Genius composer Salil Choudhury was remembered on death anniversary.

Salil Choudhury, noted scholar, poet, composer and literary giant was remembered on his death anniversary on 5th September, 2018. He was also remembered on his birthday on 19th November, 2014. As he was a versatile scholar, his scholarly attributes were reflected in his creations. He was both the lyricist and the composer and numerous songs sung by legendary singers over 50 years. His creation “ami parini bujhite parini” and “tumi jaante” for Manobendra Mukherjee were created with two different andaz, one having classical orientation while the other having westernized treatment. His creation “jhanana jhanana baje” and “antabihin oi andharater shesh” for Dhanonjoy Bhattacharya showed his class in handling classical singers. On the other hand his strength in folk songs were evident in his song “sunayoni sunayoni” sung by Nirmalendu Choudhury and Sabita Choudhury. Nirmalendu became famous all across the world with his folk numbers. Salil Choudhury hugely experimented with Shymal Mitra in songs like “jadi kichu amare shudhao”, “aha oi ankabanka poth jai shudure”, “dur nai beshi dur oi”, “ja jare ja ja pakhi”, to name a few. In “jadi kichu amare shudhao”, Salil Choudhury’s orchestration was unique, half of the song was blank verse while the other half had musical treatment. Salil Choudhury used the different playback singers in Bengal and explored their talents to the brim. Some of the great compositions include “eso kache boso” sung by Tarun Banerjee, “pallabini go sancharini” sung by Dwijen Mukherjee, “Jodi jante go tumi jante” sung by Manobendra Mukherjee, “jai jai din” sung by Biswajeet Chatterjee, to name a few. The list can go on. Salil Choudhury created a gem with the song “nil nil pakhi” for Sandhya Mukherjee. Besides, bengal’s literary community were astonished with Salil Choudhury conversion of famous poetry “ujjal ek jhak paira” sung by Sandhya Mukherjee into song. The poet’s feelings were translated into musical tune by sheer brilliance of Salil Choudhury. Other examples of converting legendary poems into songs include “runner” written by Shukanto Bhattacharya and “palki chole” written by Satyendranath Dutta which were sung by Hemanta Mukherjee which both became history. In “runner” the march of the postman on foot from remote corners of village was given adequate expression by Salil Choudhury. Salil Choudhury’s national fame allowed him to do numerous experiments with bollywood singers like Mukesh and Lata. Articles after articles can be devoted to Lata Salil Choudhury creations in Bengali. Mukesh also sung hit song “jhum jhum pakshi nachona” composed by Salil Choudhury. Salil Choudury created his masterpieces in Bengali films as well like Shyamal Mitra’s song “onek ghuriya sheshe” in Hrithik Ghatak’s film Bari Theke Paliye, Nirmalendu Choudhury’s song “sojoni o sojoni” and Manna Dey’s “uthali pathali amar buuk” in Rajen Tarafdar’s film Ganga. Besides his song “he bhai re bhai” and “baje go beena” sung by Manna Dey in the film Marjina Abdulla made the listeners speechless. Even Lata’s song “bujhbe na keu bujhbena” was equally popular. Bimal Roy’s film Do Bigha Zameen was based on Salil Choudhury’s literature. His music in the films Do Bigha Zameen, Madhumati, Musafir, Parakh, Jagte Raho, Anand, Maya, Rajnigandha, etc., stand out as landmarks in Indian film history. He received filmfare award for brilliant performance in the film Madhumati. All the songs in the film including Lata’s “aja re”, “ghari ghari”, Rafi’s “tute hue khwabonme”, “jangal me mor nacha”, Mukesh’s “dil tarap tarap ke”, “suhana safar aur mausam hasin” touched the souls of numerous Indians in the late 50s. Other notable songs of Salil Choudhury in bollywood films include “tasveer teri dil me” from Maya, “zindagi kaisi hai paheli hai”, “kahin dur jab din dhal jaye” from Anand, “rajnigandha” from Rajnigandha, “jago mohan pyare” from Jagte Raho, “dil tadpe tadpaye” from Poonam Ki Raat, to name a few. Bengal and India was as a whole was indebted to a maestro like Salil Choudhury and several researches can be undertaken for finding out the history behind his creations. One article is not enough to reiterate the immortal works of the giant creator. The creations should be preserved and restored.

Lord Krishna is remembered on Krishna Janamashtami.

Indians have a separate religious sentiment associated with Lord Krishna, the renowned avatar of God Vishnu. The film Mahabharat made in 1965 is revisited on the eve of Krishna Janmashtami to be celebrated all over India tomorrow on 2nd September, 2018. The film Mahabharat was directed by director Babulal Mistry in 1965. Actor Abhi Bhattacharya played the celebrated role of Lord Krishna in the film. He had the challenging task of chanting the slokas from Bhagwat Geeta, which moulded Arjun in the battle of Kurukshetra and led to victory of the Pandavas. Very significantly Pradeep Kumar played the epic role of Arjun in the film. When Arjuna saw his own relatives in the other side of the battle, he got perplexed and thought whether to fight the battle or not. Lord Krishna explained to him that he must do his Karma and that too of a Kshatriya. In the entire Mahabharata what Lord Krishna had delivered later became learning texts for Hindus all over the world. Actor Dara Singh played the role of Bhima in the film, while Jeevan played the role of Shakuni. Actress Padmini played the notable role of Draupadi in the film. Composer Chitragupt composed the music of the film, and the songs sung by Rafi in the film were very memorable. In the late 80s and early 90s, eminent filmmaker BR Chopra made Mahabharata in Doordarshan, and as TV serial had remained extremely successful. Nitish Bharatdwaj played the role of Lord Krishna in the serial. All the episode related to the birth of Lord Krishna flabbergasted the audience. His mama’s role was played by Goga Kapoor. The viewers saw the battle between Lord Krishna and Mama Kanghs was very well depicted by BR Chopra. Nitish Bharadwaj studied Bhagwat Geeta, very well and his performance in the battlefield of Kurukshetra where he persuaded Arjun to fight the battle had remained matchless. The character of Arjun was played by Feroz Khan. The pandavas were heavily dependent on Lord Krishna in their war against the kauravas. Lord Krishna only asked Bhima to hit Duryodhana on his uru, meaning the thigh, which led to his victory. Lord Krishna asked Arjun to throw his arrow at Karna when his chariot got stuck in mud and he tried to release it. The same Lord Krishna, provided cloth to Draupadi, at a time when Duryodhana asked Dushshashan to take away her clothes. Lord Krishna is worshipped as God by numerous hindus all across the world, and the effort of filmmakers in reaching the epic related to Lord Krishna had always been considered noble and appreciated. Both the film Mahabharata and the serial Mahabharata should be restored.

Happy birthday to Kareena Kapoor.

Happy birthday to Kareena Kapoor. The viewers of bollywood films wish happy birthday to Kareena Kapoor on 21st September, 2018. She had been the number star of bollywood films and carried forward the grand legacy created by Prithviraj Kapoor and Raj Kapoor forward. In 2013 her film Satyagraha opposite Ajay Devgan got commercial and critical success. In 2014 her film Singham Returns opposite Ajay Devgan did business of more than 135 crores. In 2015 her film Bajrangi Bhaijaan opposite Salman Khan did business of more than 320 crores. She started her career with the film Refugee in 2000 with Abhishek Bacchan. In that film she played the role of a pardanashin muslim girl of Pakistan. It was a big task on the part of Kareena to perform opposite stalwarts like Jackie Shroff, Anupam Kher, Sunil Shetty and others, who were experienced actors and Kareena Kapoor rose up to the occasion and received good reception from all sections of the viewers. Within short time she adapted herself to different types of roles in films like Mujhe Kuch Kehna Hai opposite Tushar Kapoor, Yaadein opposite Hrithik Roshan, Ashoka opposite Shahrukh Khan, to name a few. After two three years her films started flopping, and she bounced back with an off-beat role in the film Chameli. She received the critics award for the best actress in filmfare. From that time she never looked back. Most of her films opposite Shahid Kapoor had been super hit including Chup Chup Ke, 36 China Town and Jab We Met. She received the filmfare award for the best actress for her effortless performance in the film Jab We Met. The film was related to the romantic relation of her with Shahid Kapoor. All the songs in the film became super hit including “yeh ishq hai”, “nagara nagara”, “tujhse hi tujhse hi”, etc. At the same time her films opposite other stars were appreciated. She was successful opposite Salman Khan in the film Kyon Ki. She was sublime opposite Ajay Devgan in the film Omkara and Golmaal Returns. In 2009, her film Kambakht Ishq opposite Akshay Kumar did medium business. But she had two mega releases for which the viewers are awaiting anxiously. One was Mai and Mrs Khanna opposite Salman Khan. The other was The Three Idiots opposite Amir Khan. While the first one did mediocre business, the second one broke all bollywood records to do more than Rs 200 crores business. Kareena Kapoor was sublime in the film in the role of the daughter of Boman Irani. She had already two releases in 2010, including Milenge Milenge and We Are Family. Her other film Golmaal 3 also did great business. 2011 had been a lucky year for Kareena Kapoor. Her film Bodyguard opposite Salman Khan had done business more than 140 crores and emerged as the greatest blockbuster of the year. She was successful in the next film Raone with Shahrukh Khan which also did business more than 100 crores. 2012 has a lot in store. On 21st September, her most awaited film Heroine is getting released. Madhur Bhandarkar had given a challenging role and Kareena Kapoor has a lot of expectations from the film. One factor is clear. Kareena Kapoor and Ranbir Kapoor had maintained the stardom that existed in Raj Kapoor’s family for the last 60 years. So both Kareena Kapoor and Ranbir Kapoor are required to continue the good work in the years to come. With the success of Satyagraha, Kareena Kapoor has shown huge potential and she can still contribute in future. The viewers expect Kareena Kapoor to stand the competition created by beauty queen Katrina Kaif and steady performer Priyanka Chopra in the coming years and emerge victorious.

Happy birthday to melody queen Lata Mangeshkar.

Happy birthday to melody-queen Lata Mangeshkar. The listeners of music in India and abroad wish happy birthday to Lata Mangeshkar, the melody queen on 28th September, 2018. She had remained a sensation even in her 80s. Starting her journey from the early 40s, Lataji created an impression with the songs “ayega anewala” in the film Mahal, released in 1947 composed by Khemchand Prakash. The songs of the horror film were picturised on Madhubala who later became a legendary star of bollywood films. Lata faced the competition from eminent singers Noorjahan, Suraiya, Shamshad Begum, Geeta Dutt, Asha Bhosle, Rajkumari, and others and emerged victorious in the 50s and 60s. Her sweetness of voice compelled composers to give the best tunes ever created in Indian film history. Along with Rafi, Lata had the record of singing songs of almost all the composers of the golden age. Everlasting gems of Lata include “tu jaha jahan chalega” composed by Madanmohan Kohli, “duniya kare sawal” composed by Roshanagrath , “hume tum mil gaye humdum” composed by Shankar Jaikishan, “phir teri kahani yaad aye” composed by Naushad Ali , “ajare pardesi” composed by Salil Choudhury, “allah tero naam” composed by Jaidev, “piya tose naina lage re” composed by SD Burman, to name a few. Lata had sung more than 30000 songs during her singing career which was more than 65 years long. She had sung for Madhubala, Meena Kumari, Nargis, Wahida Rehman, on one hand, and did sing for the new actresses of the 90s namely Madhuri Dixit, Juhi Chawla, etc. Her patriotic songs “aye mere watan ke logon” brought tears even in the eyes of Prime Minister Jawaharlal Nehru. Articles after articles can be devoted to the Indian nightingale, Lata who had remained an institution in different types of songs including Hindustani classical, folk songs, lift romantic songs, to name a few. Lata Mangeshkar sung songs in more than 15 regional languages including Marathi, Bengali and others. She played a very significant role in Bengali film industry in the world of playback singing. Some of her hit songs included “jago” in Raj Kapoor’s film Ekdin Ratre, composed by Salil Choudhury, “aaj mon cheyeche ami hariye jabo” composed by Sudhin Dasgupta in Uttam Kumar’s film Shankhabela, to name a few. Goddess Saraswati was very kind to the nightingale of India, Lataji, and that was the reason the sweetness of her voice remained intact for the last 60 years. Articles after articles can be written about the musical genius. Singers of the present age consider Lataji as their idol and try to emulate her style. Even reputed singers like Sonu Nigam feel privileged to get his son record his son at such tender age with evergreen legend Lata Mangeshkar. The listeners of music all over the world expect Lataji to continue the great work that she started 70 years ago. Her works should be restored.

Happy birthday to legendary composer Pyarelal

The viewers of Bollywood films wish happy birthday to Pyarellal on 3rd September, 2018. Laxmikant Pyarellal had a very successful career in bollywood films. Their success in the film Parasmani and Dosti had proved the fact that they had emerged in the film arena to play a long innings. In the 70s they gave music in most of the successful films and the music was innovative too. After the death of Jaikishan in 1971, Raj Kapoor used LP in the film Bobby in 1973. The songs “mai shayar to nahi” sung by Shailendra Singh, and songs sung by Chanchal had given them an opening for flourishing their musical careers as well. LP gave successful music in the film Aan Milon Sajna, where songs like “aan milon sajna” sung by Rafi and “acha to hum chalte hai” sung by Lata and Kishore became hits. LP gave successful music in the film Amar Akbar Anthony, where Rafi’ssongs “parda hai parda”, “shirdiwali saibaba”, Kishore’s song “my name is Anthony Gonsalves”, etc., had catered to the popular taste of film music. LP gave successful music in Rishi Kapoor’s film Sargam, with hit songs of Rafi and Lata including “dafliwale”, “koel boli”, “ramjiki nikli sawari”, etc. Even the songs in Rishi Kapoor’s film Karz, including “darde dil” sung by Rafi and “om shanty om” sung by Kishore gave super hit in the late 70s. Songs like “yeh dil tum bin kahin lagta nahi” sung by Rafi and Lata in the film Izzat, and “patta patta boota boota”, sung by Rafi and Lata, in Ek Nazar are quality compositions showing the class of LP. LP also gave quality songs in the film Jeevan Mrityu, with Rafi’s song like “jhilmil sitaronka”, songs like “o sapno ka raja” sung by Rafi and Lata in the film Banphool. LP in many cases compromised with the taste of mass audience in composing music in the late 70s if compared with the superlative class of music composed in the 60s. He even gave classical songs in the 60s like “roushan tumhi se duniya” and “woh jab yaad aye” sung by Rafi and Lata in the film Parasmani based on classical touch. Even then the compositions of LP in the 70s are notable and should be preserved.

Happy birth anniversary to actress Sadhna.

The viewers of Bollywood films wish happy birth anniversary to Sadhna on 2nd September, 2018. She died recently but her admirers still feel all her films are still relevant. Sadhna Shivdasani remained sizzling actress in the 60s. Born on 2nd September, 1941, her name was given by her father due to his fascination for the actress Sadhana Bose. She acted in a Sindhi film Abana in 1958 where she played the role of the sister of the heroine in the film. Then Subodh Mukherjee did cast her opposite Joy Mukherjee in the film Love in Simla in 1959. The music was composed by Iqbal Qureshi and the songs of the film became big hits. She acted in successful films one after the other after that including Parakh, Hum Dono, Prem Patra. In 1962, her film Ek Musafir Ek Haseena opposite Joy Mukherjee became musical blockbuster. Raj Khosla’s hit became known for the songs composed by OP Nayyar, including Rafi’s songs “aap yuhi agar”, “bahut shukhriya”, “phir tere shahar me”, etc. She also acted in Hrishikesh Mukherjee’s film Asli Nakli in 1962, opposite Dev Anand which was also another musical hit. Shankar Jaikishan’s composition became super hit including Lata’s “tera mera pyara amar”, Rafi’s song “tujhe jeevan ki dor me”, etc. Mere Mehboob was the greatest hit of Sadhna opposite Jubilee Kumar Rajender Kumar in 1963. The romantic film created the pair of Rajender Kumar Sadhna who remained sublime during the 60s. Naushad’s composition was brilliant including Rafi’s title song “mere mehboob tujhe meri muhobbat ki kasam”. The other super hit films of Sadhna opposite Rajender Kumar including Aarzoo and Aap Aye Bahar Aye. In 1965 she was married to RK Nayyar. She became famous for her spooky performance in Raj Khosla’s suspense thrillers like Wo Kaun Thi, Mera Saya and Anita. For Wo Kaun Thi she received filmfare nomination for best actress. Her other successful films including Dulha Dulhan opposite Raj Kapoor, Waqt opposite Sunil Dutt, Battamees and Raj Kumar opposite Shammi Kapoor, Ek Phool Do Mali opposite Sanjay Khan, etc. She faded away from the industry in the 70s, as her films Geeta Mera Naam, Ishq Par Zor Nahin, did not do adequate business. Her films should be preserved and restored.

Happy birthday to Rishi Kapoor.

Happy birthday to Rishi Kapoor. The viewers of bollywood films wish happy birthday to Rishi Kapoor on 4th September 2018. He had remained one of the most romantic actors that bollywood had ever produced. He started his career as a child artist in Raj Kapoor’s film Mera Naam Joker in 1971. He stormed bollywood films with his romantic performance in the film Bobby in 1973. The film did great business and Rishi Kapoor received the filmfare award for the best actor for his performance in Bobby. Raj Kapoor as producer and director started a new innings with a new team of Laxmikant Pyarellal as against Shankar Jaikishan after the death of Jaikishan in 1971. LP had huge contribution in the music of the films of Rishi Kapoor for the next ten years. From that time onwards Rishi Kapoor remained one the most romantic actors in bollywood films. His films Amar Akbar Anthony in 1977, Laila Majnu in 1976 and Sargam in 1978 were the greatest musical blockbusters of the 70s. The songs composed by Laxmikant Pyarellal, Jaidev and Madanmohan in these films became everlasting hits. The notable songs of Rafi and Lata in this film included “koel boli”, “parda hai parda”, “dafliwale”, “barbad muhobbat ki dua”, “is reshmi pazeeb”, to name a few. LP received the filmfare award for the best composer for 3 Rishi Kapoor’s films namely Amar Akbar Anthony, Sargam and Karz from 1978 to 1980. Rishi Kapoor’s extraordinary capability of giving lips in these songs separated him from other actors of that era. His films Zamane Ko Dikhana Hai, Hum Kisi Se Kum Nahi and Karz created history. He showed his dancing skills in every type of songs of Rafi and Kishore including “hai aga dushman zamana”, “bacchna aye haseeno”, “dard –e- dil”, “om shanty om”, “puchona yaar kya hua”, to name a few. RD Burman and Laxmikant Pyarellal probably gave their best music to Rishi Kapoor in the 70s and 80s. In the 80s, Rishi Kapoor’s films Duniya, Sitamgar, Saagar, Chandni, Cooli, Naseeb, did fantastic business. He got the opportunity of acting opposite stalwarts in the industry namely Dilip Kumar in Duniya, Dharmender in Sitamgar, Kamal Hassan in Saagar, to name a few. In fact due to presence of Rishi Kapoor, producers and directors created romantic stories during an era when Big B, Vinod Khanna, Shatrughun Sinha dominated bollywood with action films. Even in the 90s, Rishi Kapoor’s films Bol Radha Bol, Damini, etc., were appreciated by the audience. He was successful opposite young actresses like Juhi Chawla, Meenakshi Sheshadri, who were one generation younger than him. He had great contribution in the films of eminent directors like Yash Chopra, Manmohan Desai, Subhash Ghai, Ramesh Sippy, David Dhawan, and others. After the debut of his son Ranbir Kapoor in the film Sawaariya, Rishi Kapoor switched to character roles. In 2009 also Rishi Kapoor did well in films like Dilli 6, Pyar Me Twist, Luck By Chance. He received Star Screen award for the best supporting actor in 2010 for his performance in the film Love Aaj Kal. In 2010 he acted in the films Chintuji and Sadiyaan. 2012 had been an excellent year for Rishi Kapoor. At the beginning of the year he acted in a negative character for the first time in his career in the film Agneepath. The film with hero Hrithik Roshan had done business of more than 125 crores. His other film Housefull 2 with Akshay Kumar had become super hit too. It also had done business of more than 110 crores. He is experimenting with new characters in this part of his career. He received best villain award for his performance in the film Agneepath. In 2013, he had acted in the films Chasme Baddoor and Besharam. In 2015 his performance in the film All is Well was very well appreciated. In 2018 his films Mulk was appreciated. The viewers expect him to continue the high standard of acting in the years to come and continue the legacy created by Prithviraj Kapoor and Raj Kapoor.

Dr Bhupen Hazarika songs still address social issues.

The listeners of music in India and Bengal admire the great creations of maestro Dr. Bhupen Hazarika. The great singer, lyricist, poet and composer was remembered on 8th September, 2017. He was born in Sadiya, in Assam in 1926. He had done MA from Benaras Hindu University. He did his PhD from Columbia University, New York, USA in 1954. While studying in Columbia University, New York, USA he came in close contact with eminent singer Paul Robson, who taught him landmark songs. Bhupen Hazarika’s song “we are in the same boat brother” was the creation of Paul Robson. He returned back and made a major contribution to Assamese film industry with his songs. He made the Bengali listeners flabbergasted with his brilliant songs. The songs were not only romantic, but more than that had provided social message. Some of his brilliant compositions included “manush manusheri jonyo”, “ami ek jajabor”, “bistirnodi pare ashonkho manusher hahakar shune nistaba nirabe o ganga tumi o ganga boicho keno”, “ganga amar ma”, etc. The song “bistirno duperer ashonkho manunsher” was translated in different languages in the country including the language hindi. He composed music in Uttam Kumar’s film Jibon Trishna, where his song “sagar sangame satar ketechi koto”, became extremely popular. He composed songs for other landmark singers like Lata Mangeshkar titled “rangila bhashite ke bajae”, Hemant Kumar titled “e dola e dola”, Subir Sen titled “ogo shakuntala”, Ruma Guha Thakurta titled “ek phalli megh bheshe elo akashe”, to name a few. He received national award for his music in the film Chameli Memsaab in 1977. He received Padmabhushan and also Dadasaheb Phalke award. His composition of music in the film Rudali, with Lata’s song “dil hum hum kare” had made the viewers spellbound. He composed the songs in the film Rudaali based on the Rajasthani folk songs that became famous through usage. His other brilliant songs included “saratbabu khola chithi”, “ek khana megh bheshe elo akashe”, “jibon khuje paabi”, etc. One article is too small to bring forward the achievements of the great singer, composer and creator Dr. Bhupen Hazarika. It can be said that he was one of the greatest genius that Assam had produced during the golden age. There are statues of the legend made in Guwahati, the capital of Assam. The musiclovers expect him to continue the great work that he start 60 years ago and pray for his long life. His works should be restored.

Happy birthday to beauty queen Saira Banu.

Happy birthday to Saira Banu. The viewers of bollywood films wish happy birthday to Saira Banu on 23rd August, 2018. She used to be called beauty-queen of the 60s. Acting was there in her blood with her mother Nasim Banu doing well in many films in the 40s. Saira Banu started her career with the film Junglee opposite Shammi Kapoor in 1961. The brilliant music of Shankar Jaikishan given in the film and exotic locations of Jammu and Kashmir flabbergasted the audience in the early 60s. All the songs in the film were super hit including “suku suku”, “meri yaar shabba khair”, “ehsaan tera hoga mujhpar”, “Kashmir ki kali hun mai”, to name a few. From that time onwards Saira Banu started getting stylish roles one after the other in bollywood films. Saira Banu went on to give hit after hit with Biswajeet and Joy Mukherjee as well. With Biswajeet her film April Fool released in 1964 became super hit. The songs of SJ again created storm including “april fool banaya”, “aa gale lag jaa”, etc. With Joy Mukherjee Saira Banu’s film Shagird stormed box-office in 1967. All the songs of Rafi and Lata were hits including “dil vil pyar vyar”, “woh hai zara khafa khafa”, “o bare miya diwane”, “duniya mehfil hai”, etc. The music was composed by Laxmikant Pyarellal. Saira Banu exhibited the character of village girl who was sought after by her teacher played by IS Johar, but fell in love with Joy Mukherjee in the film. There were other hit films of Saira Banu like Saaz Aur Awaaz opposite Joy Mukherjee, Aadmi Aur Insaan opposite Dharmender, to name a few. Saira Banu’s combination with Rajender Kumar was well accepted by the audience. All the three films opposite Jubilee Kumar including Ayee Milan Ki Bela in 1964, Aman in 1967 and Jhuk Gaya Aasman in 1968 became super hit. The songs of all those films composed by SJ again struck box-office. Prominent songs included “o priya kaun hai jo sapno me aya”, “tum khamseen ho”, “kahan chal diye”, “surahidar garden”, etc. Saira Banu balanced the powerful performance of Rajender Kumar in those films. In Aman, Saira Banu played the role of a Japanese girl. In Ayee Milan Ki Bela she played the role of an urbanized girl having wealthy background. In Jhuk Gaya Aasman, she played the role of a sophisticated girl coming from middle-class family who was involved with Rajender Kumar who was guide in Darjeeling, but after reincarnation led the life of a wealthy industrialist. May be after Sadhna, Saira Banu was accepted by the viewers the most opposite Rajender Kumar. After marrying Dilip Kumar, Saira Banu acted in a number of films opposite him including Sagina, Gopi and Bairaag, most of which did well in the box-office. Sagina was directed by Dada Saheb Phalke winning director Tapan Sinha, who made the Bengali version and the hindi version of the same film separately. Saira Banu acted opposite Dilip Kumar in both the films. Her films with Raj Kapoor titled Diwana and Dev Anand titled Par Muhabbat did good business mainly due to hit music of Shankar Jaikishan. The songs of those films including “ai sanam jisne tujhe chaand si surat di hai”, “dil ki awaz khuda khair Karen” still remain the landmarks of Indian film music. Even Saira Banu’s comedy films like Parosan opposite Sunil Dutt, Kishore Kumar and Mehmood did brilliant business. From the mid-70s Saira Banu faded away from the industry before acting in films opposite Big B like Zameer and Hera Pheri. There were other films of Saira Banu opposite other stars like Manoj Kumar in the film Purab Aur Paschim, Dharmender in Resham Ki Dori. The viewers expect her to contribute in bollywood films in character roles again.

Happy birthday to dignified director Gulzar.

Happy birthday to Gulzar. Gulzar received Dadasahab Phalke award in 2014. It is great that Gulzar had been chose to be the recipient. He really deserved it. The viewers of bollywood films wish happy birthday to legendary director and lyricist Gulzar on 18th August, 2018. He had been one of the greatest living legends at this moment. Bollywood is indebted to thoughtful director who had converted filmmaking into work of art. His film Mausam released in 1975, was based on reflections of mind. Sanjeev Kumar was attached with Sharmila Tagore living in Darjeeling when he came over there as a student. After he went abroad to pursue his post-graduate studies, Sharmila was exploited and her daughter how looked identical like her mother was compelled to join prostitution. Sanjeev Kumar returned as a foreign-return doctor and took his daughter away from the surroundings and gave her a new life. Bhupinder Singh’s ghazal “dil dhoonta hai phir wohi” composed by Madan Mohan and written by Gulzar remains as the greatest ghazal created in the 70s. The story-telling in the film was appreciated by critics. Gulzar created a different dimension by experimented with classic literature during the 70s and 80s. His films Aandhi released in 1975, with Suchitra Sen and Sanjeev Kumar and Kinara released in 1978, with Jeetender and Hema Malini can very well be classified as master pieces. He gave very meaningful sequences where songs were recorded. He created a separate fanclub for himself who could understand human relations at the same period when larger than life images were created in main stream cinema of Big B, Vinod Khanna, Shatrughun Sinha and other angry young men in films like Sholay, Kalicharan, Burning Train, etc. Gulzar’s films created for children like Parichay, released in 1972 and Kitaab, released in 1978 are still considered masterpieces. He was impressed by the thoughts of Hollywood film Sound of Music and Uttam Kumar’s Joyjoyanti to make a film related to five children who required a good teacher. Jeetender treated them with compassion and brought change in the children. In Kitaab, Uttam Kumar cared for his brother-in-law Master Raju who was a small child and had been send by her mother (Dina Pathak) to get educated in urbanized background. Vidya Sinha was the sister of Master Raju. Uttam Kumar played a huge part in transforming the character of Master Raju in the film. Gulzar experimented with so many diverse subjects that articles after articles can be devoted to his different themes, including the film Koshish, released in 1972, based on life of deaf and dumb, Lekin, based on folklore of Rajasthan. Koshish had a very strong social message. It showed that deaf and dumb persons could go to dead and dumb schools and learn sign language. Their life can have a new aspiration and direction. All his artists like Suchitra Sen, Jaya Bacchan, Sharmila Tagore, Uttam Kumar, Sanjeev Kumar, Jeetender portrayed the life of middle-class men who were found in everyday life. He even worked with subjects like terrorism in films like Machis. His composers, Jaidev, Madan Mohan, Khayyam, RD Burman all had given their best music for the thoughtful director. These days Gulzar concentrates more on writing lyrics. In that field too he had been master of masters. In the recent past Gulzar said that he wanted to devote time to write books. For those reasons he had reduced directing films in the last 10 years. It is a huge loss for thoughtful viewers. He continued to write lyrics of songs in bollywood films in regular intervals and his popular lyrics like “aisi nazar se” in the film Bunty Aur Babli had both class and also rhythm. He received the filmfare award for the best lyricist a number of times. His admirers expect him to continue to make rich films which make the audience think, feel and reflect on the happiness and sniffles of life.

The country remembers superstar Vaijayantimala on birthday.

Happy birthday to superstar Vaijayantimala. Happy birthday to Vaijayantimala. The viewers of bollywood films wish happy birthday to dancing queen Vaijayantimala on 13th August, 2018. She had ruled bollywood films during the 50s and 60s, during an age when muslim actresses like Nargis, Madhubala, Meena Kumari rocked silver screen. She was the first South Indian actress to create a sensation in bollywood films and paved the way for other South Indian actresses to follow like Hema Malini, Sri Devi, Jaya Prada, Meenakshi Sheshadri, and others. There was no successful actor of the 1950s and 1960s, who did not act opposite Vaijayantimala. The list is very long ranging from Dilip Kumar to Raj Kapoor, Rajender Kumar to Shammi Kapoor, Dev Anand to Pradip Kumar, Joy Mukherjee to Uttam Kumar. In 2013, she received the lifetime achievement award too for her immense contribution in Bollywood films. Her online chemistry with Tragedy King Dilip Kumar created history in bollywood. Most of their films including Devdas, Naya Daur, Madhumati, Paigham, Ganga Jumna, Leader, Sunghursh ended up being blockbusters. Besides dancing, she was sublime in the role of a tawaif in Bimal Roy’s film Devdas, in the role of village girl in Bimal Roy’s Madhumati. Vaijayantimala used to do a lot of homework also in respect of her role. When she was awarded best supporting actress award in filmfare for her performance in the film Devdas, she did not receive the award. She said after reading the literature of Sarat Chandra Chatterjee, she found that Chandramukhi, the character she played, was equally a heroine as Parvati. Probably Madhumati, released in 1958, marks the best performance of Vaijayantimala in her entire career. Her innocence reflected in her acting and she made the audience spellbound with the lips given in songs composed by Salil Choudhury including “aa ja re pardesi”, “ghari ghari mera dil dharke”, “daiya re daiya re”, etc. She received the filmfare award for the best actress for the brilliant performance in the film. On one hand she was brilliant opposite Dilip Kumar, on the other hand she created sensation with Raj Kapoor as well. Their film Nazrana did mediocre business. But Sangam, released in 1964, was probably one of the biggest hits of Raj Kapoor in his entire life. Vaijayantimala’s stylish performance opposite both Raj Kapoor and Rajender Kumar created a benchmark which could hardly be reached. Sangam still remains one of the most landmark films based on triangular love story shot at exotic locations in London, Paris, and other European countries. Shankar Jaikishan was matchless in Sangam. The acting performance of Vaijayantimala was excellent and she received the filmfare award for the best actress once again. The last scene where Vaijayatimala questioned both Raj Kapoor and Rajender Kumar about deciding about her life, had become a trend-setter. She justified the fact that she had affair with Rajender Kumar, but from the time she married Raj Kapoor, she fulfilled all the responsibilities of a hindu wife. She had been followed by numerous actresses of the following period in similar roles. In the 60s, Vaijayantimala was matchless. Her name was enough to make any film hit. The list of her hit films include Nagin opposite Pradeep Kumar, Suraj opposite Rajender Kumar, Amrapali opposite Sunil Dutt, Prince opposite Shammi Kapoor, Choti Si Mulakat opposite Uttam Kumar, Jewel Thief opposite Dev Anand, Pyar Hi Pyar opposite Dharmender, to name a few. In fact her combination with Rajender Kumar and Shankar Jaikishan created sensation in the 60s. All their films ended up being silver jubilees including Aas Ka Panchi, Suraj, Sangam, Zindagi, etc. Her lips in landmark songs like “kaise samjhayun bai na samajh ho”, “itna hai tujhse pyar mujhe meri raazdaar”, “o mere sanam”, “titli uri” had become immortal over a period of time. Besides her standard of classical dancing in films like Katputli or Amrapali had created interest among viewers to appreciate aesthetic dance numbers which became an art in due period of time. Her films should be restored and preserved.

Happy birthday to Rakhee.

Happy birthday to Rakhee. The viewers of bollywood films wish happy birthday to Rakhee on 15th August, 2018. She had contributed in bollywood films for more than 30 years. She had contributed both as a leading actress and also as a character actress. Rakhee came to limelight with her successful film Sharmilee opposite Shashi Kapoor in the early 70s. The songs of the film composed by SD Burman became very successful, including the songs “khilte hai dil yahan”, “megha chaye aadhi raat”, etc. Rakhee played a double role, one being calm and quite named Kanchan and the other who was outspoken named Kamini and created attention. In the mid-70s Rakhee acted in landmark roles including the one in the film Kabhi Kabhi opposite Big B and Shashi Kapoor. She loved a poet played by Big B, but had to marry Shashi Kapoor. The poetry of Big B created a great impact in the life of Rakhee. The songs of Mukesh and Lata composed by Khayyam in the film including “mai pal do pal ka shayar hoon” and “kabhi kabhi mere dil me” made the viewers spellbound. Rakhee acted in many landmark films opposite Big B including Shakti Shamanta’s Bengali film Anusandhan, hindi film Barsaat Ki Ek Raat, Kala Patthar, Kasme Wade, etc. In the early 80s Rakhee played the role of her lifetime opposite Dilip Kumar in the film Shakti. She played the role of the mother of Big B, who faced the hostility between Dilip Kumar and Big B, one being the protector of law, while the other being the lawbreaker. The scenes where she praised her law-abiding husband her performance had outcast Big B, and viewers said that Rakhee’s performance was as brilliant as Dilip Kumar in Shakti. The film became super hit. She was brilliant in the film Shaan. She played the role of the wife of Sunil Dutt. After the death Sunil Dutt, her small interaction with Shashi Kapoor and Amitabh Bacchan, who were the brothers of Sunil Dutt in the film, had shown the class of acting of Rakhee. Rakhee by that period of time created her own class in character roles. She was outstanding opposite Suresh Oberoi in the film Shraddhanjali. In the 90s, Rakhee played many character roles in films like Anil Kapoor’s Ram Lakhan, Shahrukh Khan and Salman Khan’s Karan Arjun, Bobby Deol’s Soldier, to name a few. She had acted in more than 100 films and continues to act in many contemporary films. Rakhee had also acted in many character roles and challenging roles. Her performance in Aparna Sen’s film Parama requires special mention. She had affair with a middle-aged neighbour. When the truth relating to her extra-marital affair was known to her husband, she lost her value in the family. She showed the helplessness in the respective story. She had performed in both commercial films and parallel cinema and in both forms of films she had kept a mark. She was sublime in the other Bengali film Shubha Maharat. The viewers expect her to continue the good work in the years to come.

Happy birth anniversary to gorgious icon Sri Devi.

Happy birth anniversary to gorgeous icon Sri Devi. The viewers of bollywood films wish happy birth anniversary to gorgeous icon and evergreen actress Sri Devi on 13th August, 2018. It was very sad that she died in 2018, during attending a marriage in Dubai. She was the most dominating figure in bollywood films in the 80s. Her excellent dancing skills gave her an edge over other actresses of that period. In 2013 her film English Vinglish received awards in IIFA awards in Macao. Her director received best debutant director award. She was brilliant in the film Himmatwala opposite Jeetender. The film was a South Indian production which was released in the early 1980s and the dancing skills of both Sri Devi and Jeetender mesmerized the viewers. The music of the film was also very popular. Sri Devi got a landmark role in Feroz Khan’s film Jaanbaaz. She played the role of the wife of Jeetender who was given drugs forcefully by Shakti Kapoor, Raza Murad and their men. She died due to consumption of the drugs. Feroz Khan along with Anil Kapoor took revenge against her brutal killing. Sri Devi’s combination with Anil Kapoor was appreciated by the viewers of the 80s. Their film Mr. India, directed by Shekhar Kapoor became everlasting hit. Sri Devi displayed her comedy skills as against the innocent performance of Anil Kapoor in the film. Anil Kapoor’s device for becoming invisible amazed the viewers. Amrish Puri was matchless in his performance in the role of Mogambo. Sri Devi’s dance number opposite Anil Kapoor in a blue dress during a rainy day haunted many youngstars of the 80s. Big B acted in many films opposite Sri Devi including Inquilab, Akhree Rasta and others. Most of those films ended up being blockbusters. In Akhree Raasta she had show her mettle opposite another South Indian beauty Jaya Prada. Her performance was as good as Jaya Prada, and both the actresses justified their selection opposite Megastar Big B. Sri Devi gave many hits opposite Rishi Kapoor including Yash Rash film Chandni. In Chandi, Sri Devi looked gorgeous. Rishi Kapoor was considered to be most romantic actor of the 80s. Sri Devi had the challenge of matching him in a Yash Raj film, where shooting is done in Switzerland and costly dresses are used for the stars. Sri Devi rose up to the occasion and got the viewers flabbergasted with her performance. Even then viewers considered Anil Kapoor the best combination opposite Sri Devi. Their superhit films included Laadla, Lamhe, Roop Ki Rani Choron Ka Raja, and others. Sri Devi had a fantastic career in South Indian films as well. Her performance in films opposite Rajnikant and Kamal Hassan became super hit in the 8os. She acted in hit bollywood films opposite Rajnikant like Chaalbaaz where she played a double role. She was excellent in the film Sadma opposite Kamal Hassan. Her abnormal acting which was required in the role and later on a different behavior really made the viewers spellbound. The music composed by Illaiyaraja was exceptional, with the song “surmaiy ankhyonme” becoming smash hit. With the domination of Madhuri Dixit in bollywood films in the 90s, Sri Devi faded away from the film arena. Besides she added weight after marrying Boney Kapoor and giving birth to her daughter. Although viewers cannot expect the same glamour and charm of Sri Devi in her late 30s, yet they want her presence in bollywood films, as lot of acting is still left in her. The viewers expect her daughter to be equally successful like her mother.

Happy birthday to Suresh Wadkar.

Happy birthday to Suresh Wadkar The viewers of bollywood films and listeners of bollywood music wish happy birthday to Suresh Wadkar on 7th August, 2018. Singer and music trainer Suresh Wadkar is a musical genius and a living legend. In 2011 he received national award for the song in the film Mee sindhutai sapkal in Marathi. In 2012 he sang song in the film Yeh Khulla Aasman. Born in 1954, he took musical training from Acharya Jialal Vasant from the age of eight years. Acharya Jialal Vasant gave him the task of teaching vocal classical to a pupil when Suresh Watkar was at the age of 13 years. From that time onwards Suresh Wadkar had remained one of India’s great learning institutions. Acharya Jialal Vasant in interviews had confessed that he got a torch bearer in the form of Suresh Watkar who could travel a distance. Suresh Wadkar got his Prabhakar degree and joined Arya Vidya Mandir in Mumbai as music teacher. He got music schools both in Mumbai, Suresh Watkar Ajivasan Music Academy, and also music school in New Jersey, New York. He won the Sur Singar Competition in 1976, where Jaidev was one of the judges. Jaidev gave break to Suresh Wadkar in the film Gaman in 1977 with the song “seene me jalan”. Suresh Wadkar stormed bollywood with his majestic singing in Raj Kapoor’s film Prem Rog in 1982. The music was composed by Laxmikant Pyarellel. He received filmfare nomination for the best singer for splendid performance in the songs “mai hoon prem rogi” and “meri kismet tu”. The film did excellent business and the music became super hit. From that time Suresh Watkar never looked back. In Sekhar Kapoor’s film Masoom released in 1983, Suresh Wadkar was brilliant in the song “huzur is kadar na itrake chaliye” along with ghazal singer Bhupinder Singh. It was composed by RD Burman and was a masterpiece. In the film Sadma in 1983, composer Illayaraja composed two brilliant songs for Suresh Wadkar, “ay zindagi gale laga le” and “yeh hawa yeh fiza”. Suresh Wadkar continued his dream run in the film Utsav. Laxmikant Pyarellal composed brilliant songs for Suresh Wadkar namely “mere man baja mridang” and “sanjh dhale gagan tale”. Composer Ravindra Jain used Suresh Watkar in Raj Kapoor’s film Ram Teri Ganga Maili, where all the songs of Suresh Watkar were smash hits. RD Burman used Suresh Wadkar very well in the Parinda for landmark songs like “tumse milke” and “pyar ke mod pe”. Suresh Wadkar stormed bollywood again with RK film Henna in 1991, where all his songs composed by Ravindra Jain were masterpieces. He showed his classical excellence in Gulzar’s landmark film Lekin, in the song “surmai sham”. It was composed by Hridaynath Mangeshkar. Suresh Wadkar went on singing masterpieces in films like Premgranth, Maachis, Satya, Hu Tu Tu, Omkara, Saat Khoon Maaf. His dream run is still one. One article is too small to highlight the greatness of the versatile genius Suresh Wadkar who had contributed in the musical arena of India for more than 40 years. His admirers all over the world want him to continue the high class of classical singing and his music teaching in the years to come.

Upkar, Ram Aur Shyam were the biggest blockbusters of 1967.

The biggest blockbusters of 1967. In 1967, different types of films were released in India with different storylines. While there were social films like Milan, but also there were other films like An Evening in Paris, where the entire film was shot in foreign location. The biggest blockbuster of the year was Upkar. Manoj Kumar played a village man 'Bharat', who sacrificesd everything to get his brother educated. His brother Puran (Prem Chopra) went abroad and came back a selfish man wanting his share of the property. But when India started a war with Pakistan, Bharat decided to enlist and head to the border; while his selfish brother, with the help of his greedy uncle, Charandas(Madan Puri) and some partners, tried to gain profit by selling drugs and black marketing in the market. In the end, Bharat returned as a demoralized soldier having lost the war and his brother repented as he was caught by the police (by the brother-in-law of Bharat). Hence, he vowed to be a good & hardworking brother just like his Indo-Pak war veteran brother Bharat. The movie also starred Asha Parekh as a doctor promoting family planning, Kamini Kaushal and Pran in his first positive character role. Madan Puri played the main villain with ease, full ability, and command. The film won several major awards. Manoj Kumar won the film award for the best director of the film. Mahendra Kapoor won the national award for best singer for the song “mere desh ki dharti”. The 2nd biggest blockbuster of the year was Ram Aur Shyam. This was the first double role of tragedy king Dilip Kumar. Ram (Dilip Kumar) lived with his sister Sulakshna (Nirupa Roy) and niece Kuku in his family estate. His brother-in-law Gajendra (Pran) looked after his factories and controlled his property with an iron hand. Ram was shy and coward in nature. He was always abused and brutally beaten by Gajendra. Sulakshna and Kuku tried to protect Ram from Gajendra whenever he whipped Ram. Everybody decided to get Ram married for his well being. Gajendra found a rich girl Anjana (Waheeda Rehman) with the aim of getting a huge dowry. Anjana disliked Ram after he spilled tea over her due to nervousness. Gajendra angry at Ram's behaviour, conspired with the support of his mother and cunning Munimji to kill Ram and take over his property. Ram overheard this and escapes to the city to save his life. Meanwhile, Ram's long lost twin brother Shyam (Dilip Kumar) lived in a village with his adopted mother Ganga whom he believed to be his birth mother. No one other than Ganga knew the truth about the twin brothers. Shyam was strong, brave and mischievous, unlike his brother. He had a love hate relationship with Shanta (Mumtaz). Shyam escaped to the city, after a mischievous conflict with Ganga, and met Anjana, who was impressed by his personality. Anjana and her father confused Shyam with Ram. Ram met Shanta who thought he was Shyam and took him forcefully to his mother. Ram and Shanta developed feelings for each other. Meanwhile, Shyam decided to take the place of Ram to face Gajendra. Shyam refused to sign his property after which angry Gajendra attacked him. Shyam retaliated and whipped Gajendra hard, shocking everybody. Sulakshna stopped her brother to protect her husband. Gajendra was startled after being beaten up by Shyam, whom everybody believed as Ram. Shanta and Anjana met and both claimed the picture of Ram as their fiancé. Gajendra learned that Shyam has taken the place of Ram. He abducted Ram and Shanta, and planned to kill Ram. He framed Shyam for the murder of Ram though Ram was alive. Shyam was arrested by police. Anjana and her father learned from Ganga that Ram and Shyam were twin brothers lost in a village fair. Shyam escaped from police custody and battled Gajendra and his henchmen. Gajendra tried to shoot them but both the brothers and Shanta manage to defeat him. At the end twin brothers were happily married and the family reunited. As usual the Naushad Ali, Rafisahab, Shakeel Badayani magic worked for Dilip Kumar and all the songs like “aaj ki raat mere”, “ayi hai bahar mite zulmo sitam”, “mai hoon saqi tu hai sharabi sharabi”, became super hit. Many films were later made with same storyline like Sita Aur Geeta, Chaalbaaz, etc. The 3rd biggest hit film was Farz. It was 1967 Hindi spy thriller film produced by Sunderlal Nahata Dundi on Vijaya Lakhshmi Pictures banner and directed by Ravikant Nagaich. The film starred Jeetendra and Babita in lead roles and music composed by Laxmikant Pyarelal. Jeetender’s career took a big turn with the success of the film. LP’s music for Rafisahab became bumper hit like “tujhse o haseena”, “baar baar din yeh aye”, “mast bahaaro ka mai aashiq” to name a few. The 4th biggest hit film was Humraaz. It was a 1967 Hindi film of the suspense thriller genre, produced and directed by B. R. Chopra, and written by Akhtar ul Iman. The film starred Sunil Dutt, Raaj Kumar, Mumtaz, Vimi, Sarika, Madan Puri, Iftekhar, Balraj Sahni, Jeevan and Helen. The film's music was composed by Ravi, while the lyrics were penned by Sahir Ludhianvi. Mahendra Kapoor received filmfare award for best singer for his song “neele gagan ke tale”. The 5th biggest hit film was Shagird. is a 1967 Indian Bollywood comedy film directed by Samir Gunguly. The film starred Joy Mukherjee and Saira Banu in lead roles. The LP Rafisahab magic worked in this film also with the songs “duniya pagal hai”, “bare miya deewane”, “wo hai zara khafa khafa” becoming big hits.

Happy birthday to you superstar Vaijayantimala.

Happy birthday to superstar Vaijayantimala. Happy birthday to Vaijayantimala. The viewers of bollywood films wish happy birthday to dancing queen Vaijayantimala on 13th August, 2018. She had ruled bollywood films during the 50s and 60s, during an age when muslim actresses like Nargis, Madhubala, Meena Kumari rocked silver screen. She was the first South Indian actress to create a sensation in bollywood films and paved the way for other South Indian actresses to follow like Hema Malini, Sri Devi, Jaya Prada, Meenakshi Sheshadri, and others. There was no successful actor of the 1950s and 1960s, who did not act opposite Vaijayantimala. The list is very long ranging from Dilip Kumar to Raj Kapoor, Rajender Kumar to Shammi Kapoor, Dev Anand to Pradip Kumar, Joy Mukherjee to Uttam Kumar. In 2013, she received the lifetime achievement award too for her immense contribution in Bollywood films. Her online chemistry with Tragedy King Dilip Kumar created history in bollywood. Most of their films including Devdas, Naya Daur, Madhumati, Paigham, Ganga Jumna, Leader, Sunghursh ended up being blockbusters. Besides dancing, she was sublime in the role of a tawaif in Bimal Roy’s film Devdas, in the role of village girl in Bimal Roy’s Madhumati. Vaijayantimala used to do a lot of homework also in respect of her role. When she was awarded best supporting actress award in filmfare for her performance in the film Devdas, she did not receive the award. She said after reading the literature of Sarat Chandra Chatterjee, she found that Chandramukhi, the character she played, was equally a heroine as Parvati. Probably Madhumati, released in 1958, marks the best performance of Vaijayantimala in her entire career. Her innocence reflected in her acting and she made the audience spellbound with the lips given in songs composed by Salil Choudhury including “aa ja re pardesi”, “ghari ghari mera dil dharke”, “daiya re daiya re”, etc. She received the filmfare award for the best actress for the brilliant performance in the film. On one hand she was brilliant opposite Dilip Kumar, on the other hand she created sensation with Raj Kapoor as well. Their film Nazrana did mediocre business. But Sangam, released in 1964, was probably one of the biggest hits of Raj Kapoor in his entire life. Vaijayantimala’s stylish performance opposite both Raj Kapoor and Rajender Kumar created a benchmark which could hardly be reached. Sangam still remains one of the most landmark films based on triangular love story shot at exotic locations in London, Paris, and other European countries. Shankar Jaikishan was matchless in Sangam. The acting performance of Vaijayantimala was excellent and she received the filmfare award for the best actress once again. The last scene where Vaijayatimala questioned both Raj Kapoor and Rajender Kumar about deciding about her life, had become a trend-setter. She justified the fact that she had affair with Rajender Kumar, but from the time she married Raj Kapoor, she fulfilled all the responsibilities of a hindu wife. She had been followed by numerous actresses of the following period in similar roles. In the 60s, Vaijayantimala was matchless. Her name was enough to make any film hit. The list of her hit films include Nagin opposite Pradeep Kumar, Suraj opposite Rajender Kumar, Amrapali opposite Sunil Dutt, Prince opposite Shammi Kapoor, Choti Si Mulakat opposite Uttam Kumar, Jewel Thief opposite Dev Anand, Pyar Hi Pyar opposite Dharmender, to name a few. In fact her combination with Rajender Kumar and Shankar Jaikishan created sensation in the 60s. All their films ended up being silver jubilees including Aas Ka Panchi, Suraj, Sangam, Zindagi, etc. Her lips in landmark songs like “kaise samjhayun bai na samajh ho”, “itna hai tujhse pyar mujhe meri raazdaar”, “o mere sanam”, “titli uri” had become immortal over a period of time. Besides her standard of classical dancing in films like Katputli or Amrapali had created interest among viewers to appreciate aesthetic dance numbers which became an art in due period of time. Her films should be restored and preserved.