi Ali Khan or Sahir Ludhiyanvi. So the great works of Mohammad Rafi’s generation require very strong publicity and restoration. By better knowing Mohammad Rafi’s works, Indian music can be improved, because no other playback singer in India had given adequate expression to folk songs, pure classical songs, bhajans, rock and roll songs, soft music, ghazals and other forms of Indian music the way Mohammad Rafi had done over a span of 35 years.

Reena Roy dominated bollywood films of 1980s.

Reena Roy

faced the strong competition of the performers of the 70s and yet could survive for more than 15 years in bollywood films. She came at a time when Hema Malini, Rekha, Parveen Babi and other actresses were at their peak. But she impressed the viewers with her natural performance in Subhash Ghai’s film Kalicharan, opposite Shatrughun Sinha. The film was based on the story of a prisoner who was reformed and given training to work in the police force and thereafter help the investigation agency in tracking down the culprits. Reena Roy’s dance performance in the song “jareja” sung by Lata, was well appreciated. In the late 70s Reena Roy kept her mark with her performance in the film Nagin. It was a multistarrer film where Firoz Khan, Mumtaz, Jeetender, Sunil Dutt, all were sublime in their respective roles. The story was based on fantasy where the snakes changed their form and took revenge against human beings who had killed their fellow snakes at different periods of time. Although the story had no practical base, but the entertaining performance of most of the stars including Reena Roy, converted a normal film into a hit venture. Reena Roy acted in multistarrer films of other directors like Manmohan Desai. In Naseeb, she played the role of a worker in a restaurant where Big B himself worked. The film became extremely successful with powerful performance of Shatrughun Sinha, Rishi Kapoor and Hema Malini. The music of the film was extremely successful. Pran and Amzad Khan played key roles in negative characters. In the 80s, with the advent of action films new action stars adorned bollywood films. Actors like Rajnikant tried their luck in bollywood after playing successful innings in South Indian films. Even during that period Reena Roy was successful in her performance opposite Rajnikant in the film Andha Kanoon. Andha Kanoon was related to the revenge that was taken by Rajnikant against Pran, Prem Chopra and Danny after they killed his family members. Reena Roy played the romantic character opposite Rajnikant and kept her mark opposite many stars in the film. Later on she married Pakistani cricketer Mohsin Khan and left films. But even these days whenever she is seen in character roles like the one in Abhishek Bacchan’s film Refugee, the viewers enjoy her presence to a big extent. The viewers expect her to continue her good work in the years to come.

Legendary actor Chabi Biswas was remembered on birth anniversary.

Remembering legendary actor Chabi Biswas on his birth anniversary. The nation remembers legendary actor Chabi Biswas on his birth anniversary

on 12th July, 2019

. His superlative class of performance had been acknowledged by brilliant directors like Satyajit Ray, Hrithik Ghatak, Raj Kapoor, Tapan Sinha, but he had remained unsung, unhonoured, unlamented. Ray had a very serious personality and hardly required any improvisation as his innovative scripts had almost everything embedded in them. But Chabi Biswas brought out his own dimensions in the role of Feudal Lord in the film Jalsaghar released in 1958. He combined the aristocracy and the dignity of the feudal lord in the colonial period and at times astonished Ray himself with his dynamic performances. He even sold his wife’s ornaments to organize a musical program in his banquet room to maintain his dominance as a feudal lord. Singers from renowned classical gharana came and performed in the show and the entire village was invited to witness it. With the loss in revenue and poverty during British regime, he committed suicide by dying on horseback. He was sublime in the film Debi released in 1960, where he visualized Goddess Kali in the human form in Sharmila Tagore, his daughter –in –law. The entire concept was related to his belief and his son Soumitra took exception about the thing but was helpless. Sharmila Tagore became sick as it was awkward on her part to see his father-in-law touching her feet as she was believed to be Debi, the human form of Goddess. Chabi Biswas was majestic in his classic role in the film Kanchenjungha released in 1962. Ray experimented with a remote subject where the greatness of the Himalayas freed the mental blockade of middle-class bengalies. Arun Mukherjee, one of the unemployed youth even did not accept the job offered by big industrialist played by Chabi Biswas. At the end of the film Chabi Biswas realized the greatness of the great mountain range and surrendered before it. The film could not be understood by mass audience as it dealt with the concept of realization although the colourful photography of Ray in Darjeeling was well appreciated. But critics had acclaimed Chabi Biswas and said that he was the last name for the depiction of aristocracy in any form. His dignified performance in the films of legendary directors like Ajoy Kar, Tapan Sinha, Prabhat Mukherjee, Agragami, Agradoot had not been forgotten by the mass. He had remained sublime in Prabhat Mukherjee’s Bicharak (1958) in the role of a charishmatic advocate, Tapan Sinha’s Kabuliwala (1957) in the role of an Afghan father, Ajoy Kar’s Suno Baranari (1960) in the role of a wealthy Barrister, Agragami’s Headmaster (1959) in the role of an old headmaster, Bijoli Baran Sen’s film Manik, where he played the role of a handicapped grandfather, Sudhir Mukherjee’s Dadathakur (1962) where he played the role of Sharat Pandit, Premendro Mitra’s film Chupi Chupi Ase (1960) where he played the role of a detective in a crime

The stylish classical andaz of Manobendra Mukherjee still haunts listeners.

Manobendra Mukherjee was one of the legendary classical singer of Bengal who had simplified classical ragas and used them in Bengali modern songs. His romantic song “ami eto je tomay bhalobesechi” written by Shyamal Gupta and composed by himself had classical touch embedded in it. His other own composed song “emni kore porbe mone baki jibon dhore” was also a masterpiece related to classical andaz. Manobendra Mukherjee’s pure classical numbers were even more melodious. One example is “ei moushumi mon shudhu rong bodlay”. In this song there was a small alaap or khanak taken at the place “mori je hay” where Manobendra had used the sargam by uttering in “aa aa” form. It was brilliant. There were other romantic songs like “boroshaklanto o duti nayan mele”. The song had been composed by Anal Chatterji. Manobendra Mukherjee had another master piece “bolo raat bolo se kothay”. The song was totally raga oriented. Manobendra Mukherjee was sublime in the song “ei nil nil jal sagore” composed by Probir Mojumdar and “tomar pather prante moner monidip jele rekhechi” composed by Satinath Mukherjee. Some of his own compositions like “ei ganga sei padda” and “sei bhalo ei bosonto noi” had absolute romantic andaz. Manobendra Mukherjee had given adequate expression to songs composed by Himangshu Dutta including “birohini chiro birohini”, “tumi je andhar”, “biroho barisha”, etc. The songs were difficult in nature and Manobendra was probably the most classically trained singer to do justice to them. Manobendra had also sung some of the songs created in thumri style. One example was “koto je soyechi betha” composed by Chinmoy Lahiri. One more classical number included “tumi to dariye acho”. Articles after articles can be devoted to Manobendra Mukherjee whose classical touch was as elegant and stylish as Neil Harvey’s wristy strokes.

Wahida Rehman and Asha Parekh gave excellent interview before Anupam Kher.

Wahida Rehman and Asha Parekh gave an excellent interview before Anupam Kher. Anupam Kher in his show “Kuch Bhi Ho Sakta Hai” in Sony TV brought Wahida Rehman, Asha Parekh on 4th October, 2015. Wahida Rehman shared her experiences before Anupam Kher. Wahida Rehman said Guru Dutt came in Hyderabad and was looking for a newcomer. Wahida Rehman was seen in a dance program. There after she gave audition and was called in Mumbai and got chance in CID. The film became super hit. Anupam Kher asked Wahida Rehman she never thought that she was beautiful, but in the song “chaudavi ka chand ho” he could imagine no one else. In reply Wahida Rehman said that she was seen in the film so was appreciated, but if Madhabala would have done the role it would have been even grand. Anupam Kher asked her if she had to act opposite any hero of the present age, who would have been the actor. Wahida Rehman said the actor would be Aamir Khan, the actress will be Vidya Balan. Anupam Kher asked Asha Parekh about her favourite stars. She said that in her youth she was admirer of Dilip Kumar and Vaijayantimala. She got a chance to act in the film Goonj Uthi Shehnai but at the last moment it did not work out. She got chance in Dil Deke Dekho and it became jubilee hit. Wahida Rehman and Asha Parekh said that they had a female group who travelled to different parts of the world. Last year they had travelled to Alaska. When asked about classical dance she said, she was very satisfied to dance in the song in film Phir Wohi Dil Laya Hoon in the song “dekho bijli dole bin badal ke”. Anupam Kher gave respect to both Wahida Rehman and Asha Parekh in the show. It was telecast in Sony TV on 4th October, 2015.

Happy birthday to Priyanka Chopra.

Priyanka Chopra will be celebrating her birthday in 2019. After marriage Priyanka Chopra started her second innings. Priyanka Chopra will be celebrating her birthday in 2019, on 18th July with awesome gifts given to her by her mother. She had not disclosed to the media as to what are the surprise gifts. Priyanka Chopra is at the top of the world with her successes in the film Don 2 and Barfi in 2011 and 2012. 2014 had been a great year with her film Gunday opposite Ranveer Singh and Arjun Kapoor doing business worth 75 crores. Her performance in the role of boxer in Mary Kom in 2014 had been widely appreciated. In 2015 she did well in the film Dil Dhadakne Do.In 2017n she did well in Hollywood in Bay Watch. In 2018, she got married and did not act in the film Bharat with Salman Khan. Instead of her Katrina Kaif played the role. From Filmfare award to Star screen, the role she played in Barfi fetched her awards and accolades from different parts of the world. Priyanka Chopra had a hectic year 2011. She received positive reviews for her performance in the film Saat Khoon Maaf that was released in the early part of the year. She had many husbands in the film for different reasons. Her film Don- 2, The Chase Continues she had acted opposite Shahrukh Khan once again. Viewers have huge expectation from the films of 2013 including Zanjeer and Krish 3. She is also acting in the film Barfee opposite Ranbir Kapoor. In the film she is playing the role of a mentally challenged girl. She is in fact visiting few mental asylums to get the feel of the role. She is also acting in the film Agneepath. Priyanka Chopra is today’s most popular actress of the bollywood film industry. She had started her career in bollywood films after she won the Miss India contest title. Since then she never looked back. Her first film Andaz opposite Akshay Kumar and Lara Dutta did well in the box office. But initially she haven’t got that much recognition, but with the film Mujshe Shaadi Karogi opposite Salman Khan and Akshay kumar , Priyanka Chopra became a leading star of the period. She had got the grace, glamour and attitude in her which is very much wanted by today’s audience and young crowd. She gave stunning performance in the Fashion and got the filmfare award for the best actress for the year 2009. She even won her first prestigious National award for the performance in the film Fashion. Director Madhur Bhandarkar had been known for making realistic films and Priyanka Chopra did adapt her style of performance in the ideal way that Madhur Bhandarkar expected. In the same year she did perform in many films including God Tussi Great Ho, Chamku , Love story 2050, Dostana and Billu Barber in 2009. Her next upcoming film was released in 2009 was titled Kamina opposite Shahid Kapoor. This film also did fabulous business. The big factor which had kept Priyanka Chopra ahead of Kareena Kapoor, Ash, Katrina and others, include her capability to adapt herself in different roles. Whenever the situation demanded she played the role of an upstart American in the film Dostana. She effortlessly managed the comedy sequences along with Abhishek Bacchan and John Abraham. In the film Love Story 2050, she adjusted herself to the hi-tech world that would have emerged around 40 years from now on. Her role in God Tussi Great Ho was totally different. There were misunderstandings and traps set by either Sohail Khan or Salman Khan. She faced the events and was firm in her affection towards Salman Khan. Similarly in Billu Barber, her performance in a dance number opposite Shahrukh Khan requires special mention. In fact she had given elegant lips in the songs “tujhe aksa beach dikhadun”, “salaam-e-ishq”, “tenu le”, etc. The viewers expect her to continue the brilliant work that she had started in 2008 and do even well in 2018 and the years to come.

Happy birth anniversary to legendary romantic star Rajender Kumar.

The viewers wish happy birth anniversary of Rajender Kumar on 20th July, 2019. Mohammad Rafi, the eternal singer had sung more than 150 songs for Jubilee Kumar Rajender Kumar. Superstar Rajender Kumar had a deadly combination with Mohammad Rafi and Shankar Jaikishan. Whenever the three combined together they created history. In Dil Ek Mandir, Rafi’s song “jahan koi nahi” and “yaad na jaye” were created in two different moods. Both the compositions of Shankar Jaikishan were marvelous. Rafi was as outstanding as Rajender Kumar. The film was released in 1963. Rajender Kumar became Jubilee Kumar for having all his films doing business of more than 25 weeks between 1963 and 1966. Shankar Jaikishan was the leading composer composing majority of his songs. In the film Ayee Milan Ki Bela, released in 1964, all the songs sung by Rafi and picturized on Rajender Kumar became smash hits like “mai pyar ka diwana”, “aha aye Milan ki bela”, “to bura maan gaye”, “tum khamseen ho nadaan ho”, to name a few. In the same year, Rajender Kumar’s Sangam had a masterpiece of Shankar Jaikishan namely “yeh mera prempatra parkar”. The song became the greatest hit of 1964. The film Zindagi was also released in 1964. Shankar Jaikishan’s brilliant composition for Rafi namely “pehele mile the sapno me” mesmerized the viewers. In 1965, Shankar Jaikishan created magic in Rajender Kumar’s film Aarzoo. All the songs of Rafi touched the souls of the audience including “chalke teri ankhon se”, “aji humse bachkar kahan jayiyega”, “ai phoolon ki raani”, “aye nargise mastana”, to name a few. The exotic locations of Kashmir, the brilliant costumes of Rajender Kumar and Sadhna, elegant singing of Rafi and brilliance of Shankar Jaikishan created magic. The deadly combination continued in the film Suraj in 1966. All the songs of Rafi became smash hits like “baharon phool barsao”, “gustaqi maaf”, “kaise samjhaun”, “itna hai tujhse pyar mujhe”, to name a few. Rafi was brilliant in the duet songs as well where Suman Kalyanpur complimented Rafi. In 1967 and 1968, Rajender Kumar’s films Aman and Jhuk Gaya Aasman became hit due to the brilliant music of Shankar Jaikishan. Rafi’s songs in these films like “surahidar garden”, “aaj ki raat”, “o priya”, “saccha hai agar pyar mera sanam”, “kahan chal diye” stormed bollywood. Shankar Jaikishan composed music in the other films of Rajender Kumar as well including Aas Ka Panchi, where the title song was sung by Subir Sen, Dharti; where Rafi’s song “khuda bhi aaman se” became smash hit, etc. Rafi contributed in other films Rajender Kumar also where Shankar Jaikishan composed music including Shatranj. The songs and the films should be regularly telecast in the private channels to reach the excellent music to the younger generations. A big section of music lovers agree that had Jaikishan not died in 1971, Rafi’s dominance in bollywood music not suffered at all. In fact SJ’s tunes were brilliant and were specifically catered towards the likings of common mass. They were not that technical which could not reach the audience. Besides SJ gave tunes in around 10 films per years all along the 50s and 60s, the era when Rafi was unbeatable. RD Burman’s domination in the 70s would have got very strong resistence had Jaikishan survived few years more. The immortal lyrics of Shailendra and Hasrat Jaipuri also ended with the sad expiry of Jaikishan in 1971. In the case of Naushad, his gharana was so classically oriented, that his composition for an actor had changed the destiny of the actor. Although Naushad and Rafi’s combination was associated mainly with respect to Tragedy King Dilip Kumar, he preserved a huge treasure of music for Rajender Kumar as well. Mere Mehboob, stands out as probably one of the greatest creations of Naushad ever in the history of bollywood music. All the songs of Rafi for Rajender Kumar, including “mere mehboob tujhe meri muhobbat ki kasam“, “tumse izhaar-e-haal kar baithe“, “ai husn zara jag tujhe ishq jagaye” had revealed the royal elite culture of Aligarh and Lucknow in the form of shayri and ghazals. Rajender Kumar and Sadhna were at their best in the film. Naushad and Rafi were sublime in Rajender Kumar’s film Palki. The song “dil-e-betaab ko sine se lagana hoga” shows the class of Naushad. Although Naushad utilized Rafi to perfection in Rajender Kumar’s Ganwar, he used Mukesh in major songs of the film Saathi due to pressure of the producer and director. Rafi and Rajender Kumar were blessed with the immortal creations of Shankar Jaikishan and Naushad in the 60s and the films and the songs should be preserved as rich assets of the nation which can be cherished for generations after generations.

Happy birthday to patriotic star Manoj Kumar.

Happy birthday to Manoj Kumar. The viewers of bollywood films wish happy birthday to Manoj Kumar on 24th July, 2019. He is almost 80

years old now. He started his career as a romantic hero, then showed his skills in the field of direction and created a separate identity as a patriotic hero. He later on earned the name of Bharat Kumar. Harikishan Giri Goswami, better known as Manoj Kumar, was a big admirer of Tragedy King Dilip Kumar. He was obsessed with Dilip Kumar’s performance in the film Shabnam, in 1949, and kept the name of the character of the film, which was Manoj Kumar. Although he started his career in the film Fashion in 1957, he got recognition with a lead role in the film Kaanch Ki Gudiya in 1960. Vijay Bhatt directed Hariyali Aur Raasta in 1962 changed the destiny of Manoj Kumar as a romantic hero. The songs of the film were composed by genius of genius Shankar Jaikishan, and with Mala Sinha’s assistance Manoj Kumar reached the hearts of millions of music lovers in the country. The songs in the film including “ifteda-e-ishq”, “yeh hariyali aur yeh raasta”, sung by Mukesh and Lata astonished the viewers. The film became super hit. In the mid-60s, Manoj Kumar landmark roles in suspense thrillers like Woh Kaun Thi, 1964, and Gumnaam, 1965. Woh Kaun Thi was a horror film of Raj Khosla where Manoj Kumar played the role of the doctor who got scared with the ghostly appearance of Sadhna, who played a double role in the film. He solved the mystery in the film got Prem Chopra arrested at the end after realizing that his wife had a twin sister who was used as a ghost. The music of Madan Mohan was brilliant and Lata’s songs “naina barse rimjhim”, “lagja gale”, etc., created sensation. Gumnaam was a murder thriller which stormed bollywood in the mid-60s. More than seven friends were given offer of going for holidays, but the flight was hijacked and the friends had to land at an island. Each of them was killed one after the other and no one knew who killed them. Manoj Kumar solved the mystery and unearthed the truth that Tarun Bose was the actual murderer. The music composed by Shankar Jaikishan was extraordinary with songs like “jane chaman shola badan” sung by Rafi and Sharda, “gumnaam hai koi” sung by Lata, “is duniya me jeena ho to”, “hum kale hai to kya hua dilwale hai” sung by Mohammad Rafi, etc. Manoj Kumar started his second innings with patriotic films like Shaheed, Upkaar, Purab Aur Paschim, Roti Kapra Aur Makaan, Kranti, moved the viewers and earned him respect. He directed of those films and got filmfare award for best director for excellent work in films like Upkaar and Roti Kapda and Makaan. His film Upkaar also received the national award for best film in 1967, and he gave life to the slogan of PM Lal Bahadur Shastri titled “jai jawan jai kisan” with Upkaar. In fact Upkaar, was the highest grosser film in 1967, surpassing all the other super hit films like Ram Aur Shyam, Jewel Thief, etc. The songs in Upkaar composed by Kalyanji Anandji were also brilliant including “mere desh ki dharti” sung by Mahendra Kapoor and “kasme wade pyar wafa sab” sung by Manna Dey. After Upkaar a big section of the crowd used to call Manoj Kumar as Bharat Kumar, as his patriotic feelings used to reflect in his creations. His other successful films as hero also include Patthar Ke Sanam, Anita, Aadmi, etc. He acted with childhood idol Dilip Kumar in Aadmi and Kranti. The songs of most of his films were of excellent class. Naushad’s creation in Aadmi, and Rafi’s songs like “na aadmi ka khoi bharosa”, “aaj purani rahon se”, etc., had remained invalueable assets over the period of time. The viewers expect him to continue the excellent work as a director in the years to come.

Mahanayak Uttam Kumar is remembered on death anniversary.

Uttam Kumar’s death anniversary brings great memories of the superstar of Bengal. Again, 24th July, 2019 will bring memories of Mahanayak Uttam Kumar. Superstar Uttam Kumar was remembered on his birth anniversary on 3rd September, 2016. Actor-turned-MPs Dev and Moon Moon Sen would be felicitated with the Mahanayak and Mahanayika Samman, the highest film award given by the West Bengal government. Chief Minister Mamata Banerjee will give the annual 'Mahanayak Uttam Kumar Samman' at Nazrul Mancha stadium tomorrow to felicitate the actors and technicians of the Bengali film industry. On her Facebook page, Banerjee said veteran actress Mousumi Chatterjee and reigning Bengali film superstar Dev will be the recipients of this year's 'Mahanayak Samman' while Moonmoon Sen will receive the 'Mahanayika Samman'. Both Dev and Sen had won the recent Lok Sabha polls on a Trinamool ticket. The awards were instituted in the year 2012 in the memory of the legendary actor 'Mahanayak' Uttam Kumar. Actor-director-producer Arindam Sil will be conferred with Special Film Award (Acting). Special Film Awards will also be presented to actors like Paoli Dam, Hiran Chatterjee, Abir Chatterjee, Indranil Sengupta, Kharaj Mukherjee, Rudranil Ghosh and others. Veterans of Bengali film industry like Chiranjeet Chakraborty, Sabyasachi Chakraborty, Mamata Shankar and Debashree Roy will be feted with Lifetime Achievement Awards. Veteran playback artiste Kumar Sanu will be felicitated with Lifetime Achievement Award for Music (playback Singer) while Special Film Awards (Music Director) will be presented to Sivaji Chattopadhyay, Arundhati Home Chowdhury and Adhir Chatterjee. Nispal Rane on behalf of Surinder Films will get Special Film award for the best producer. Special film award for direction will be given to Swapan Saha, Kamaleshwar Mukherjee and Prodipto Bhattacharyya. 50 actors had been awarded the Mahanayak Uttam Kumar award on his death anniversary on 24th July, 2013. Chief Minister Mamta Banerjee had started the awards in the memory of the greatest superstar of Bengal Mahanayak Uttam Kumar. Madhabi Mukherjee, Dipankar Dey, Ranjit Mullick and Sandhya Roy had been given lifetime achievement award. Incidentally Madhabi Mukherjee had acted in many super hit films of Uttam Kumar like Shankhabela, Choddobeshi, Agnisshar, etc. and Sandhya Roy had acted in many hit films of Uttam Kumar like Mayamrigo, Surjotapa. Director Goutam Ghosh had also been granted lifetime achievement award. Actors Partho Mukherjee, Chinmoy Roy, directors Sandip Ray, Raj Chakravarty, Sujit Saha, Koushik Ganguly and Srijit Mukherjee are given special awards. Actors Tapas Pal and Prasenjit Chatterjee are given Mahanayak Samman. Actors Saswata Chatterjee and Parambrata Chatterjee are given special awards. Film Producing companies are also awarded and felicitated including RD Bansal and Company, Arora Films, Shri Venkatesh films, New Theatres, to name a few. He had died almost 33 years ago, yet the viewers had not forgotten his films and still his presence is felt in the life bengalies in different parts of the world. In 2011 the Governer of West Bengal launched the 50 rupees postal stamp having the engraving of Uttam Kumar in it. Previously Raj Kapoor and Dilip Kumar’s faces were engraved in Postal stamps for remembering their contribution to Indian cinema. Last year, Mamta Banerjee, the Union Railway Minister, renamed the Tollygunge Metro Station as Mahanayak Uttam Kumar station. In 2011, the walls of the Tollygunge Metro Station had been filled with the pictures of films of Uttam Kumar. In fact the people of Tollygunge cannot associate the place without the existence of Uttam Kumar whose works glorified the different studios which carried on the legacy of Bengali Film Industry. Mamta Banerjee, the Chief Minister of West Bengal had also provided support to revive the Uttam Mancha and take care of Shilpi Sangsad, an organization created by Mahanayak Uttam Kumar to help the needy actors, actresses, technicians, etc. Oscar winning director Satyajit Ray acknowledged the dynamic presence of the legendary superstar in Bengali films and made a film Nayak in 1966 based on the story of Uttam Kumar. His original name was Arun Kumar Chatterji, who was a clerk in Port Commission before joining Bengali films. When he joined films with Drishtidaan in 1948, he had to struggle to create his image as against he established heroes like Asit Boron, Bikash Roy and others. In 1952, his film Basu Paribar struck at the box-office and he overtook Bosonto Choudhury, Asit Boron and became the leading superstar of Bengali films. All the qualities of a romantic hero was possessed by him, including a standard height, good complexion, manly voice, romantic hairstyle and unique dialogue delivery. Any dress suited the legendary superstar including Punjabi, dhoti, coat, Bengali dresses, etc. He had acted in the films of all the legendary directors of the golden age including Satyajit Ray’s Nayak in 1966, Chiriakhana in 1967, Tapan Sinha’s Jhinder Bandi in 1961, Upahaar in 1955 and Jotugriha in 1964, Ajoy Kar’s Harano Sur in 1957, Saptapadi in 1961, Suno Bara Nari in 1960, Agradoot’s Bipasha in 1962, Surjo Toron in 1958, Agragami’s Sagarika in 1956, Shonkhobela in 1966, to name a few. Uttam Kumar acted opposite all the leading actresses of Bengali celluloid including Suchitra Sen, Arundhuti Debi, Manju Dey, Sabitri Chatterji, Supriya Choudhury, Mala Sinha, and others. His combination with Suchitra Sen had given everlasting classics and both of them still remains the most romantic pair in Indian silver screen. Uttam Kumar’s films were based on rich literature including Tagore’s Khokababur Protyaborton, Subodh Ghosh’s Suno Bara Nari, Samaresh Bose’s Kuhak, Sorodindu Bondhopadyay’s Chiriakhana, Shankar’s Chourangi. The films were related to different types of stories including comedy stories, tragic stories, soft romantic stories, etc. Uttam Kumar had acted in around 205 films (including bollywood films like Amanush, Anand Ashram, Choti Si Mulakat, Dooriyan, Kitaab etc., ) in a span of 35 years, and all his films had remained everlasting treasures. Out of his 205 films, around 37 of them ended up being blockbusters, around 50 were super hit films and around 50 were hit films. Actor Shatrughun Sinha in his interview before Bengali media had disclosed that when he was working in Pune Film and Television Institute, the graduates had unanimous view that Uttam Kumar, Raj Kapoor and Dilip Kumar were the greatest superstars of celluloid and had Uttam Kumar acted in more number of bollywood films, he would have remained as great a legend as Dilip Kumar or Raj Kapoor. Even the singers who had sung for him including Manna Dey, Shyamal Mitra, Hemanta Mukherjee, Manobendra Mukherjee, etc., agreed that they did not find any actor who was parallel to Uttam Kumar in giving lips in songs. He made the viewers feel that he only sang the songs. Actor Shatrughun Sinha in his interview had said that during his student life in Pune Film and Television Institute, the upcoming actors used to debate about the charishma of Uttam Kumar, Raj Kapoor and Dilip Kumar. Although there was no unanimity about the finest actor among them, there was consensus about one fact had Uttam Kumar established himself in bollywood films by acting in more number of films, he would have been equally an international figure like Raj Kapoor or Dilip Kumar. Articles after articles can be devoted to Uttam Kumar who was one –man –industry in Bengali films. His films should be revisited to create motivation for making better quality films in future.

Happy birthday to Katrina Kaif.

Happy birthday to Katrina Kaif. The viewers of bollywood films wish happy birthday to Katrina Kaif on 16th July, 2019. In 2019 she has given super hit film Bharat opposite Salman Khan. 2014 was a successful year for her. Her film Bang Bang opposite Hrithik Roshan became a blockbuster doing 181 crores business. 2013 was a great year for Katrina Kaif. Her film Dhoom 3 opposite Amir Khan did business worth 260 crores and still remains India’s greatest blockbuster. 2012 was a great year for Katrina Kaif with her film Ek Tha Tiger opposite Salman Khan doing business of 199 crores and Jab Tak Hai Jaan opposite Shahrukh Khan doing business of 120 crores. In this month itself in 2011 Katrina Kaif’s new film Zindagi Na Milegi Dobara was released. She had acted opposite Hrithik Roshan, Farhan Akhtar and others in this film. Katrina Kaif had remained the uncrowned queen of bollywood films of the last 5 years. Her success in big budget films one after the other had given the number one position and producers and directors had relied upon her while experimenting with various subjects. She was brilliant and gorgeous opposite Salman Khan in the film Maine Pyar Kyun Kiya, gave electrifying performance opposite Akshay Kumar in the films Namaste London, Welcome, Singh is Kinng, was sublime opposite Govinda in the film Partner and Akshay Khanna in the film Race. With her gorgeous lips in romantic songs in all these films including “teri ore teri ore”, “allah duhayi hai”, “just chill chill”, etc., youngsters had become mad about her in the last few years. She had also replaced Aishwarya Rai in a number of advertisements and became the brand ambassador herself. Superstars in the past had accepted the fact that reaching the summit of popularity is difficult, but it is more difficult to maintain the popularity. Katrina Kaif had attained the first feat but has to maintain the stardom. In that respect Katrina’s fate was dependent on the success of the film New York. In 2009, her film was getting released for the first time, so lot of viewers have wide expectation from the film. In the film New York, Katrina Kaif had been asked to attend the birthday party by the crew members who were shooting a film in Philadelphia. Katrina was invited along with John Abraham and Kabir Khan. Crew members who came in one car got entry, while the car where Katrina, John Abraham, Neil Nitin Mukesh and Kabir Khan came, entry was denied. Their identity was required. All of them said that they were popular artists in Indian films. But such identification did not suffice the requirement. By the time, all the actors and actresses were successful to provide their identification, the party was over. The film was related to that subject.Katrina Kaif looked gorgeous as ever just like other films. 2010 opened up well for Katrina Kaif with her film Rajneeti opposite Ranbir Kapoor becoming hit. But her two films opposite Akshay Kumar had miserably failed at box-office, one was Priyadarshan’s film De Dana Dana, while the other was Farah Khan’s film Tees Maar Khan. Bollywood is a strange place. If two films fail in the career of even the number one actress she loses stardom and may lose offer of better roles in future. She has to strike form very soon, may be in 2011 itself. She is earning a lot from endorsement of landmarks brands, but that she is managing only due to her strong box-office presence. She acted opposite Ranbir Kapoor in the film Jagga Jasoos. The viewers expect that Katrina Kaif continue giving hits after hits in 2019.

Talat Mehmoodsahab was remembered on his death anniversary.

The owner of velvette voice Talat Mehmood was remembered on his death anniversary on 9th May, 2016. The listeners of bollywood music wish happy birthday to legendary singer Talat Mehmood on 24th February, 2015

. He was a leading performer in bollywood films during the 40s, 50s and 60s. Along with Rafi, Mukesh and other leading singers of bollywood Talat Mehmood sang notable songs in the films of leading stars of bollywood. He rendered his voice for most of the actors of the bollywood during the 40s and 50s including Dilip Kumar, Raj Kapoor, Bharat Bhushan, and others. His landmark songs included “dil-e-nadan tujhe hua kya hai” composed by Ghulam Mohammad and picturised on Bharat Bhushan, in the film Mirza Ghalib in 1954, “koi nahi mera” composed by Shankar Jaikishan and picturised on Dilip Kumar in the film Daag in 1952, “mai dil hoon ek armaan bhara” picturised on Raj Kapoor in the film Anhonee in 1952, etc. He sang landmark songs for Dilip Kumar also in the films Footpath, Devdas, etc. All the leading composers of bollywood films of that age namely Naushad Ali, Shankar Jaikishan, Roshan Lal Nagrath, Madanmohan Kohli , OP Nayyar, Salil Choudhury, SD Burman and others used him in different films. His other landmark songs included “phir wohi sham” composed by Madanmohan and picturised on Bharat Bhushan in the film Jahan-ara released in 1964. Talat Mehmood acted in a number of films including Dil-e-Nadan opposite Shyama, Raftaar opposite Nadira, Waris opposite Suraiya, Ek Gaon Ki Kahani opposite Mala Sinha and also showed his acting talent in those films. He had been mainly associated with ghazals and soft romantic songs. His vibrating technique in rendition had charmed many listeners of the golden age. He also sang light songs for many composers. His other songs included “jalte hai jiske liye” composed by SD Burman in the film Sujata, “humse aya na gaya” composed by Madanmohan in the film Dekh Kabira Roya, “itna na mujhse tu pyar bara” composed by Salil Choudhury in the film Chaya, “aye mere dil kahin aur chal” composed by Shankar Jaikishan in the film Daag, to name a few.. Talat Mehmood had a number of basic discs in Bengali as well. His landmark songs included “chander eto alo” and “alote chayate” composed by Robin Chatterjee, “duti paakhi duti teere” composed by Kamal Dasgupta, etc. The sweetness of his voice was well appreciated by the Bengali listeners as well. His songs and films should be preserved and restored.

Sunil Dutt and Raj Kumar were brilliant in film Humraaz.

Sunil Dutt and Raj Kumar were sublime in the film Humraaz. Director BR Chopra directed many multi-starrer films and all of them did great business. Humraaz was one of the blockbusters released in 1967. In the film Vimi, the daughter of military officer Manmohan Krishan loved Raj Kumar and secretly married him. But Raj Kumar was send to the warfront and she came to know that he was no more. She gave birth to a daughter which was kept a secret by Manmohan Krishan. After 4 years of marriage, when Manmohan Krishan was in his last days the secret was disclosed. It was also mentioned that Vimi’s daughter Sarika was studying in a Boarding School, and the details relating to that was given to Vimi. Sunil Dutt, discovered that Vimi secretly went to a hotel to meet Raj Kumar, her earlier husband, and to find the truth took the disguise of a bearded man and stayed in a hotel to discover the matter. On one of the days Vimi was killed. Then Balraj Sahani had investigated into the matter. Raj Kumar and Sunil Dutt came to Ooty to take Sarika when they came to know that Madan Puri had taken her to that place. Madan Puri extracted money from his father-in-law and gave Sarika falsely mentioning that she was his granddaughter. Sarika after the killing of Vimi became dumb. At the end when the death scene of Vimi was shown by Iftekar and Mumtaz, which was recorded in a camera, everyone came to know Madan Puri killed Vimi. In a tassle to rescue Sarika, Raj Kumar was killed. The performances of Raj Kumar, Balraj Sahani, Sunil Dutt were excellent. The beautiful locations of Darjeeling and other places mesmerized the audience. BR Chopra utilized the best composition of music director Ravi Shankar Sharma. The songs of Mahendra Kapoor, “neele gagan ke tale”, “kisi patthar ki moorat se”, “na muh chupake jiyo”. Mahendra Kapoor also won filmfare award for his brilliant singing in the film Humraaz. BR Chopra did a great job as a producer and director. The film ended up being the 4th biggest blockbuster of 1967 after Upkar, Ram Aur Shyam and Farz. The film should be restored and preserved.

Uttam Kumar's death anniversary brings memories of superstar of Uttam Kumar.

Uttam Kumar’s death anniversary brings great memories of the superstar of Bengal. Again, 24th July, 2019 will bring memories of Mahanayak Uttam Kumar. Superstar Uttam Kumar was remembered on his birth anniversary on 3rd September, 2016. Actor-turned-MPs Dev and Moon Moon Sen would be felicitated with the Mahanayak and Mahanayika Samman, the highest film award given by the West Bengal government. Chief Minister Mamata Banerjee will give the annual 'Mahanayak Uttam Kumar Samman' at Nazrul Mancha stadium tomorrow to felicitate the actors and technicians of the Bengali film industry. On her Facebook page, Banerjee said veteran actress Mousumi Chatterjee and reigning Bengali film superstar Dev will be the recipients of this year's 'Mahanayak Samman' while Moonmoon Sen will receive the 'Mahanayika Samman'. Both Dev and Sen had won the recent Lok Sabha polls on a Trinamool ticket. The awards were instituted in the year 2012 in the memory of the legendary actor 'Mahanayak' Uttam Kumar. Actor-director-producer Arindam Sil will be conferred with Special Film Award (Acting). Special Film Awards will also be presented to actors like Paoli Dam, Hiran Chatterjee, Abir Chatterjee, Indranil Sengupta, Kharaj Mukherjee, Rudranil Ghosh and others. Veterans of Bengali film industry like Chiranjeet Chakraborty, Sabyasachi Chakraborty, Mamata Shankar and Debashree Roy will be feted with Lifetime Achievement Awards. Veteran playback artiste Kumar Sanu will be felicitated with Lifetime Achievement Award for Music (playback Singer) while Special Film Awards (Music Director) will be presented to Sivaji Chattopadhyay, Arundhati Home Chowdhury and Adhir Chatterjee. Nispal Rane on behalf of Surinder Films will get Special Film award for the best producer. Special film award for direction will be given to Swapan Saha, Kamaleshwar Mukherjee and Prodipto Bhattacharyya. 50 actors had been awarded the Mahanayak Uttam Kumar award on his death anniversary on 24th July, 2013. Chief Minister Mamta Banerjee had started the awards in the memory of the greatest superstar of Bengal Mahanayak Uttam Kumar. Madhabi Mukherjee, Dipankar Dey, Ranjit Mullick and Sandhya Roy had been given lifetime achievement award. Incidentally Madhabi Mukherjee had acted in many super hit films of Uttam Kumar like Shankhabela, Choddobeshi, Agnisshar, etc. and Sandhya Roy had acted in many hit films of Uttam Kumar like Mayamrigo, Surjotapa. Director Goutam Ghosh had also been granted lifetime achievement award. Actors Partho Mukherjee, Chinmoy Roy, directors Sandip Ray, Raj Chakravarty, Sujit Saha, Koushik Ganguly and Srijit Mukherjee are given special awards. Actors Tapas Pal and Prasenjit Chatterjee are given Mahanayak Samman. Actors Saswata Chatterjee and Parambrata Chatterjee are given special awards. Film Producing companies are also awarded and felicitated including RD Bansal and Company, Arora Films, Shri Venkatesh films, New Theatres, to name a few. He had died almost 33 years ago, yet the viewers had not forgotten his films and still his presence is felt in the life bengalies in different parts of the world. In 2011 the Governer of West Bengal launched the 50 rupees postal stamp having the engraving of Uttam Kumar in it. Previously Raj Kapoor and Dilip Kumar’s faces were engraved in Postal stamps for remembering their contribution to Indian cinema. Last year, Mamta Banerjee, the Union Railway Minister, renamed the Tollygunge Metro Station as Mahanayak Uttam Kumar station. In 2011, the walls of the Tollygunge Metro Station had been filled with the pictures of films of Uttam Kumar. In fact the people of Tollygunge cannot associate the place without the existence of Uttam Kumar whose works glorified the different studios which carried on the legacy of Bengali Film Industry. Mamta Banerjee, the Chief Minister of West Bengal had also provided support to revive the Uttam Mancha and take care of Shilpi Sangsad, an organization created by Mahanayak Uttam Kumar to help the needy actors, actresses, technicians, etc. Oscar winning director Satyajit Ray acknowledged the dynamic presence of the legendary superstar in Bengali films and made a film Nayak in 1966 based on the story of Uttam Kumar. His original name was Arun Kumar Chatterji, who was a clerk in Port Commission before joining Bengali films. When he joined films with Drishtidaan in 1948, he had to struggle to create his image as against he established heroes like Asit Boron, Bikash Roy and others. In 1952, his film Basu Paribar struck at the box-office and he overtook Bosonto Choudhury, Asit Boron and became the leading superstar of Bengali films. All the qualities of a romantic hero was possessed by him, including a standard height, good complexion, manly voice, romantic hairstyle and unique dialogue delivery. Any dress suited the legendary superstar including Punjabi, dhoti, coat, Bengali dresses, etc. He had acted in the films of all the legendary directors of the golden age including Satyajit Ray’s Nayak in 1966, Chiriakhana in 1967, Tapan Sinha’s Jhinder Bandi in 1961, Upahaar in 1955 and Jotugriha in 1964, Ajoy Kar’s Harano Sur in 1957, Saptapadi in 1961, Suno Bara Nari in 1960, Agradoot’s Bipasha in 1962, Surjo Toron in 1958, Agragami’s Sagarika in 1956, Shonkhobela in 1966, to name a few. Uttam Kumar acted opposite all the leading actresses of Bengali celluloid including Suchitra Sen, Arundhuti Debi, Manju Dey, Sabitri Chatterji, Supriya Choudhury, Mala Sinha, and others. His combination with Suchitra Sen had given everlasting classics and both of them still remains the most romantic pair in Indian silver screen. Uttam Kumar’s films were based on rich literature including Tagore’s Khokababur Protyaborton, Subodh Ghosh’s Suno Bara Nari, Samaresh Bose’s Kuhak, Sorodindu Bondhopadyay’s Chiriakhana, Shankar’s Chourangi. The films were related to different types of stories including comedy stories, tragic stories, soft romantic stories, etc. Uttam Kumar had acted in around 205 films (including bollywood films like Amanush, Anand Ashram, Choti Si Mulakat, Dooriyan, Kitaab etc., ) in a span of 35 years, and all his films had remained everlasting treasures. Out of his 205 films, around 37 of them ended up being blockbusters, around 50 were super hit films and around 50 were hit films. Actor Shatrughun Sinha in his interview before Bengali media had disclosed that when he was working in Pune Film and Television Institute, the graduates had unanimous view that Uttam Kumar, Raj Kapoor and Dilip Kumar were the greatest superstars of celluloid and had Uttam Kumar acted in more number of bollywood films, he would have remained as great a legend as Dilip Kumar or Raj Kapoor. Even the singers who had sung for him including Manna Dey, Shyamal Mitra, Hemanta Mukherjee, Manobendra Mukherjee, etc., agreed that they did not find any actor who was parallel to Uttam Kumar in giving lips in songs. He made the viewers feel that he only sang the songs. Actor Shatrughun Sinha in his interview had said that during his student life in Pune Film and Television Institute, the upcoming actors used to debate about the charishma of Uttam Kumar, Raj Kapoor and Dilip Kumar. Although there was no unanimity about the finest actor among them, there was consensus about one fact had Uttam Kumar established himself in bollywood films by acting in more number of films, he would have been equally an international figure like Raj Kapoor or Dilip Kumar. Articles after articles can be devoted to Uttam Kumar who was one –man –industry in Bengali films. His films should be revisited to create motivation for making better quality films in future.

Happy birthday to Manoj Kumar. The viewers of bollywood films wish happy birthday to Manoj Kumar on 24th July, 2019. He is almost 80

years old now. He started his career as a romantic hero, then showed his skills in the field of direction and created a separate identity as a patriotic hero. He later on earned the name of Bharat Kumar. Harikishan Giri Goswami, better known as Manoj Kumar, was a big admirer of Tragedy King Dilip Kumar. He was obsessed with Dilip Kumar’s performance in the film Shabnam, in 1949, and kept the name of the character of the film, which was Manoj Kumar. Although he started his career in the film Fashion in 1957, he got recognition with a lead role in the film Kaanch Ki Gudiya in 1960. Vijay Bhatt directed Hariyali Aur Raasta in 1962 changed the destiny of Manoj Kumar as a romantic hero. The songs of the film were composed by genius of genius Shankar Jaikishan, and with Mala Sinha’s assistance Manoj Kumar reached the hearts of millions of music lovers in the country. The songs in the film including “ifteda-e-ishq”, “yeh hariyali aur yeh raasta”, sung by Mukesh and Lata astonished the viewers. The film became super hit. In the mid-60s, Manoj Kumar landmark roles in suspense thrillers like Woh Kaun Thi, 1964, and Gumnaam, 1965. Woh Kaun Thi was a horror film of Raj Khosla where Manoj Kumar played the role of the doctor who got scared with the ghostly appearance of Sadhna, who played a double role in the film. He solved the mystery in the film got Prem Chopra arrested at the end after realizing that his wife had a twin sister who was used as a ghost. The music of Madan Mohan was brilliant and Lata’s songs “naina barse rimjhim”, “lagja gale”, etc., created sensation. Gumnaam was a murder thriller which stormed bollywood in the mid-60s. More than seven friends were given offer of going for holidays, but the flight was hijacked and the friends had to land at an island. Each of them was killed one after the other and no one knew who killed them. Manoj Kumar solved the mystery and unearthed the truth that Tarun Bose was the actual murderer. The music composed by Shankar Jaikishan was extraordinary with songs like “jane chaman shola badan” sung by Rafi and Sharda, “gumnaam hai koi” sung by Lata, “is duniya me jeena ho to”, “hum kale hai to kya hua dilwale hai” sung by Mohammad Rafi, etc. Manoj Kumar started his second innings with patriotic films like Shaheed, Upkaar, Purab Aur Paschim, Roti Kapra Aur Makaan, Kranti, moved the viewers and earned him respect. He directed of those films and got filmfare award for best director for excellent work in films like Upkaar and Roti Kapda and Makaan. His film Upkaar also received the national award for best film in 1967, and he gave life to the slogan of PM Lal Bahadur Shastri titled “jai jawan jai kisan” with Upkaar. In fact Upkaar, was the highest grosser film in 1967, surpassing all the other super hit films like Ram Aur Shyam, Jewel Thief, etc. The songs in Upkaar composed by Kalyanji Anandji were also brilliant including “mere desh ki dharti” sung by Mahendra Kapoor and “kasme wade pyar wafa sab” sung by Manna Dey. After Upkaar a big section of the crowd used to call Manoj Kumar as Bharat Kumar, as his patriotic feelings used to reflect in his creations. His other successful films as hero also include Patthar Ke Sanam, Anita, Aadmi, etc. He acted with childhood idol Dilip Kumar in Aadmi and Kranti. The songs of most of his films were of excellent class. Naushad’s creation in Aadmi, and Rafi’s songs like “na aadmi ka khoi bharosa”, “aaj purani rahon se”, etc., had remained invalueable assets over the period of time. The viewers expect him to continue the excellent work as a director in the years to come.

Happy birth anniversary to Jubilee Star Rajender Kumar.

The viewers wish happy birth anniversary of Rajender Kumar on 20th July, 2019. Mohammad Rafi, the eternal singer had sung more than 150 songs for Jubilee Kumar Rajender Kumar. Superstar Rajender Kumar had a deadly combination with Mohammad Rafi and Shankar Jaikishan. Whenever the three combined together they created history. In Dil Ek Mandir, Rafi’s song “jahan koi nahi” and “yaad na jaye” were created in two different moods. Both the compositions of Shankar Jaikishan were marvelous. Rafi was as outstanding as Rajender Kumar. The film was released in 1963. Rajender Kumar became Jubilee Kumar for having all his films doing business of more than 25 weeks between 1963 and 1966. Shankar Jaikishan was the leading composer composing majority of his songs. In the film Ayee Milan Ki Bela, released in 1964, all the songs sung by Rafi and picturized on Rajender Kumar became smash hits like “mai pyar ka diwana”, “aha aye Milan ki bela”, “to bura maan gaye”, “tum khamseen ho nadaan ho”, to name a few. In the same year, Rajender Kumar’s Sangam had a masterpiece of Shankar Jaikishan namely “yeh mera prempatra parkar”. The song became the greatest hit of 1964. The film Zindagi was also released in 1964. Shankar Jaikishan’s brilliant composition for Rafi namely “pehele mile the sapno me” mesmerized the viewers. In 1965, Shankar Jaikishan created magic in Rajender Kumar’s film Aarzoo. All the songs of Rafi touched the souls of the audience including “chalke teri ankhon se”, “aji humse bachkar kahan jayiyega”, “ai phoolon ki raani”, “aye nargise mastana”, to name a few. The exotic locations of Kashmir, the brilliant costumes of Rajender Kumar and Sadhna, elegant singing of Rafi and brilliance of Shankar Jaikishan created magic. The deadly combination continued in the film Suraj in 1966. All the songs of Rafi became smash hits like “baharon phool barsao”, “gustaqi maaf”, “kaise samjhaun”, “itna hai tujhse pyar mujhe”, to name a few. Rafi was brilliant in the duet songs as well where Suman Kalyanpur complimented Rafi. In 1967 and 1968, Rajender Kumar’s films Aman and Jhuk Gaya Aasman became hit due to the brilliant music of Shankar Jaikishan. Rafi’s songs in these films like “surahidar garden”, “aaj ki raat”, “o priya”, “saccha hai agar pyar mera sanam”, “kahan chal diye” stormed bollywood. Shankar Jaikishan composed music in the other films of Rajender Kumar as well including Aas Ka Panchi, where the title song was sung by Subir Sen, Dharti; where Rafi’s song “khuda bhi aaman se” became smash hit, etc. Rafi contributed in other films Rajender Kumar also where Shankar Jaikishan composed music including Shatranj. The songs and the films should be regularly telecast in the private channels to reach the excellent music to the younger generations. A big section of music lovers agree that had Jaikishan not died in 1971, Rafi’s dominance in bollywood music not suffered at all. In fact SJ’s tunes were brilliant and were specifically catered towards the likings of common mass. They were not that technical which could not reach the audience. Besides SJ gave tunes in around 10 films per years all along the 50s and 60s, the era when Rafi was unbeatable. RD Burman’s domination in the 70s would have got very strong resistence had Jaikishan survived few years more. The immortal lyrics of Shailendra and Hasrat Jaipuri also ended with the sad expiry of Jaikishan in 1971. In the case of Naushad, his gharana was so classically oriented, that his composition for an actor had changed the destiny of the actor. Although Naushad and Rafi’s combination was associated mainly with respect to Tragedy King Dilip Kumar, he preserved a huge treasure of music for Rajender Kumar as well. Mere Mehboob, stands out as probably one of the greatest creations of Naushad ever in the history of bollywood music. All the songs of Rafi for Rajender Kumar, including “mere mehboob tujhe meri muhobbat ki kasam“, “tumse izhaar-e-haal kar baithe“, “ai husn zara jag tujhe ishq jagaye” had revealed the royal elite culture of Aligarh and Lucknow in the form of shayri and ghazals. Rajender Kumar and Sadhna were at their best in the film. Naushad and Rafi were sublime in Rajender Kumar’s film Palki. The song “dil-e-betaab ko sine se lagana hoga” shows the class of Naushad. Although Naushad utilized Rafi to perfection in Rajender Kumar’s Ganwar, he used Mukesh in major songs of the film Saathi due to pressure of the producer and director. Rafi and Rajender Kumar were blessed with the immortal creations of Shankar Jaikishan and Naushad in the 60s and the films and the songs should be preserved as rich assets of the nation which can be cherished for generations after generations.

Rafisahab and Laxmikant Pyarelal were blessings in the career of Jeetender and Dharmender.

Rafisahab and Laxmikant Pyarellal were blessings in the career of Jeetender and Dharmender. Combination of LP and Rafi in the films of Dharmender and Jeetender in the 1960s. Laxmikant Pyarellal faced the greatest challenge in establishing their career in Bollywood films in the 1960s. There were a number of reason for that. Firstly a huge number of legendary composers were dominating Bollywood films in the 1960s ranging from Shankar Jaikishan to Naushad Ali, Madanmohan Kohli to Roshanlal Nagrath, C Ramchandran to OP Nayyar, Salil Choudhury to SD Burman, Vasant Desai to Kalyanji Anandji, to name a few. The list just goes on. Most of these legends were specialists in their own area. LP had to compose music having identity of their own which was very difficult. They faced the acid test in the early 1960s and late 1960s and became famous. Rafi Sahab was one of the biggest contributors in the careers of LP in the 1960s. The article speaks about the contribution of Dharmender, LP and Rafi Sahab and also Jeetender, LP and Rafi Sahab in the 1960s. Here is the list of the films in which LP composed music in the 1960s. 1963 1. Harischandra Taramati 2. Parasmani 1964 3. Aaya Toofan 4. Dosti 5. Mr X In Bombay 6. Sant Gyaneshwar 7. Sati Savitri 1965 8. Boxer 9. Hum Sub Chor Hain 10. Lootera 11. Shriman Funtoosh 1966 12. Aasra 13. Aaye Din Bahar Ke 14. Chhota Bhai 15. Daaku Mangal Singh 16. Dillagi 17. Laadla 18. Mere Lal 19. Naag Mandir 20. Pyar Kiye Ja 21. Sau Saal Baad 1967 22. Anita 23. Chhaila Babu 24. Duniya Nachegi 25. Farz 26. Jaal 27. Milan 28. Milan Ki Raat 29. Night In London 30. Patthar Ke Sanam 31. Shagird 32. Taqdeer 1968 33. Baharon Ki Manzil 34. Izzat 35. Mere Hamdam Mere Dost 36. Raja Aur Rank 37. Sadhu Aur Shaitaan 38. Spy In Rome 1969 39. Aansoo Ban Gaye Phool 40. Anjana 41. Aaya Sawan Jhoom Ke 42. Dharti Kahe Pukar Ke 43. Do Bhai 44. Do Raaste 45. Inteqaam 46. Jeene Ki Raah 47. Jigri Dost 48. Madhavi 49. Mera Dost 50. Meri Bhabhi 51. Pyaasi Sham 52. Saajan 53. Satyakam 54. Shart 55. Wapas 1970 56. Aan Milo Sajna 57. Abhinetri 58. Bachpan 59. Darpan 60. Devi 61. Himmat 62. Humjoli 63. Jawab 64. Jeevan Mrityu 65. Khilona 66. Maa Aur Mamta 67. Man Ki Aankhen 68. Mastana 69. Pushpanjali 70. Sharafat 71. Suhana Safar LP and Rafi Sahab combination stormed Bollywood with the films Parasmani in 1963 and Dosti in 1964. Rafisahab’s songs “wo jab yaad aye” in Parasmani and songs “chahunga mai tujhe”, “rahi manwa dukhki chinta”, “janewalon zara”, etc. in Dosti rocked Bollywood. LP received the first filmfare award in 1964 for their composition of music in the film Dosti. For Dharmender LP composed music in 1966 in the film Aye Din Bahaar Ke. Rafi Sahab’s song “mere dushman” became smash hit. In 1967, LP composed music in the film Farz of Jeetender. All the songs of Rafi Sahab like “mast baharon ka mai aashiq”, “tumse o haseena”, “baar baar din ye aye” became smash hits. In 1968, LP composed music in Dharmender’s films Baharon Ki Manzil, Mere Humdum Mere Dost and Izzat. In the film Izzat, Rafi Sahab’s song “loote dil pe diya jalta nahi hum kya karen” was a masterpiece. Mere Humdum Mere Dost had super hit songs of Rafi Sahab including “najaa kahin ab na jaa”, “chalkaye jam”, “huyi sham unka”, to name a few. In Baharon Ki Manzil all the songs were sung by Lata as they were picturized on Meena Kumari. In 1969, LP composed music in Dharmender’s films Satyakam and Aya Sawaan Jhumke. Rafi Sahab’s songs like “majhi chal”, “awa sawan jhumke”, and other songs became super hit. LP composed music in 1969 in Jeetender’s films Jeene Ki Raah, Dharte Kahen Pukarke and Jigri Dost. All the films became super hit. One of the reasons for the success included the splendid music. Rafi Sahab’s songs in Dharti Kahe Pukarke included the title song “dharti kahe pukarke”. Jigri Dost had fast numbers of Rafi Sahab like “mere desh me pawan chale purwayi”, “raat suhaani jag rahi hai”, “dil me kya hai”, “phool hai baharon ka”, to name a few. Jeene Ki Raah fetched LP the other filmfare award in 1969. Rafi Sahab’s were smash hits like “aane se uski aye bahar”, “aa mere humjoli aa”, “ek banjara hai”, ‘chanda ko dhundte” to name a few. In 1970, LP composed music in Dharmender’s film Jeevan Mrityu. Rafi Sahab’s song “jhilmil sitaron ka aangan hoga” became a runaway hit. LP composed music in Jeetender’s films Humjoli, Himmat and Jawab. Rafi Sahab’s songs in the film Humjoli became bumper hit like “dhal gaye din”, “tik tik tik”, “haye re haye”, “chal shuru ho ja”, to name a few. All the songs of Himmat became bumper hit like “hai shukr kit u hai ladka”, “maan jayiye maan jaiye”, “das gayi nagin ki zulf teri”, to name a few. In Jawab, both of Rafisahab’s songs “chali kahan hansti gaati” and “kis karan jogan jog liya” became hit. By the early 1970s LP emerged as a leading composer in Bollywood music. So they started composing music in the films of Rishi Kapoor, Sanjeev Kumar, Shashi Kapoor and every prominent stars of the 1970s and 1980s. But their launching pad was made with the combination of Rafi Sahab in the films of Dharmender and Jeetender. All these songs and films should be restored.