Happy birthday to dancing legend Aruna Irani.
The viewers of bollywood films wish happy birthday to dancing legend Aruna Irani on 3rd May, 2014. She had made her debut as a child actress in the film Ganga Jamuna in 1961. She played the role of the smaller version of Azra in the film. She played similar roles in films like Jahanara in 60s.
But her fantastic dancing skills launched her in super hit films like Farz which was released in 1967. She danced opposite Jeetender in the film Farz in Rafi’s song “mast baharon ka mai aashiq”, and that cemented her career in bollywood films. After that she got dance-based roles one after the other in bollywood. But due to comedy pairing with Mehmood in films like Humjoli, she got roles in the range of vamps rather than frontline heroines. She was brilliant opposite Mehmood in the Jeetender starrer Waarish in 1968. The music of RD Burman was brilliant with Rafi’s hit songs like “ek bechara pyar ka maara”.
She amazed the viewers with the role of a gypsey woman in Jeetender’s film Carwan released in 1971. Her dance number in the song “dilbar” sung by Lata Mangeshkar and “chadti jawani” sung by Mohammad Rafi had shaken up bollywood in the early 70s. Her dancing skills were used to perfection by Showman Raj Kapoor in the film Bobby especially in Shailendra Singh’s song “mai shayar to nahin”.
Her successful films in 70s and 80s includes Khel Khel Me, Buddha Mil Gaya, Laila Majnu, Ek Nari Ek Brahmchari, Qurbani, Sargam, Rocky, Love Story, etc. In negative characters in films like Qurbani she had amazed the viewers. From late 80s, she switched to character roles and became one of the leading actresses in that field. She received filmfare award for the best supporting actress for her brilliant performance in Madhuri Dixit’s film Beta.
Her brilliant performance in films like Raja Babu, Ghulam-e-Mustafa, Kartavya, had created a separate place in the hearts of millions of filmlovers. Viewers got astonished to realize how an able dancer in her teenage, had transformed into a brilliant character artist who could do any type of role starting from comedy acting to serious roles to roles of negatives characters.
She should have won many more filmfare awards for epic performances in films like Bobby, Qurbani, Haseena Maan Jayegi. She also played notable role in Priyadarshan’s film Khatta Meetha released in 2010.
She also had received filmfare lifetime achievement awards. She said that she knew nothing. Dilip Kumar brought her to the beautiful world of bollywood. She learned everything and was indebted to the viewers for their love and affection. It was her humility which spoke out and made everyone enchanted. The viewers expect the veteran of more than 300 films to continue the great work that she started 40 years ago.
Due to heroics of Arjun Kapoor and Alia Bhatt the film 2 States already did business of 65 crores.
The film 2 States had not been a film of superstar Salman Khan or Shahrukh Khan. So the expectation of the film in the box-office was not great. In 2014, Salman Khan’s Jai Ho did business of 115 crores. Gunday did business of 70 crores. After that there has not been any film to cheer about in the box-office. 2 States had already done 65 crores business in the first week. The film is going strong.
The credit goes to the realistic acting of Arjun Kapoor and Alia Bhatt and other co-artists of the film. The film is based on rich literature of Chetan Bhagat. The film had been directed by Abhishek Varman. It had been produced by Karan Johar and Sajid Nadiawala. Shankar Ehsaan Loy composed the music of the film.
In the film it had been shown that Arjun Kapoor was a Punjabi. He was the son of Amrita Singh and Ronit Roy. He met Alia Bhatt in the IIM Ahmedabad Mess for the first time. He fell in love with her. In his own house there was no peace. Arjun’s father Ronit Roy was expelled from the Indian army. From that time he used to return back home well drunk. He used to break glasses at home and shout at his wife Amrita Singh. For lack of peace at home, Arjun Kapoor stopped communicating with his father.
Alia Bhatt came from a Tamil family of Chennai. Her father Shiv Kumar Subhramanium and mother Revathi expected her to marry a traditional Tamil. Arjun Kapoor after passing out purposely took a posting in Chennai in Yes Bank, so that he could impress Alia Bhatt’s parents. He helped her father to create power point presentation. He gave an opening to her mother in singing in annual function of Yes Bank.
The story of the film is related to convincing the parents of Alia and Arjun Kapoor about the marriage. Through the film it has been shown still the cultural differences exist in India. It is not easy to bridge the gap which happened in the film.
The performances of Ronit Roy, Alia Bhatt, Arjun Kapoor, Amrita Singh, Revathi and others were excellent. The music of Shankar Ehsaan Loy was brilliant. Especially the song of Arijit Singh and Chinmayi Sripada titled “mast magan” was really impressive.
It is great that the film had done business worth 65 crores. It will definitely cross 80 crores business which is a big landmark for a medium budget film.
Great composer Shankar Singh Raghubvanshi is remembered on his death anniversary on 26th April, 2014. He was one of the genius composers of the famous duo Shankar Jaikishan. In the 1940s, 1950s and 1960s a number of composers dominated Bollywood films. Naushad Ali, Roshanlal Nagrath, Madanmohan Kohli, OP Nayyar, all had the class of their own. Shankar Jaikishan composed music in almost 195 films in that golden age.
One of the great reasons of Shankar Jaikishan’s huge success was due to the great combination with immortal singer Mohammad Rafi Sahab. If Rafi’s stylish andaz relating to westernized compositions are adequately it is Shankar Jaikishan who had used it to perfection. They had used Rafi for singing romantic songs with Japanese orchestration in Love in Tokyo, released in 1966 including songs like “aja re aa zara aa”, “Japan, Love in Tokyo”, “ o mere shahekhuba”, etc. In Biswajeet’s April Fool, released in 1964 SJ’s composition for Rafi including “aa gale lag ja” had westernized background. At the same time Rafi’s song “tumhe chaha” with Suman Kalyanpur was a great rendition in pensive mood.
SJ’s composition for Rafi in Shammi Kapoor’s An Evening in Paris, in 1967, like “akele akele kahan ja rahe ho”, “raat ke humsafar”, had loud French music with echo effect and Rafi’s intonation was also westernized. Shankar Jaikishan gave a completely different style of music to Rafi in Rajender Kumar’s Aarzoo, released in 1965 with songs like “aji ruth kar ab”, “chalke teri aankho se”, “ai nargisi mastana”, etc.
SJ had given songs addressing children to Rafi including “nanne munne bache teri mutthi me kya hai” in Boot Polish which was produced by Raj Kapoor and released in 1954, “hai na bolo bolo”, “re mamma re mamma re” in Shammi Kapoor’s Andaz, released in 1971 and “chakke p chakka” in Brahmchari, in 1969. Rafi pronounced the words with childish accent and SJ used the orchestration to attract children.
There were ghazals also given by SJ for Rafi including “rukh se zara nakab”, “kya kya na kahe” in Jeetender’s Mere Huzoor, “unke khayal aye to” in Raj Kumar’s Lal Patthar, “saaze dil ched de” in Pradeep Kumar’s Rajhaath, etc. Besides SJ’s creation involving Rafi in somber mood had created great impact including songs like “teri zulfon ki judai to nahi maangi thi” in Dev Anand’s Jab Pyar Kisi Se Hota Hai, “ehsaan tera hoga mujhpar” in Shammi Kapoor’s Junglee, “yaad na aye” in Rajender Kumar’s Dil Ek Mandir.
Shankar Jaikishan had used Rafi’s classical andaz in the songs “radheke tune bansoori churai”, “ajahu na aye”, etc., and combined the ragas with devotional andaz. SJ ha given music in almost 200 films within the span from 1949 to 1971, and at least each year they composed music for approximately 10 films. As Rafi was given predominance over other male singers SJ had use him in regular intervals even without doing injustice to Mukesh, Manna Dey, Kishore Kumar, Talat Mehmood and others. Songs like “kaun hai jo sapno me aya” from Jhuk Gaya Aasman, “to bura maan gaye” from Ayee Milan Ki Bela, “yeh ankhen” from Jab Pyar Kisi Se Hota Hai, “tujhe jeevan ki dor se” from Aasli Nakli, “dheere dheere chal” from Love Marriage, “badan pe sitaren lapete hue” from Prince, “mai kahin kavi na banjayun” from Pyar Hi Pyar, “mai gayun tum so jao” from Brahmchari, had not lost their flavour even 40 years after their creation due to sheer brilliance of Shankar Jaikishan. It is really tragic neither Shankar Jaikishan had received the accolades that they deserved nor Rafi’s association with them had been glorified but history says that the combination of Rafi with Shankar Jaikishan had produced invaluable creations which had become immortal over the period of time.
Happy birthday to Mamta Kulkarni.
The viewers of bollywood films wish happy birthday to Mamta Kulkarni on 20th April, 2014. She played very significant roles in the films of 90s. She was given prominent roles in successful bollywood films during that period.
Rakesh Roshan gave a significant role to Mamta Kulkarni in the film Karan Arjun. She was the wife of Salman Khan in the film. Both Salman Khan and Shahrukh Khan were shown to have two lives. In their first lives they were tortured and killed by Amrish Puri. In their second life they were born at other places but came to Rajasthan to stop the illegal activities of Amrish Puri and his men. Mamta Kulkarni and Kajol contributed with their respective roles along with Rakhee, who had the prominent part in the film. Although the film was related to superstitious beliefs, Rakesh Roshan succeeded in entertaining the audience and the film ended up being big hit. Mamta Kulkarni was cast opposite Salman Khan in the film Karan Arjun, while Kajol was cast opposite Shahrukh Khan.
Mamta Kulkarni got the role of her lifetime in Raj Kumar Santoshi’s film China Gate. She was the relative of Om Puri who called him up to rescue the villagers from the rule of dacoits in the region. Om Puri was a retired major, who left the armed forces after one of their missions failed. Om Puri called all his friends who worked in the last mission, including Amrish Puri, Naseeruddin Shah, Danny, Tinu Anand, Jagdeep , etc., and formed a team to combat the dacoits. Mamta Kulkarni kept the retired military officers in her house and provided them food and amenities during their stay. The dacoits created pressure so that Mamta Kulkarni would have asked the military officers led by Om Puri to go way. She did not do so. The police office in that jurisdiction Paresh Rawal conspired with the dacoits and betrayed the military officers. But ultimately the military officers under the leadership of Om Puri succeeded in killing the dacoits and bringing peace within the village. The film was off-beat in nature and Mamta Kulkarni showed her acting skills in the film.
Her other successful films also included Krantiveer, where she acted opposite Atul Agnihotri. Nana Patekar and Dimple Kapadia had the main roles in the action film, but Mamta Kulkarni showed her frustration after she came to know about her father being involved in the gang of lawbreakers who were responsible for riots and other destructive activities. The film was related to corruption existing in society which included the police officers, judges, the executive and politicians.
After the late-90s all of sudden Mamta Kulkarni left bollywood films. Viewer remember her both in glamourous and non-glamourous roles. Now that she had attained age, she can contribute in character roles. The viewers expect her to make a comeback in recent bollywood films and entertain the viewers once again just like the way she entertained the viewers in the films of the 90s.
Dulal Lahiri, his wife, Dwijen Banerjee and others stormed Zee Bangla Tumi Je Amar.
On 22nd April, 2014, Prasenjit Chatterjee and Rachana Banerjee, the anchors of the program Zee Bangla Tumi Je Amar, invited a number of celebrities with their wives. The celebrities included Gautambabu and his wife, Dulal Lahiri and his wife, Dwijen Banerjee and his wife, and others.
There were a number of rounds in the show including Saat Pake Bandha round, Kalratri round, Fulsojja round, etc. In the Kalratri round, three songs were played before Dulal Lahiri. All the 3 songs were related to royal Bengal jalsha, including Manna Dey’s song “behag Jodi na hoy raji” in Uttam Kumar’s film Dui Purush, Manna Dey’s song “hajar takar jharbatita” in Uttam Kumar’s film Stree, and Manna Dey’s song “kaharba noy dadra bajao” in Uttam Kumar’s film Sanyasi Raja. Both Dulal Lahiri and his wife chose “behag Jodi na hoy raji”.
Prasenjit Chatterjee and Rachana Banerjee asked Dulal Lahiri’s wife, isn’t she sick of seeing her husband playing villainish roles one after the other for the last 30 years in Bengali films. She said she was used to it, but Dulal Lahiri’s mother used to feel bad whenever the hero was supposed to beat Dulal Lahiri in the films. 3 scenes from the films of Prasenjit Chatterjee were shown. Dulal Lahiri and his wife were asked which one out of them would Dulal Lahiri want to act in. He said the film was Bikram Singha.
Gautambabu’s wife was asked which shirt he did wear when he first came to see her. She said it was a blue shirt which was a right answer. Dwijen Banerjee and his wife were also asked about their experiences of married life.
In the Foolsajja round, all the husbands were send to a golokdhanda (bhoolbhulaiya) from where they had to bring an ornament for their wives. They faced all the actors in the that golokdhanda, including Subhashish Mukherjee, Palash Adhikari, Fatik Purokayet and others. Prasenjit Chatterjee and Rachana Banerjee handled the celebrities very well.
The viewers of bollywood films wish happy birthday to Moushumi Chatterji on 26th April, 2014. Moushumi Chatterji, the Bengali actress acted both in Bengali and hindi films and showed her skills in both of them. She acted in the Bengali film Balika Badhu, where the film was based on child marriage and impressed the directors and producers with her performance.
From that time she ventured in Bombay and tried her luck in bollywood industry. Her film Anurag opposite Vinod Mehra became super hit. She played the role of a blind girl and got appreciation of the crowd. The songs in the film became very successful including songs like “woh kya hai” sung by Rafi. SD Burman composed the music of the film.
She acted in action films like Goutam Govinda. The film was related to the story of Shashi Kapoor, a police officer who came to the village and trained all the rustic villagers the manner of self-defense. Shatrughun Sinha was his own brother, which was disclosed at the end of the film. Moushumi Chatterji showed her humour in the respective role. Moushumi also acted in suspense-thrillers like Benaam, opposite Big B, where there the anxiety relating to the kidnapping of her son was at issue. She expressed her feelings very well in the film.
She was brilliant in the film Manzil Manzil, opposite Big B. It was the remake of Mrinal Sen’s Bengali film Akash Kushum. Akash Kusum was based on the story relating to Soumitra Chatterji presenting a false story about himself before Aparna Sen with the help of his friend Shubendu Chatterji. In the hindi version also the story line was not changed. Moushumi Chatterji’s smile had a beauty of its own which she expressed in majority of films in style.
While acting in a number of bollywood films, she stormed Bengali films with her performance in the super hit film Ogo Bodhu Sundari, opposite Bengali superstar Uttam Kumar. The film was released in 1980. The story was based on how Uttam Kumar, an academician brought a girl from the streets and taught her literature. Moushumi expressed the difficulty of forgetting her rustic language which she adopted from the environment she came from and learning the new language. The music given in the film by Bappi Lahiri became super hit. Songs like “ami ekjon shantoshisto”, “shudhu tumi nou obolakanto”, etc., sung by Kishore Kumar became super hit. It was incidentally the last film of Mahanayak Uttam Kumar.
Her comedy conception was used by Gulzar and other directors very successfully. Her film Angoor opposite Sanjeev Kumar showed her comedy skills. The film was based on Uttam Kumar’s film Bhranti Bilas and had similarity with Shakespeare’s play Comedy of Errors. Sanjeev Kumar played the double role in Angoor that was played by Uttam Kumar in the Bengali film Bhranti Bilas, while Moushumi Chatterji played the role of his wife which was played by Sabitri Chatterji in the Bengali film. The two brothers were identical twins and Moushumi Chatterji got confused with her own husband and his brother. Deven Verma played a double role along with Sanjeev Kumar as his servant.
Her other successful films included Pati Patni Aur Woh, opposite Sanjeev Kumar, Ghayal, as the sister-in-all of Sunny Deol and many other films. Even she had acted in landmark Bengali films like Kori Diye Kinlam based on the epic novel of Bimal Mitra. In 2013, she had acted in successful Bengali film Gainar Baksho. She had acted in the role of a widow who died and the spirit of the widow tortured the other women in the family. She acted with Konkona Sen Sharma and Srabanti Chatterjee in the film. The viewers expect Moushumi to contribute in character roles in bollywood films in future.
Happy birthday to Lara Dutta.
The viewers of Bollywood films wish happy birthday to Lara Dutta on 16th April, 2014. April is the birthday month of Lara Dutta. Lara Dutta is perhaps one of the most underrated actress of bollywood films in recent years. She possessed same amount of talent like that of Priyanka Chopra, yet could not attain the level that Priyanka attained within the short time. During the month of her birthday, viewers wonder whether Housefull could have brought back the stardom of the attractive actress from 2011 onwards.
She started her career with Priyanka and Akshay Kumar in Andaz and showed a lot of promise. But after doing great job in films like Bardasht opposite Bobby Deol, Zinda opposite Sanjay Dutt, Bombai Se Aya Mera Dost with Abhishek Bacchan, some way or the other lost focus.
She was also not as lucky in respect of bagging important roles like Priyanka Chopra. She showed her standard of smartness and comedy instincts in films like No Entry and Partner.
No Entry is probably one of the greatest hits of Lara Dutta till now. She balanced the comedy instincts of Anil Kapoor and did outcast Bipasha Basu, Celina Jaitley and Esha Deol in the film. Her lips in the main songs in the film were also appreciated.
She was sublime in Partner opposite Salman Khan. Her lips in the songs “maria maria” and others did attract the viewers. Her acting was equally realistic. In 2009, she even showed her daring nature in accepting a role of village girl opposite Irfan Khan in the film Billu Barber. She acted hardly without any make up and brought out the innocence of a village girl in the film.
Lara Dutta acted in the film Don 2 last year but that also did not make huge difference in her career. Besides she had acted with Katrina Kaif, the reigning queen of bollywood in the same film. But inspite of her performance opposite her in that film being appreciated by the viewers, Blue was considered the biggest flop of Akshay Kumar and bollywood films released in 2009. After huge amount money being spend in underwater shooting the viewers could not appreciate the great pains taken by the entire team of Blue.
After she got married she had not been serious about films. Let us hope that Lara Dutta retains her popularity and provide stiff competition to Priyanka Chopra and Katrina Kaif in future.
Biswajeet Chakravarty and his wife, Subhadra, Manasi and others stormed Zee Bangla Tumi Je Amar.
On Poila Boishaksh, 15th April, 2014, the first day of Bengali new year, Prasenjit Chatterjee and Rachana Banerjee called the celebrity couples in the program Zee Bangla Tumi Je Amar. The celebrities included Biswajeet Chakravarty and his wife, Subhadhra Chakravarty and her husband Firoz, Manasi Sinha and her husband Shankha Sinha, and others.
There five different rounds of Zee Bangla Tumi Je Amar Program including Shubho Drishti, Saat Pake Bandha, Kal Ratri, Phool Sajja and Amar Sangi. In one of the rounds Biswajeet Chakravarty was asked the question which actor’s role would he had loved to play between Chabi Biswas, Kamal Mitra and others. He said he would have loved to play the character of Chabi Biswas. No other actor had played the role of father better than Chabi Biswas.
In the Saat Pake Bandha round Shubhadra Chakravarty danced in the song number “samundar me nahake aur bhi namkeen ho gayi ho”. She danced with her husband Feroz. In the Kalratri round Feroz was asked about which Bengali dish he liked the most. Both Feroz and Shubhadra Chakravarty said it was Sorshebata Ilish.
In the Kalratri round, Shankha Sinha was asked which of the cold drinks he liked the most. Both he and Manashi Sinha said it was nimbu pani. Her husband was not very fond of different types of juices.
In the Foolsajja round, the celebrities were required to search an ornament from a bhoolbhulaiya. Palash Adhikari who played the role of the mother in law said that how come Shubhadra Chakravarty instead of selecting heroes as life partner selected Feroz? Fatik Purokayet told Biswajeet Chakravarty that once his wife said that there was a quarrel going on in the neighbourhood. His wife asked Biswajeet Chakravarty to solve the problem. He said he went to find solution. But the quarrel started from the time he intervened.
Prasenjit Chatterjee and Rachana Banerjee anchored the program very well. As it was Poila Baishakh, the celebrities were given sweets as well.
Remembering Hasrat Jaipuri, Shankar Jaikishan and Rafi on the birthday of Hasrat Jaipuri.
17th September is remembered as the death anniversary of eminent poet Hasrat Jaipuri. 15th April is celebrated as the birthday of great poet and lyricist Hasrat Jaipuri. Renowned poet and lyricist Hasrat Jaipuri was born on 15th April, 1922 as Iqbal Hussain. In 1940, Hasrat Jaipuri came from Jaipur to Mumbai. Prithiviraj Kapoor heard him in a mushaira and recommended him to Raj Kapoor when he was making the film Barsaat.
The epic combination of Hasrat Jaipuri and Shankar Jaikishan started from Barsaat. The first 2 songs written by him became super hit namely “jiya beqarar hai” and “chor gaye balam”. The pen of Hasrat Jaipuri glorified RK Films and other bollywood films for the next 30 years.
Rafi, SJ and Hasrat Jaipuri was an equally brilliant combination like Shailendra, SJ and Rafi. Hasrat’s song sung by Rafi titled “teri teri pyari pyari surat ko” in Rajender Kumar’s film Sasural became super hit. In Shammi Kapoor’s Junglee almost all the songs sung by Rafi became immortal hits. In that list, Hasrat’s song “ehsaan tera hoga mujhpar” touched the souls of music lovers all across India. The song was sung by Rafi and Lata and both the versions were very melodious.
Hasrat’s lyrics for Rafi “tum mujhe yu bhula na paoge” became super hit in the late 60s. It was composed by SJ for Shammi Kapoor in the film Pagla Kahin Ka. Hasrat’s song “ajahu na aye balma” in the film Saanjh Aur Sawera was a sensational song. Rafi exhibited his classical andaz and tune of Shankar Jaikishan was excellent by every musical yardstick. Hasrat Jaipuri received the filmfare award for the best lyricist for Rafi’s song “baharon phool barsao” in Rajender Kumar’s film Suraj.
Rafi’s other songs written by Hasrat Jaipuri and composed by SJ included “unke khayal aye to” in Raj Kumar’s Lal Pathar, “badan pe sitare lapete hue” in Shammi Kapoor’s Prince, “awaaz deke hume tum bulayo” in Shammi Kapoor’s Professor, “aji ruuth kar ab” in Rajender Kumar’s Aarzoo, “dekha hai teri aankho me pyar hi pyar beshumar” in Dharmender’s Pyar Hi Pyar, “dhire dhire chal chand gagan me” in Dev Anand’s Love Marriage, “rukh se zara naqab uthalo” in Jeetender’s Mere Huzoor, “teri zulfon ne judai to nahi maangi thi” in Dev Anand’s Jab Pyar Kisi Se Hota Hai, “kaun hai jo sapno me aya” in Rajender Kumar’s Jhuk Gaya Aasman, etc.
Hasrat Jaipuri contributed in Raj Kapoor’s blockbusters like Awaara, Shree 420, Jis Desh Me Ganga Behti Hai, Sangam, etc, Rajender Kumar’s blockbusters like Ayee Milan Ki Bela, Dil Ek Mandir, Humrahi, Sasural, Zindagi, etc, Shammi Kapoor’s hit films Janwar, Brahmchari, Raj Kumar, Andaz, etc., Joy Mukherjee’s Love In Tokyo, Biswajeet’s April Fool, Uttam Kumar’s Choti Si Mulakat, to name a few.
Raj Kapoor’s greatest hit film in his illustrious career remained Sangam. In the film Hasrat Jaipuri’s words “yeh mera prempatra par kar” sung by Rafi and picturised on Rajender Kumar had remained immortal. Hasrat Jaipuri wrote it for a girl named Radha. Raj Kapoor kept the name of Vaijayatimala Radha in the film Sangam. Rafi’s voice at the end of the film brought tears in the minds of the audience with the words “kitum nazaar na hona” when Raj Kapoor and Vaijayantimala immersed the ashes of Rajender Kumar in Prayag Sangam at the end of the film.
Hasrat Jaipuri died in 1999. One article is too small to highlight the works of the legends Hasrat Jaipuri, SJ and Rafi. In fact Hasrat Jaipuri worked with other composers of the golden age as well. But the songs written by Hasrat Jaipuri for Rafi which were composed by Shankar Jaikishan still stand out as the most romantic masterpieces in the history of bollywood cinema.
The viewers of bollywood films wish happy birthday to Arshad Warsi on 19th April, 2014. During the last few years he had featured in one successful bollywood film out of every four films released during that period.
In 2011, Arshad Warsi was successful in the film Double Dhamaal. He acted alongside Sanjay Dutt, Ritesh Deshmukh, Javed Jaffery and others. Although the film did not do great business, his performance was appreciated by the audience.
His greatest recognition came in the role of circuit in the film Munnabhai MBBS and Lageraho Munnabhai. In both of these films he had played the role of the assistant of Sanjay Dutt and used his gundas to evict tenants and other persons when they were paid for doing so. Both the films were serio-comic in nature and in that respect Arshad Warsi’s comedy conception entertained the viewers.
In Munnabhai MBBS he used his muscle power to help Sanjay Dutt for giving exam on medical science and also for treating patients. In Lageraho Munnabhai, he compelled the academicians to give answers to Vidya Balan on questions related to Mahatma Gandhi on behalf of Sanjay Dutt. Sanjay Dutt knew nothing about the questions but due to the help of the academicians proved before Vidya Balan that he was a learned Professor. Arshad Warsi’s lips in the songs “lage raho munnabhai”, and “munnabhai mbbs” in both these films require special mention.
Arshad Warsi had been great asset to the bollywood industry for his comedy skills especially due to the fact that in the last few years the only type of films which did steady business includes comedy films. His performance in the film Maine Pyar Kyun Kiya, with Sanjay Dutt and Isha Koppikar requires special mention. While Sanjay Dutt was an orthopedic surgeon in the film Arshad Warsi was an actor. He made an excellent submission in an artificial courtroom where the divorce of Salman Khan with Sushmita Sen was organized to impress Katrina Kaif. His comparison of Salman’s relationship with Sushmita Sen with a car whose break had failed and which dashed with every object on the road made everyone laugh. His lips in the song “saajan” along with Isha Koppikar, was equally impressive.
Similarly he had done a great job in the film Salaam Namaste with Saif Ali Khan in the role of a lawyer. Whenever Saif Ali Khan required legal assistance during fight against Preeti Zinta he took the help of Arshad Warsi and he gave a witty answer. His performance in the film Dhamaal was equally brilliant. He was one of the four friends including Ritesh Deshmukh, Javed Jaffery and other who went to Goa to get treasure. They were stopped at every point by Sanjay Dutt, the police officer who also went to Goa for the treasure. At the end of the film the money had to be given for the cause of orphan children.
In 2010, he had already showed his metal in the film Ishqiya, with Vidya Balan and Naseeruddin Shah and the film You, me and ghost. Ishqiya had got both commercial success and critical acclamation. Arshad Warsi had started his own production and is committed to do well there too. In 2014 he acted in the film Ishqiya 2, with Naseeruddin Shah and Madhuri Dixit. Although the film did not do great business but the film was appreciated.
Arshad Warsi was sublime in many films including Golmaal and Golmaal Returns and viewers expect the ever-smiling talented actor to continue his brilliant work in future also.
Happy birthday to Chubby Star Ayesha Takia.
The viewers of bollywood films wish happy birthday to Chubby Star Ayesha Takia on 10th April, 2014. Actress Ayesha Takia has a very bright future in bollywood films. There are two categories of actresses who perform in bollywood films. The first category includes the daughters of celebrities who make their debut in films made by their parents. Examples include Sonam Kapoor, Kareena Kapoor, Deepika Padukone, whose first films had lot of curiousness created in respect of the performance. The second category includes the other actresses who prove their capability by performing in films over a period of time.
Ayesha Takia fall in that category. She was born on 10th April, 1986. Her father Nisith or mother Faridah were not celebrities to the stature of Jeetender, or Feroz Khan or Hema Malini whose children joined bollywood films. Ayesha did advertisement relating to complain girl and acted in music video of Falguni Pathak titled “meri chunari ur ur jaye”. She received the filmfare award for best debutant for the performance in the film Tarzan, The Wonder Car.
After that few average films like Socha Na Tha, Dil Mange Mor followed. She created attention in the film Shaadi No. 1, where Esha Deol and Soha Ali Khan acted with her. All three of them had husbands like Fardeen Khan, Sharman Joshi, etc., who were addicted towards other ladies. Sanjay Dutt came over there and disclosed the truth relating to the affairs of their husbands with other girls like Riya Sen. At the end of the film Ayesha’s husband and the husbands of Esha Deol and Soha Ali Khan understood their mistake and followed the right path.
Ayesha Takia was sublime in the film Salaam-e-Ishq opposite Akshay Khanna. Initially Akshay Khanna did not wanted to marry her for not taking up responsibilities of husband. But later he got convinced and married her. Ayesha gave able lips in the songs “salaam –e-ishq”, “dekho to dekho aisa hota to”, etc. Although the film did mediocre business the songs of the film became super hit. In 2008 and early part of 2009 her films De Taali, Sunday and 8*10 Tasveer did mediocre business.
In 2009, Ayesha Takia acted in super hit film Wanted opposite Salman Khan. Her romantic performance opposite Salman Khan was appreciated by all sections of the crowd. Her softness and submissiveness is like by different sections of audience. The song “love me love me” became hit in the film. The film did business of more than 75 crore and established Ayesha Takia as a leading actress along with Priyanka Chopra, Kareena Kapoor and Katrina Kaif.
The viewers also appreciated the good work of Ayesha Takia in films like Paathshala and Aap Ke Liye Hum in 2010. Viewers expect Ayesha Takia to continue her good work and make a comeback as well.
Gulzar is receiving Dadasahab Phalke award in 2014. It is great that Gulzar had been chose to be the recipient. He really deserved it.
He had been one of the greatest living legends at this moment. Bollywood is indebted to thoughtful director who had converted filmmaking into work of art.
His film Mausam released in 1975, was based on reflections of mind. Sanjeev Kumar was attached with Sharmila Tagore living in Darjeeling when he came over there as a student. After he went abroad to pursue his post-graduate studies, Sharmila was exploited and her daughter how looked identical like her mother was compelled to join prostitution.
Sanjeev Kumar returned as a foreign-return doctor and took his daughter away from the surroundings and gave her a new life. Bhupinder Singh’s ghazal “dil dhoonta hai phir wohi” composed by Madan Mohan and written by Gulzar remains as the greatest ghazal created in the 70s. The story-telling in the film was appreciated by critics.
Gulzar created a different dimension by experimented with classic literature during the 70s and 80s. His films Aandhi released in 1975, with Suchitra Sen and Sanjeev Kumar and Kinara released in 1978, with Jeetender and Hema Malini can very well be classified as master pieces. He gave very meaningful sequences where songs were recorded. He created a separate fanclub for himself who could understand human relations at the same period when larger than life images were created in main stream cinema of Big B, Vinod Khanna, Shatrughun Sinha and other angry young men in films like Sholay, Kalicharan, Burning Train, etc.
Gulzar’s films created for children like Parichay, released in 1972 and Kitaab, released in 1978 are still considered masterpieces. He was impressed by the thoughts of Hollywood film Sound of Music and Uttam Kumar’s Joyjoyanti to make a film related to five children who required a good teacher. Jeetender treated them with compassion and brought change in the children. In Kitaab, Uttam Kumar cared for his brother-in-law Master Raju who was a small child and had been send by her mother (Dina Pathak) to get educated in urbanized background. Vidya Sinha was the sister of Master Raju. Uttam Kumar played a huge part in transforming the character of Master Raju in the film.
Gulzar experimented with so many diverse subjects that articles after articles can be devoted to his different themes, including the film Koshish, released in 1972, based on life of deaf and dumb, Lekin, based on folklore of Rajasthan. Koshish had a very strong social message. It showed that deaf and dumb persons could go to dead and dumb schools and learn sign language. Their life can have a new aspiration and direction. All his artists like Suchitra Sen, Jaya Bacchan, Sharmila Tagore, Uttam Kumar, Sanjeev Kumar, Jeetender portrayed the life of middle-class men who were found in everyday life. He even worked with subjects like terrorism in films like Machis.
His composers, Jaidev, Madan Mohan, Khayyam, RD Burman all had given their best music for the thoughtful director. These days Gulzar concentrates more on writing lyrics. In that field too he had been master of masters. In the recent past Gulzar said that he wanted to devote time to write books. For those reasons he had reduced directing films in the last 10 years. It is a huge loss for thoughtful viewers. He continued to write lyrics of songs in bollywood films in regular intervals and his popular lyrics like “aisi nazar se” in the film Bunty Aur Babli had both class and also rhythm. He received the filmfare award for the best lyricist a number of times.
His admirers expect him to continue to make rich films which make the audience think, feel and reflect on the happiness and sniffles of life.
There were many bollywood actors who acted in more than 200 films out of which 40 to 50 films were musical in nature. In case of Joy Mukherjee out of his 38 films in a career spreading over 15 years, almost all the films were musical and his everlasting combination with Mohammad Rafi only produced gems after gems.
Joy Mukherjee started his career with the film Love in Simla in 1960.It was directed by RK Nayyar. Iqbal Qureshi composed the music of the film. Rafi’s songs “love ka matlab hai pyar”, “dil tham chale”, “ae baby idhar aao” were fresh and peppy in nature. From that time the everlasting combination of Joy Mukherjee with Mohammad Rafi stormed bollywood music for the next 10 years. In Hum Hindustani, Joy Mukherjee’s next film Sunil Dutt was the lead star so most of the songs were picturized on him. In the film Umeed in 1962, Rafi’s song “mujhe ishq hai tumhi se” became big hit.
From 1960 to 1967, Joy Mukherjee had the rare record of giving hit films in such a way that his films used to rank among the first 5 hit films of all the years. One of the main reasons for the success of the films included the evergreen music of the films.
In 1962 his film Ek Musafir Ek Haseena created storms. It ranked in the first 4 biggest hits of the year. The songs “bahut shukhriya bari meherbani”, “aap yuhi agar humse milte rahe”, “phir tere shahar me mitne ko chala aya hoon”, “humko tumhare ishqne kya kya bana diya”, “Mai pyar ka rahi hoon”, “mujhe dekhkar aapka muskurana” made the listeners enchanted.
The Joy Mukherjee, OP Nayyar and Rafi magic continued in the film Phir Wohi Dil Laya Hoon in 1963. It was produced and directed by Nasir Hussain. Again the songs were masterpieces including “zulf ke chayon me chehereka ujala lekar”, “nazneen bara rangeen hai wada tera”, “banda parwar thamlo jigar”, “lakhon hai nigahon me”, “anchal me saja lena kaliyan”, “aji kibla mohe tarma”, to name a few. It was par excellence. Probably OP Nayyar and Rafi combination was at the zenith. The film ended up being the third biggest hit film of 1963.
In 1964, Joy Mukherjee’s film Ziddi did great business. This time it was directed by Pramod Chakravarty. The music was composed by SD Burman. Rafi’s songs “janu kya mera dil ab kahan kho gaya”, “teri surat se nahi milti kisi ki surat”, “pyar ki manzil mast haseen” were all melodious songs and became superhit. In 1964 film Ji Chahta Hai, Rafi Joy Mukherjee combination again created gems. Kalyanji Anandji composed the songs. Rafi’s songs “kya kehne mashallah”, “ae jane tamanna jane bahar”, “rang rangilla mousam leke” created sensation.
Rafi Joy Mukherjee continued in the films Ishaara, Door Ki Awaaz and Ayo Pyar Karen. Kalyanji Anandji composed the music of film Ishaara. Rafi’s songs “dil bekarar sa hai”, “he Abdulla naginwala” were very impressive. Naushad Ali composed the music of Joy Mukherjee’s film Door Ki Awaaz. All the songs of Rafi were classically oriented and touchy namely “dil mera aaj kho gaya”, “ek musafir ko”, “husn se chand bhi”, “kya yunhi rooth ke”, to name a few.
Usha Khanna composed the music of the film Ayon Pyar Karen in 1964. Rafi’s songs “dil ke aine me tasveer teri”, “jinke liye mai diwana bana”, “tum akele to kabhi bag me” caught the attention of listeners a lot. In 1965, Rafi sang excellent songs in Joy Mukherjee’s film Bahu Beti. Ravi Shankar Sharma composed the music of the film. Rafi’s songs like “jiyo to aise jiyo”, “meri jaan na sata tu”, were very sweet.
Joy Mukherjee again stormed bollywood in the film Love in Tokyo. Shankar Jaikishan’s composition of music in the film rocked bollywood. Lata’s songs “sayonara sayonara”, “hume tum mil gaye humdum” was as popular as Rafi’s “Japan, love in Tokyo”, “aaja re aa zara aa”, “o mere shahekhuba”, and Manna Dey’s “mai tere pyar me bimar hun kya arz karun”. The westernized andaz of Rafi mesmerized the audience along with Japan’s exotic locations. Joy Mukherjee and Rafi combination did well in the film Saaz Aur Awaaz. Naushad Ali composed the music of the film. Rafi’s songs “dil ki mehfil saji hai”, “saaz ho tum awaaz hun mai”, “kisne mujhe sada di” showed the class and dignity of Naushad Ali’s creations.
Joy Mukherjee and Rafi again created magic in the film Shagird in 1967. This time Laxmikant Pyarellal stormed bollywood. Rafi’s songs “o bare miya diwane”, “o hai zara khafa khafa”, “duniya paagal hai” all created magic. Joy Mukherjee’s online chemistry with Saira Banu attracted the viewers. From Humsaya in 1968, gradually Joy Mukherjee’s box office popularity declined. OP Nayyar composed the music of the film and Rafi’s song “dil ki awaaz na sun” again became hit, but the film did not do great business.
From that time onwards Joy Mukherjee gradually faded out of the industry. His later films like Ek Kali Muskai, Dil Aur Muhabbat, Dupatta, Ek Baar Muskurado did very ordinary business. Rafi sang notable songs in some of these films, but neither the compositions nor the songs did touch the souls of the audience in the same way, the way it did in Love in Tokyo.
Joy Mukherjee had given lips in more than 200 songs of Mohammad Rafi. His songs and the films should be restored to remember the great combination of evergreen Mohammad Rafi with the romantic actor.
As long as melodious music will survive, Joy Mukherjee’s films will remain immortal.
Happy birthday to Jaya Prada.
The viewers of bollywood films wish happy birthday to Jaya Prada on 3rd April, 2014. Jaya Prada was considered as one of the most gifted actresses of bollywood films of the 80s. She shook the Indian audience with her dancing skills in the film Shankaravaranam.
In the late 70s her film Sargam opposite Rishi Kapoor became superhit with a brilliant story and excellent songs. She played the role of a deaf and dumb girl who had immense dancing callibre which was unearthed by Rishi Kapoor in the film. The film created sensation in both in North India and South India.
The music composed by LP was brilliant by every musical standard and Lata and Rafi were sublime in the songs “dafliwale dafli baja”, “koel boli”, “ramjiki nikli sawari”, etc. In an age of action pact films of Big B, Vinod Khanna, Sargam being a romantic film with Rishi Kapoor and Jaya Prada did excellent business.
From that time Jaya Prada became the no. 1 bollywood actress and acted opposite all the leading stars of bollywood. Her other superhit films include Sharabi, opposite Big B, Akhree Rasta opposite Big B, Kamchor opposite Rakesh Roshan, to name a few.
She acted in a number of films opposite Jeetender as well and all of those films were successful. At that time she got stiff competition from Sri Devi, another South Indian actress who had both acting talent and dancing talent. The films where both of them acted together, the viewers were confused to choose between the two. In Akhree Rasta Jaya Prada did equally well like Sri Devi.
In the 90s, also Jay Prada’s films especially opposite Big B did good business, like Indrajeet or Aaj Ka Arjun. In those films while Big B concentrated on action sequences, Jaya Prada played the romantic part to perfection. With the emergence of new actresses in bollywood films in the 90s like Madhuri Dixit and Juhi Chawla, Jaya Prada faded away from the bollywood industry.
She joined politics and had been the parliamentarian for more than a decade. Besides she had played important roles in tamil films and other South Indian films over the years. A number of cinema halls in Mysore and Bangalore were named after her.
In 2010, she had been expelled from the Samajwadi Party by Mulayam Singh Yadav along with other primary members. That can give her some time to devote in bollywood films as well. The viewers expect her to make a comeback in bollywood films in character roles as many of them feel that she still has a lot of acting left in her.
Happy birthday to Jaya Bacchan.
The viewers of bollywood films wish happy birthday to Jaya Bacchan on 9th April, 2014. She was considered to be one of the most powerful actresses of films during the 70s and 80s. Her effortless performance in different types of roles had inspired other actresses to follow her later on.
Jaya Bacchan started her career with an impressive role in Satyajit Ray’s film Mahanagar in 1965. She played the role of younger sister of Anil Chatterji and adapted herself in the role of realistic actress who show least amount of mannerisms in that film. In the bollywood film Guddi, she played the role of a common girl who was inspired by bollywood films. Utpal Dutta, her uncle took her to film studios to show that actors like Dharmender and others were made stars by the sheer effort of the cameraman, make-up man, director, producer and others and larger than life image is created by the technicians. Jaya Bacchan showed the innocence required from the role of a common teenager in the film.
In the 70s, Jaya Bacchan acted in refined commercial films opposite Sanjeev Kumar and got appreciation from the mass and the critics. She was sublime in Gulzar’s film Koshish, where she herself along with Sanjeev Kumar played the role of a deaf and dumb couple who educated their child and learned communication by attending classes in deaf and dumb schools. She acted in the film Naya din nayi raat, opposite Sanjeev Kumar, where Sanjeev Kumar played 9 roles of 9 different persons. She left her house and met all the nine separate persons and met her husband which was also played by Sanjeev Kumar. She had very peculiar experiences of meeting drunkards, persons suffering from leprosy, smugglers, etc. and expressed her emotions very well.
She was sublime in Gulzar’s film Parichay in 1972, where she played the role of the eldest sister of Sanjeev Kumar. She and her brothers and sisters became orphans after the death of their parents and were brought by Pran, their grandfather to their ancestral house. Jeetender was invited to teach the children and she got involved with Jeetender at the end of the film. She expressed her love for her father and hatred towards grandfather for not accepting her mother in the house like any intellectual actress. Her lips in the song “biti na bitai rehna” sung by Lata and Bhupinder Singh require special mention.
Jaya Bachhan was equally sublime in commercial films like Sholay, Zanjeer, etc., opposite Big B. If her performance opposite Sanjeev Kumar in films like Anamika, Nauker, showed her class of acting, her performance opposite Big B in films like Bangsi Aur Birju or Abhimaan or Milli showed her spontaneous presence before the commercial crowd.
In Abhimaan, all the songs of Lata like “teri bindiya re”, “tere mere Milan ki yeh raina”, etc., almost appeared like songs of Jaya Bacchan. Critics feel that she even did better than Big B in Hrishikesh Mukherjee’s classic film.
She became a myth in the 70s, after performing in any time of film including Manoj Kumar’s Shor to Yash Chopra’s Silsila. Even the medium-budget films like Piya Ka Ghar did business due to sheer brilliance of performance of Jaya Bacchan. In the late 90s, she again made a comeback in character roles in films like Kabhi Khushi Kabhi Gham, Fiza, etc., and showed the audience that she had not lost her touch in acting.
The viewers expect her to continue the great work in bollywood films, as there is no doubt that she had equal potentiality like Shabana Azmi or Smita Patil and could have been chosen for any art film made by Shyam Benegal, Govind Nihalini and others during the 80s, had she not left films for bringing up Abhishek Bacchan and her daughter.
Bengal’s Mahanayika Suchitra had become immortal in her works. She had been remembered on 6th April, 2014. Suchitra Sen died on 17th January, 2014, at an age of 83 years. The entire film fraternity and her numerous lovers had become speechless to hear her death news. He was admitted in Belview Nursing Home more than 2 weeks. Chief Minister Mamta Banerjee mourned her death.
Legendary actress Suchitra Sen had been remembered on her 84th birthday on 6th April, 2014. In Star Ananda Channel veteran actress Sabitri Chatterjee had been invited to speak about Suchitra Sen. She acted with the legend in many films like Annapurnar Mondir, Grihadaha, etc.
Suchitra Sen started her career with the film Saat Number Qaidi in 1953 and ended up with the film Pranay Pasha in 1978. After that she retired from film acting. Within the span of 25 years she acted in 3 films opposite Uttam Kumar making the romantic pair immortal over the last 60 years. She also acted in bollywood films including Devdas opposite Dilip Kumar, Bombai Ka Babu opposite Dev Anand, Mamta opposite Dharmender and Ashok Kumar, Aandhi opposite Sanjeev Kumar, to name a few.
Suchitra Sen had a tremendous combination with singer Geeta Dutt and their understanding both in Bengali films and bollywood films had created history during the golden age, that is the 50s and 60s. In the film Indrani, all the songs sung by Geeta Dutt for Suchitra Sen including “jhanak jhanak madhur badan”, “nir choto khoti nei”, “ogo sundoro”, etc., all became super hit. Suchitra Sen provided hit films one after the other with Uttam Kumar, during that age and Indrani also falls in that category.
Even in films where Geeta Dutt had sung only one song for Suchitra Sen, even in those films, the songs had a great impact in the success of the films. The song in the Ajoy Kar’s epic film Harano Sur, in 1957, titled “tumi je amar” had a unique appeal for the audience. Uttam Kumar lost his memory due to meeting with an accident and Suchitra Sen sang the song a number of times in the film. It haunted the viewers and touched the souls of numerous admirers of Bengali films.
Geeta Dutt’s song for Suchitra Sen also in the film Hospital also became extremely successful. Ashok Kumar acted opposite Suchitra Sen in the film and the song was “ei shundar sharnali sondhae”.
In bollywood films, SD Burman used Geeta Dutt for Suchitra Sen in the film Bombai Ka Babu. Dev Anand acted opposite Suchitra Sen in the film and all the songs were super hits. The main songs included “dekhne me bhola hai”, “pa ma ga”, etc., out of which some of them were duet songs with Mohammad Rafi and their romantic by every musical standard.
As Suchitra Sen made memorable contribution in bollywood films for more than 30 years, a lot of legendary singers contributed for her during that period. There were hit songs sung by Sandhya Mukherjee in landmark films like Sagarika, Pathe Holo Deri, Sriti Tuku Thak, Uttar Falguni, Bipasha, etc. At the same time in bollywood films Lata had sung landmark songs for Suchitra Sen including “rahe na rahe hum” composed by Roshan in the film Mamta, “is mor se jate hai”, “tere bina zindagi me shikwa” composed by RD Burman in the film Aandhi.
Even then Geeta Dutt was probably the only singer who sang songs for Suchitra Sen both in the Bengali films as well as the bollywood films. As Suchitra Sen’s hindi films were restricted to only Devdas, Champakali, Musafir, Bombai Ka Babu, Mamta, Aandhi, etc, Geeta Dutt got a limited scope of contributing in Suchitra Sen’s hindi films. Even then, the songs are still remembered by many generations and for those reasons the films should also be preserved.
It is a pity that Suchitra Sen had gone behind the purdah. The media people cannot approach her to get interview. The films of Suchitra Sen should be preserved and restored.
Happy birthday to Golden Hero Jeetender.
The viewers of bollywood films wish happy birthday to Jeetender, the golden hero of the 60s on 7th April, 2014. He has been considered as one of the most consistent actors who had steady box-office in the 60s, 70s and 80s.
In the early 60s, he started his career with the success in the film Geet Gaya Pattharone, opposite Rajashree. Bollywood industry was flooded with actors at that time including Showman Raj Kapoor, Tragedy King Dilip Kumar and the other matinee idols like Rajender Kumar, Pradeep Kumar, Shammi Kapoor, Bharat Bhushan and others. He had to face very strong competition to stay in the competition at that time.
Within a short period of time his dancing skills were cultivated by the directors and his films started making profits. His film Farz in 1967, opposite Babita, became super hit. The songs composed by LP and sung by Rafi created storms, including “mast baharon ka mai ashiq”, “baar baar din yeh aye”, etc. Besides, Jeetender’s dance performance in most of the songs entertained the viewers to a big extent.
From that time onwards, Jeetender had a great combination with LP, Rafi and Anand Bakshi. All the songs of the film Humjoli, Jeegri Dost and Banphool became superhit. Prominent songs included “mere desh me”, “dhal gaya din”, etc. Initially critics called Jeetender jumping jack, but his dancing skills followed by his acting skills made him a ruler in the 70s and 80s. He was blessed with romantic songs of Rafi and the composition of many brilliant composers of 60s and 70s. The songs of his film Mere Huzoor were equally romantic. Jeetender had to balance the stylish acting andaz of actor Raj Kumar and brilliant performance of Mala Sinha in the film Mere Huzoor. The film was a commercial and critical success. Jeetender with his dancing skills was sublime in the film Ek Nari Ek Brahmchari where Shankar Jaikishan. All the songs in the films were super hit including “tu nari mai brahmchari”sung by Rafi and Manna Dey. He was equally brilliant in the film Waarish. Rafi’s songs in the film were brilliant including “ek bechara pyar ka maara”. He was successful in the film Kathputli as well.
In 70s, he was probably the only romantic actor other than Rishi Kapoor, he survived the period relating to action films, when Big B, Vinod Khanna, Shatrughu Sinha and others gave hit action films one after the other. The hit films of Jeetender in the 70s include Karwan, Nagin, which continued in the 80s with the success of films like Asha opposite Reena Roy.
Jeetender also played a crucial in off-beat films of Gulzar like Parichay, Khushbu and Kinara where the intellectual audience had appreciated him. He gave very elegant lips in brilliant songs of Bhupinder Singh like “naam gum jayega”, “meethe bol bole”, etc. He transformed himself from an excited, energetic, youth to a reserve personality in Parichay, Khusbu and Kinara.
Jeetender’s in the 80s had compelled producers to launch him opposite young actresses like Sri Devi and Jaya Prada who were much younger than him in films like Himmatwala or Dharm Adhikari. After the launching of his son Tushar Kapoor in modern films, he had reduced acting in contemporary films.
But the viewers expect him to still continue in modern films in character roles just like before.
Happy birthday to Ajay Devgan.
The viewers of bollywood films wish happy birthday to Ajay Devgan on 2nd April, 20114. He had contributed a lot in bollywood films in the last 20 years. He started his career with the superhit film Phool Aur Kaante.
As his father Veeru Devgan had a great background of training actors for action sequences and Ajay Devgan started his career with the latent quality of an action hero. The action sequences in Phool Aur Kaante were excellent. Also the music of the film became hit with songs like “premi pagal awara”, “tumko milne ko dil karta hai”, etc., sung by Kumar Shanu and Alka Yagnik, which were picturized on Ajay Devgan and Madhu.
The other successful films of Ajay Devgan include Ishq, Dilwale, Pyar To Hona Hi Tha, etc. In Ishq, he acted with Amir Khan, Juhi Chawla and Kajol, and contributed well in the comedy sequences of the film. The film was based on the story of affairs between rich and poor people and the fathers of Juhi Chawla and Ajay Devgan never wanted to get their children married to poor people. The music of the film was very successful with songs like “ishq hua”, “humko tumse pyar hai”, etc.
Ajay Devgan also acted in very serious films like Raincoat opposite Aishwarya Rai, which was directed by Rituporno Ghosh, Zakhm, Gangaajal , etc. He had created an identity of a reserve actor and that image helped him in getting landmark roles for the last 10 years. His other successful films include Golmaal and Golmaal Returns.
In both Golmaal and Golmaal Returns Ajay Devgan acted with other comedians like Arshad Warsi and Tushaar Kapoor and maintained the rhythm of the film. Tushar Kapoor played the role of a deaf and dumb character in the film and at the end of the film got the job, the girl for marriage, as against the interests of his other friends.
Ajay Devgan married successful actress Kajol and both had acted together in a number of films like Pyar To Hona Hi Tha, Ishq, You, Me and Hum, etc., most of which were successful. Even Ajay Devgan’s role of a ghost in the film Kaal opposite Lara Dutta, John Abraham and others were well appreciated by viewers. His performance in patriotic roles like that of Shahid Bhagat Singh also requires special mention.
His film All the best did brilliant business in 2011. Although the credit for the success of the comedy film goes collectively to the effort of Sanjay Dutt, Fardeen Khan, Bipasha Basu and others, but Ajay Devgan’s anticipation of viewers accepting comedy stories require appreciation. 2010 proved extremely successful for Ajay Devgan. In 2010 also he had acted in the comedy film Atithi Tum Kab Jayoge with Konkona Sen Sharma and Paresh Rawal. The serious films in the year like Once Upon a Time In Mumbai did excellent business as compared to Aakrosh. The comedy film Golmaal 3 did excellent business and Ajay Devgan proved his effortlessness opposite actress Kareena Kapoor in style.
In 2012 onwards his film Singham did business of more than 100 crores. Also his film Son of Sardar did business of more than 100 crores. But his film Himmatwala in 2013 did not do great business. The viewers expect Ajay Devgan to continue his good work both as an actor and also producer, director in 2014 and in the years to come.
Prasenjit Chatterjee and Rachana Banerjee, the anchors of the program of Zee Bangla Tumi Je Amar, stormed Zee Bangla Tumi Je Amar with the celebrities invited on 1st April, 2014. The celebrities included Subhashis Mukherjee and his wife Ishita Mukherjee, Saswata Chatterjee and his wife Mahua Chatterjee, Rupanjana and her husband Rezaul and others.
In the second round, three scenes from three films of Saswata Chatterjee were shown and his wife Mahua Chatterjee was asked which one of the roles he liked the most. The roles were in films like Kahaani, Bhuter Bhobiswat and others. His wife Mahua Chatterjee liked the role of Bob Biswas, the serial killer in the film Kahaani. There were three dishes also produced before Mahua Chatterjee. She was asked if ilish fish was offered to Saswata Chatterjee, what would have been the vegetable with which he would have loved to eat, whether Pui Sakh or Kachu. She said it was Kachu.
In the second round, three scenes from three comedy films were shown to Subhashis Mukherjee and his wife Ishita Mukherjee. The films were Pather Panchali where Tulsi Chakravarty played a comedy role, Jamalaye Jibonto Manush where Bhanu Banerjee played a comedy role and Pyaasa where Johny Walker played a comedy role. Both Subhashis Mukherjee and Ishita Mukherjee agreed that they liked the role of Tulsi Chakravarty in the film Pather Panchali the most.
Rupanjana was asked about the name of the school in which Rezaul studied. She answered it was St. Zaviers. Rezaul also acted in Bengali films recently. He said he had taken tips from Rupanjana as well.
Prasenjit Chatterjee said that whenever he met Subhashis Mukherjee he always found him god-fearing. He did the pronam at every part of the house and then only got out of the house. In the Bhoolbhulaiya round, all the husbands had to go to the bhoolbhaiya and bring an ornament for the wives. They met Palash Adhikari, Subhashis, Fatik Purokayet and others. Each of those participants who previously showed their acting skills in Zee Bangla Mirakkel Program showed their comedy instincts in this show as well. Prasenjit Chatterjee and Rachana Banerjee anchored the program very well.